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“抽象之后的绘画：涂鸦、图像再造与多重主题”
主办：喜玛拉雅美术馆
时间：2011年8月30日——11月30日
开幕酒会：2011年8月30日 18:00
地点：证大当代艺术空间（上海市杨浦区军工路1436号五维创意园区101幢，近翔殷路）
策 展 人：王南溟、廖上飞
策展助理：孙鹏、刘小嫦
参展艺术家：牟桓、韩绍光、黄峻、李天元、张诠、赵峥嵘、黄淋、刘永涛、李周卫、程毅、肖武聪、胡诚、杨锴、黄世常、宁婷婷、周多任
艺术总监：王纯杰
项目负责：张爱东
Tel/ Fax: +86 21 35120988
www.himalayasart.cn
logo
‘Painting after Art Goes Abstract: Graffiti, Image Reproduction and Multiple Themes’
Presented by: Himalayas Art Museum
Dates: August 30- November 30, 2011
Opening Reception: 6:00pm, Auguest 8, 2011
Venue: Zendai Contemporary Art Space
(Building No. 101, 1436 Jungong Rd., near Xiangyin Rd., Yangpu District, Shanghai, China.)
Curator: Wang Nanming, Liao Shangfei
Curator Assistants: Sun Peng, Liu Xiaochang
Artists: Mou Huan, Han Shaoguang, Huang Jun, Li Tianyuan, Zhang Quan, Zhao Zhengrong, Huang Lin, Liu Yongtao, Li Zhouwei, Cheng Yi, Xiao Wucong, Hu Cheng, Yang Kai, Huang Shichang, Ning Tingting, Zhou Duoren
Artistic Director: Wong Shunkit
Project Manager: Zhang Aidong
一、新闻发布会
主办：喜玛拉雅美术馆
时间：2011年8月18日 15:00
地点：证大当代艺术空间 二楼小剧场（上海市杨浦区军工路1436号，近翔殷路）
学术讨论是当代艺术的重要推动力，特别是在当下中国当代艺术被符号化和单一化的时候，用学术来开启新的艺术创作显得尤其重要，喜玛拉雅美术馆在新馆还没有装修并正式开馆之前，以它在五维的证大当代艺术空间（原证大当代艺术陈列馆）和证大朱家角艺术馆的两个分馆，通过展览和论坛介入到这个学术建设中，并开始讨论各种有争议和既具有理论前沿性，又有美术史学背景的论题。
二、论坛：“抽象之后的批评理论”
主题：抽象之后的批评理论
论坛主持：王南溟
主讲：朱青生、沈语冰、王春辰、张晓剑、曾玉兰、廖上飞
时间：2011年8月30日10:00-11:50 13:30-16:15
地点：证大当代艺术空间 二楼小剧场（上海市杨浦区军工路1436号，近翔殷路）
1960年代，西方的现代绘画理论有了一个小结，后现代主义批评理论随之兴起，最重要的特征是，这时的艺术已经不只是绘画本身的问题，而是前卫艺术与理论对绘画理论的批判。半个世纪以来，后现代批评理论仍然是未定论的而且是争议不断的，以至于这样的批评理论，无论是西方还是中国，在学院中是被搁置的。这就有必要在致力于当代艺术的美术馆举办论坛。本次论坛结合“抽象之后的绘画：涂鸦、图像再造和多重主题”的展览背景，以现代主义艺术批评的终结处为起点，讨论一个绘画在抽象之后的多种呈现和它的理论系统，以期获得抽象之后的绘画批评方法论上的思考和面对新的绘画时在理论上的创造力。
三、青年策展人、批评家工作坊
演讲主题：现代水墨与传统性
时间：2011年8月31日 9:30-12:00
地点：证大当代艺术空间 二楼小剧场（上海市杨浦区军工路1436号，近翔殷路）
本次工作坊主持人：王南溟
主讲：曾玉兰（朱屺瞻艺术馆学术部主任，2012年“新水墨大展”执行策展人）
廖上飞（四川美术学院美术学系的现代书法理论研究专业方向硕士生）
李鲁鄂（四川美术学院美术学系硕士生，“水墨方向之三”展览策展人）
美术馆不但是展览的现场，而且还是艺术教育的现场。因此创作工作坊和学术工作坊在美术馆中起着重要的作用，它以鲜活的现场感催生创作和研究的创造力。喜玛拉雅美术馆将推动新一代批评家的学术。
四、展览：“抽象之后的绘画：涂鸦、图像再造与多重主题”
主办：喜玛拉雅美术馆
时间：2011年8月30日——11月30日
开幕酒会：2011年8月30日 18:00
地点：证大当代艺术空间 二楼小剧场（上海市杨浦区军工路1436号，近翔殷路）
策 展 人：王南溟、廖上飞
参展艺术家：牟桓、韩绍光、黄峻、李天元、张诠、赵峥嵘、黄淋、刘永涛、李周卫、程毅、肖武聪、胡诚、杨锴、黄世常、宁婷婷、周多任
展览选取了1950年代、1960年、1970年代和1980年代出生的四代艺术家的作品，从这些作品中要说明的是，上两代的画家一直坚持自己的绘画个人性，而下两代也在主流绘画外独立思考绘画的主题，当然他们的作品不是宏大趣味的抽象画，也不是中国符号化的绘画，而是在抽象之后、中国符号化之外的绘画，他们有着对图像的不同理解、绘画语言的开放式选择和主题上的个人角度。这就是本次被命名为“抽象之后的绘画：涂鸦、图像再造与多重主题”的原因，所以本次展览也因为他们的作品而使绘画有了新的讨论的起点。
