【展览】现时的印记——萨克斯&黄志琼双个展

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[楼主] yishuwenyi 2015-06-03 17:12:31

展览：现时的印记 Exhibition：The Present Imprint

展览时间：2015.6.6——6.26 Exhibition Date：6/6/2015-6/26/2015

开幕式：2015.6.6 15:00 Opening：3:00 PM 6/6/2015

策展人：夏可君，成国琴 Curator：Xia Kejun & Catherine Cheng

出品人：周晨Producer：Don

参展艺术家：瑞蒂•萨克斯（爱沙尼亚）& 黄志琼（中国）

Artists：Reti Saks (Estonia) & Huang Zhiqiong (China)

策展机构：三板斧艺术策划工作室

Curatorial Institution：Sanbanfu Academy of Art

协办方：爱沙尼亚驻华大使馆

Co-organizer：Embassy of Estonia in Beijing

地址：上空间（北京市朝阳区798艺术区陶瓷三街东京画廊东侧20米）

Address： UPGallery (20m East to Tokyo Gallery, Ceramics 3 Str, 798 Art Zone)

支持单位：三板斧艺术基金、《三板斧艺术评论》杂志

Spon：Sanbanfu Art Fund 、Sanbanfu Art Critic

6月6日，798艺术区上空间携手爱沙尼亚艺术家瑞蒂•萨克斯和中国艺术家黄志琼，举办“此时的印记”双个展，此展将持续至6月26日，欢迎大家莅临参观。

展览前言

现时的印记：萨克斯与黄志琼双个展

文｜夏可君

艺术不过是面对时间消逝而做出的虚无拯救，但艺术对现时的钟爱激发了挽留的激情与自由的想象力，无论是对青春不再与自我辨认的眷念，还是对自然景色微妙变化的眷顾，都是艺术家对光阴的镌刻，都是让现时留下迷人的印记。在爱沙利亚女艺术家瑞蒂·萨克斯的影像雕版与中国男艺术家黄志琼的水彩书写作上，我们看到了他们各自对现时铭刻的经验。

萨克斯的作品是将自拍照制作成雕版，结合印刷的影像、古典的雕版形式，饰以现代电脑艺术以及数字影像技术，生成为一幅屏幕，通过浓墨来表现自我的某个瞬间时刻，而且是复多的自己，似乎是一幅素描的速写，其实是对个体自我形象的反思，或者是镜像的折射，画面上同时出现三种状态的自我，把自我意识与无意识同时呈现出来，或者是一个大写的自我被一个矮化的自我所反讽，以黑白两色的微妙变化，附着一些幽灵般的形体，建构一个内心的梦幻舞台，艺术家在一个白日梦似的舞台上，与自我进行自由的联想与游戏，以挽留这个即可消逝的现时自我。

▲《有限的此时15011》 26x78cm 纸本水彩 2015

黄志琼的水彩作品，与其油画系列作品《向水中生长的树》相呼应，但更为具有线条歌咏的韵味，以白色树干与黑色线条交错书写的白桦树，宛若一只只动人的旋律。黄志琼以其回忆的余光捕获那打在树干上的瞬间光线，在树干与枝条长短不一的并排摇曳与柔韧地生长中，消逝的光线闪烁出艳丽灼热或深沉幽暗的光芒，画面回响着一曲曲忧伤而迷人的骊歌，随着线条越来轻盈流荡，牵缠我们迷离的目光，我们的目光如同枝条一般渴望去拥抱并呼吸那灿烂的阳光，艺术家让明媚的光线化身成为了树干。这些水彩作品是一颗美好心灵在自然景色中为我们重新发现了色彩与线条的秘密，让一个更为内在的自然获得了恬美的艺术形式。

这一次两个艺术家的联展，让我们看到了不同文化背景下成长的艺术家，都试图发现一个更为内在的自我与自然，通过赋予现时以隽永的形式，让我们感受到艺术的魅力！

The Present Imprint —— Reti Saks & Huang Zhiqiong Joint Painting Exhibition

Art is merely a vain relic in the face of fading time. Yet, art, as a reflection of the present, can inspire passion and the vision of freedom. Whether it be ignorance of self-identity without youth, or nostalgia towards the subtle change of nature, it exposes the fixation of time by an artist, who, in turn leaves a fascinating impression in the present.

From the works by Reti Saks from Estonia, and Huang Zhiqiong from China, we can see the individual experience as each artist relates to the present impression.

Saks’work originates from her self, creating a carving board, and eventually forming a screen that combines the print of photography with the skills of classical etching. She combines techniques of both modern computer art and digital photography to her heavy ink expression in order to place herself firmly in the particular moment. She repeats herself as an image in a sketch or a drawing, seeming to be self reflecting, or refracting into a mirror by showing three different viewpoints. Her work displays herself both consciously and unconsciously, or, rather like sarcasm to an exaggerated self or a dwarf. Using the subtle change of black and white, every image seems like a spirit attached to the body, establishing an inner stage of fantasy. The artist can dance on such a daydream stage, communicating and playing freely, aiming to preserve a moment of herself that will be immediately fading .

The watercolor work by Huang Zhiqiong, resonates with his oil painting series, the Tree Growing Upside Down, yet it is even more poetic in both line and rhythm. The birch tree is realized by the interweaving black and white lines, moving like a melody, one after another. Huang Zhiqiong manages to catch his memory in the momentum of the light shining on the tree, while it tenderly by sways in the wind with its unbalanced trunk and branches. The faded light shimmers in the splendor of the scorching heat and in the deep dark glamour. It echoes a melancholic, yet charming song, floating slightly along the lines, attracting our ambiguous eyesight. Our eyes, just like the branch of the tree, are eager to breathe, and embrace the bright sunlight. The artist transforms that brilliant sunlight into the trunk of the tree. These watercolor works are the result of a secret, which a beautiful soul rediscovers by the color and lines, bringing a refreshing art form to the interior of nature.

This joint exhibition presents the discovery by two artists, with different cultural backgrounds, of the inner self and of nature. By endowing its present impression into eternity, their work brings to us an experience of the fascination of art.

By Xia Kejun
Edited and translated by Catherine Cheng
May 27th, 2015

部分展览作品清赏

Reti Saks 作品