方音空间开幕展
《混生》
参展艺术家 石青 余极 异象聚小组 ( 张慧 王茂 王琛 王人可 )
时间 2006.06.24-07.24
开幕酒会 2006.06.24 16:00
地址 北京市朝阳区酒仙桥路798工厂2号入口前行300米
电话/传真 +86 10 8459 9257
[url]Http://www.funartspace.com
E-Mail:info@funartspace.com
Fun Art Space Opening Exhibition
《Confuse & Life》
Artist Shi Qing Yu Ji Yixiangju Group ( Zhang Hui Wang Mao Wang Chen Wang Renke)
Date 2006.06.24-07.24
Opening 2006.06.24 16:00
Venue No.2 Jiuxianqiao Road,Chaoyang District,Beijing
Tel / Fax +86 10 8459 9257
[url]Http://www.funartspace.com
E-Mail:info@funartspace.com
混生(Confuse & Life)
文/小娟
《混生》展将于6月24日在方音空间举办。“混生”阐述了差异性、不同质的、混杂生长后的艺术。此次展览的差异性是多方面的，比如呈现在地域差异上的四川艺术家余极，艺术领域差异上长期研究舞台空间的张慧，学理背景差异上对仪式化探讨着迷的石青，这三位艺术家从身份到艺术风格与方向都是彼此的异质，但又在正在发展着的中国当代艺术生态里混杂与共生着。“混生”思想的重在于相对主义和冷漠交杂的多元叙述。展览的英文名字为《Confuse & Life》，它使中文主题的概念进入了具体的情境，即以一种正常与平视的眼光来看待提供了我们的基本生活意义日常的大众化或庸俗化，它们作为现代人文精神的搭档存在着，并与之有着密切的映射关系。《混生》展的主要成员为三位正值创作高峰阶段的青壮年艺术家组成：石青、余极、张慧，他们在当代艺术领域探索历经已有十余年久。
石青从参加第一个展览以来，已经创作了四十余件作品，集中于现场表演、装置、短片、摄影和多媒体等领域。他的艺术语言偏重于仪式化的探讨，这种仪式化语言与戏剧元素有着某种关联。石青的作品倾向营造一种“场”的气氛，借助艺术媒体的综合可能，用象征化语言完成对日常生活行为的仪式化。日常中重复性、偶发性的肢体和行为模式一直是石青着迷的领域并有意识地观察与研究，他的作品里这种被抽离出的象征化行为已经成为作品的主线，在这里日常的功能化被剥离而转化为身体的自我对话。此次的石青作品将展示他的最新实验性探索，即排斥主体历史的同时，将个体主观意识对过去的事件重新混杂与发酵，完成“历史”在艺术家身上的“借尸还魂”。
余极属于中国大陆野生的艺术家，他的早期作品《尤物之吻》曾引起很大的争议，这件看似残酷的作品表达的其实只是“人与动物的关系存在的极大不正常、不自然、不平等、不和谐”的单纯观念。余极在行为作品里，将身体对意志的体验与极为偏执的过程表演融合成具有煽动性的现场艺术效果，如他最近在台北的用面粉这种简单道具的现场表演。这种尖锐的敏感与激情混杂感禀赋与气质同样体在他的照片与装置里，如那些只剩下某个面部器官的焦灼的皮肤，无辜的双眼，莫名其妙的眉毛，有着笑意咧开的嘴唇。此次展览里余极的作品将再次展示艺术如何的“无法之法”。
作为一个“跨界”艺术家，在张慧在他所有作品里，都考虑到使用与改造空间结合多媒体的介质来做作品，这与他的专业舞美出身有关。他此次仍以“异象聚小组”的成员身份出现在展览里，“异象聚小组”其它成员为王茂、王琛、王人可。张慧的兴趣点一直在于使用““前后台的关系与多媒体的介质来解决如何进入一个异样空间的问题，在这次展览里他将录像与雕塑媒介本身的独特性导入观念上的时空错乱，使现场呈现出“超现实”与“现实”的交叉与重叠特性，并重新审视我们的日常生活。
Confuse & Life
By June
“Hybridity” will be held on June 24th at Fun Art Space. “Hybridity” explicates an art that is the outcome of difference, diversity, and mixture. The difference in this exhibition is multi-faceted: for example, the regional Sichuan artist Yu Ji, the long time researcher into art space on stage, Zhang Hui, and Shi Qing, who has a background in science but is interested in the exploration of rituals. These three artists differ in everything from background to artistic style and direction, yet they coexist and grow within the developing environment of contemporary Chinese art. The key to “Hybridity” is relativism and a mixture of diversified narratives. The English term ‘Confuse & Life’ allows the Chinese concept to enter its concrete environment, that is, a normal and balanced interpretation of daily life. Daily massification or popularization provide us with the basic meaning in life, they also join with the cultural spirit of modern people, with which they have a reflexive relationship. “Hybridity” is comprised of three young artists at their creative climax: Shi Qing, Yu Ji, and Zhang Hui, their adventures in contemporary art have taken place over the last ten years.
