超级资料——毛里齐奥·卡泰兰Maurizio Cattelan（不断更新补充中）
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maurizio cattelan毛里齐奥·卡泰兰
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‘him’ 2001
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‘la nona ora’, 1999
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‘love lasts forever’, 1999
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‘bidibidobidiboo’, 1996
maurizio cattelan毛里齐奥·卡泰兰
[attachment=18724]
‘him’ 2001
[attachment=18725]
‘la nona ora’, 1999
[attachment=18726]
‘love lasts forever’, 1999
[attachment=18727]
‘bidibidobidiboo’, 1996
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好心的搂主叫叫我们咋干坏事阿？顶啊，一直喜欢的艺术家
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untitled, 1996
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‘stadium’1991
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mise-en-scene milan
installation
piazza 24 maggio, milan,
italy from may 5 to june 6, 2004
[attachment=18731]
untitled, 1996
[attachment=18729]
‘stadium’1991
[attachment=18730]
mise-en-scene milan
installation
piazza 24 maggio, milan,
italy from may 5 to june 6, 2004
[attachment=18731]
文字工作就交给黑乐乐了。。。嘿嘿！
这些坏事全是他干的
Maurizio Cattelan on a Roof at the Louvre:
It’s not a self-portrait, but it’s as unmistakably Cattelan as a work can be. Sitting on a roof of one of the Louvre’s wings, near I.M. Pei’s glass pyramids, is a child-sized dummy mechanically banging a metal drum. With no interpretive context for the work and no explanatory signage, it’s drawing amused and puzzled stares from everyone waiting in line to enter the museum. With this placement, the work is getting as many eyeballs a day as the Mona Lisa gets.
maurizio cattelan
was born in padua in 1960.
cattelan did not attend art school but taught himself. he worked as a cook, gardener, nurse and mortuary attendant, before turning to making art with the hope that the art world might offer him ‘better treatment’. he began his creative adventures by making furniture for his apartment - ‘functional furniture with art meaning’. his designs were nothing special, he says, but they sparked a lot of interest among italian magazine editors and manufacturers. cattelan felt that designing was not right for him, and an early show in bologna proved to be a turning point. today he is one of the best-known italian artist to have emerged internationally in the 1990s, and his reputation continues to grow.
maurizio cattelan’s art often combines sculpture and performance. cattelan has a subtle sense of the paradoxes of transgression, the limits of tolerance. since the early 1990s, his work has provoked and challenged the limits of contemporary value systems through its use of irony and humor.he teases the art world without ever falling into the naive
trap of thinking he can subvert a system of which he is part. the characters and personas inhabiting maurizio cattelan’s
world are ghostly appearances in a personal theatre of the absurd: policemen flipped upside down, stuffed animals hanging from the ceiling, a swami who buried himself in sand for hours at a time ...
suspended between reality and fiction, maurizio cattelan’s work simulates and subverts the rules of culture and society
in a continuous game of detournement, acts of insubordination and symbolical theft. constantly exploring different materials, contexts and strategies, he refuses to take any moral or ideological position, concentrating instead on reproducing reality in all its complexities. while he does not offer solutions, he shows that one can survive and use the system without being consumed by it.
he has had solo exhibitions in the most important museums worldwide such as the MOMA, new york and the museum of contemporary art, los angeles. other recent presentation include ludwig museum in cologne, germany and at the museum of contemporary art in chicago. he has had the most numerous participations at the venice biennale. during his five-time presence at the biennale he imposed his work as a crucial point of reference in today’s art. maurizio cattelan works are part of some of the most important public and private collections worldwide such as: guggenheim museum, new york; the dakis joannou collection, thens; fondation pinault, paris; jumex collection, mexico city; rubell family collection, miami; elaine dannheisser collection, new york; gilles fuchs collection, paris; seattle museum of contemporary art, seattle; migros museum, zurich; F.R.A.C.,
languedoc roussillon; fonds national d’art contemporain, puteaux; F.R.A.C., nord-pas de calais; the israel museum, erusalem; castello di rivoli, turin; fondazione sandretto re rebaudengo, turin.
maurizio cattelan lives and works in italy and in the USA.
we interviewed maurizio cattelan on april 13, 2004.
(same questions as ... see the list of interviewed people)
--------------------------------------------------------------------
what is the best moment of the day?
