阿曼达罗斯河
发起人：ARTzhenzhen 回复数：0
浏览数：5863
最后更新：2011/04/26 17:18:24 by ARTzhenzhen
Amanda Ross-Ho
阿曼达罗斯河
BIOGRAPHY
Born in 1975 in Chicago, Lives and works in Los Angeles, CA
EDUCATION
2006 MFA, University of Southern California, Los Angeles, CA 1998 BFA, School of the Art Institute of Chicago, Chicago, IL 1997 Exchange Program: California College of Arts and Crafts, Oakland, CA
出生及成长于芝加哥。毕业于南加大，作品入选2008纽约惠特尼双年展殊荣；现生活何工作在洛杉矶，加利福尼亚。
SOLO EXHIBITIONS
2011
The Approach, London, UK UNTITLED NOTHING FACTORY, Visual Arts Center, University of Texas, Austin, TX
2010
A STACK OF BLACK PANTS, Cherry and Martin, Los Angeles, CA SOMEBODY STOP ME, Mitchell-Innes & Nash, New York, NY Project Series 40: Amanda Ross-Ho: The Cheshire Cat Principle, Pomona College Museum of Art, Pomona, CA
2009
UNTITLED EVENT Hoet Bekaert, Gent, Belgium
2008
HALF OF WHAT I SAY IS MEANINGLESS, Cherry and Martin, Los Angeles, CA
2007
Hoet Bekaert, Knokke, Belgium NOTHIN FUCKIN MATTERS, Cherry and Martin, Los Angeles, CA
2006
gran-abertura, Western Exhibitions, Chicago, IL Don't Front (You Know I Got Cha Open), Cherry and Martin, Los Angeles, CA 2004 Season Finale, Western Exhibitions, Chicago, IL 2003 The Earth is Rotating with this Room as its Axis, Soap Factory, Minneapolis, MN Scene of Changery, Dogmatic, Chicago, IL
2005
F2, IRRECONCILABLE INDIFFERENCES, Los Angeles
2004
Western Exhibitions, Season Finale, Chicago
2003
Soap Factory, The Earth is Rotating with this Room as its Axis, Minneapolis
Dogmatic, Scene of Changery, Chicago
SELECTED GROUP EXHIBITIONS
2011
Two Schools of Cool, Orange County Museum of Art, Newport Beach, CA (catalog) NOT THE WAY YOU REMEMBERED, Queens Museum of Art, Queens, NY Image Transfer, Richard E. Peeler Art Center, Depauw University, Greencastle, IN (February-May, 2011); Center for Art, Design and Visual Culture, University of Maryland, Baltimore, MD (October-December 2011) Banquet of the Black Jackel, Luckman Gallery, Cal State, Los Angeles, CA (catalog)
2010
How Soon Now, Rubell Family Collection, Miami, FL (catalog) Free, New Museum, New York, NY New Photography 2010, Museum of Modern Art, New York, NY Image Transfer, Henry Art Gallery, Seattle, WA (catalog) Jerry/Jury-Rigged, curated by Jan Tumlir, Glendale Community College Art Gallery, Glendale, CA Artist's Museum, Museum of Contemporary Art, Los Angeles, CA Portugal Arte, Lisbon, Portugal Doctor Zomb, Glendale Community College Art Gallery, Glendale, CA Endless Bummer / Surf Elsewhere, Blum and Poe, Los Angeles, CA Wall-to-Wall, Daniel Weinberg Gallery, Los Angeles, CA They Have Not the Art to Argue with Pictures, Cherry and Martin, Los Angeles, CA Production Site: The Artist's Studio Inside and Out, Museum of Contemporary Art, Chicago, Chicago, IL The Never Ending Story: Fairytale, Fantasy, Obsession, curated by Laura Hoptman, Royal/T, Los Angeles, CA Crosstown Traffic, Wentrup Gallery, Berlin, Germany New Art for a New Century: Recent Acquisitions 2000-2009, Orange County Museum of Art, Newport Beach, CA FAX, Burnaby Art Gallery, Burnaby, Canada; Para/Site Art Space, Hong Kong
2009
