德克·扬·雅格，荷兰
在阿姆斯特丹生活和工作。
德克·扬·雅格是一个运用多种媒体工作的行为艺术家。他还是阿姆斯特丹“行为艺术论坛”的联合策展人和“现场艺术”基础的共同创立者。“现场艺术”是一个基于阿姆斯特丹的为多元表演实践与方法而设的平台。
德克·扬·雅格以一个画家的身份开始了他的职业生涯，在他的表演作品中他仍从不同的视角来完成画作。在他的许多表演中身体的表面都被定义为可利用的部分，皮肤转变成一块空白的画布，尽管它的表面实际上并没有接受，或者说主导，这些图象。雅格提取画作或神话人物的基本组成图象来展现他的身体，让这些熟悉的图象扮演他的第二层肌肤，并在表演的过程中逐渐地剥落，暴露出平凡而共有的身体。他作品的一个中心要素就是擦去身份与支撑身份的图案的动作。他作品的另一方面是他对关于传代和新生命诞生的传递的祭祀和仪式的兴趣，在表演中运用到各种材料涂抹全身并让它们剥落。
德克·扬·雅格在”广州·现场”的参演由荷兰驻广州总领事馆鼎力支持。
DirkJan Jager, the Netherlands
Livesand works in Amsterdam
Dirk JanJager is a performance artist working in a variety of media. He is also theco-curator of FLAM, the Forum of Live Art Amsterdam) and the co-founder ofbasis for Live Art, a platform for diverse performance practices and approachesbased in Amsterdam.
Dirk JanJager began his career as a painter, and in his performance work he stillapproaches painting from unusual perspectives. In many of his performances theliving surface of the body is defined as a site of intervention. It becomes ablank canvas, yet its surface does not exactly receive, or host, images. Jageralludes to motifs from painting or mythical figures to stage the body, allowingthe familiar image to act as a second skin, which in the course of theperformance is gradually peeled off, to reveal an anonymous, generic body. Acentral element in his work is the gesture of erasing identities, and imagesthat support them. Another aspect of his work is the interest in rituals andrites of passage, and transitional states that give birth to a new person,within a performative situation which involves the covering and peeling off thefull surface of the body with different materials.
Dirk Jan Jagers’ participation atGuangzhou Live is generously supported by the consulate general of theNetherlands in Guangzhou.
塔尼亚·马尔斯，加拿大
出生于1948年，在多伦多工作和生活。
塔尼亚马尔斯目前在多伦多大学士嘉堡校区研究生院教行为艺术和影像。马尔斯是一个专注女性主义的行为和影像艺术家，早在1973年就进入了加拿大的艺术界。她是蒙特利尔Powerhouse画廊（加拿大首个女性艺术画廊）的主管，在《平行四边形》杂志任编辑达13年，在国家非盈利艺术家协会（ANNPAC ）活跃长达15年。从上世纪70年代起，他就开始在各种艺术组织中活跃起来，她的作品常以令人惊叹的、极具讽刺意味的女性主义形象渐次展开。
上世纪70、80年代间马尔斯的作品集中在将女性放在叙述者的中心，创造了令人惊叹的女性主义形象。90年代中期她的作品开始涵盖耐力、持续性、地点具体化等特点。她的作品既有政治性和讽刺性，又不失幽默感。她既有独立创作的作品，也会和其他艺术家合作大规模的演出。
马尔斯的足迹遍布世界许多地方，如加拿大，瓦尔帕莱索，智力，墨西哥城，马尔默的莉莉丝剧院（Lilith Theatre），赫尔辛基和瑞典哥特堡的“live Act
在安大略艺术与设计学院，她与约翰娜居士合作编辑了《行动捕捉：行为艺术选集》，出版于2004年。她同时也是7a*11d Collective的成员，参加每年两次的多伦多国际行为艺术节。
2004年马尔斯被授予多伦多无题艺术奖的年度艺术家。2008年她获得了巴黎国际艺术节的艺术家驻留，同年她还获得了声誉远扬的视觉媒体艺术总督奖。另外，有关她的作品的书《讽刺到符号：塔尼亚行为艺术作品》已经出版，由Paul Couillard编辑。
塔尼亚·马尔斯此行参与“广州·现场”国际行为艺术节，由加拿大艺术委员会和加拿大驻广州总领事馆赞助支持。
《罕见的平价》
<罕见的平价>是持续的、任务性的表演，基本道具是外国货币。在长达数小时的演出中，钱被洗涤、甩干、上色、重新装配。
这部作品探索了人们在当下经济结构和社会中（情愿或不情愿的）勾连，人与人无法摆脱的联系。近年来全球经济的不确定性显示了人们在宏观政治与政策之下的脆弱，以及疲软的经济如何影响人们的生活。
TanyaMars, Canada
Born in1948, lives and works in Toronto
TanyaMars is currently teaching performance art and video at the University ofToronto Scarborough and is part of the graduate faculty at theUniversity of Toronto.
