jonathan monk.jonathan monk.jonathan monk.jonathan monk.
Jonathan Monk
[attachment=43883]
英国艺术家jonathan monk 的创作引用的是垂手可得的材料，从家庭照片到观念艺术，他在敬意中参杂了幽默并在艺术史中加入个人想法。
monk出生于1972年英国莱斯特。他使用的媒介包括绘画，表演，装置，照片和录像，其中很多的创作里都影射了自传并使用参照艺术史的手段，他的创作至目前是很难被分类的。他试图测试不断扩张力量的现代主义教规并试着揭开其中的神秘。每日的奇闻铁事和上流的艺术神话是并肩的，这只会在作品中产生出更频繁的幽默。
[attachment=43883]
英国艺术家jonathan monk 的创作引用的是垂手可得的材料，从家庭照片到观念艺术，他在敬意中参杂了幽默并在艺术史中加入个人想法。
monk出生于1972年英国莱斯特。他使用的媒介包括绘画，表演，装置，照片和录像，其中很多的创作里都影射了自传并使用参照艺术史的手段，他的创作至目前是很难被分类的。他试图测试不断扩张力量的现代主义教规并试着揭开其中的神秘。每日的奇闻铁事和上流的艺术神话是并肩的，这只会在作品中产生出更频繁的幽默。
My mother, my auntie and my uncle
interpret my holiday photos,
我的母亲，阿姨和叔叔对我的旅游照片的说明
2000
240张幻灯片
slide piece of 240 slides
projected dimensions variable
[attachment=43892]
interpret my holiday photos,
我的母亲，阿姨和叔叔对我的旅游照片的说明
2000
240张幻灯片
slide piece of 240 slides
projected dimensions variable
[attachment=43892]
Waiting for famous people (Richard Nixon)
等候名人 （Richard Nixon）
1997 -
color photograph
[attachment=43884]
披头士
[attachment=43919]
[attachment=43920]
等候名人 （Richard Nixon）
1997 -
color photograph
[attachment=43884]
披头士
[attachment=43919]
[attachment=43920]
Waiting for famous people (The queen)
等候名人（女王）
1997 -
color photograph
[attachment=43885]
妈妈
[attachment=43918]
等候名人（女王）
1997 -
color photograph
[attachment=43885]
妈妈
[attachment=43918]
Study to the end of infinity
一直学习到无限的尽头
1997
ten polaroids
69 x 43 cm
[attachment=43886]
一直学习到无限的尽头
1997
ten polaroids
69 x 43 cm
[attachment=43886]
None of the Buildings on Sunset Strip (details),
1998
34 b/w prints
28 x 36 cm
[attachment=43887]
A self-explanatory. A riff on the American artist Ed Ruscha`s seminal artist`s book Every Building on th Sunset Strip, 1966. I simply photographed all the streets leading to Los Angeles`s infamous Strip, That is: none of the buildings.
1998
34 b/w prints
28 x 36 cm
[attachment=43887]
A self-explanatory. A riff on the American artist Ed Ruscha`s seminal artist`s book Every Building on th Sunset Strip, 1966. I simply photographed all the streets leading to Los Angeles`s infamous Strip, That is: none of the buildings.
Roman Holiday (details)
罗马假日 （局部）
1999
coloured photographs
version one, ed.5, 28 x 28 cm; version two, unique, 100 x 100 cm
[attachment=43888] [attachment=43921]
Series of photographics diptychs in two different sizes - large and smal l- derived from pictures taken by my mother and a friend of hers whilst on holiday in Italy in 1957. They only had one camera between them so they took photographs of each other in exactly the same place and pose. It appears to be a clever play on conzeptual art, but the pictures were taken before the `art as idea` idea.
罗马假日 （局部）
1999
coloured photographs
version one, ed.5, 28 x 28 cm; version two, unique, 100 x 100 cm
[attachment=43888] [attachment=43921]
Series of photographics diptychs in two different sizes - large and smal l- derived from pictures taken by my mother and a friend of hers whilst on holiday in Italy in 1957. They only had one camera between them so they took photographs of each other in exactly the same place and pose. It appears to be a clever play on conzeptual art, but the pictures were taken before the `art as idea` idea.