Picturing The Studio, School of the Art Institute of Chicago, Chicago, IL In Bed Together, Royal/T, Los Angeles, CA Chinese Box, Overduin and Kite, Los Angeles, CA Wallworks, Yerba Buena Arts Center, San Francisco, CA Interiority Complex, Artist Curated Projects, Los Angeles, CA Bitch Is The New Black, Honor Fraser, Los Angeles, CA Summer Group Show, Mitchell-Innes and Nash, New York, NY July Artist of the Month, Invisible Exports, New York, NY To The Left of The Rising Sun, Small A Projects, New York, NY Abstract America: New Painting and Sculpture, Saatchi Gallery, London, UK Selected Works from the MCA Collection, MCA Chicago, Chicago, IL Spoils & Relics: Henning Bohl, Michael Hakimi, Amanda Ross-Ho, The Approach, London, UK FIRST SHOW, Cherry and Martin, Los Angeles, CA FAX, The Drawing Center, New York, NY; traveled to Contemporary Museum, Baltimore, MD and Torrance Art Museum, Torrance, CA. Make Room, Atlanta Contemporary Art Center, Atlanta, GA LA Woman, Hanes Art Gallery, Wake Forest University, Winston Salem, NC
2008
The Station, curated by Shamim Momin and Nate Lowman, Miami, FL Indirect Object: Matt Mullican, Cady Noland, Amanda Ross-Ho, Frances Stark, Mitchell-Innes & Nash, New York, NY Dogtooth and Tessellate, The Approach, London, UK 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA (catalog) Index: Conceptualism In California From The Permanent Collection, Museum of Contemporary Art, Los Angeles, CA a tellurian complex, john connelly presents, New York, NY Whitney Biennial, Whitney Museum of American Art, New York, NY (catalog) Chinaman's Chance, Pacific Asia Museum, Pasadena, CA Depositions, Galerie Francesca Pia, Zurich, Switzerland. Nina in Position, Artists Space, New York, NY Vaginal Rejuvenation, Guild and Greyshkul, New York, NY
2007
for REE, Marc Foxx Gallery, Los Angeles, CA OPEN, Hoet Bekaert Gallery, Ghent, Belgium Sculptors' Drawings, Angles Gallery, Santa Monica, CA Post-Rose: Artists In And Out of The Hazard Park Complex, Christian Nagel, Berlin, Germany Sonotube Forms, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Warhol and..., Kantor/Feuer Gallery, Los Angeles, CA Me, you, you, a ventriloquy, Small A Projects, Portland, OR Distinctive Messengers, House of Campari, Los Angeles, CA Obscene Soft Sounds, Wallspace, New York, NY Photographs, AR Fine Art, Milan, Italy
2006
Bellwether, Dice Thrown (Will Never Annul Chance), New York
Artissima 2006, Cherry and Martin , Turin
ZOO Art Fair 2006, Cherry and Martin , London
Aqua Art Miami 2006, Western Exhibitions , Miami
Commerce Street Artist Warehouse, It Was the Blurst of Times , Houston.
California State University, Long Beach, Greater LA Masters , Long Beach
New Center for Contemporary Art, Past Imperfect: Future Tense , Louisville
i-cabin, To London From Chicago, with Love , London, UK Roski Gallery, 666 , (curated by Jan Tumlir), Los Angeles, CA.
Mexico Arte Contemporaneo, Cherry and Martin, Mexico City, Mexico
Circus of Books, many guys, many many girls, all real beauties , Los Angeles
NOVA Fair, Ghosts Are Everywhere, Chicago
2005
Track 16 Gallery, State of Emergence, Los Angeles
Platform China, Hella Chihuahuas , Beijing, China.
Western Exhibitions, Things We Said We'd Never Do Again, Chicago
Art Chicago in the Park, Western Exhibtions , Chicago
Museum of Contemporary Art, ArtLA, Los Angeles
ArtLedge, Spring Break , Chicago
University of St. Francis, Players, Joliet
F2, Inaugural Exhibition, Los Angeles
2004
stichting Kunst and Complex, Battle of the Dimensions , Rotterdam, The Netherlands Scope Miami, Pari Nadimi, Miami,
Art Toronto, Pari Nadimi, Toronto, Ontario, Canada
F-Space, Ready, Set, Go!, Los Angeles
Western Exhibitions, This Thing We Do, Chicago
1R Gallery, Welcome to Wonderland, Chicago
Art Chicago, 1R, Chicago
Gallery 312, 100 Cuts, Chicago
Museum of Contemporary Art, Uncovered, Chicago
