来源：中国艺术现场

卡塞尔文献展LOGO

2017第14届卡塞尔文献展

2017年第14届卡塞尔文献展主题为“以雅典为鉴”，“以雅典为鉴”也即“以史为鉴”，回到西方政治文明的发源地而如今深处危机，被欧洲边缘化的雅典，这不是一种怀旧，而是基于过去的理想模型对现实世界的再思考，和对将来世界可能性的构想。这或许就是步入古稀之年的文献展的思索。

第14届卡塞尔文献展在希腊雅典设立第二展区。这是在文献展历史上首次放弃卡塞尔作为唯一主办地。

▲艺术家：Abounaddara

2017第14届卡塞尔文献展总策划人

亚当·希姆奇克（Adam Szymczyk）也将是卡塞尔文献展历史上的第十个策展人。他认为：现在所有人，不管是德国人，还是希腊人，都要回到一个原点，要问接下来该干嘛。他用这个问题回答了大家的质疑，而答案大家可以在2017年时去雅典和卡塞尔寻找。

展览时间

雅典：2017年4月8日至7月16日

卡塞尔：2017年6月10日至9月17日

此次文献展的雅典分展场

共199位/组 艺术家 参展

雅典分展场 绘画篇

▲艺术家：Abel Rodríguez

Abel Rodríguez, Ciclo anual en las altas terrazas de la selva tropical (Annual cycle in the high terraces of the rainforest, 2007), ink on paper, 50 × 70 cm

▲艺术家：Andreas Ragnar Kassapis

Andreas Ragnar Kassapis, Object 32 (2016), oil on wood panel, 40 × 50 × 5 cm

▲艺术家：Apostolos Georgiou

Apostolos Georgiou, 0100 (2005), acrylic on canvas, 210 × 230 cm, photo: Boris Kirpotin

▲艺术家：Ashley Hans Scheirl

Ashley Hans Scheirl, Glorious Restraint, from the series “Painter’s Parody” (2016), acrylic and oil on canvas, 125 × 175 cm

▲艺术家：Christos Papoulias

Christos Papoulias, The House of the Divorced (2014), colored pencil and graphite on paper, 21 × 27 cm (framed), courtesy Christos Papoulias, Locus Athens

▲艺术家：David Harding

David Harding, Portrait of Samuel Beckett (From a Photograph by Jane Bown) (2016), graphite on paper, 30 × 21 cm

▲艺术家：David Schutter

David Schutter, L LB dc 3 (2013), chalk and crayon on paper, 34 × 24 cm, courtesy David Schutter and Rhona Hoffman Gallery, Chicago

▲艺术家：Edi Hila

Edi Hila, Boulevard 3 (2015), oil on canvas, 94.5 × 143 × 3 cm, photo: Blerta Hoçia

▲艺术家：El Hadji Sy

El Hadji Sy, Les pêcheurs (Fishermen, 2016), acrylic, mixed media, and string on canvas, 2.1 × 3.5 m, photo: Mamadou Touré dit Behan

▲艺术家：El Hadji Sy

El Hadji Sy, Les pêcheurs (Fishermen, 2016), acrylic, mixed media, and string on canvas, 2.1 × 3.5 m, photo: Mamadou Touré dit Behan

▲艺术家：Ganesh Haloi

Ganesh Haloi, Untitled (2016), tempera on paper, mounted on board, 47 × 72.5 cm, courtesy Ganesh Haloi and Akar Prakar, Kolkata

▲艺术家：Gordon Hookey

Gordon Hookey, MURRILAND! (2016, detail), oil on canvas, 2 × 10 m, © Gordon Hookey/VG Bild-Kunst, Bonn 2017, courtesy Gordon Hookey and Milani Gallery, Brisbane; photo: Sam Cranstoun

▲艺术家：K. G. Subramanyan(1924–2016)

K. G. Subramanyan, Ethiopian Nativity (1987), watercolor and oil on paper, 81 × 61 cm

▲艺术家：Lala Rukh

1985 Women’s Action Forum calendar, offset print, 61.5 × 40.5 cm

▲艺术家：María Magdalena Campos-Pons and Neil Leonard

María Magdalena Campos-Pons and Neil Leonard, La ira de Chango and Zeus I and II (The wrath of Chango and Zeus I and II, 2016), recycled car metal, ink, acrylic and matte medium, watercolor, and pencil on paper, 101.5 × 73.7 cm each

▲艺术家：Miriam Cahn

Miriam Cahn, burkazorn (2010), oil on canvas, 78 × 46 cm, photo: Etienne Frossard

▲艺术家：Mounira Al Solh

Mounira Al Solh, four drawings from “I Strongly Believe in Our Right to Be Frivolous” (2012–17), ink, graphite, marker, paint, and thread on paper, 30 × 21 cm each, courtesy Mounira Al Solh and Sfeir-Semler Gallery, Beirut/Hamburg

▲艺术家：Nathan Pohio

Nathan Pohio, In a Dream of 200,000,000 Horses (What Horses Teach Us. Willow Creek Press calendar 2016) (2016), ceramic pigment on vinyl, 82 × 318.5 × 4 cm

（未完待续）