宋冬参展台北关渡双年展
2010.10.8－2010.12.26
佩斯北京艺术家宋冬近日携新作《水记》参展2010关渡双年展。
延续首届2008年关渡双年展“梦”的展览结构，今年关渡双年展计划邀请10组国际艺术家与策展人进行“1+1 = ∞”（Plus = 无限大）的展览合作计划，并以“记忆的总和 / Memories and Beyond”为题进行现场创作与展出。
《水记》是一组有关日常和记忆的影像作品，记录了宋冬在加热的石板上用水绘画人们熟悉的图像的过程。作品分为四部分，分别是带有中国文人画传统的山水画、人物的侧脸、每天都在使用的日常用品、以及颇具现代社会色彩的条形码。伴随着水在石板上的印记在绘画的过程中的消失，图像总是难以完整的呈现出来。宋冬颇有调侃意味地称自己的作品“不完整”、“不明确”、“不清晰”、“不专业”、“不完美”。然而，这种模糊、抑或是模棱两可也正体现了宋冬作品大俗大雅的趣味。
Song Dong at Kuandu Biennale
October 8 – December 26, 2010
This fall, Pace Song Dong participated in the 2010 Kuandu Biennale and exhibited his most recent work, Water Records.
Similar to the structure of the 2008 Kuandu Binnale: "I have a Dream", this year's exhibition invited 10 international artists and 10 curators to complete a "1+1 = ∞" (Plus = infinity) cooperative exhibition project, conducting and displaying on-site creations under the theme of "PLUS / Memories and Beyond".
水记 is a video piece dealing with daily life and memory, which recorded the process of Song Dong painting familiar objects with water on a heated slate. The artwork is divided into four parts: Chinese landscape painting in the style of the literati painting tradition, side profiles of the human face, daily necessities, and bar codes from modern society. As the water mark on the slate disappears during the painting process, the images are always difficult to be presented completely. Regarding this, Song Dong ridicules this work as "incomplete", "indeterminate", "unclear", "unprofessional" and "imperfect". However, this kind of ambiguity is in-tune with his style of incorporating the vulgar and the elegant.
2010.10.8－2010.12.26
佩斯北京艺术家宋冬近日携新作《水记》参展2010关渡双年展。
延续首届2008年关渡双年展“梦”的展览结构，今年关渡双年展计划邀请10组国际艺术家与策展人进行“1+1 = ∞”（Plus = 无限大）的展览合作计划，并以“记忆的总和 / Memories and Beyond”为题进行现场创作与展出。
《水记》是一组有关日常和记忆的影像作品，记录了宋冬在加热的石板上用水绘画人们熟悉的图像的过程。作品分为四部分，分别是带有中国文人画传统的山水画、人物的侧脸、每天都在使用的日常用品、以及颇具现代社会色彩的条形码。伴随着水在石板上的印记在绘画的过程中的消失，图像总是难以完整的呈现出来。宋冬颇有调侃意味地称自己的作品“不完整”、“不明确”、“不清晰”、“不专业”、“不完美”。然而，这种模糊、抑或是模棱两可也正体现了宋冬作品大俗大雅的趣味。
Song Dong at Kuandu Biennale
October 8 – December 26, 2010
This fall, Pace Song Dong participated in the 2010 Kuandu Biennale and exhibited his most recent work, Water Records.
Similar to the structure of the 2008 Kuandu Binnale: "I have a Dream", this year's exhibition invited 10 international artists and 10 curators to complete a "1+1 = ∞" (Plus = infinity) cooperative exhibition project, conducting and displaying on-site creations under the theme of "PLUS / Memories and Beyond".
水记 is a video piece dealing with daily life and memory, which recorded the process of Song Dong painting familiar objects with water on a heated slate. The artwork is divided into four parts: Chinese landscape painting in the style of the literati painting tradition, side profiles of the human face, daily necessities, and bar codes from modern society. As the water mark on the slate disappears during the painting process, the images are always difficult to be presented completely. Regarding this, Song Dong ridicules this work as "incomplete", "indeterminate", "unclear", "unprofessional" and "imperfect". However, this kind of ambiguity is in-tune with his style of incorporating the vulgar and the elegant.
就水写日记个点子，还真能用
