“不期”影像展

展览时间：2015年5月8日-5月18日

开幕时间：2015年5月8日15:00

主办单位/展览地点：米奥艺术空间

地    址：上海市莫干山路50号4号楼213室

参展人员：三水、敖国兴、彭湘

Unexpected

Image exhibition

Artist：Sanshui，Ao Guoxing，Pengxiang

Exhibition time：8th-18th May ,2015

The opening time：3:00pm 8th,May,2015

Organizer / Location：MEOU Art Space

Address：Room213,Building No.4,50Moganshan Rd,Sahnghai

三位参展艺术家三水、敖国兴、彭湘以其不同的媒材探索和追问式的视觉维度共同探讨了现存世界的表象与世相，并意图在当下现实的语境中的影像再现来阐述新的叙事关系的可能——现实每与阴影为伍，若想走出阴影，要拿出勇气，但这个又是人最缺乏的！和阴影道别不与现实苟且？反思无果现实终将“不期”而至。

San Shui, Ao GuoxingandPeng Xiang,these threeartists discuss this world’s inside phenomenaand outside phenomena byexploringdifferentmaterials andvisual dimensionality.And they try to explain a new possibility of narrativerelationshipbyphotographs andvideos in the context of contemporary reality.Reality and its shadow are mutuallydependent. You should be brave enough to go out of the shadow whilelack of courage is such a big problem. How toescape from the shadow and fight against the unsatisfied reality? Yes, our introspection instead ofdriftingin the terrible reality comes “unexpectedly”.

三水作品《非常态》系列(艺术微喷）彰显了艺术家某种程度上宽厚的人文情怀，他呼吁和期望有一种更唯美更道德的伦理道德在当下得到建立。作品用四个章节的节奏总结了现实社会各种诟病行为所带来的病痛，演绎着众生相与存在着非形式下的以病态为美的普遍现象。更深的挖掘了以“非常态”为“常态”这一现象的本质，言外之意，尽在其中。

TheAbnormality Series (Micro jet printing) bySan Shuishow the artist’s generous humanistic feelings. And some kinds of aesthetical and ethical principles which he expects are built throughthe works. There are four chapters, summarizing the pains produced by our society’s corrupt customs and revealing a general phenomenon that people are losing the perceptivity of beauty in such a diseased society. He is excavating the essence of “normality” and “abnormality” and expressing implies meanings through the artworks.

敖国兴作品《冬至》(明胶银盐光化着色工艺)，你能感觉到一种类似于道别的场境，但这道别又并非日常意义上那种生离死别，而是一种充满悲悯的将此世之在与彼世之在视为共在的世界观。实际上，在敖国兴不同作品系列里都可以感知到这种悲悯，但这种悲悯又不是通常意义上的日常人情化的，而是无限天地之间有限存在的万物皆为同类的悲悯。理解了这种悲悯，才能更好地理解作品中所蕴含的丰富意味。

Ao Guoxing’s workMidwinter(Gelatin silver halidephotochemical coloring process)providesthe viewers a scene and feeling of saying goodbye. But depart fromthoseseparationsand deathin daily life, the sceneimplies acompassionate world viewwhichcombines this and the afterlife together. Actually, thisfeeling ofcompassionexistsin his different series of art works. Thecompassion, however, is not the secularone in our daily life but the holy one that allcreatures inthis infinite world can share together. It helps us to understand the profoundsignificancewhen we really understand such aspecialkind of compassion in hisworks.

彭湘作品《梦·河》（单频录像）在梦境里，赤身裸体的男子怪异的行为荒诞离奇，却又看似有所能指。回到现实，男子自我包裹与空气隔绝，他是在自我疗伤还是自我毁灭？现实与梦幻间有条虚设的河，人类或许都必须在这条河里挣扎……

In the dream, there was a naked man making odd behaviors, which was fantastic but he seemed to try to point out something. Back to reality, the man wrapped himself so as to cut off from the air, was he healing or destroying himself? There is a decorative river between reality and fantasy, human beings may must struggle in this river....

内容编辑：三水Art

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