五、展览：“水墨方向（3）——陈九、刘永顺双个展”
主办：喜玛拉雅美术馆、上海证大朱家角艺术馆
时间：2011年9月2日——10月2日
开幕酒会：2011年9月2日 14:00
地点：上海证大朱家角艺术馆（上海市青浦区朱家角镇北大街222号）
策展人：李鲁鄂
学术主持：王南溟
“水墨方向”是喜玛拉雅美术馆的学术项目，是以展览的方式讨论水墨领域的各种可能性，当然对于处在中西交汇的水墨画而言，各种方向都会成为水墨领域思考内容。这次以陈九和刘永顺的作品为双个展，组成一个对话式现场，陈九从山水画中抽离出水波纹的元素，而刘永顺从传统书法中抽离出书法线条的运动，他们在书法与中国画的两种艺术史背景下实践着现代水墨。
六、艺术家工作室开放日
时间：2011年9月8日
地点：五维创意园区（上海市杨浦区军工路1436号，近翔殷路）
工作室开放也是一种展览方式，“九月的艺术”项目包括五维艺术家工作室开放日。五维艺术园区既有喜玛拉雅美术馆的展区，也有艺术家工作室。9月8日，结合“抽象之后的绘画：涂鸦、图像再造与多重主题”展览开幕，五维的艺术家工作室与其互动，立体展示五维艺术家的生存创作状况和艺术生态。
I. Press Conference
Organized by: Himalayas Art Museum
Time: 15:00, August 18 2011
Venue: Mini Theater at Zendai Contemporary Art Space (2F, Bldg No. 101, No. 1436, Jungong Rd)
Though the new site of Himalayas Art Museum is yet to be unveiled, the museum’s efforts to carve out a platform for academic discussions and contemporary art presentations never stop. With a series of events and programmes to be launched at Zendai Contemporary Art Space (former Zendai Contemporary Art Exhibition Hall) and Zendai Zhujiajiao Art Museum, two branches of Himalayas Art Museum, the museum has been dedicated to supporting academic researches and offering artists, curators, critics and the general public a place where ideas can be exchanged and where there is room for debates.
II. Forum: Critical Theories after Art Goes Abstract
Theme: Critical Theories after Art Goes Abstract
Moderator: Wang Nanming
Speakers: Zhu Qingsheng, Shen Yubing, Wang Chunchen, Zhang Xiaojian, Zeng Yulan, Liao Shangfei
Time: 10:00-16:15, August 30, 2011
Venue: Mini Theater at Zendai Contemporary Art Space (2F, Bldg No. 101, No. 1436, Jungong Rd)
A summary was made to western modern painting theories in the 1960s, following which post-modern critical theories emerged. One of the most distinctive features back then was that art was not only about painting but also about criticism on painting theories by avant-garde art and theories. Over half a century later, post-modern critical theories still remain undefined and controversial, which leads to the need to further deepening the study of this topic. By focusing on the development of painting after abstract expressionism and the theoretical system behind it, the forum, together with the exhibition Painting after Art Goes Abstract - Graffiti, Image Reproduction and Multiple Themes, aims to provide some new perspectives of and reflections upon critical theories after art goes abstract.
