Christine Borland克里斯丁.波尔兰.Christine Borland克里斯丁.波尔兰.
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Christine Borland
克里斯丁.波尔兰
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克里斯丁.波尔兰(生于1965年)的作品影射的是我们社会中基本的体系和过程问题。她的创作紧密地和警察及司法,法医学和药物有关,探索艺术和科学之间暧昧不清的关系。
波兰特过去的作品曾经是令人难于接受但充满诱惑的。她构建了一层并列复杂的心理学和使到人们感到不适的对照,挑战我们对正确判断基本的概念并向我们的思维合法性发出提问。她游戏于生与死的观念之中,男性和女性的,不存在和存在的以及无辜和罪恶的。
经过考察,她揭示了当代社会中残暴的现实并通过了自己的论证和历史的“证据”来验证这一切,给出一个令人不适的对人性的注释。
艺术家简历
克里斯丁.波尔兰
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克里斯丁.波尔兰(生于1965年)的作品影射的是我们社会中基本的体系和过程问题。她的创作紧密地和警察及司法,法医学和药物有关,探索艺术和科学之间暧昧不清的关系。
波兰特过去的作品曾经是令人难于接受但充满诱惑的。她构建了一层并列复杂的心理学和使到人们感到不适的对照,挑战我们对正确判断基本的概念并向我们的思维合法性发出提问。她游戏于生与死的观念之中,男性和女性的,不存在和存在的以及无辜和罪恶的。
经过考察,她揭示了当代社会中残暴的现实并通过了自己的论证和历史的“证据”来验证这一切,给出一个令人不适的对人性的注释。
艺术家简历
Spirit Collection
1999
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Spirit Collection: Hippocrates, 1999
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1999
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Spirit Collection: Hippocrates, 1999
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HeLa
2000
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2000
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'English Family China'
1998
Ceramic, glass and wood
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Through meticulous research, Borland – who was short-listed for the 1997 Turner Prize - explores life, death and how social systems and institutions exploit and devalue life. In 'English Family China' a number of real human skulls, imported from South America via the USA – one foetal, one adult male, one adult female and one six year old child - are her starting point. Versions of these were cast in bone china, the material developed in Britain for fine table-wares as an alternative to Oriental porcelain; 18th century Liverpool was a major centre of porcelain production. The skulls' blue-on-white marine motifs are typical of the Liverpool factories. Displayed in 'nuclear family' groups they examine history, mortality and morality, notably Liverpool's role in the Slave Trade.
Purchased with the aid of Art Transpennine (1999); commissioned for artranspennine98 supported by the National Lottery through the Arts Council of England (No.1999.57)
1998
Ceramic, glass and wood
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Through meticulous research, Borland – who was short-listed for the 1997 Turner Prize - explores life, death and how social systems and institutions exploit and devalue life. In 'English Family China' a number of real human skulls, imported from South America via the USA – one foetal, one adult male, one adult female and one six year old child - are her starting point. Versions of these were cast in bone china, the material developed in Britain for fine table-wares as an alternative to Oriental porcelain; 18th century Liverpool was a major centre of porcelain production. The skulls' blue-on-white marine motifs are typical of the Liverpool factories. Displayed in 'nuclear family' groups they examine history, mortality and morality, notably Liverpool's role in the Slave Trade.
Purchased with the aid of Art Transpennine (1999); commissioned for artranspennine98 supported by the National Lottery through the Arts Council of England (No.1999.57)
Five Set Conversation Pieces
1998
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Set Conversation Pieces (Sailing Ships, Liver Birds, Convoluvus), 1998
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1998
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Set Conversation Pieces (Sailing Ships, Liver Birds, Convoluvus), 1998
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Phantom Twins
1997
Leather, sawdust, replica foetal skulls, dimensions variable
Tate. Presented by the Patrons of New Art through the Tate Gallery Foundation 1999
© the artist Photo: Tate Photography
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1997
Leather, sawdust, replica foetal skulls, dimensions variable
Tate. Presented by the Patrons of New Art through the Tate Gallery Foundation 1999
© the artist Photo: Tate Photography
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Conservatory
2004,
Engraved ceramic, three wood and glass shelves,
Edition of 3
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2004,
Engraved ceramic, three wood and glass shelves,
Edition of 3
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The Velocity of Drops: Operating Theater
2003
set of 4 framed color photographs
edition of 3, 2 APs
framed: 24 3/8 x 24 3/8 inches (62 x 62 cm)
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2003
set of 4 framed color photographs
edition of 3, 2 APs
framed: 24 3/8 x 24 3/8 inches (62 x 62 cm)
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The Velocity of Drops: Dispensary
2003
4 framed color photographs
edition of 3, 2 APs
framed: 24 3/8 x 24 3/8 inches (62 x 62 cm)
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The Velocity of Drops: Medical Ward, 2003
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The Velocity of Drops: X-Ray Room, 2003
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2003
4 framed color photographs
edition of 3, 2 APs
framed: 24 3/8 x 24 3/8 inches (62 x 62 cm)
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The Velocity of Drops: Medical Ward, 2003
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The Velocity of Drops: X-Ray Room, 2003
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Home Made Bullet Proof Vests
1994
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1994
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Shoes with .10mm hole
1996
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1996
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Second Class Male/Second Class Female
1996
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1996
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Bullet Proof Breath
2001
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2001
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Fig. 1054 - Jones's Case
2000/2001
agate slices, steel rod and beaten silver
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2000/2001
agate slices, steel rod and beaten silver
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Bruised Wrists 1
2005
Sculptures
Porcelain casts of 2 wrists inlaid with pillow lace edging, painted
EDITION/SET OF: 1/8 8/8
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2005
Sculptures
Porcelain casts of 2 wrists inlaid with pillow lace edging, painted