1R Gallery, The Nada Art Fair 2003, Miami
2003
Don’t Fail Me Now, TBA Gallery, Chicago, IL Amanda Ross-Ho and David Baptiste-Chirot, Jody Monroe Gallery, Milwaukee, WI Glossing, 1R Gallery, Chicago, IL Artboat, Dogmatic, Chicago, IL 9th Annual University Exhibit, Northern Indiana Art Association, Munster, IN Really Real, Gallery 312, Chicago, IL Subtle, Not So Subtle, 1R Gallery, Chicago, IL
2002
Bodybuilder and Sportsman, Just What it Says, Chicago
Robert DeCaprio Gallery, Canadian Thanksgiving, Palos Hills
Bodybuilder and Sportsman, 81/2" X 11", Chicago
Gallery 2, Reconfiguring Pop, Chicago
Joymore, Thrill 2, Chicago
Three Arts Club, Moxie, Chicago
Crowe T. Brooks Gallery, Meet Me in St. Louie, St. Louis
Law Office, Bastard:Son of Hot Sauce, Chicago
2001
Lemp Brewery, Outside the Box, St. Louis
Open End, Day Job, Chicago
A.S.A.P, Flowers are Meant to be Picked, Chicago
Ukranian Institute of Modern Art, Significant/Signifiers, Chicago
2000
Skokie Sculpture Park, Ball and Chain, Skokie
1926 Space, Counter Productive Industries, Chicago
The Butcher Shop, This Way to the Egress, Chicago
1999
Goodlookin, Magazine Slip and Slide, Chicago Fashion Show
Dogmatic, Made at Work, Chicago
The Butcher Shop, Du Jour, Chicago
Dogmatic, Drunk on Small, Chicago
Anderson Ranch Arts Center, Dark Art, Snowmass
1998
Gallery 2, Textuality, Chicago
个展
2007年
樱桃和马丁，洛杉矶
2006年
西方展览，花岗岩abertura，芝加哥
樱桃和马丁，不要阵线（你知道我查公开赛），洛杉矶
Roski画廊，无限的有限参与，洛杉矶
2005年
F2键，势不两立不分，洛杉矶
2004年
西方展览，比赛一结束，芝加哥
2003年
肥皂厂，地球是旋转以此为轴心，明尼阿波利斯室教条式的，对Changery，芝加哥场景
联展
2006年
领头羊，骰子投掷（永不废止机会），纽约
Artissima 2006年，樱桃和马丁，都灵
动物园艺术博览会2006年，樱桃和马丁，伦敦
水族艺术迈阿密2006年，西方展览，迈阿密
商务部街头艺术家仓库，这是时代，休斯顿Blurst。
加州州立大学长滩，大洛杉矶名人赛，长滩
新当代艺术中心，过去不完全：将来时，路易斯维尔
我舱，从芝加哥到伦敦，用爱，伦敦，英国Roski画廊，666，（由Jan Tumlir策划），洛杉矶，加利福尼亚。
墨西哥Arte Contemporaneo，樱桃和马丁，墨西哥城，墨西哥
马戏团的书籍，许多人，许多许多的女孩，一切真正的美女，洛杉矶
利华博览会，鬼每到一处，芝加哥
2005年
田径16画廊，国家的产生，洛杉矶
平台中国，海拉吉娃娃，北京，中国。
西方展览的事，我们说我们从来没有再做，芝加哥
芝加哥艺术中的公园，西Exhibtions，芝加哥
当代艺术，ArtLA，博物馆洛杉矶
ArtLedge，春假，芝加哥
圣弗朗西斯大学，球员，乔利埃特
F2键，开幕展，洛杉矶
2004年
stichting维度孔斯特和复杂，战斗，鹿特丹，荷兰范围迈阿密，帕里Nadimi，迈阿密，
艺术多伦多，帕里Nadimi，多伦多，安大略省，加拿大
架F -空间，准备，设置，去吧！，洛杉矶
西方展览，这个东西我们做什么，芝加哥
1R的画廊，欢迎来到仙境，芝加哥
芝加哥艺术，1R的，芝加哥
画廊312，100割伤，芝加哥
当代艺术博物馆，裸露，芝加哥
1R的画廊，艺术博览会的纳达2003年，迈阿密
2003年
TBA的画廊，不要辜负自己了，芝加哥
乔迪梦露画廊，阿曼达罗斯和大卫豪巴蒂斯特- Chirot，密尔沃基
1R的画廊，掩饰，芝加哥
教条式的，Artboat，芝加哥
印第安纳州北部艺术协会第九届年会大学展，明斯特，印第安纳
312画廊，是真实的，芝加哥
1R的画廊，含蓄，不那么微妙，芝加哥
Joymore，律师事务所，杂散显示，芝加哥
2002年
健美运动员和运动员，只要说话算数，芝加哥
罗伯特DeCaprio画廊，加拿大的感恩节，帕洛斯山
健美运动员和运动员，81 / 2“× 11”，芝加哥
图库2，重新配置流行，芝加哥
Joymore，兴奋2，芝加哥
三艺俱乐部，莫克西，芝加哥
克罗吨布鲁克斯画廊，迎接我在圣路易，圣路易斯
律师事务所，重剑：热酱子，芝加哥
2001年
普啤酒，外箱，圣路易斯
开放性的结局，日常工作，芝加哥
尽快，鲜花意味着要采摘，芝加哥
乌克兰现代艺术学院，重大/能指，芝加哥
2000年
斯科基雕塑公园，锁链，斯科基
1926年空间，柜台生产能力的行业，芝加哥
肉铺，这到出口路，芝加哥
1999年
Goodlookin，杂志滑行，芝加哥时装秀
教条式的，在工作中，芝加哥制造
肉铺，大谈特谈，芝加哥
教条式的，小，芝加哥醉
安德森牧场艺术中心，黑暗艺术，斯诺马斯
1998年
图库2，文本性，芝加哥
MoMA 2010年度新摄影展
The Museum of Modern Art - MoMA
Wednesday 29 September 2010 to Monday 10 January 2011
Irreconcilable Indifferences. 2010
Untitled Detail (Atmosphere). 2007
Aperture (Throw). 2010
Expose for the Shadows, Develop for the Highlights(Perforated Sampler): White Light, Crewel Point, Triang 208.33%
Glasses (His), Portrait (Hers)
2010
Hand-drilled Sheetrock, wood, latex paint, chromogenic color prints, CNC-cut acrylic, acrylic on canvas
96 x 72 x 5 inches
Included in the exhibition
New Photography 2010
Inside Job #2. 2010
纽约现代艺术博物馆是世界艺术家的向往之地，能在此馆展出作品，基本是世界级别的成功艺术家的象征了。这馆收藏着现代主义艺术，后现代，和当代艺术, 藏品丰富. 随着科技的发展和信息的极大丰富, 摄影被赋予了更多的内涵. 摄影的方式正在日趋多元化.这几位摄影师的共同点, 便是他们都充分发掘了媒体和电影中的图像信息.