Since Shi Qing’s first exhibition, he’s produced over 40 artworks, mostly performance, installation, short videos, photography and multi-media. His artistic language leans towards an exploration of rituals; this ritualistic language has some relation to dramatic elements. Shi Qing’s works attempt to create a “stage” ambiance, with the help of the combined possibilities of artistic media, to ritualize everyday life through symbolism. The repetition and sudden occurrence of bodily and behavioral actions have already become the main thread of his artworks; functionality has been discarded and changed into a conversation with the body. Works by Shi Qing will showcase his newest experimental exploration, that is, while rejecting history, to remix and ferment the subjective understanding of the past, using history on the artist’s body as “a corpse to bring back the soul”.
Yu Ji belongs to the wild artists of mainland China, his earlier work “Kiss of a Beauty” once stirred up fierce discussion. But, this seemingly cruel artwork is in fact expressing the simple concept of “the abnormal, unnatural, unequal, and unharmonious” coexistence between humans and animals. In Yu Ji’s performances, there is a melting of the bodily experience of will and the extreme process of performance into a provocative artistic effect. One example is his recent performance in Taipei using simple props such as flour. His sharp sensibility and confused excitement, natural talent and disposition are also reflected in his photographs and installations—burned skin without any facial organs, helpless eyes, inexplicable eyebrows, smiling lips. In this exhibition, Yu Ji will demonstrate once again how art has “the law of lawlessness”.
As a “diversified” artist, all of Zhang Hui’s artworks show a consideration of the use of multimedia along with the use or renovation of space. This is related to his professional training in dance. This time he will again appear as a member of the “gathering of weird objects group” (the other members of this group are Wang Mao, Wang Kun, and Wang Renke). The interesting thing about Zhang Hui has always been his use of the relationship of front and back stage and multimedia to solve the question how to enter a different space. In this exhibition, he uses the uniqueness of video and sculpture to lead into a conceptual disorientation of time and space, to create a crossover and piling effect of “surreal” and “reality” through which to reexamine our daily life.
方音空间简介
方音空间驻地于北京798工厂二号院的主干道，建筑为50年代包浩斯风格老工厂改造而成，采光良好，透气通风。空间总面积310平米，展线79米，顶高7米至13米。
方音空间定位以中国当代前卫艺术为主，是一个将当代艺术与收藏机制相结合的本土的、独立的当代视觉艺术组织及展览场地。
方音空间支持各种前沿、边缘、当代思想观念的正在发展的有才华的艺术家。空间旨在通过赞助、展览、媒体、出版、收藏、推介等方式来鼓励艺术创作，推广艺术项目，发起艺术评论，支持艺术的发展、研究与交流，努力创造本土当代艺术的良好环境，致力成为推动中国当代艺术创作的主要机构。
方音空间的运作由一位经理、一位艺术总监、二位助理负责，其资金来源于民间。
Brief Introduction
Fun Art Space is located on the main road of 798 factory's No.2 courtyard. Bright and well ventilated, it was constructed by renovating the 1950's Bauhaus-style factory. The space occupies a total of 310 square meters, with an exhibition line of 79 meters, and a ceiling height between 7 to 13 meters.
Fun Art Space is devoted to Chinese contemporary avant-garde art. It is an independent contemporary visual art organization and art venue combines with collecting.
