APAS艺术预科学校正式启动,本周末马永峰主讲“社会干预作为一种艺术方式”
发起人:atelier  回复数:12   浏览数:1698   最后更新:2013/11/08 11:39:19 by atelier
[楼主] atelier 2013-11-06 14:31:05

顾问委员会成员出品:

Atelier PrepArt School-APAS艺术预科学校专业艺术研讨会/工作坊

欧洲综合美术学院预科课程

教育不是生活的准备;教育是生活本身。——约翰·杜威(1859-1952

APAS是在北京开设的一套原创独特课程。我们提议开设一系列由职业艺术家、艺术历史学家、哲学家、策展人、批评家和研究者教授的工作坊和讲座。这不仅仅是为申请欧洲艺术院校的预科班,更是设身处地于欧洲艺术院校的创造性课程和想法。

APAS专业团队创立该系列工作坊的目的是为有志于申请欧洲综合美术院校的艺术生提供一套高质量的预科课程。

通过高强度和高质量的原创工作坊,学生们会熟悉关于创造性思维、当代艺术、建筑学、艺术史、行为艺术、哲学、摄影和影像艺术的最先进和最具独创性的研究。

独一无二的机会,让你全身心投入艺术创造,并发展你的独立创新批判思维。在课堂内外改变你的创作,花一天时间与艺术家共同工作,探索各种表现形式并积极参与课堂活动:观看、讨论、提问、分享以及动手创作。你会见到新鲜有趣的人群,在头脑和创作中接受新想法和新概念。

APAS哲学

这一系列的工作坊的目的是

-迫使学生通过不断地研究和质问日常现实来思考和创造内容,以形成一种建设性的批评方法和发展一种适用于21世纪的中国和全世界语境的全新的思维方式。

-技术和媒介研究被视为工具,服务于创造性和变革性的实践。

-挑战年轻大众,使其投入并发展全新的批判思维。

这个项目会让年轻大众从全新的角度审视世界和艺术及艺术行为在其生命中的重要性。

目标受众

这个项目是为以下人群设计的:

-艺术院校的大学生

-未来的艺术院校学生

-对于艺术感兴趣的其他人文学科的学生(比如文学、哲学、社会学、建筑学、设计、服装……)

-想要获得更大视野和更多经验的年轻专业人才

为什么APAS与众不同?

-APAS由毕业于法国著名艺术院校(Ecole des Beaux-Arts)的艺术家管理。

-APAS不仅是一所新学校,而且是阿特黎尔艺术工坊的新分支。阿特黎尔在2012年成立www.atelier.cn.com),在北京为儿童、青少年和成人教授艺术,教师均毕业于欧洲艺术院校。阿特黎尔闻名于其多样和优质的课程。由于其高度成功,阿特黎尔创建了APAS。

-事实上,阿特黎尔艺术学校可以骄傲地宣布其学生通过在阿特黎尔参加每周一次的“艺术学院入学考试预备课程”,成功地通过了伦敦大学学院的入学考试。

-以及,Alessandro Rolandi和Marianne Daquet(APAS的艺术总监和教育总监) 成功地为几名学生做了进入欧洲美术和建筑院校的准备。

-简而言之,APAS提供受欧美顶尖艺术院校激发的专业工作坊。学生会获得如同在欧洲综合艺术学校学习的经验。

主办方/组织者:

APAS - 阿特黎尔艺术预科学校 - Atelier PrepArt School

www.atelier.cn.com/apas

APAS团队

艺术总监:

Alessandro Rolandi是一位多媒体和行为艺术家、策展人、作家和讲师。他的作品关注社会介入和相对动态,旨在扩大艺术实践的概念,超越已有结构、空间和等级制度。他还在哈罗国际学校担任驻校艺术家七年。他是社会敏感度R&D项目的创始人和管理者,这是一个原创的实验计划,使艺术家接触工厂工人和经理,并在工作环境里其开展相关的艺术项目。他是课程计划的负责人,也是学生、贡献者和全球项目的中间人。

教育总监:

Marianne Daquet是一位艺术家毕业于法国综合艺术学院(Ecole des Beaux-Arts)其作品曾在巴黎、北京和纽约的诸多展览中展出。她有十年在中国教授艺术的经验,也是阿特黎尔艺术学校的合作创始人和管理者。

赞助人及场地支持:

歌华设计馆

媒体合作伙伴

ilook

顾问

-岳敏君

-洪晃

-孟京辉

-Alexi Tan

价格

工作坊价格

1000/课(初始优惠价)(推广阶段,我们决定放出几个免费名额!)