I LOVE THE SMELL OF NAPALM IN THE MORNING
what kind of music do you listen to at the moment?
WAGNER, MOSTLY.
do you listen to the radio?
YES, A LOT, BUT I LOOK FOR COMMERCIALS.
what books do you have on your bedside table?
THE BLIND LEADING THE NAKED.
do you read design magazines?
I LOOK AT THE PICTURES.
where do you get news from? newspapers?
ANYWHERE, THEY ARE MOSTLY LIES ANYWAY.
do you notice how women are dressing?
OH YEZ.
do you have any preferences?
NO, ANYTHING GOES.
what kind of clothes do you avoid wearing?
MINI SKIRTS.
do you have any pets?
DO BACTERIA COUNT?
when you were a child, did you want to become an artist?
NO, I WANTED TO BECOME A DESIGNER, BUT I WASNT SMART ENOUGH.
where do you work on your artistic concepts?
ON THE PHONE.
who or which organization would you like to develop
something for?
I TEND NOT TO WORK WITH A SPECIFIC PERSON IN MIND.
ART IS A MATTER OF STATISTICS: IT'S NOT ABOUT INDIVIDUALS,
IT'S ABOUT PEOPLE.
do you discuss your work with other artists?
I TRY TO DISCUSS IT WITH EVERYONE: EVERY PIECE IS A TEST,
AND IT NEEDS TO BE CONFRONTED, CRITICIZED, DESTROYED
AND REBUILT. I TEND TO AVOID MY OWN OPINIONS,
AND JUST TRUST THE OTHERS.
describe your style, like a good friend of yours would describe it.
LAZY.
can you describe an evolution in your work from your first projects
to the present day?
I TRY TO MOVE SIDEWAYS: SO THERE ARE NO EVOLUTIONS,
ONLY DIGRESSIONS.
what project has given you the most satisfaction?
PROBABLY THE ONES I COULDNT REALIZE:
THEY ARE STUCK IN MY MIND, AND THERE IS NOTHING I CAN
DO TO GET RID OF THEM.
is there any artist from the past, you appreciate a lot?
WARHOL UEBER ALLES.
is there any designer and/or architect from the past,
you appreciate a lot?
BORROMINI.
any advice for the young ?
GET OLD SOON.
what are you afraid of regarding the future
EVERYTHING.
was born in padua in 1960.
cattelan did not attend art school but taught himself. he worked as a cook, gardener, nurse and mortuary attendant, before turning to making art with the hope that the art world might offer him ‘better treatment’. he began his creative adventures by making furniture for his apartment - ‘functional furniture with art meaning’. his designs were nothing special, he says, but they sparked a lot of interest among italian magazine editors and manufacturers. cattelan felt that designing was not right for him, and an early show in bologna proved to be a turning point. today he is one of the best-known italian artist to have emerged internationally in the 1990s, and his reputation continues to grow.
maurizio cattelan’s art often combines sculpture and performance. cattelan has a subtle sense of the paradoxes of transgression, the limits of tolerance. since the early 1990s, his work has provoked and challenged the limits of contemporary value systems through its use of irony and humor.he teases the art world without ever falling into the naive
trap of thinking he can subvert a system of which he is part. the characters and personas inhabiting maurizio cattelan’s
world are ghostly appearances in a personal theatre of the absurd: policemen flipped upside down, stuffed animals hanging from the ceiling, a swami who buried himself in sand for hours at a time ...
suspended between reality and fiction, maurizio cattelan’s work simulates and subverts the rules of culture and society
in a continuous game of detournement, acts of insubordination and symbolical theft. constantly exploring different materials, contexts and strategies, he refuses to take any moral or ideological position, concentrating instead on reproducing reality in all its complexities. while he does not offer solutions, he shows that one can survive and use the system without being consumed by it.
he has had solo exhibitions in the most important museums worldwide such as the MOMA, new york and the museum of contemporary art, los angeles. other recent presentation include ludwig museum in cologne, germany and at the museum of contemporary art in chicago. he has had the most numerous participations at the venice biennale. during his five-time presence at the biennale he imposed his work as a crucial point of reference in today’s art. maurizio cattelan works are part of some of the most important public and private collections worldwide such as: guggenheim museum, new york; the dakis joannou collection, thens; fondation pinault, paris; jumex collection, mexico city; rubell family collection, miami; elaine dannheisser collection, new york; gilles fuchs collection, paris; seattle museum of contemporary art, seattle; migros museum, zurich; F.R.A.C.,
languedoc roussillon; fonds national d’art contemporain, puteaux; F.R.A.C., nord-pas de calais; the israel museum, erusalem; castello di rivoli, turin; fondazione sandretto re rebaudengo, turin.
maurizio cattelan lives and works in italy and in the USA.
we interviewed maurizio cattelan on april 13, 2004.