Mars isa dedicated feminist performance and video artist who has been involved in theCanadian art scene since 1973. She was a founding member and director ofPowerhouse Gallery (La Centrale) in Montreal (the first women's art gallery inCanada), editor of Parallelogramme magazine for 13 years, and very active inANNPAC (the Association of National Non-Profit Artist-run Centres) for 15years. She has also been an active member of other arts organizations since theearly 70's. Her work is often characterized as visually rich layers ofspectacular, satirical feminist imagery.
In the 70s and 80s Mars’work focused on creating spectacular feminist imagery that placed women at thecentre of the narrative. Since the mid-90s her performances have includedendurance, durational and site-specific strategies. Her work is political,satrical and humorous. She has worked both independently and collaboratively tocreate both large-scale as well as intimate performances.
She hasperformed widely across Canada, in Valparaiso, Chile, Mexico City, at LilithTheatre in Malm? and at Live Act
She isco-editor with Johanna Householder at On
In 2004Mars was named artist of the year for the Untitled Arts Awards in Toronto. In2008 she was International Artist in Residence at La Cité Internationale desArts in Paris, and futhermore the recipient of the prestigious 2008 GovernorGeneral's Award in Visual and Media Arts. In addition a book on herwork was published by FADOandedited by Paul Couillard, Ironic toIconic: The Performance Works of Tanya Mars.
TanyaMars’ participation at Guangzhou Live is generously supported by Canada’sCouncil for the Arts and the consulate general of Canada in Guangzhou.
RareParity
RareParity is a durational, task-oriented performance that uses foreign currency asits primary material. Over the course of several hours the money is washed,dried, repainted and reconfigured. It can be presentational or have a relationalcomponent, or possibly a combination of the two, depending on the performancesituation.
The worktakes a look at our (willing/unwilling) complicity in the economic fabric ofour communities and our inextricable links to each other. Recent globaleconomic uncertainty demonstrates how vulnerable we are to the policies anddecisions of others and how fragile economies affect our lives.
吴承典，中国
1993年毕业于四川美术学院油画系
作品及参展
2012年
《频率》现场艺术第四回（策划）成都廊桥艺术中心
《频率》现场艺术第三回（成都双年展特别邀请展策划）成都老书虫书吧
《另一边的小草更绿》国际视觉艺术节荷兰阿姆斯特丹
2011年
《另一边的小草更绿》国际视觉艺术节冰岛辛普森视觉艺术家协会
《青年公寓交换》计划forget art北京草场地
《频率》现场艺术第二回（策划）成都麻糖酒吧
《在另一面》中文电影艺术项目瑞士文化基金会、角落大学(苏黎
世)
《中国盒子-18位德国短片电影展播成都站》（策划）成都点醉红酒吧
2010年
《频率》现场艺术第一回（策划）成都白夜酒吧
Organhaus 重庆国际艺术家工作展示节重庆“器”空间
《白匣子-与盒子有关》吴承典Organhaus项目展重庆“器”空间
《月湖发生第二季》长沙现场艺术节长沙千年时间画廊
《谷雨行动》第四届“谷雨行动”艺术季国际城市联合展西安方言当代艺术中心
《175M175》当代艺术展成都廊桥艺术中心
2009年
《2009现场艺术年会》艺术粮仓
《18个需要超人的理由》影像艺术节中国及亚洲巡回展
宋庄艺术节《群落、群落》展北京宋庄美术馆
《废话》当代艺术年展成都天艺村美术馆
《韩国国际影像艺术节》韩国首尔会展中心
《黑屏》成都廊桥艺术中心
《错位》北京时态空间
《谈话就是运动》（现场）北京“荔”空间
《庆典-自由的1/6注解》现场作品重庆“器”空间
《庆典-自由的1/6注解》现场作品成都廊桥艺术中心
《双城记》成都当代艺术展成都廊桥艺术中心
Wu Chengdian,China
Graduated from Departmentof Oil Painting, Sichuan Fine Arts Institute, 1993
Exhibitions
2012
Frequency ExperimentalLive Art 4.0 (Curator), re-C artspace, Chengdu, China