III. Young Curators/Critics Workshop
Theme: Modern Ink and Wash Painting and Traditionality
Time: 9:30-12:00, August 31, 2011
Venue: Mini Theater at Zendai Contemporary Art Space (2F, Bldg No. 101, No. 1436, Jungong Rd)
Moderator: Ma Lin
Speakers: Zeng Yulan (Academic Director, Zhu Jizhan Art Museum; executive curator of 2012 Neo-Ink and Wash Painting)
Liao Shangfei (MA in Theories of Modern Calligraphy of Department of Art History, Sichuan Fine Arts Institute)
Li Lu’e (MA of Department of Art History, Sichuan Fine Arts Institute; curator of Chinese Ink Painting – Change and Growth III)
Art museum is more than a place for exhibition. It is also a primary site for art education. As workshops play an increasingly important role in the development of art and art education, the Himalayas Art Museum specially designs a series of curators/critics workshops for the young generation to learn and show their talents.
IV. Exhibition: Painting after Art Goes Abstract - Graffiti, Image Reproduction and Multiple Themes
Organized by: Himalayas Art Museum
Opening reception: 18:00, August 30, 2011
Dates: August 30-November 30, 2011
Venue: Mini Theater at Zendai Contemporary Art Space (2F, Bldg No. 101, No. 1436, Jungong Rd)
Curators: Wang Nanming, Liao Shangfei
Artists: Mou Huan, Han Shaoguang, Huang Jun, Li Tianyuan, Zhang Quan, Zhao Zhengrong, Huang Lin, Liu Yongtao, Li Zhouwei, Cheng Yi, Xiao Wucong, Hu Cheng, Yang Kai, Huang Shichang, Ning Tingting, Zhou Duoren
Works by artists born in the 1950s, 1960, 1970s and 1980s are selected to be put on display. Some interesting contrasts and similarities can be perceived among these different generations. Entitled Painting after Art Goes Abstract – Graffiti, Image Reproduction and Multiple Themes, the exhibition aims to provide some new perspectives for the discussion of painting in the new era.
V. Exhibition: Chinese Ink Painting – Change and Growth III: Chen Jiu Liu Yongshun Exhibition
Organized by: Himalayas Art Museum, Shanghai Zendai Zhujiajiao Art Museum
Opening reception: 14:00, September 2, 2011
Dates: September 2 – October 2, 2011
Venue: Shanghai Zendai Zhujiajiao Art Museum (No. 222, North Street, Zhujiajiao)
Curator: Li Lu’e
Academic moderator: Wang Nanming
Chinese Ink Painting – Change and Growth is an ongoing project co-launched by Himalayas Art Museum and Zendai Zhujiajiao Art Museum. It aims to further explore the possibilities of ink and wash painting. Chen Jiu and Lin Yongshun’s exhibition is the 3rd of the series. Works of the two artists feature the practice of contemporary ink and wash under the influence of traditional calligraphy and landscape painting, and are supposed to create a scene for interactive dialogue.
VI. Art Studio Open Day
Time: September 8, 2011
Venue: Wuwei Creative Space (No. 1436, Jungong Rd)