(same questions as ... see the list of interviewed people)
--------------------------------------------------------------------
what is the best moment of the day?
I LOVE THE SMELL OF NAPALM IN THE MORNING
what kind of music do you listen to at the moment?
WAGNER, MOSTLY.
do you listen to the radio?
YES, A LOT, BUT I LOOK FOR COMMERCIALS.
what books do you have on your bedside table?
THE BLIND LEADING THE NAKED.
do you read design magazines?
I LOOK AT THE PICTURES.
where do you get news from? newspapers?
ANYWHERE, THEY ARE MOSTLY LIES ANYWAY.
do you notice how women are dressing?
OH YEZ.
do you have any preferences?
NO, ANYTHING GOES.
what kind of clothes do you avoid wearing?
MINI SKIRTS.
do you have any pets?
DO BACTERIA COUNT?
when you were a child, did you want to become an artist?
NO, I WANTED TO BECOME A DESIGNER, BUT I WASNT SMART ENOUGH.
where do you work on your artistic concepts?
ON THE PHONE.
who or which organization would you like to develop
something for?
I TEND NOT TO WORK WITH A SPECIFIC PERSON IN MIND.
ART IS A MATTER OF STATISTICS: IT'S NOT ABOUT INDIVIDUALS,
IT'S ABOUT PEOPLE.
do you discuss your work with other artists?
I TRY TO DISCUSS IT WITH EVERYONE: EVERY PIECE IS A TEST,
AND IT NEEDS TO BE CONFRONTED, CRITICIZED, DESTROYED
AND REBUILT. I TEND TO AVOID MY OWN OPINIONS,
AND JUST TRUST THE OTHERS.
describe your style, like a good friend of yours would describe it.
LAZY.
can you describe an evolution in your work from your first projects
to the present day?
I TRY TO MOVE SIDEWAYS: SO THERE ARE NO EVOLUTIONS,
ONLY DIGRESSIONS.
what project has given you the most satisfaction?
PROBABLY THE ONES I COULDNT REALIZE:
THEY ARE STUCK IN MY MIND, AND THERE IS NOTHING I CAN
DO TO GET RID OF THEM.
is there any artist from the past, you appreciate a lot?
WARHOL UEBER ALLES.
is there any designer and/or architect from the past,
you appreciate a lot?
BORROMINI.
any advice for the young ?
GET OLD SOON.
what are you afraid of regarding the future
EVERYTHING.
Maurizio Cattelan self-portraits
Maurizio Cattelan's Novecento
学英语喽
我们在2004年4月13 日采访了卡泰兰
一天里最棒的时刻是什么时候？
我喜欢在早上凝固汽油的味道。
你现在都听些什么音乐？、
瓦格纳， 通常
你听广播吗？
对的，很多，但是我都在注意广告。
你床边都放了什么书？
《瞎的领着裸的》 《THE BLIND LEADING THE NAKED.》
你看设计杂志吗？
我看图片。
你从哪儿得到新闻呢？ 报纸？
到处都有， 他们都只是谎言。
你有没有注意女人是如何穿着的？
哦！当然！
你有没有什么偏爱呢？
没有，都可以。
你都避免穿什么样的衣服阿？
迷你裙 。
你有没有宠物呢？
细菌算不算？
你小的时候想当艺术家吗？
不，我想当设计师但是我不够聪明。
你在哪儿进行你的艺术观念工作的？
电话上。
谁或者哪儿个机构是你最想发展的？
我往往不让自己和特定的人工作。艺术是关于统计的：不是个人的，是关于大家的。
你和其他艺术家讨论你的工作吗？
我试着和每个人讨论：每个作品都是个试验， 它们都需要被正视，批评，破坏和重建。我往往都回避免自己的意见只相信别人。
描述一下你的风格，就像是你的好友在描述一样。
懒惰！
你能否描述一下你从第一件作品到现在作品的演变？
我试着往侧面走：那么就不会有演变，只有偏题。
哪一个作品给你带来最大的满足？
大概是那些无法实行的吧：他们都留在我的脑袋里，我根本无法摆脱他们。
有没有什么过去的艺术家另你很赏识的？
WARHOL UEBER ALLES.