Frequency ExperimentalLive Art 3.0 (Curator, the ChengduBiennale Invitational Exhibition), The Bookworm bookstore, Chengdu, China
Greener on the Other Side--International Video Screening SIM, Amsterdam,the Netherlands
2011
I'll be Your Mirror, Braunschweig University of Art (HBK),Germany
Greener on the Other Side--International Video Screening SIM,Association of Icelandic Visual Artists
Youth Apartment ExchangeProject, forget art, CaochangdiArts, Beijing, China
Frequency ExperimentalLive Art 2(Curator), Hemp House, Chengdu, China
On the Other Side--Chinese Video Art Project, Swiss CultureFoundation Corner College, Zurich, Switzerland
China Box (Coded)--18 Art Videos presented by ClemensWilhelm (Co-Producer), Midtouch Bar, Chengdu, China
2010
Frequency Experimental LiveArt 1 (Co-Curator), ChengduWhite Night Bar, Chengdu, China
Chongqing OrganhausInternational Artist Workshop Group Exhibition, Organhaus Art Space, Chongqing, China
White Case-About the Box--2010 Chongqing Organhaus InternationalArtist Workshop Solo Exhibition Project 1, Organhaus Art Space, Chongqing,China
2nd Changsha Live ArtFestival, New MillenniumCenter for Contemporary Art, Changsha, China
Spring Rain--4th Annual International Performance ArtFestival, Fangyan Contemporary Art Space, Xi’an, China
175M175-Contemporary Art Exhibition, re-C artspace, Chengdu, China
2009
1st Annual Live Art Festival, Art Granary, Chengdu, China
18 Reasons Why We Still NeedSuperman--China-AsiaVideo Festival
Community, Community--Songzhuang Video Festival, Songzhuang ArtCenter, Beijing, China
Nonsense--Annual Contemporary Arts FestivalExhibition, Tianyi Art Village, Chengdu, China
Korea International VideoFestival, SeoulExhibition Center, Korea
Black Screen, re-C art space, Chengdu, China
Misplacement, Tense Space, Beijing, China
Conversation is Sport (Live), “Lichee” Space, Beijing, China
Celebration--The 1/6 Commentsof Freedom (Live), OrganhausArt Space, Chongqing, China
Celebration--The 1/6 Commentsof Freedom (Live), re-Cart space, Chengdu, China
Art in Two Cities--Chengdu Contemporary Art Exhibition, re-Cart space, Chengdu, China
本哲恩·凡诺，挪威
本哲恩·凡诺对于艺术家，或者叫许可傻瓜，如何构成社会和文化完整的一部分的问题非常感兴趣。许可傻瓜不像一个自然的傻瓜一样介于正常和精神错乱之间，他能超越我们的范式束缚，去寻求另一种观点，这也就是他带回来的为人们的消费所翻译的概念和知识。
凡诺工作与摄影，视频以及表演打交道，他就读于皇家艺术学院，同时也被《观察家报》评为英国最佳的新人艺术家之一。凡诺最近完成了一项在波士顿伊曼纽尔学院艺术家驻留项目，并在大学里教学如何成为许可傻瓜。
我们都是猴子
Bjorn Olav Veno, Norway
Bjorn Veno is interested in how the artist, or the licensed fool, isan integral part of society and culture. The licensed fool unlike the naturalfool is a a character that stands between normality and insanity, someone whogoes beyond the confines of our paradigm to seek an alternative perspective forwhich he brings back ideas or knowledge that he translates for the consumptionof people.
Veno works with photography, video and performance, he studied at RoyalCollege of Art, was featured as on
We are all Monkeys
I am interested inhow the artist, or the licensed fool, is an integral part of society andculture. The licensed fool unlike the natural fool is a character that standsbetween normality and insanity, someone who goes beyond the confines of ourparadigm to seek an alternative perspective for which he brings back ideas orknowledge that he translates for the consumption of people.