2
1999
Series of 40 b/w Photographies, each two
20,5 x 15,4 cm
[attachment=43889] [attachment=43890]
1999
Series of 40 b/w Photographies, each two
20,5 x 15,4 cm
[attachment=43889] [attachment=43890]
Important Lesson (Father to Son)
重要的一课 （父亲对儿子）
2000
sceenprint on wood, metal stand
300 x 100 x 70 cm
[attachment=43891]
重要的一课 （父亲对儿子）
2000
sceenprint on wood, metal stand
300 x 100 x 70 cm
[attachment=43891]
The little things make all the difference
使不同的小事儿
2000
altered newspaper images, endless
dimensions variable
[attachment=43893]
使不同的小事儿
2000
altered newspaper images, endless
dimensions variable
[attachment=43893]
[quote]引用第3楼嘿乐乐于2007-06-04 00:03发表的 :
Study to the end of infinity
一直学习到无限的尽头
1997
.......[/quote]
翻译翻译一下
Study to the end of infinity
一直学习到无限的尽头
1997
.......[/quote]
翻译翻译一下
都怕
Jonathan Monk with his collection of Sol Lewitt books
(photographed in the style of Ed Ruscha c. 1971), 2000
b/w photograph
24 x 18 cm
[attachment=43894]
(photographed in the style of Ed Ruscha c. 1971), 2000
b/w photograph
24 x 18 cm
[attachment=43894]
[attachment=43895]
The Wall stands in for the White
2001
collage on paper
27 x 54 cm
[attachment=43898]
2001
collage on paper
27 x 54 cm
[attachment=43898]
Meeting #56
会议 #56
2001
vinyl text
dimensions variable
[attachment=43899] [attachment=43900]
会议 #56
2001
vinyl text
dimensions variable
[attachment=43899] [attachment=43900]
[attachment=43903]
Searching for the center of 40 different coloured layout
papers with looking out of the window
2002
papercollage, transformed into
16 mm film loop, coloured, silent, 8 sec
[attachment=43904]
papers with looking out of the window
2002
papercollage, transformed into
16 mm film loop, coloured, silent, 8 sec
[attachment=43904]
Searching for the centre of a sheet of paper (with my green eyes closed)
2001
16 mm colour film projection, 20 second loop
projected the size of a sheet of A4 paper
[attachment=43905]
Jonathan Monk: „The animation cells for this short film are my attempts at finding
the centre of a sheet of paper with my eyes closed. Black circular stickers chart
the almost impossible task. When the film is projected the black points float around
a background of green nothing. Trial and error are the stars of this futile endeavour.
2001
16 mm colour film projection, 20 second loop
projected the size of a sheet of A4 paper
[attachment=43905]
Jonathan Monk: „The animation cells for this short film are my attempts at finding
the centre of a sheet of paper with my eyes closed. Black circular stickers chart
the almost impossible task. When the film is projected the black points float around
a background of green nothing. Trial and error are the stars of this futile endeavour.
Keep still (Alghiero e Boetti `76)
固定
2002
letraset on photography
13,5 x 9,6 cm
[attachment=43906] [attachment=43907] [attachment=43929] [attachment=43930] [attachment=43931] [attachment=43935]
固定
2002
letraset on photography
13,5 x 9,6 cm
[attachment=43906] [attachment=43907] [attachment=43929] [attachment=43930] [attachment=43931] [attachment=43935]
This is not to be looked at
不是为了看的
2002
polaroid
10 x 10 cm
[attachment=43908]
不是为了看的
2002
polaroid
10 x 10 cm
[attachment=43908]
We see how to see through Me, 2005. Pentagone.
I see through You see through We see through Me, 2004. Triangle.
I see through You see through They see through Me, 2004. Carré. 177,5 cm de côté (chacun).
我们看如何看穿我，2005， 五角形
我看穿你看穿我们看穿我，2004，三角形
我看穿你看穿他们看穿我，2004，四角形
[attachment=43909] [attachment=43910] [attachment=43913]
I see through You see through We see through Me, 2004. Triangle.
I see through You see through They see through Me, 2004. Carré. 177,5 cm de côté (chacun).
我们看如何看穿我，2005， 五角形
我看穿你看穿我们看穿我，2004，三角形
我看穿你看穿他们看穿我，2004，四角形
[attachment=43909] [attachment=43910] [attachment=43913]
Remembering (in situ)
记得
2005. 3 Films 16 mm. 9 minutes.
[attachment=43911] [attachment=43912]
记得
2005. 3 Films 16 mm. 9 minutes.