Fun Art Space supports talented emerging artists with borderline, avant-garde, and contemporary concep
《混生》
参展艺术家 石青 余极 异象聚小组 ( 张慧 王茂 王琛 王人可 )
时间 2006.06.24-07.24
开幕酒会 2006.06.24 16:00
地址 北京市朝阳区酒仙桥路798工厂2号入口前行300米
电话/传真 +86 10 8459 9257
[url]Http://www.funartspace.com
E-Mail:info@funartspace.com
Fun Art Space Opening Exhibition
《Confuse & Life》
Artist Shi Qing Yu Ji Yixiangju Group ( Zhang Hui Wang Mao Wang Chen Wang Renke)
Date 2006.06.24-07.24
Opening 2006.06.24 16:00
Venue No.2 Jiuxianqiao Road,Chaoyang District,Beijing
Tel / Fax +86 10 8459 9257
[url]Http://www.funartspace.com
E-Mail:info@funartspace.com
混生(Confuse & Life)
文/小娟
《混生》展将于6月24日在方音空间举办。“混生”阐述了差异性、不同质的、混杂生长后的艺术。此次展览的差异性是多方面的，比如呈现在地域差异上的四川艺术家余极，艺术领域差异上长期研究舞台空间的张慧，学理背景差异上对仪式化探讨着迷的石青，这三位艺术家从身份到艺术风格与方向都是彼此的异质，但又在正在发展着的中国当代艺术生态里混杂与共生着。“混生”思想的重在于相对主义和冷漠交杂的多元叙述。展览的英文名字为《Confuse & Life》，它使中文主题的概念进入了具体的情境，即以一种正常与平视的眼光来看待提供了我们的基本生活意义日常的大众化或庸俗化，它们作为现代人文精神的搭档存在着，并与之有着密切的映射关系。《混生》展的主要成员为三位正值创作高峰阶段的青壮年艺术家组成：石青、余极、张慧，他们在当代艺术领域探索历经已有十余年久。
石青从参加第一个展览以来，已经创作了四十余件作品，集中于现场表演、装置、短片、摄影和多媒体等领域。他的艺术语言偏重于仪式化的探讨，这种仪式化语言与戏剧元素有着某种关联。石青的作品倾向营造一种“场”的气氛，借助艺术媒体的综合可能，用象征化语言完成对日常生活行为的仪式化。日常中重复性、偶发性的肢体和行为模式一直是石青着迷的领域并有意识地观察与研究，他的作品里这种被抽离出的象征化行为已经成为作品的主线，在这里日常的功能化被剥离而转化为身体的自我对话。此次的石青作品将展示他的最新实验性探索，即排斥主体历史的同时，将个体主观意识对过去的事件重新混杂与发酵，完成“历史”在艺术家身上的“借尸还魂”。
余极属于中国大陆野生的艺术家，他的早期作品《尤物之吻》曾引起很大的争议，这件看似残酷的作品表达的其实只是“人与动物的关系存在的极大不正常、不自然、不平等、不和谐”的单纯观念。余极在行为作品里，将身体对意志的体验与极为偏执的过程表演融合成具有煽动性的现场艺术效果，如他最近在台北的用面粉这种简单道具的现场表演。这种尖锐的敏感与激情混杂感禀赋与气质同样体在他的照片与装置里，如那些只剩下某个面部器官的焦灼的皮肤，无辜的双眼，莫名其妙的眉毛，有着笑意咧开的嘴唇。此次展览里余极的作品将再次展示艺术如何的“无法之法”。
作为一个“跨界”艺术家，在张慧在他所有作品里，都考虑到使用与改造空间结合多媒体的介质来做作品，这与他的专业舞美出身有关。他此次仍以“异象聚小组”的成员身份出现在展览里，“异象聚小组”其它成员为王茂、王琛、王人可。张慧的兴趣点一直在于使用““前后台的关系与多媒体的介质来解决如何进入一个异样空间的问题，在这次展览里他将录像与雕塑媒介本身的独特性导入观念上的时空错乱，使现场呈现出“超现实”与“现实”的交叉与重叠特性，并重新审视我们的日常生活。
Confuse & Life
By June
“Hybridity” will be held on June 24th at Fun Art Space. “Hybridity” explicates an art that is the outcome of difference, diversity, and mixture. The difference in this exhibition is multi-faceted: for example, the regional Sichuan artist Yu Ji, the long time researcher into art space on stage, Zhang Hui, and Shi Qing, who has a background in science but is interested in the exploration of rituals. These three artists differ in everything from background to artistic style and direction, yet they coexist and grow within the developing environment of contemporary Chinese art. The key to “Hybridity” is relativism and a mixture of diversified narratives. The English term ‘Confuse & Life’ allows the Chinese concept to enter its concrete environment, that is, a normal and balanced interpretation of daily life. Daily massification or popularization provide us with the basic meaning in life, they also join with the cultural spirit of modern people, with which they have a reflexive relationship. “Hybridity” is comprised of three young artists at their creative climax: Shi Qing, Yu Ji, and Zhang Hui, their adventures in contemporary art have taken place over the last ten years.