那么有没有你欣赏的过去的设计师和／或者建筑师呢？
BORROMINI
有没有任何对年轻人的建议？
老得快。
你对未来有任何恐惧吗？
对所有的事物都有。
一天里最棒的时刻是什么时候？
我喜欢在早上凝固汽油的味道。
你现在都听些什么音乐？、
瓦格纳， 通常
你听广播吗？
对的，很多，但是我都在注意广告。
你床边都放了什么书？
《瞎的领着裸的》 《THE BLIND LEADING THE NAKED.》
你看设计杂志吗？
我看图片。
你从哪儿得到新闻呢？ 报纸？
到处都有， 他们都只是谎言。
你有没有注意女人是如何穿着的？
哦！当然！
你有没有什么偏爱呢？
没有，都可以。
你都避免穿什么样的衣服阿？
迷你裙 。
你有没有宠物呢？
细菌算不算？
你小的时候想当艺术家吗？
不，我想当设计师但是我不够聪明。
你在哪儿进行你的艺术观念工作的？
电话上。
谁或者哪儿个机构是你最想发展的？
我往往不让自己和特定的人工作。艺术是关于统计的：不是个人的，是关于大家的。
你和其他艺术家讨论你的工作吗？
我试着和每个人讨论：每个作品都是个试验， 它们都需要被正视，批评，破坏和重建。我往往都回避免自己的意见只相信别人。
描述一下你的风格，就像是你的好友在描述一样。
懒惰！
你能否描述一下你从第一件作品到现在作品的演变？
我试着往侧面走：那么就不会有演变，只有偏题。
哪一个作品给你带来最大的满足？
大概是那些无法实行的吧：他们都留在我的脑袋里，我根本无法摆脱他们。
有没有什么过去的艺术家另你很赏识的？
WARHOL UEBER ALLES.
那么有没有你欣赏的过去的设计师和／或者建筑师呢？
BORROMINI
有没有任何对年轻人的建议？
老得快。
你对未来有任何恐惧吗？
对所有的事物都有。
多谢黑乐乐！好人哪
和我用金山词霸翻得差不多嘛
[quote]下面是引用jkluio789于2006-03-09 22:14发表的:
多谢黑乐乐！好人哪[/quote]
不用了，因该的
多谢黑乐乐！好人哪[/quote]
不用了，因该的
原来那个叫徐震的好多作品都是从-毛里齐奥·卡泰兰Maurizio Cattelan那儿偷来的
原来那个叫徐震的好多作品都是从-毛里齐奥·卡泰兰Maurizio Cattelan那儿偷来的
顶一个！
简短，但说的是实在话，希望中国的艺术家，不要废话太多
好
ding
操徐振这笔，终于看见他的老师了
Maurizio Cattelan All, 2007
Marble
Installation view Kunsthaus Bregenz, 2nd floor Photo: Markus Tretter
© Maurizio Cattelan, Kunsthaus Bregenz
O.V.E., the much debated work by Maurizio Cattelan made of Carrara marble, installed in Piazza Affari, Milan, 2010 (photos by Zeno Zotti, courtesy Maurizio Cattelan Archive).
Maurizio Cattelan. La Nona Ora (1999), at Palazzo Reale.
Maurizio Cattelan, Senza titolo (2008), the "crucified woman" at Palazzo Reale.
Maurizio Cattelan, Senza titolo (2003), the "drummer boy" installed at Palazzo Reale.
Maurizio Cattelan: Is There Life Before Death?
TITLE: Untitled (Good versus Evil)
ARTIST: Maurizio Cattelan
WORK DATE: 2003
MATERIALS: Pieces: Hand painted porcelain
Board and Box: Wenge and walnut, foam and suede interior
EDITION/SET OF: 7
SIZE: Box: 30 x 56 x 56 cm
King: 16 cm; Pawn 11 cm
Maurizio Cattelan- Trophy Wife
其实是孙&彭俩像他