Roe Erthridge的摄影过程更像是编辑的过程. 他在作品申直接借用那些已经发表过的商业图片. 其中也包括他自己为杂志创作的插图。Elad Lassry把自己的创作归结为 "受图片所困". 他的创作素材就是那些消费领域随处可见的图片. 比如某些好莱坞电影宣传画面和插画设计。Ross-Ho的作品更像是装置·她亲手制作石膏面板, 在上面排列出从各处搜索来的图片片段和现成的图。 Alex Prager 的创作灵感来自低俗小说和Guy Bourdin的摄影作品·她的照片中的人物都是那种经常出现在电影中的醒目的女人 ---- 戴着假发, 化着浓妆, 穿着复古的服装。
这几位摄影师用各种巧妙的方式将电影和广告语言融入自己的作品之中, 从而引发了摄影界对于纯摄影和创造摄影, 影像和图片之间的关系的探讨。
San Francisco
July 18 - October 25, 2009
Vertical Plot (Dark Matter Community Garden with Backwards Purpose) 2009
(detail)
Vertical Plot (Dark Matter Community Garden with Backwards Purpose)
2009
9 canvas dropcloths, aluminum pushpins, graphite, black gesso, spraybottles, rags, embroidery scissors, yogurt containers, buckets, graduated containers, nitrile gloves, plastic cutlery, bobby pin, economy bristle brushes
25 x 37.3 feet
"Wallworks" Yerba Buena Art Center, San Francisco
White Goddess
White Goddess, 2007
White Goddess, 2007
White Goddess, 2007
Detail from White Goddess 2010 Acrylic on cut canvas over aluminum stretcher
Detail from White Goddess 2010 Acrylic on cut canvas over aluminum stretcher
White Goddess 16 (La Côte) 2009
Museum of Contemporary Art, Los Angeles
October 31, 2010 - January 31, 2011
Sieve (and 4 details), 2009
Sieve (and 4 details)
2009
Canvas, gold hoop earrings, thread, crocheted doily, single earring, monogram pins, vintage iron-on, wooden thumbtack, goldplated pendant, rhinestone earring, ceramic pinch pots, aluminium thumbtacks, latex, acrylic and xerox transfer on cut canvas
366 x 274.3 x 15.2 cm
Made from collected items of found ephemera-hobby reference manuals, old photographs, and bits of jewellery-Ross-Ho's assemblages draw from the histories and associative meanings of discarded objects to describe points of cultural intersection. Sieve is a large sheet of canvas dropcloth cut in the rough approximation of a doily or paper snowflake, its irregular diamond shapes relating to home craft, tribal patterns and op art. Sparsely adorned with paint, iron-ons, and bijoux, the surface literally becomes a filter, distilling and "purifying" the flotsam of personal and collective memory as a monumental field of preciousness re-valued.
Peacock Wall, 2007
Peacock Wall, 2007
Peacock Wall
2007
Archival light jet print mounted and framed on Sintra, incised sheetrock, wood, screws, cat water bowl
Peacock photo dimensions:
132.1 x 101.6 cm Wall
dimensions: 243.8 x 193 cm
Peacock is a photograph made without the use of a camera. Beginning with a classic studio portrait Ross-Ho stencilled out the subject to reveal the pattern of the underlying cutting board before scanning it into a computer. The resulting laser print presents a portrait as void: the figure reduced to a generic grid, its lines intersecting with the architecture in the background, blurring the perception of reality, illusion and construction.
GO WILD 1
This card was sent to me by my aunt P on the occasion of an exhibition of my artwork opening in New York City.
As a teenager I was an avid journal keeper. It was an activity I occupied myself with primarily while cutting class—I think I thought I was leading myself in some sort of alternative curriculum. I compiled the following list over the course of several days in March of 1991.
Disgruntled by a day job sometime during the mid to late nineties, I made a large stack of these Xeroxes. My intent, I think, was to replace the legitimate work documents in every drawer and file folder of the desk I kept in the office—a paper transfusion to be discovered later by my boss or co-worker. I wussed out and never did it.
THONG/THONG
Not once, but twice I left a pair of undies in the dryer of my boyfriend’s mother’s home. She was nice enough to return them promptly both times, priority mail.
California Biennial, 2008
Frauds for an Inside Job, 2008
Frauds for an Inside Job, 2008
Excised studio walls, canvas dropcloths, acrylic paint, lightjet print, found images, artist's tape, gold plated chains, plastic gold chain, rags, cardboard boxes, bandannas, concrete, linen tape, cat scratcher door hanger, lasser prints, single earrings, charcoal, broaches, thumbtacks, wicker basket, wood, Beijing Opera Mask, Biggie/Puff Daddy poster, plaster, plastic novelty balloons, graphite, ball point pen, cat toy, wine cork, plastic spraybottle, cat mouse, paintbrush, collar and rope leash.