讲座价格:

250/

语言:中文或英文配翻译

地址:歌华设计馆

北京市东城区北小街青龙胡同1号 歌华大厦 A座 13层

联系方式 :

apas@atelier.cn.com

+86 10 64161614

+86 132 4018 4908

2013.11.9-10

马永峰

社会实践和微介入

马永峰是一位多媒体艺术家;他是ForgetArt创立者。

www.forgetart.org

社会干预作为一种艺术方式

在今天网络社交媒介如此发达的情况下,任何人都可以在任何地点实施自己认为有趣的作品并迅速传播开来,所以今天的艺术不一定存在于美术馆和画廊,而是散布在社会的各个角落,只需要你机智而适当的介入其中。

艺术可以是社会实践从微介入到微实践、从微实践到微行动的演进。

[沙发:1楼] guest 2013-11-07 09:33:59
马永峰?俺吐了。抱歉啊!
[板凳:2楼] guest 2013-11-07 14:18:14
这不开国际玩笑,,,
[地板:3楼] guest 2013-11-07 14:19:36
Ecole des Beaux-Arts=法国综合艺术学院,,,能不能再好笑一点
[4楼] atelier 2013-11-07 16:13:10

 法语就是这么写的=。=

[5楼] guest 2013-11-07 18:56:27
讲课的人即小气,又装比,并且艺术搞的也不怎么样
[6楼] guest 2013-11-07 22:03:52
不错,赞一个
[7楼] atelier 2013-11-08 10:29:58

引用guest的发言:
讲课的人即小气,又装比,并且艺术搞的也不怎么样

We have chosen MA YONGFENG because his artistic practice, since when he initiated ForgetArt has been an important and interesting example to suggest a different direction on how to approach contemporary art in China.  

ForgetArt was named by Cao Fei on Artforum's list, as one the most interesting projects in Chinese contemporary art for the year 2011
ForgetArt has developed micro intervention and social practice in a flexible and dynamic way, using a wide range of mediums and engaging with different contexts and different audiences.
Furthermore both with ForgetArt and with his own practice, MA has never tried to create a model but he has instead insisted on defending the openness and transformative nature of an artistic research which aims to escape easy categorizations  and to promote innovative thinking.
He is constantly questioning the role of art and of the artist in society by testing them through the interaction with everyday reality; this is one of the key points promoted by APAS and therefore one of the criteria according to which the artists are chosen.

[8楼] atelier 2013-11-08 10:31:27
引用guest的发言:
不错,赞一个

 感兴趣的话欢迎报名参加!

[9楼] atelier 2013-11-08 10:33:10
引用guest的发言:
Ecole des Beaux-Arts=法国综合艺术学院,,,能不能再好笑一点

 如果您觉得您的法语比巴黎人还要精通,那么请教一下这个短语应该怎么用法语说呢?

[10楼] atelier 2013-11-08 10:38:06

引用guest的发言:
马永峰?俺吐了。抱歉啊!

We have chosen MA YONGFENG because his artistic practice, since when he initiated ForgetArt has been an important and interesting example to suggest a different direction on how to approach contemporary art in China.  

ForgetArt was named by Cao Fei on Artforum's list, as one the most interesting projects in Chinese contemporary art for the year 2011
ForgetArt has developed micro intervention and social practice in a flexible and dynamic way, using a wide range of mediums and engaging with different contexts and different audiences.
Furthermore both with ForgetArt and with his own practice, MA has never tried to create a model but he has instead insisted on defending the openness and transformative nature of an artistic research which aims to escape easy categorizations  and to promote innovative thinking.
He is constantly questioning the role of art and of the artist in society by testing them through the interaction with everyday reality; this is one of the key points promoted by APAS and therefore one of the criteria according to which the artists are chosen.

[11楼] guest 2013-11-08 11:26:25
哈哈,马永峰,APAS显然对中国缺乏了解啊
[12楼] atelier 2013-11-08 11:39:19

引用guest的发言:
哈哈,马永峰,APAS显然对中国缺乏了解啊
<img border=0 src=/images/post/smile/tuski/03.gif[...

We have chosen MA YONGFENG because his artistic practice, since when he initiated ForgetArt has been an important and interesting example to suggest a different direction on how to approach contemporary art in China.  

ForgetArt was named by Cao Fei on Artforum's list, as one the most interesting projects in Chinese contemporary art for the year 2011
ForgetArt has developed micro intervention and social practice in a flexible and dynamic way, using a wide range of mediums and engaging with different contexts and different audiences.
Furthermore both with ForgetArt and with his own practice, MA has never tried to create a model but he has instead insisted on defending the openness and transformative nature of an artistic research which aims to escape easy categorizations  and to promote innovative thinking.
He is constantly questioning the role of art and of the artist in society by testing them through the interaction with everyday reality; this is one of the key points promoted by APAS and therefore one of the criteria according to which the artists are chosen.

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