Art studio open day is a good way for artists to present their work. This September Wuwei Creative Space will present its first Art Studio Open Day for art practitioners and art lovers. On September 8, in addition to the opening of Painting after Art Goes Abstract – Graffiti, Image Reproduction and Multiple Themes, visitors can also have the chance to take a close look at the various studios at Wuwei and to interact with the artists.
主办：喜玛拉雅美术馆
时间：2011年8月18日 15:00
地点：证大当代艺术空间 二楼小剧场（上海市杨浦区军工路1436号，近翔殷路）
学术讨论是当代艺术的重要推动力，特别是在当下中国当代艺术被符号化和单一化的时候，用学术来开启新的艺术创作显得尤其重要，喜玛拉雅美术馆在新馆还没有装修并正式开馆之前，以它在五维的证大当代艺术空间（原证大当代艺术陈列馆）和证大朱家角艺术馆的两个分馆，通过展览和论坛介入到这个学术建设中，并开始讨论各种有争议和既具有理论前沿性，又有美术史学背景的论题。
二、论坛：“抽象之后的批评理论”
主题：抽象之后的批评理论
论坛主持：王南溟
主讲：朱青生、沈语冰、王春辰、张晓剑、曾玉兰、廖上飞
时间：2011年8月30日10:00-11:50 13:30-16:15
地点：证大当代艺术空间 二楼小剧场（上海市杨浦区军工路1436号，近翔殷路）
1960年代，西方的现代绘画理论有了一个小结，后现代主义批评理论随之兴起，最重要的特征是，这时的艺术已经不只是绘画本身的问题，而是前卫艺术与理论对绘画理论的批判。半个世纪以来，后现代批评理论仍然是未定论的而且是争议不断的，以至于这样的批评理论，无论是西方还是中国，在学院中是被搁置的。这就有必要在致力于当代艺术的美术馆举办论坛。本次论坛结合“抽象之后的绘画：涂鸦、图像再造和多重主题”的展览背景，以现代主义艺术批评的终结处为起点，讨论一个绘画在抽象之后的多种呈现和它的理论系统，以期获得抽象之后的绘画批评方法论上的思考和面对新的绘画时在理论上的创造力。
三、青年策展人、批评家工作坊
演讲主题：现代水墨与传统性
时间：2011年8月31日 9:30-12:00
地点：证大当代艺术空间 二楼小剧场（上海市杨浦区军工路1436号，近翔殷路）
本次工作坊主持人：王南溟
主讲：曾玉兰（朱屺瞻艺术馆学术部主任，2012年“新水墨大展”执行策展人）
廖上飞（四川美术学院美术学系的现代书法理论研究专业方向硕士生）
李鲁鄂（四川美术学院美术学系硕士生，“水墨方向之三”展览策展人）
美术馆不但是展览的现场，而且还是艺术教育的现场。因此创作工作坊和学术工作坊在美术馆中起着重要的作用，它以鲜活的现场感催生创作和研究的创造力。喜玛拉雅美术馆将推动新一代批评家的学术。
四、展览：“抽象之后的绘画：涂鸦、图像再造与多重主题”
主办：喜玛拉雅美术馆
时间：2011年8月30日——11月30日
开幕酒会：2011年8月30日 18:00
地点：证大当代艺术空间 二楼小剧场（上海市杨浦区军工路1436号，近翔殷路）
策 展 人：王南溟、廖上飞
参展艺术家：牟桓、韩绍光、黄峻、李天元、张诠、赵峥嵘、黄淋、刘永涛、李周卫、程毅、肖武聪、胡诚、杨锴、黄世常、宁婷婷、周多任
展览选取了1950年代、1960年、1970年代和1980年代出生的四代艺术家的作品，从这些作品中要说明的是，上两代的画家一直坚持自己的绘画个人性，而下两代也在主流绘画外独立思考绘画的主题，当然他们的作品不是宏大趣味的抽象画，也不是中国符号化的绘画，而是在抽象之后、中国符号化之外的绘画，他们有着对图像的不同理解、绘画语言的开放式选择和主题上的个人角度。这就是本次被命名为“抽象之后的绘画：涂鸦、图像再造与多重主题”的原因，所以本次展览也因为他们的作品而使绘画有了新的讨论的起点。
五、展览：“水墨方向（3）——陈九、刘永顺双个展”
主办：喜玛拉雅美术馆、上海证大朱家角艺术馆
时间：2011年9月2日——10月2日
开幕酒会：2011年9月2日 14:00
地点：上海证大朱家角艺术馆（上海市青浦区朱家角镇北大街222号）
策展人：李鲁鄂
学术主持：王南溟
“水墨方向”是喜玛拉雅美术馆的学术项目，是以展览的方式讨论水墨领域的各种可能性，当然对于处在中西交汇的水墨画而言，各种方向都会成为水墨领域思考内容。这次以陈九和刘永顺的作品为双个展，组成一个对话式现场，陈九从山水画中抽离出水波纹的元素，而刘永顺从传统书法中抽离出书法线条的运动，他们在书法与中国画的两种艺术史背景下实践着现代水墨。
六、艺术家工作室开放日
时间：2011年9月8日
地点：五维创意园区（上海市杨浦区军工路1436号，近翔殷路）
工作室开放也是一种展览方式，“九月的艺术”项目包括五维艺术家工作室开放日。五维艺术园区既有喜玛拉雅美术馆的展区，也有艺术家工作室。9月8日，结合“抽象之后的绘画：涂鸦、图像再造与多重主题”展览开幕，五维的艺术家工作室与其互动，立体展示五维艺术家的生存创作状况和艺术生态。
I. Press Conference
Organized by: Himalayas Art Museum
Time: 15:00, August 18 2011
Venue: Mini Theater at Zendai Contemporary Art Space (2F, Bldg No. 101, No. 1436, Jungong Rd)
Though the new site of Himalayas Art Museum is yet to be unveiled, the museum’s efforts to carve out a platform for academic discussions and contemporary art presentations never stop. With a series of events and programmes to be launched at Zendai Contemporary Art Space (former Zendai Contemporary Art Exhibition Hall) and Zendai Zhujiajiao Art Museum, two branches of Himalayas Art Museum, the museum has been dedicated to supporting academic researches and offering artists, curators, critics and the general public a place where ideas can be exchanged and where there is room for debates.