Dimensions Variable -- 9 sections total
Installation view of 2008 California Biennial, Orange County Museum of Art, Newprot Beach, CA
《静物》、（《表达的自由》）2007
石膏板商标上丙烯、 静电复印、针、胶带、麻、56×112 厘米
通过同时尝试多个不同方向，并接受青年视觉语言的全部习惯（克拉克、霍金斯、韦伯和亚克曼），或者用再加工和高度消费主义的方式对这些习惯加以夸大，以及将其向前推进。最后一种方法在Ross-Ho作品中体现得尤为明显。她透过油画板、墙面和图画平面向表现对象伸出直觉的触角，同时把搜索引擎网罗的海量信息转换到物理、雕塑空间。还有一大批年轻艺术家，包括Tobias Buche（他的独立式画板）和 Ryan Gander（他的“松散联合体”项目），也选择走最后这条道路。他们的作品直面这个被技术重新定义的绘画领域，也不忘考虑将拼贴作为围绕我们的日常体验加以正常化处理。
阿曼达罗斯河
BIOGRAPHY
Born in 1975 in Chicago, Lives and works in Los Angeles, CA
EDUCATION
2006 MFA, University of Southern California, Los Angeles, CA 1998 BFA, School of the Art Institute of Chicago, Chicago, IL 1997 Exchange Program: California College of Arts and Crafts, Oakland, CA
出生及成长于芝加哥。毕业于南加大，作品入选2008纽约惠特尼双年展殊荣；现生活何工作在洛杉矶，加利福尼亚。
SOLO EXHIBITIONS
2011
The Approach, London, UK UNTITLED NOTHING FACTORY, Visual Arts Center, University of Texas, Austin, TX
2010
A STACK OF BLACK PANTS, Cherry and Martin, Los Angeles, CA SOMEBODY STOP ME, Mitchell-Innes & Nash, New York, NY Project Series 40: Amanda Ross-Ho: The Cheshire Cat Principle, Pomona College Museum of Art, Pomona, CA
2009
UNTITLED EVENT Hoet Bekaert, Gent, Belgium
2008
HALF OF WHAT I SAY IS MEANINGLESS, Cherry and Martin, Los Angeles, CA
2007
Hoet Bekaert, Knokke, Belgium NOTHIN FUCKIN MATTERS, Cherry and Martin, Los Angeles, CA
2006
gran-abertura, Western Exhibitions, Chicago, IL Don't Front (You Know I Got Cha Open), Cherry and Martin, Los Angeles, CA 2004 Season Finale, Western Exhibitions, Chicago, IL 2003 The Earth is Rotating with this Room as its Axis, Soap Factory, Minneapolis, MN Scene of Changery, Dogmatic, Chicago, IL
2005
F2, IRRECONCILABLE INDIFFERENCES, Los Angeles
2004
Western Exhibitions, Season Finale, Chicago
2003
Soap Factory, The Earth is Rotating with this Room as its Axis, Minneapolis
Dogmatic, Scene of Changery, Chicago
SELECTED GROUP EXHIBITIONS
2011
Two Schools of Cool, Orange County Museum of Art, Newport Beach, CA (catalog) NOT THE WAY YOU REMEMBERED, Queens Museum of Art, Queens, NY Image Transfer, Richard E. Peeler Art Center, Depauw University, Greencastle, IN (February-May, 2011); Center for Art, Design and Visual Culture, University of Maryland, Baltimore, MD (October-December 2011) Banquet of the Black Jackel, Luckman Gallery, Cal State, Los Angeles, CA (catalog)
2010
How Soon Now, Rubell Family Collection, Miami, FL (catalog) Free, New Museum, New York, NY New Photography 2010, Museum of Modern Art, New York, NY Image Transfer, Henry Art Gallery, Seattle, WA (catalog) Jerry/Jury-Rigged, curated by Jan Tumlir, Glendale Community College Art Gallery, Glendale, CA Artist's Museum, Museum of Contemporary Art, Los Angeles, CA Portugal Arte, Lisbon, Portugal Doctor Zomb, Glendale Community College Art Gallery, Glendale, CA Endless Bummer / Surf Elsewhere, Blum and Poe, Los Angeles, CA Wall-to-Wall, Daniel Weinberg Gallery, Los Angeles, CA They Have Not the Art to Argue with Pictures, Cherry and Martin, Los Angeles, CA Production Site: The Artist's Studio Inside and Out, Museum of Contemporary Art, Chicago, Chicago, IL The Never Ending Story: Fairytale, Fantasy, Obsession, curated by Laura Hoptman, Royal/T, Los Angeles, CA Crosstown Traffic, Wentrup Gallery, Berlin, Germany New Art for a New Century: Recent Acquisitions 2000-2009, Orange County Museum of Art, Newport Beach, CA FAX, Burnaby Art Gallery, Burnaby, Canada; Para/Site Art Space, Hong Kong
2009
