单义工作室参展作品：

四象／曹矣

布面丙烯／80cm＊80cm＊4/2016

FOUR IMAGES/Cao Yi

acrylic paint on canvas

将黑色结构作为某种入侵平面的力量，图像之间不断演化、重复、折叠、覆盖，新的图像产生的同时也发展出新的发育过程。当某一图像宣布胜利的时候，也是把法律归还给平面的时候。至此，图像便成了绝对意义上的“正确的图像”。

The black structure as a kind of invading plane force, the image betweenthe evolving, repetitive, folding, covering, new images generated at the sametime also developed a new development process. When an image announces victory,it is time to return the law to the plane. At this point, the image has becomethe absolute sense of the "correct image."

潜在的维度／龙江

丝网版画和石蜡／200cm＊120cm＊3，70cm＊70cm＊60cm＊3／2016

HIDDENDIMENSION/Long Jiang

Serigraphs and wax

我的作品以制作过程本体运作，是很多微小部分集合的混合状态。每一个动作都是独立的，都是一个变化的多属性个体，它们相互作用产生推动力,推动作品的进化。以建立的内在平面和内在立体，产生一个与现实世界平行的0空间。改变材料的基本参数和属性，通过图像和动作的置换与嫁接，撒播与流动，把我们熟知的审美过滤，链接无限的过去，现在，未来。

我具体的制作是建立在对丝网版画这种固定的板之上的变化和流动，和对石蜡这一固定的材料之上的探索。

My work withthe production process ontology operation, is a mixture of many small parts ofthe state. Each action is independent, is a change of multi-attributeindividuals, they interact to generate impetus to promote the evolution ofworks. To create the inner plane and inner three-dimensional, to produce aparallel to the real world 0 space. Change the basic parameters and propertiesof materials, through the replacement of images and actions and grafting, sowingand flow, we are familiar with the aesthetic filter, link the infinite past,present and future.

My specificproduction is based on the screen printing of this fixed board above thechanges and flow, and the paraffin on the fixed material on the exploration.

高岗上的空气／习关磊

布面油画／60cm＊30cm，30cm＊30cm＊2/2016

UPON THE HIGH HILL/ XI GUANLEI

Oil on canvas

我的绘画不描绘外在事物，而是描絵绘画的质料本身，如画布自身以及痕迹，因此构成一种零度事物的绘画的平面。这是一种超导的物理学平面，此平面是在低温下金属的电阻消失的平面。在零度绘画这种超导平面中，形象、话语都将消失，留下的是绘画质料自身的某种启示。

My paintings do not depict external things, but rather paint the material itself,such as the canvas itself and traces, thus forming a zero-dimensional paintingof the plane. This is the plane of the superconducting physics, which is theplane in which the resistance of the metal disappears at low temperatures. Inthe zero-degree painting of this superconducting plane, the image, discoursewill disappear, leaving behind some of the inspiration of the painting material itself.

没有铆定点的染色体容器／殷世炎

综合材料／110cm＊55cm＊50cm／2016

THE DNA CONTAINER WITHOUT QUILTING POINT ／Yin Shiyan

Mixed material

我的装置中的所有形象与材料都是多关的、没有铆定点的，如：尸体、建筑和巢穴；头、手和骨骼；晶体和血液等。因此，构成一种视差的装置。这是一种细胞分裂一般的生物学装置，此装置在增殖的多中解构了话语和形象，呈现的是一个由自身产生的指涉流构建起来的身体。

All the images and materials in my installation are related, there are no quilting points,such as: dead bodies, buildings and nests; head, hands and bones; crystals andblood. Therefore, a device constituting a parallax is provided. This is ageneral biological device for cell division, which deconstructs discourse andimage in a multiplicity of reproduction, presenting a body built up by a self-generated flow.

参观展览现场：

单义工作室，2016年11月15日