EDITION/SET OF: 1/8 8/8
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The Aether Sea I
2000
Photographs
Cibachrome mounted on aluminium
SIZE: h: 91.5 x w: 91.5 cm / h: 36 x w: 36 in
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2000
Photographs
Cibachrome mounted on aluminium
SIZE: h: 91.5 x w: 91.5 cm / h: 36 x w: 36 in
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Treasury of Human Inheritance
2000
Installations
Agates, silver and steel
SIZE: h: 280 x w: 180 cm / h: 110.2 x w: 70.9 in
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作品草图
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2000
Installations
Agates, silver and steel
SIZE: h: 280 x w: 180 cm / h: 110.2 x w: 70.9 in
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作品草图
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Extremities
Year 1997
Medium Glass w/dust
Size 8.7 x 15.7 in. / 22 x 40 cm
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Year 1997
Medium Glass w/dust
Size 8.7 x 15.7 in. / 22 x 40 cm
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Small objects that save lives (set of 170)
Year 1996
Medium Cibachrome on aluminum, mntd
Size 5 x 7 in. / 12.7 x 17.8 cm.
Edition 1/5
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Year 1996
Medium Cibachrome on aluminum, mntd
Size 5 x 7 in. / 12.7 x 17.8 cm.
Edition 1/5
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Carrier.38 government Colt automatic
Year 1997
Medium Mixed Media Sculpture w/replica gun in plastic bag w/electric light
Size 14.6 x 14.6 x 5.9 in. / 37 x 37 x 15 cm.
Edition unique
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Year 1997
Medium Mixed Media Sculpture w/replica gun in plastic bag w/electric light
Size 14.6 x 14.6 x 5.9 in. / 37 x 37 x 15 cm.
Edition unique
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The Dead Teach the Living
1987
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1987
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Small Objects that Save Lives
1996, 170 photographs
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"To collect the objects in 'Small Objects that Save Lives', I invited people whose names were taken from a gallery mailing list to send me an object which might either literally or metaphorically respond to the title. The result forms an object based portrait of a cross-section of individuals and suggests 'evidence' of our fetishes, or perhaps of our faith."
1996, 170 photographs
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"To collect the objects in 'Small Objects that Save Lives', I invited people whose names were taken from a gallery mailing list to send me an object which might either literally or metaphorically respond to the title. The result forms an object based portrait of a cross-section of individuals and suggests 'evidence' of our fetishes, or perhaps of our faith."
L'Homme Double
1997,
/ Six clay heads on plinths, with framed documents. Installation view from Fundacao Serralves, Lisbon, Portugal, 1999.
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1997,
/ Six clay heads on plinths, with framed documents. Installation view from Fundacao Serralves, Lisbon, Portugal, 1999.
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The History of Plants, According to Women, Children and Students
Peucedanum Officinale
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Peucedanum Officinale
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left: Blanket used on police firing range, Berlin, repaired (1993),
right: Home-made bullet proof jacket (1992)
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right: Home-made bullet proof jacket (1992)
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The History of Plants According to Women, Children and Students
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After a true story—Giant and Fairy Tales (detail)
1997. Glass, dust, and lights, 2 parts, dimensions variable.
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1997. Glass, dust, and lights, 2 parts, dimensions variable.
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Bison-Bison (Chapter I, Gray’s Anatomy)
1997. Bison vertebrae and ribs, mineral compounds, and organic compounds.
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1997. Bison vertebrae and ribs, mineral compounds, and organic compounds.
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It Wasn't Anything
1994
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1994
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Small Objects That Save Lives
1993
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1993
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The Quickening
Image size 33.5 x 72cm
Paper size 52 x 72cm
Medium screenprint
Date 1999
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Image size 33.5 x 72cm
Paper size 52 x 72cm
Medium screenprint
Date 1999
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Untitled
Space Portfolio (black)
Image size 47 x 65cm
Paper size 52 x 72cm
Medium screenprint
Date 2001
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Space Portfolio (black)
Image size 47 x 65cm
Paper size 52 x 72cm
Medium screenprint
Date 2001
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JUNIPERA SABINA (JUNIPER)
BY CHRISTINE BORLAND
Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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BY CHRISTINE BORLAND
Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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DELPHINIUM CONSOLIDA (FORKING LARKSPUR)
Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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PEUCEDANUM OFFICINALE (HOGS FENNEL)
BY REBECCA CONWAY
Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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BY REBECCA CONWAY
Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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SATUREJA MONTANA (SAVORY)
BY MICHELLE DANIELS
Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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BY MICHELLE DANIELS
Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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PASTINACA SATIVA (PARSNIP)
BY HANNAH ROBINSON
Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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BY HANNAH ROBINSON
Dimensions 61 X 47 CM
Media HAND-COLOURED ETCHING
Date 2002
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