Picturing The Studio, School of the Art Institute of Chicago, Chicago, IL In Bed Together, Royal/T, Los Angeles, CA Chinese Box, Overduin and Kite, Los Angeles, CA Wallworks, Yerba Buena Arts Center, San Francisco, CA Interiority Complex, Artist Curated Projects, Los Angeles, CA Bitch Is The New Black, Honor Fraser, Los Angeles, CA Summer Group Show, Mitchell-Innes and Nash, New York, NY July Artist of the Month, Invisible Exports, New York, NY To The Left of The Rising Sun, Small A Projects, New York, NY Abstract America: New Painting and Sculpture, Saatchi Gallery, London, UK Selected Works from the MCA Collection, MCA Chicago, Chicago, IL Spoils & Relics: Henning Bohl, Michael Hakimi, Amanda Ross-Ho, The Approach, London, UK FIRST SHOW, Cherry and Martin, Los Angeles, CA FAX, The Drawing Center, New York, NY; traveled to Contemporary Museum, Baltimore, MD and Torrance Art Museum, Torrance, CA. Make Room, Atlanta Contemporary Art Center, Atlanta, GA LA Woman, Hanes Art Gallery, Wake Forest University, Winston Salem, NC
2008
The Station, curated by Shamim Momin and Nate Lowman, Miami, FL Indirect Object: Matt Mullican, Cady Noland, Amanda Ross-Ho, Frances Stark, Mitchell-Innes & Nash, New York, NY Dogtooth and Tessellate, The Approach, London, UK 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA (catalog) Index: Conceptualism In California From The Permanent Collection, Museum of Contemporary Art, Los Angeles, CA a tellurian complex, john connelly presents, New York, NY Whitney Biennial, Whitney Museum of American Art, New York, NY (catalog) Chinaman's Chance, Pacific Asia Museum, Pasadena, CA Depositions, Galerie Francesca Pia, Zurich, Switzerland. Nina in Position, Artists Space, New York, NY Vaginal Rejuvenation, Guild and Greyshkul, New York, NY
2007
for REE, Marc Foxx Gallery, Los Angeles, CA OPEN, Hoet Bekaert Gallery, Ghent, Belgium Sculptors' Drawings, Angles Gallery, Santa Monica, CA Post-Rose: Artists In And Out of The Hazard Park Complex, Christian Nagel, Berlin, Germany Sonotube Forms, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Warhol and..., Kantor/Feuer Gallery, Los Angeles, CA Me, you, you, a ventriloquy, Small A Projects, Portland, OR Distinctive Messengers, House of Campari, Los Angeles, CA Obscene Soft Sounds, Wallspace, New York, NY Photographs, AR Fine Art, Milan, Italy
2006
Bellwether, Dice Thrown (Will Never Annul Chance), New York
Artissima 2006, Cherry and Martin , Turin
ZOO Art Fair 2006, Cherry and Martin , London
Aqua Art Miami 2006, Western Exhibitions , Miami
Commerce Street Artist Warehouse, It Was the Blurst of Times , Houston.
California State University, Long Beach, Greater LA Masters , Long Beach
New Center for Contemporary Art, Past Imperfect: Future Tense , Louisville
i-cabin, To London From Chicago, with Love , London, UK Roski Gallery, 666 , (curated by Jan Tumlir), Los Angeles, CA.
Mexico Arte Contemporaneo, Cherry and Martin, Mexico City, Mexico
Circus of Books, many guys, many many girls, all real beauties , Los Angeles
NOVA Fair, Ghosts Are Everywhere, Chicago
2005
Track 16 Gallery, State of Emergence, Los Angeles
Platform China, Hella Chihuahuas , Beijing, China.
Western Exhibitions, Things We Said We'd Never Do Again, Chicago
Art Chicago in the Park, Western Exhibtions , Chicago
Museum of Contemporary Art, ArtLA, Los Angeles
ArtLedge, Spring Break , Chicago
University of St. Francis, Players, Joliet
F2, Inaugural Exhibition, Los Angeles
2004
stichting Kunst and Complex, Battle of the Dimensions , Rotterdam, The Netherlands Scope Miami, Pari Nadimi, Miami,
Art Toronto, Pari Nadimi, Toronto, Ontario, Canada
F-Space, Ready, Set, Go!, Los Angeles
Western Exhibitions, This Thing We Do, Chicago
