泰康空间诚邀您参加“51平方:12# 马秋莎”9月18日晚7点开幕表演
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[楼主] fvon 2010-09-17 23:36:58



展览名称:51m2:12# 马秋莎 MA QIUSHA

策展人:唐昕,苏文祥

展期:2010.9.18 – 10.9

开幕:2010.9.18 19:00

表演时间:2010.9.18 19:00-19:10

地点:北京市朝阳区崔各庄乡草场地红一号艺术区B2,泰康空间

电话:010-51273173

泰康空间诚挚地邀请您参观“51平方:12# 马秋莎”。

马秋莎总是小心翼翼地探究人与人之间微妙且又复杂的关系,在以往涉及这一类主题的相关作品中,作者通常把所有的疑虑和不安,都安置在一个我们可称之为“舞台”的地方,来作为其审视与他人、与周遭社会关系的焦点。而舞台——这个既可以自我为中心又可作为窥视他者的意像,较为准确地传达了艺术家潜在的不安全感和努力寻求确证的意图。除此,作为舞台修辞术的特写,也是艺术家所擅长呈现的,我们常常求助于细节特写来分析舞台表演中的对象,在马秋莎的这套图像、声响系统中也如是,最直观和最有效的感染力方式,便是抵面艺术家仿制的我们生存的镜像,以及它的细部。

没有在2009年录像作品《我们We》所触及的“对亲密关系的迟疑、不确定”那般明确,马秋莎本次在泰康51平方的项目《Us》,可视作对以上关心的延续亦可视作对它的发展,现场表演的不可控和偶发因素将使这一命题更加复杂。前后作品中题目主宾格的变化使这个现场更像是一个缩影式的观察场,艺术家并没有像导演一样安排每个角色和他们之间的细密关系。展览开幕时,100位男女模特渐次表演如何从一张编织严密的网络中挣脱再到离开,从摩肩接踵间到游离开来,现代社会中个体的存在关系在瞬间展现。届时整个展览空间真正成为一个抽象存在,观众可从空间的玻璃门和门前广场的视频直播窥见这一过程。9月18日周六晚7点准时开始!欢迎亲临现场。

TaiKang Space cordially invites you to visit “51m2 Project: No.12 Ma Qiusha”

Ma Qiusha always carefully explores the delicate and complicated relationships among people. In her previous works concerning this kind of theme, the artist usually arrange all the doubt and anxiety on a place that can be called “stage” to be a focus to examine others and the surrounding society. As for stage, an image that can be regarded as a self-center or a place to spy on others, it accurately conveys the artist’s hidden insecurity and her intention to search for exquisite proof. Besides, the artist is good at using stage rhetoric. We always seek support from detailed features to analyze the objects in stage performance. This is also the case with the image and sound system created by Ma Qiusha. The most direct and effective way to influence the audience is facing the mirror images that the artist imitates from our existence and its details.

Not as definite as the “doubt and uncertainty about imitate relationship” expressed in the video work We in 2009, Us, which is shown in TaiKang Space 51m2 Project, can be seen as a continuation and development of the former work. The uncontrollable and occasional elements of live performance make this theme more complicated. The change from nominative case to objective case in the names makes this scene more like a miniature observatory. The artist does not arrange the delicate relationships of the roles like directors usually do. During the opening, 100 male and female models perform one after another, break away from a tightly knitted net and drift away. This will be unfolding instantly to depict the existing relationships of individuals in a modern society. Then the whole exhibition space will become an abstract existence. The audience can take a furtive glance at this process through the glass door of the space or the video played in the square in front of the door. 7 pm Saturday, September 18, it will be shown on time! Welcome to see this exhibition.
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