II. Forum: Critical Theories after Art Goes Abstract
Theme: Critical Theories after Art Goes Abstract
Moderator: Wang Nanming
Speakers: Zhu Qingsheng, Shen Yubing, Wang Chunchen, Zhang Xiaojian, Zeng Yulan, Liao Shangfei
Time: 10:00-16:15, August 30, 2011
Venue: Mini Theater at Zendai Contemporary Art Space (2F, Bldg No. 101, No. 1436, Jungong Rd)
A summary was made to western modern painting theories in the 1960s, following which post-modern critical theories emerged. One of the most distinctive features back then was that art was not only about painting but also about criticism on painting theories by avant-garde art and theories. Over half a century later, post-modern critical theories still remain undefined and controversial, which leads to the need to further deepening the study of this topic. By focusing on the development of painting after abstract expressionism and the theoretical system behind it, the forum, together with the exhibition Painting after Art Goes Abstract - Graffiti, Image Reproduction and Multiple Themes, aims to provide some new perspectives of and reflections upon critical theories after art goes abstract.
III. Young Curators/Critics Workshop
Theme: Modern Ink and Wash Painting and Traditionality
Time: 9:30-12:00, August 31, 2011
Venue: Mini Theater at Zendai Contemporary Art Space (2F, Bldg No. 101, No. 1436, Jungong Rd)
Moderator: Ma Lin
Speakers: Zeng Yulan (Academic Director, Zhu Jizhan Art Museum; executive curator of 2012 Neo-Ink and Wash Painting)
Liao Shangfei (MA in Theories of Modern Calligraphy of Department of Art History, Sichuan Fine Arts Institute)
Li Lu’e (MA of Department of Art History, Sichuan Fine Arts Institute; curator of Chinese Ink Painting – Change and Growth III)
Art museum is more than a place for exhibition. It is also a primary site for art education. As workshops play an increasingly important role in the development of art and art education, the Himalayas Art Museum specially designs a series of curators/critics workshops for the young generation to learn and show their talents.
IV. Exhibition: Painting after Art Goes Abstract - Graffiti, Image Reproduction and Multiple Themes
Organized by: Himalayas Art Museum
Opening reception: 18:00, August 30, 2011
Dates: August 30-November 30, 2011
Venue: Mini Theater at Zendai Contemporary Art Space (2F, Bldg No. 101, No. 1436, Jungong Rd)
Curators: Wang Nanming, Liao Shangfei
Artists: Mou Huan, Han Shaoguang, Huang Jun, Li Tianyuan, Zhang Quan, Zhao Zhengrong, Huang Lin, Liu Yongtao, Li Zhouwei, Cheng Yi, Xiao Wucong, Hu Cheng, Yang Kai, Huang Shichang, Ning Tingting, Zhou Duoren
Works by artists born in the 1950s, 1960, 1970s and 1980s are selected to be put on display. Some interesting contrasts and similarities can be perceived among these different generations. Entitled Painting after Art Goes Abstract – Graffiti, Image Reproduction and Multiple Themes, the exhibition aims to provide some new perspectives for the discussion of painting in the new era.
V. Exhibition: Chinese Ink Painting – Change and Growth III: Chen Jiu Liu Yongshun Exhibition
Organized by: Himalayas Art Museum, Shanghai Zendai Zhujiajiao Art Museum
Opening reception: 14:00, September 2, 2011
Dates: September 2 – October 2, 2011
Venue: Shanghai Zendai Zhujiajiao Art Museum (No. 222, North Street, Zhujiajiao)
Curator: Li Lu’e
Academic moderator: Wang Nanming
Chinese Ink Painting – Change and Growth is an ongoing project co-launched by Himalayas Art Museum and Zendai Zhujiajiao Art Museum. It aims to further explore the possibilities of ink and wash painting. Chen Jiu and Lin Yongshun’s exhibition is the 3rd of the series. Works of the two artists feature the practice of contemporary ink and wash under the influence of traditional calligraphy and landscape painting, and are supposed to create a scene for interactive dialogue.
VI. Art Studio Open Day
Time: September 8, 2011
Venue: Wuwei Creative Space (No. 1436, Jungong Rd)
Art studio open day is a good way for artists to present their work. This September Wuwei Creative Space will present its first Art Studio Open Day for art practitioners and art lovers. On September 8, in addition to the opening of Painting after Art Goes Abstract – Graffiti, Image Reproduction and Multiple Themes, visitors can also have the chance to take a close look at the various studios at Wuwei and to interact with the artists.
杨锴作品
杨锴作品
赵峥嵘作品