1R Gallery, Welcome to Wonderland, Chicago
Art Chicago, 1R, Chicago
Gallery 312, 100 Cuts, Chicago
Museum of Contemporary Art, Uncovered, Chicago
1R Gallery, The Nada Art Fair 2003, Miami
2003
Don’t Fail Me Now, TBA Gallery, Chicago, IL Amanda Ross-Ho and David Baptiste-Chirot, Jody Monroe Gallery, Milwaukee, WI Glossing, 1R Gallery, Chicago, IL Artboat, Dogmatic, Chicago, IL 9th Annual University Exhibit, Northern Indiana Art Association, Munster, IN Really Real, Gallery 312, Chicago, IL Subtle, Not So Subtle, 1R Gallery, Chicago, IL
2002
Bodybuilder and Sportsman, Just What it Says, Chicago
Robert DeCaprio Gallery, Canadian Thanksgiving, Palos Hills
Bodybuilder and Sportsman, 81/2" X 11", Chicago
Gallery 2, Reconfiguring Pop, Chicago
Joymore, Thrill 2, Chicago
Three Arts Club, Moxie, Chicago
Crowe T. Brooks Gallery, Meet Me in St. Louie, St. Louis
Law Office, Bastard:Son of Hot Sauce, Chicago
2001
Lemp Brewery, Outside the Box, St. Louis
Open End, Day Job, Chicago
A.S.A.P, Flowers are Meant to be Picked, Chicago
Ukranian Institute of Modern Art, Significant/Signifiers, Chicago
2000
Skokie Sculpture Park, Ball and Chain, Skokie
1926 Space, Counter Productive Industries, Chicago
The Butcher Shop, This Way to the Egress, Chicago
1999
Goodlookin, Magazine Slip and Slide, Chicago Fashion Show
Dogmatic, Made at Work, Chicago
The Butcher Shop, Du Jour, Chicago
Dogmatic, Drunk on Small, Chicago
Anderson Ranch Arts Center, Dark Art, Snowmass
1998
Gallery 2, Textuality, Chicago
个展
2007年
樱桃和马丁，洛杉矶
2006年
西方展览，花岗岩abertura，芝加哥
樱桃和马丁，不要阵线（你知道我查公开赛），洛杉矶
Roski画廊，无限的有限参与，洛杉矶
2005年
F2键，势不两立不分，洛杉矶
2004年
西方展览，比赛一结束，芝加哥
2003年
肥皂厂，地球是旋转以此为轴心，明尼阿波利斯室教条式的，对Changery，芝加哥场景
联展
2006年
领头羊，骰子投掷（永不废止机会），纽约
Artissima 2006年，樱桃和马丁，都灵
动物园艺术博览会2006年，樱桃和马丁，伦敦
水族艺术迈阿密2006年，西方展览，迈阿密
商务部街头艺术家仓库，这是时代，休斯顿Blurst。
加州州立大学长滩，大洛杉矶名人赛，长滩
新当代艺术中心，过去不完全：将来时，路易斯维尔
我舱，从芝加哥到伦敦，用爱，伦敦，英国Roski画廊，666，（由Jan Tumlir策划），洛杉矶，加利福尼亚。
墨西哥Arte Contemporaneo，樱桃和马丁，墨西哥城，墨西哥
马戏团的书籍，许多人，许多许多的女孩，一切真正的美女，洛杉矶
利华博览会，鬼每到一处，芝加哥
2005年
田径16画廊，国家的产生，洛杉矶
平台中国，海拉吉娃娃，北京，中国。
西方展览的事，我们说我们从来没有再做，芝加哥
芝加哥艺术中的公园，西Exhibtions，芝加哥
当代艺术，ArtLA，博物馆洛杉矶
ArtLedge，春假，芝加哥
圣弗朗西斯大学，球员，乔利埃特
F2键，开幕展，洛杉矶
2004年
stichting维度孔斯特和复杂，战斗，鹿特丹，荷兰范围迈阿密，帕里Nadimi，迈阿密，
艺术多伦多，帕里Nadimi，多伦多，安大略省，加拿大
架F -空间，准备，设置，去吧！，洛杉矶
西方展览，这个东西我们做什么，芝加哥
1R的画廊，欢迎来到仙境，芝加哥
芝加哥艺术，1R的，芝加哥
画廊312，100割伤，芝加哥
当代艺术博物馆，裸露，芝加哥
1R的画廊，艺术博览会的纳达2003年，迈阿密
2003年
TBA的画廊，不要辜负自己了，芝加哥
乔迪梦露画廊，阿曼达罗斯和大卫豪巴蒂斯特- Chirot，密尔沃基
1R的画廊，掩饰，芝加哥
教条式的，Artboat，芝加哥
印第安纳州北部艺术协会第九届年会大学展，明斯特，印第安纳
312画廊，是真实的，芝加哥
1R的画廊，含蓄，不那么微妙，芝加哥
Joymore，律师事务所，杂散显示，芝加哥
2002年
健美运动员和运动员，只要说话算数，芝加哥
罗伯特DeCaprio画廊，加拿大的感恩节，帕洛斯山
健美运动员和运动员，81 / 2“× 11”，芝加哥
图库2，重新配置流行，芝加哥
Joymore，兴奋2，芝加哥
三艺俱乐部，莫克西，芝加哥
克罗吨布鲁克斯画廊，迎接我在圣路易，圣路易斯
律师事务所，重剑：热酱子，芝加哥
2001年
普啤酒，外箱，圣路易斯
开放性的结局，日常工作，芝加哥
尽快，鲜花意味着要采摘，芝加哥
乌克兰现代艺术学院，重大/能指，芝加哥
2000年
斯科基雕塑公园，锁链，斯科基
1926年空间，柜台生产能力的行业，芝加哥
肉铺，这到出口路，芝加哥
1999年
Goodlookin，杂志滑行，芝加哥时装秀
教条式的，在工作中，芝加哥制造
肉铺，大谈特谈，芝加哥
教条式的，小，芝加哥醉
安德森牧场艺术中心，黑暗艺术，斯诺马斯
1998年
图库2，文本性，芝加哥
MoMA 2010年度新摄影展
The Museum of Modern Art - MoMA
Wednesday 29 September 2010 to Monday 10 January 2011
Irreconcilable Indifferences. 2010
Untitled Detail (Atmosphere). 2007
Aperture (Throw). 2010
Expose for the Shadows, Develop for the Highlights(Perforated Sampler): White Light, Crewel Point, Triang 208.33%
Glasses (His), Portrait (Hers)
2010
Hand-drilled Sheetrock, wood, latex paint, chromogenic color prints, CNC-cut acrylic, acrylic on canvas
96 x 72 x 5 inches
Included in the exhibition
New Photography 2010
Inside Job #2. 2010
纽约现代艺术博物馆是世界艺术家的向往之地，能在此馆展出作品，基本是世界级别的成功艺术家的象征了。这馆收藏着现代主义艺术，后现代，和当代艺术, 藏品丰富. 随着科技的发展和信息的极大丰富, 摄影被赋予了更多的内涵. 摄影的方式正在日趋多元化.这几位摄影师的共同点, 便是他们都充分发掘了媒体和电影中的图像信息.
