【按】这是我的第二个个展，第一个个展是2002年举办的“应变——吴味艺术展”，相隔差不多10年了。这10年主要做了艺术批评，批评的成果就是建构了当代艺术的“问题主义”；但也做了一些艺术，我的艺术就是我的“问题主义”的自我实验。对于我的当代艺术观念来说，我的批评也是“艺术”，我的艺术也是“批评”，当然都是“问题主义”的。感谢格丰当代艺术馆和泷画廊的理解和支持。
文化匿象——吴味艺术展
主办：格丰当代艺术馆、泷画廊
协办：中国当代艺术网（）、《中国移动画廊》杂志
策展人：黄泷
时间：2011年4月2日下午3:30举行开幕酒会，展期1个月
地点：深圳市宝安区公园路深圳22艺术区1号楼二楼格丰当代艺术馆展厅。
The Hidden Culture Truth – Wu Wei Arts Exhibition
Organizer: Ge Feng Contemporary Art Museum, Long Gallery
Co-Organizer: China Contemporary Art Network (),
Planner: Huang Long
Time: April 2, 2011 at 3:30 pm opening reception, Extension: 1 month
Address: Park Road, Baoan District, Shenzhen City, second floor of building 1, gallery of Ge Feng Contemporary Art Museum, Shenzhen 22 Arts District
序
我认识的吴味，是一个在艺术批评界总是惹起争论的人，他对艺术批评的高度执着，使我由衷地感受到他与艺术共生的意义。吴味作为一个从医学跨界的艺术批评家，他从科学理性的角度建构了他的独特的当代艺术理论——“问题主义”；同时吴味又是一个富于理性精神的艺术家，他的艺术创作可以说是他的“问题主义”的自我实验。他的作品形式多样，涵盖了行为、观念摄影、录像、电脑图片、装置、水墨等创作，作品都与中国文化问题的反思有关，与人的自由有关，呈现出当代文化批判的张力。如在这次展出的作品中，《毛笔抚摩》系列行为和观念摄影作品，反思的就是中国（传统）文化对人的柔性控制问题；而《水墨〇阵》系列作品，通过“〇”符号的虚虚实实、莽莽苍苍的有如山水画的“布阵”，在水墨的文化语境中，仿佛“笔墨等于零”，提示了中国文化在当下的虚无性——虚伪、虚妄、虚浮、虚夸、虚设、虚弱……
作为一个具有独特艺术观念的艺术家，吴味的创作让我看到了中国当代艺术的一种真正的本土性——与中国本土文化问题的内在关联，这种本土性是中国当代艺术赖以存在的价值依据，而它又是时下的中国当代艺术所稀缺的。正是出于这样的考虑，我们为吴味举办了这个展览，不仅是为了分享吴味艺术的独特智慧和魅力，更是为了推崇一种针对本土问题的艺术观念、艺术价值和艺术意义。祝愿吴味的艺术和批评更上层楼。
格丰艺术机构董事、泷画廊艺术总监：黄泷
2011年3月9日
The Preface
Wu Wei I know, is a person in the arts community who are always aroused controversy, he highly dedicated art criticism, so I sincerely felt the meaning of his work together with art. As an art critic from a medical cross, Wu Wei constructed his unique contemporary art theory – “Questionism” from the perspective of scientific rationality; same time, Wu Wei is a artist full of rational spirit, his arts can be said the self-experiment of his “Questionism”, his works in various forms, covering performance, conceptual photography, video, computer graphics, devices, ink etc, are relate to the reflections on Chinese cultural problems, and relate to human freedoms, so show the tension of contemporary culture criticism. For example, in the works of this exhibition, the < Writing brush stroking> series of performance and conceptual photography, reflect the problems about Chinese (traditional) culture flexibly controlling human; and
As an artist with a unique artistic concept, Wu Wei’s creation let me see a real indigenous nature of Chinese contemporary art - intrinsic association with Chinese local cultural problems, this indigenous nature is the value basis of Chinese contemporary art existence, but nowadays it is the scarcity of Chinese contemporary art. For this consideration, we organized this exhibition for Wu Wei, not only to share the unique wisdom and charm of Wu Wei’s arts, but also to promote the art concept, artistic value and artistic significance for the local problem. I wish Wu Wei reach new heights of art and criticism.
Ge Feng Art Institute Director, Long Gallery Art Director: Huang Long
March 9, 2011
