Gina Czarnecki - "Nascent" （生）
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Produced by Forma and Australian Dance Theatre
Commissioned by Forma and Adelaide Film Festival
Gina Czarnecki – Nascent （生）
Nascent “生” 是一个电影和一个装置包含影像艺术，试验媒体，科技和舞蹈。。。艺术家用了澳大利亚舞蹈团的行为录像和不同的技术方式来制作这个作品。舞蹈家的动作被割下来，慢慢连在一起，分不出的，和狂暴的。形式不断地改变。
9月15日至16日 ReelDance 06, Adelaide, 澳大利亚
9月30 日 KINO-PAR, National Gallery of Armenia, Yerevan, AM
10月1日和2日10th Ultima Film – Dans for Kamera, Oslo, 挪威
10月11日 06 ReelDance 06, Auckland, 新希腊
10月18日 & 19日 KINODANCE, Ekaterinburg, 俄罗斯
10月22日KINODANCE, Moscow, 俄罗斯
11月5日ReelDance 06, Artrage Festival, Perth, 澳大利亚
11月15日 06 KINODANCE, St Petersburg, 俄罗斯
Nascent is a visual and visceral journey through and about being. A film and installation, the piece's hybrid form exists between visual art, experimental media, technology and dance.
In Nascent, raw footage of improvised and choreographed performance by Australian Dance Theatre dancers is confronted with compositional techniques applied in the post-production stage. Images form a complex and dense rhythmic structure, stretching, smearing and distorting ‘real’ time. The dancers' gestures and bodies, poised and isolated, gradually become intertwined, indistinguishable and frenetic – turbulent, mutated fragments that form and reform. A few frames of internal body image blast in as subliminal interventions or as momentary abstractions, leaving fleeting impressions of parallel structures – organisms, mutant animals, ghosts, mechanical insertions. The image processing creates new traces of movement that appear as blips in transmission or digital ‘vibrations’ where the body and its image tune-in, momentarily, then become ‘unplugged’ leaving behind traces of skin-print as after-images.
Ultimately the image remains recognisably human, but only just.
The score is specially commissioned music from Fennesz, whose own computer manipulation and processing of 'analogue' source sound echoes Czarnecki's approach to the treatment of image, and in turn influenced the final edit of the piece.
‘Nascent recalls ancient bas-reliefs in a synthesis in which the past and the present conjugate themselves creatively.’
Il Coreografo Elettronico, Naples, May 2005
Awards:
A Special mention at Il Coreografo Elettronico, May 2005
The Delegates’ Award at IMZ Dance Screen, June 2005
Best Dance Film Award, Australian Dance Awards, November 2005
ReelDance Award for the Best Australian or New Zealand Dance Film or Video, May 2006
Gina Czarnecki>
Infected>
Commissioned by Forma and Adelaide Film Festival
Gina Czarnecki – Nascent （生）
Nascent “生” 是一个电影和一个装置包含影像艺术，试验媒体，科技和舞蹈。。。艺术家用了澳大利亚舞蹈团的行为录像和不同的技术方式来制作这个作品。舞蹈家的动作被割下来，慢慢连在一起，分不出的，和狂暴的。形式不断地改变。
9月15日至16日 ReelDance 06, Adelaide, 澳大利亚
9月30 日 KINO-PAR, National Gallery of Armenia, Yerevan, AM
10月1日和2日10th Ultima Film – Dans for Kamera, Oslo, 挪威
10月11日 06 ReelDance 06, Auckland, 新希腊
10月18日 & 19日 KINODANCE, Ekaterinburg, 俄罗斯
10月22日KINODANCE, Moscow, 俄罗斯
11月5日ReelDance 06, Artrage Festival, Perth, 澳大利亚
11月15日 06 KINODANCE, St Petersburg, 俄罗斯
Nascent is a visual and visceral journey through and about being. A film and installation, the piece's hybrid form exists between visual art, experimental media, technology and dance.
In Nascent, raw footage of improvised and choreographed performance by Australian Dance Theatre dancers is confronted with compositional techniques applied in the post-production stage. Images form a complex and dense rhythmic structure, stretching, smearing and distorting ‘real’ time. The dancers' gestures and bodies, poised and isolated, gradually become intertwined, indistinguishable and frenetic – turbulent, mutated fragments that form and reform. A few frames of internal body image blast in as subliminal interventions or as momentary abstractions, leaving fleeting impressions of parallel structures – organisms, mutant animals, ghosts, mechanical insertions. The image processing creates new traces of movement that appear as blips in transmission or digital ‘vibrations’ where the body and its image tune-in, momentarily, then become ‘unplugged’ leaving behind traces of skin-print as after-images.
Ultimately the image remains recognisably human, but only just.
The score is specially commissioned music from Fennesz, whose own computer manipulation and processing of 'analogue' source sound echoes Czarnecki's approach to the treatment of image, and in turn influenced the final edit of the piece.
‘Nascent recalls ancient bas-reliefs in a synthesis in which the past and the present conjugate themselves creatively.’
Il Coreografo Elettronico, Naples, May 2005
Awards:
A Special mention at Il Coreografo Elettronico, May 2005
The Delegates’ Award at IMZ Dance Screen, June 2005
Best Dance Film Award, Australian Dance Awards, November 2005
ReelDance Award for the Best Australian or New Zealand Dance Film or Video, May 2006
Gina Czarnecki>
Infected>