Roe Erthridge的摄影过程更像是编辑的过程. 他在作品申直接借用那些已经发表过的商业图片. 其中也包括他自己为杂志创作的插图。Elad Lassry把自己的创作归结为 "受图片所困". 他的创作素材就是那些消费领域随处可见的图片. 比如某些好莱坞电影宣传画面和插画设计。Ross-Ho的作品更像是装置·她亲手制作石膏面板, 在上面排列出从各处搜索来的图片片段和现成的图。 Alex Prager 的创作灵感来自低俗小说和Guy Bourdin的摄影作品·她的照片中的人物都是那种经常出现在电影中的醒目的女人 ---- 戴着假发, 化着浓妆, 穿着复古的服装。
这几位摄影师用各种巧妙的方式将电影和广告语言融入自己的作品之中, 从而引发了摄影界对于纯摄影和创造摄影, 影像和图片之间的关系的探讨。
San Francisco
July 18 - October 25, 2009
Vertical Plot (Dark Matter Community Garden with Backwards Purpose) 2009
(detail)
Vertical Plot (Dark Matter Community Garden with Backwards Purpose)
2009
9 canvas dropcloths, aluminum pushpins, graphite, black gesso, spraybottles, rags, embroidery scissors, yogurt containers, buckets, graduated containers, nitrile gloves, plastic cutlery, bobby pin, economy bristle brushes
25 x 37.3 feet
"Wallworks" Yerba Buena Art Center, San Francisco
White Goddess
White Goddess, 2007
White Goddess, 2007
White Goddess, 2007
Detail from White Goddess 2010 Acrylic on cut canvas over aluminum stretcher
Detail from White Goddess 2010 Acrylic on cut canvas over aluminum stretcher
White Goddess 16 (La Côte) 2009
Museum of Contemporary Art, Los Angeles
October 31, 2010 - January 31, 2011
Sieve (and 4 details), 2009
Sieve (and 4 details)
2009
Canvas, gold hoop earrings, thread, crocheted doily, single earring, monogram pins, vintage iron-on, wooden thumbtack, goldplated pendant, rhinestone earring, ceramic pinch pots, aluminium thumbtacks, latex, acrylic and xerox transfer on cut canvas
366 x 274.3 x 15.2 cm
Made from collected items of found ephemera-hobby reference manuals, old photographs, and bits of jewellery-Ross-Ho's assemblages draw from the histories and associative meanings of discarded objects to describe points of cultural intersection. Sieve is a large sheet of canvas dropcloth cut in the rough approximation of a doily or paper snowflake, its irregular diamond shapes relating to home craft, tribal patterns and op art. Sparsely adorned with paint, iron-ons, and bijoux, the surface literally becomes a filter, distilling and "purifying" the flotsam of personal and collective memory as a monumental field of preciousness re-valued.
Peacock Wall, 2007
Peacock Wall, 2007
Peacock Wall
2007
Archival light jet print mounted and framed on Sintra, incised sheetrock, wood, screws, cat water bowl
Peacock photo dimensions:
132.1 x 101.6 cm Wall
dimensions: 243.8 x 193 cm
Peacock is a photograph made without the use of a camera. Beginning with a classic studio portrait Ross-Ho stencilled out the subject to reveal the pattern of the underlying cutting board before scanning it into a computer. The resulting laser print presents a portrait as void: the figure reduced to a generic grid, its lines intersecting with the architecture in the background, blurring the perception of reality, illusion and construction.
GO WILD 1
This card was sent to me by my aunt P on the occasion of an exhibition of my artwork opening in New York City.
As a teenager I was an avid journal keeper. It was an activity I occupied myself with primarily while cutting class—I think I thought I was leading myself in some sort of alternative curriculum. I compiled the following list over the course of several days in March of 1991.
Disgruntled by a day job sometime during the mid to late nineties, I made a large stack of these Xeroxes. My intent, I think, was to replace the legitimate work documents in every drawer and file folder of the desk I kept in the office—a paper transfusion to be discovered later by my boss or co-worker. I wussed out and never did it.
THONG/THONG
Not once, but twice I left a pair of undies in the dryer of my boyfriend’s mother’s home. She was nice enough to return them promptly both times, priority mail.
California Biennial, 2008
Frauds for an Inside Job, 2008
Frauds for an Inside Job, 2008
Excised studio walls, canvas dropcloths, acrylic paint, lightjet print, found images, artist's tape, gold plated chains, plastic gold chain, rags, cardboard boxes, bandannas, concrete, linen tape, cat scratcher door hanger, lasser prints, single earrings, charcoal, broaches, thumbtacks, wicker basket, wood, Beijing Opera Mask, Biggie/Puff Daddy poster, plaster, plastic novelty balloons, graphite, ball point pen, cat toy, wine cork, plastic spraybottle, cat mouse, paintbrush, collar and rope leash.
Dimensions Variable -- 9 sections total
Installation view of 2008 California Biennial, Orange County Museum of Art, Newprot Beach, CA
《静物》、（《表达的自由》）2007
石膏板商标上丙烯、 静电复印、针、胶带、麻、56×112 厘米
通过同时尝试多个不同方向，并接受青年视觉语言的全部习惯（克拉克、霍金斯、韦伯和亚克曼），或者用再加工和高度消费主义的方式对这些习惯加以夸大，以及将其向前推进。最后一种方法在Ross-Ho作品中体现得尤为明显。她透过油画板、墙面和图画平面向表现对象伸出直觉的触角，同时把搜索引擎网罗的海量信息转换到物理、雕塑空间。还有一大批年轻艺术家，包括Tobias Buche（他的独立式画板）和 Ryan Gander（他的“松散联合体”项目），也选择走最后这条道路。他们的作品直面这个被技术重新定义的绘画领域，也不忘考虑将拼贴作为围绕我们的日常体验加以正常化处理。
