http://www.wannengye.com/edit/index/576a5c2a82974
继2014上海OCAT个展后，王功新五屏影像装置作品《上拍的血色》将首次在北京亮相
《上拍的血色》，5 频道录像装置作品， 5 屏幕，5 台HD投影机，5 台HD同步播放器，5 频道声音，8分钟
Blood Stained Auction，5-channelvideo installation，5 screens，5 HD projectors，5 HDsynchronizers，5 soundtracks，8’
中国当代艺术年鉴展2015
主办：中国民生银行、北京民生现代美术馆、北京大学视觉与图像研究中心、吴作人国际美术基金
策展人：朱青生
执行策划人：滕宇宁、曾小凤
展览日期：2016.6.25-2016.8.22
开幕时间：2016.6.25，星期六 16:30
展览地点：北京民生现代美术馆 二展厅、三展厅
《上拍的血色》
这件由五个巨幅屏幕搭建的有声影像装置作品呈现了一个“叠加”或“错乱”的“观赏”现场，演绎着一场“血色拍卖会”的场景。看似“老片儿”的资料文献碎片，不同的景、物，及错乱的时代人物，由五个屏幕按序逐渐推出，一幅著名的素描作品《血衣》中的人物和场景渐渐显现。《血衣》是五十年代中国画家王式廓 的“革命的现实主义”绘画代表作，它真实再现了新中国成立后农民“斗地主”的大会场景。王功新将此作品中的基本人物和构图因素与当下生活中艺术品拍卖场景进行了叠加和重组。《血衣》中两种阶级矛盾的冲突、激愤的人群及悲痛控诉的妇女转化为拍卖场中激情抢拍的观众。通过将两种景观“混杂”的非线性续事，再运用影像语言制造出近似文献“老片儿”的表现美感，作品缓缓地呈现出一个“历史”与“当下”之间既熟悉又陌生的叠加场景。五幅影像采用HD同步播放器控制，局部分割的景物被计时切换，当观众步入现场之中，艺术家试图营造出一个“心像”的“在场”。
The audible installation consisting of five large screens presents an “overlapping” or “disordered” “viewing” site that renders into a scene of Blood Stained Auction. Resembling the “old flicks” montaged with archival fragments, various scenes, objects and the personas of various periods, are presented on the five screens in order, the figures and scenes ofthe famous sketch Blood Stained Shirt are slowly revealed. Blood Stained Shirtis an epic “revolutionary realist” painting by the Chinese artist Wang Shikuo from the 1950s, it recreated the scene of “struggling against the landlord” atthe farmers’ gathering in the new China. Wang Gongxin mixes and reorganizes the prominent figures and compositional elements with the scene of an art auctionof the present. The class struggle, the angered masses and the woman making an accusation in Blood Stained Shirt translate into the anxious audience at an art auction. With the “mix-up” of thisnon-linear narrative, and the representational aesthetics of the “old flick”rendered with archival footages from old films, the artwork slowly becomes an overlapping scene of familiar yet bewildering “history” and the “present”. Thefive videos plays synchronously while the details of the segmented scenes and objects are switched in a timely fashion. As the viewer steps into the exhibition space, the artist attempts to create a “presence” of “a state of mind”.