[attachment=43911] [attachment=43912]
Lying Juda
Nantes, 1996, 47 p., 21x15cm, agrafé.
[attachment=43915]
Nantes, 1996, 47 p., 21x15cm, agrafé.
[attachment=43915]
Have you got a map of Paris ?
你有没有巴黎地图？
Paris, 1998, 16 x 21 x 3,5 cm,
[attachment=43916]
你有没有巴黎地图？
Paris, 1998, 16 x 21 x 3,5 cm,
[attachment=43916]
Comic book
漫画
Paris
1999, 5 x 8 cm, couverture cartonnée souple.
[attachment=43917]
漫画
Paris
1999, 5 x 8 cm, couverture cartonnée souple.
[attachment=43917]
Searching for Gregory Peck
寻找Gregory Peck
(1997)
C-print, from a series of 60
Each 20x30 cm
[attachment=43922]
寻找Gregory Peck
(1997)
C-print, from a series of 60
Each 20x30 cm
[attachment=43922]
Untitled (1992-1998)
无题 (1992-1998)
Installation view from exhibition at Galleri Nicolai Wallner, Copenhagen, 1998
[attachment=43923]
无题 (1992-1998)
Installation view from exhibition at Galleri Nicolai Wallner, Copenhagen, 1998
[attachment=43923]
People I have met
我遇过的人
(1999)
White correction fluid on business card, framed
5x9 cm
From a series
[attachment=43924] [attachment=43925]
我遇过的人
(1999)
White correction fluid on business card, framed
5x9 cm
From a series
[attachment=43924] [attachment=43925]
the end uncovered(2000)
Slide-projection, 80 slides
Variable dimensions
Installation view Galleri Nicolai Wallner, Copenhagen
[attachment=43927]
Slide-projection, 80 slides
Variable dimensions
Installation view Galleri Nicolai Wallner, Copenhagen
[attachment=43927]
W for Wallner and M for Monk
(2001)
Series of 8 B/W photographs
24x17,5 cm each
Edition of 7+2AP
[attachment=43928]
(2001)
Series of 8 B/W photographs
24x17,5 cm each
Edition of 7+2AP
[attachment=43928]
Selfportrait #6
肖像
(10 x 15 glossy) (2002)
50 colour standard 11 x 15 cm glossy photographs,
produced from negative #6 by different photographic labs (the world over)
15 x 10 cm each
[attachment=43933]
肖像
(10 x 15 glossy) (2002)
50 colour standard 11 x 15 cm glossy photographs,
produced from negative #6 by different photographic labs (the world over)
15 x 10 cm each
[attachment=43933]
Time Piece
时间块
(2002)
Postcards representing the time in which the
photographs were taken will be sent for an indefinate period.
[attachment=43936]
时间块
(2002)
Postcards representing the time in which the
photographs were taken will be sent for an indefinate period.
[attachment=43936]
Selfportrait (where abouts unknown)
肖像
(2003)
MDF and spraypaint
177,5 x 90,7 x 8,0 cm
Ed of 3+2AP
[attachment=43937]
肖像
(2003)
MDF and spraypaint
177,5 x 90,7 x 8,0 cm
Ed of 3+2AP
[attachment=43937]
Pierced Portraits (#15)
穿耳的肖像 （#15）
(Young woman, Ville Jais Nielsen 1945) (2004)
Vintage pencil drawing on paper and red drawing-pin
63 x 49,5 cm
[attachment=43938]
穿耳的肖像 （#15）
(Young woman, Ville Jais Nielsen 1945) (2004)
Vintage pencil drawing on paper and red drawing-pin
63 x 49,5 cm
[attachment=43938]
[attachment=43939]
Second Hand Daily Exchange
2006
Lisson
[attachment=43940]
2006
Lisson
[attachment=43940]
The endless search for perfection
无止境的寻求完美
[attachment=43941]
无止境的寻求完美
[attachment=43941]
I See Through You See Through We See Through Me
我看穿你看穿我们看穿我
2004
[attachment=43942]
我看穿你看穿我们看穿我
2004
[attachment=43942]
My Left Hand And My Left Hand Made to Look Like My Right Hand
我的左手和我的左手构成我的右手
2004
[attachment=43943]
我的左手和我的左手构成我的右手
2004
[attachment=43943]
顶
喜欢这个艺术家
也顶 [s:327]