Since Shi Qing’s first exhibition, he’s produced over 40 artworks, mostly performance, installation, short videos, photography and multi-media. His artistic language leans towards an exploration of rituals; this ritualistic language has some relation to dramatic elements. Shi Qing’s works attempt to create a “stage” ambiance, with the help of the combined possibilities of artistic media, to ritualize everyday life through symbolism. The repetition and sudden occurrence of bodily and behavioral actions have already become the main thread of his artworks; functionality has been discarded and changed into a conversation with the body. Works by Shi Qing will showcase his newest experimental exploration, that is, while rejecting history, to remix and ferment the subjective understanding of the past, using history on the artist’s body as “a corpse to bring back the soul”.
Yu Ji belongs to the wild artists of mainland China, his earlier work “Kiss of a Beauty” once stirred up fierce discussion. But, this seemingly cruel artwork is in fact expressing the simple concept of “the abnormal, unnatural, unequal, and unharmonious” coexistence between humans and animals. In Yu Ji’s performances, there is a melting of the bodily experience of will and the extreme process of performance into a provocative artistic effect. One example is his recent performance in Taipei using simple props such as flour. His sharp sensibility and confused excitement, natural talent and disposition are also reflected in his photographs and installations—burned skin without any facial organs, helpless eyes, inexplicable eyebrows, smiling lips. In this exhibition, Yu Ji will demonstrate once again how art has “the law of lawlessness”.
As a “diversified” artist, all of Zhang Hui’s artworks show a consideration of the use of multimedia along with the use or renovation of space. This is related to his professional training in dance. This time he will again appear as a member of the “gathering of weird objects group” (the other members of this group are Wang Mao, Wang Kun, and Wang Renke). The interesting thing about Zhang Hui has always been his use of the relationship of front and back stage and multimedia to solve the question how to enter a different space. In this exhibition, he uses the uniqueness of video and sculpture to lead into a conceptual disorientation of time and space, to create a crossover and piling effect of “surreal” and “reality” through which to reexamine our daily life.
方音空间简介
方音空间驻地于北京798工厂二号院的主干道，建筑为50年代包浩斯风格老工厂改造而成，采光良好，透气通风。空间总面积310平米，展线79米，顶高7米至13米。
方音空间定位以中国当代前卫艺术为主，是一个将当代艺术与收藏机制相结合的本土的、独立的当代视觉艺术组织及展览场地。
方音空间支持各种前沿、边缘、当代思想观念的正在发展的有才华的艺术家。空间旨在通过赞助、展览、媒体、出版、收藏、推介等方式来鼓励艺术创作，推广艺术项目，发起艺术评论，支持艺术的发展、研究与交流，努力创造本土当代艺术的良好环境，致力成为推动中国当代艺术创作的主要机构。
方音空间的运作由一位经理、一位艺术总监、二位助理负责，其资金来源于民间。
Brief Introduction
Fun Art Space is located on the main road of 798 factory's No.2 courtyard. Bright and well ventilated, it was constructed by renovating the 1950's Bauhaus-style factory. The space occupies a total of 310 square meters, with an exhibition line of 79 meters, and a ceiling height between 7 to 13 meters.
Fun Art Space is devoted to Chinese contemporary avant-garde art. It is an independent contemporary visual art organization and art venue combines with collecting.
Fun Art Space supports talented emerging artists with borderline, avant-garde, and contemporary concep
有展览现场的图片吗？想评论评论，最近展览少，手特别痒！ [s:61]
顶铁是我门共同的责任
老公你放心，我不会跟顶贴超人跑的.*>_<*
顶哦！ [s:78]
[quote]引用第3楼guest于2006-06-22 13:03发表的“”:
有展览现场的图片吗？想评论评论，最近展览少，手特别痒！ [s:61][/quote]
有的,马上
有展览现场的图片吗？想评论评论，最近展览少，手特别痒！ [s:61][/quote]
有的,马上
