来源：朱殿琼个人网站

http://www.zhudianqiong.com/project/nine_pictures_1.html

项目介绍

如果把此前完成的“独立展览实践项目”理解为在面对当下泛滥成灾、千篇一律的展览现象时所采取的充分个人化的展览实践，那么，在这个项目当中，我将彻底抛开“展览”这一概念，也会顺便抛开“空间”这一概念，而尝试以类似于唱片专辑、杂志期刊、电视节目的形式展开我的工作。两个项目之间最主要的区别就在这里。

If the previous "Independent Exhibition Practical Project" is interpreted as a totally personal curatorial practice in the current inundate and machine-made art exhibition world, then in this project I'll completely abandon the notion of "exhibition", as well as the notion of "space". Instead, I'll attempt to use forms like albums, magazines and TV shows as my practicing methods. And this is also the main difference between this project and the previous one.

内容：

Reminiscent Hezhou / 忆河州

Midsummer Night / 仲夏夜

Leisure Freedom / 任逍遥

Pastoral Tone / 田园曲

Smailing Jiangnan / 笑江南

Childlike Wind / 风无邪

Distant Meet / 遥相见

Cinerous Heart / 心如灰

Highland Gaze / 望平川

Nine Pictures / 九张图片

2014.6

Only according to my personal judgments, I redefined and renamed pictures picked among thousands on the internet that had some links to my thoughts. These images are from websites that have no relationship with art, from agricultural, technological to military websites. The people who took these pictures would have never thought of them to be a part of a contemporary artwork. But this I find not important- instead what I find important is that the meaning of them have been changed from the moment I found them. During the process, what is happening between my computer and my brain is like what happens when a man is searching for a can in garbage, or when a guy is looking for a girlfriend on social websites. The simple behavior of searching and recognising is what leads the process of my work. The method of creation is the second part of my process, creating these series of work labelled "LIVE" and "Untitled". ‍‍/ 从互联网上海量的图片当中，我找到了一些和自己的想法有关联的、有连接的图片，按照自己一厢情愿的理解去重新定义它们并给它们命名。这些图片都是在农业、畜牧、科技、军事等非艺术类网站上找到的尺寸很大的原始图像，也许这些图片的主人们拍下这些照片的目的并不是为了完成一件当代艺术作品，这一点并不重要，重要的是就在我找到的那一刻，他们的意义发生了变化。在做这件事情的几个月里，我的大脑跟我的电脑之间发生的行为和一个在垃圾堆里寻找饮料瓶的人、一个在社交网上寻找女友的人没有太大的差异，这一简单的寻找并确认其价值的过程就是我的创作过程，这种创作方式也是本人继2013年的作品“现场”和“无题”之后的再次尝试。