空间站“愉悦悲剧”黄然8月21日开幕
空间站诚挚邀请您参加展览
愉悦悲剧 — 黄然个展
策展人：Octavio Zaya
2010.8.21.－9.11
开幕：2010.8.21, 下午4:00
8月21日空间站即将推出艺术家黄然在中国的首次个展 “愉悦悲剧”( Blithe Tragedy).这次展览黄然将展出最新的video作品以及观念性的反转片计划. Video的制作从电影平台出发.在整个制作过程中,艺术家都在有目的地利用电影语言,把神秘故事和历史编撰在一起.模糊性和复杂性正是这部作品给人最为强烈的感觉.
通过引人入胜的“唯美”画面,电影探究了爱,色情,性别,暴力以及死亡间某种的不确定的共谋关系,表现了当代美学无解状态的混乱,极具诱惑力和欺骗力.电影中造型婉约的男性演员,模糊了性别差异,把主题推向另一个极端点,是对权力,秩序,系统以及价值的恶意解构.电影的复杂性搅拌在美丽的感官娱乐画面的肤浅性当中;电影的模糊性让观众在质问图象内容所引发的畸形感受的同时,也在怀疑图象在美学“质量”上的完美所带来的愉悦反应.某种程度上,观众需要自行编撰故事,引出自己的欲望.黄然在这里制造了一个沉醉状态 --- 对合法化的当代美学不合理性的渴望.
从观念性的策略出发,黄然把“挑战者号”宇宙飞船爆炸灾难的录像片段以及一系列19世纪医学类版画进行了后期加工,并转印到了反转片上.这一行为把图象放置在了录像和静止画面之间,干扰了彼此的时间概念以及感官上的延续性.反转片整体上描述了一个具有深远意义的历史灾难事件,但是单张图片本身却在传达一种残酷的现实美感.这让美学“质量”上的完美性同“畸形”概念彼此形成反差的同时也相互勾结在一起.
-------------------------------------------------------------
黄然1982年生于西昌,中国.目前在北京和伦敦工作.2004年他以年级第一的成绩毕业于Birmingham Institue of Art and Design (英国)获得纯艺术一等荣誉学士学位First Class BA(Hons) Fine Art. 2007年,毕业于Goldsmiths College(英国)纯艺术硕士专业 MFA Fine Art.2009年,黄然成为由欧洲媒体艺术家进驻计划(EMARE),欧盟文化部,以及英国艺术委员会共同支持的16位艺术家之一,在英国和德国完成了艺术家进驻项目.黄然参加的联展包括:第七届巴西Mercosur双年展(2009), .MOVE, Werkleitz, 德国(2009), Où va la vidéo 00.00.02, Fondazione March, 意大利(2009).个展包括:Ran Huang, Nika Oblak & Primoz Novak, VIVID, 英国 (2009), Fake Action Truth, GEORGE POLKE, London, 英国(2010).
Octavio Zaya:著名独立策展人,美术评论家
Octavio Zaya先生生于西班牙, 自1978年起就在纽约工作和生活.目前,他担任Atlántica艺术双语季刊杂志的总监(由西班牙CAAM出版发行),西班牙MUSAC美术馆的特约策展总监及顾问,纽约Harlem地区即将成立的综合性艺术机构ALL CITY的艺术总监,同时也是纽约Performa的顾问委员会的成员,以及Nka Journal of Contemporary African Art编辑委员会成员. Octavio Zaya曾是2002年第十一届卡塞尔文献展的策展人之一,第一,二届约翰内斯堡双年展的策展人之一.97年在纽约古根汉美术馆策划了展览In/Sight,2000年于 西班牙 Centro de Arte Reina Sofia美术馆策划了展览Versiones del Sur. Latinoamerica,同年受邀为伦敦PHAIDON出版社编著著名的Fresh Cream.
Octavio Zaya近期的重要展览包括在MUSAC策划的艺术家 Cerith Wyn Evans(2008年)以及Paul Pfeiffer(2009年)的个展.2010年,同策展人Agustin Perez Rubio以及Maria Inés Rodriguez合作,Octavio Zaya策划了Model Kits/Modelos para Armar (2010年) --- 一个关于拉美艺术家的大型展览.2011年Zaya将会在MUSAC策划艺术家Georges Adéagbo的个展. 同期也在策划艺术家 Yinka Shonibare的个展,以及2012年的一个大型展览Activist Architecture.
Blithe Tragedy——Huang Ran
Corater:Octavio Zaya
2010.8.21.－9.11
Opening：2010.8.21, 4:00PM
Space Station is pleased to present a new body of work by artist Ran Huang. Entitled ‘Blithe Tragedy’, the exhibition brings together a new video project and a conceptual slides project. The video takes off from film genre conventions, and moves into a mixture of self-generated mythology and history with extravagant use of cinematic languages. Ambiguity and complexity are the strongest sensations when experiencing this piece.
Through beautifully arresting images, the film explores the uncertainty and complicity between love, sex, violence and death, provoking a temptation of the inextricable aesthetical dislocation of contemporaneity. Further, Huang pushes this subject to a limit by using all male actors in the film rather than conventional syntax of such, which is a malicious deconstruction of power, order, regimentation and value. The outcome of film is complicated in its own beautiful superficiality; the ambiguity makes us quickly question our own feeling towards the queerness of image but also the instinctive blithe reaction to the beautiful fact of image. The viewer has to complete the story for themselves somehow, and so elicits their own desire. Huang produces an intoxication of the rationalised aesthetical irrationality of contemporaneity.
Departing from a conceptual strategy, Huang transfers the footage of Challenger space shuttle disaster and 19 century scientific engravings into stylised slides, placing the imagery between moving images and stills. More importantly, by interrupting the timing, perception is fragmented. The whole sequence illustrates a profound tragedy, but each individual is brutally beautiful as a ‘Fact’, addressing a transition between ‘quality’ aesthetics of perfection and the monstrosity.
---------------------------------------
Ran Huang was born in 1982 in Xichang, China. He lives and works in London and Beijing. 2004, he graduated from Birmingham Institue of Art and Design with a First Class BA(Hons) Fine Art degree. 2007, he gained his MFA Fine Art degree at Goldsmiths College, University of London. Huang was one of the 16 artists presented by European Media Artists in Residency Exchange (EMARE) 2009 programme, supported by European Culture Programme and Art Council England. Huang has participated in numerous group exhibitions including 7th Mercosur Biennial, Brazil (2009), .MOVE, Werkleitz, Germany (2009), Où va la vidéo 00.00.02, Fondazione March, Italy(2009).Solo exhibitions include Ran Huang, Nika Oblak & Primoz Novak, VIVID, UK (2009), Fake Action Truth, GEORGE POLKE, London, UK (2010).
For further information please contact the gallery on +86 10 59789671
Octavio Zaya is an independent curator and art writer living in New York since 1978. He is Director of Atlántica, a bilingual quarterly magazine published by CAAM (Las Palmas, Spain); he is Curator at Large and Advisor of MUSAC (León, Spain), Artistic Director of ALL CITY, an upcoming multidisciplinary space in Harlem (New York), and member of the Advisory Board of Performa (New York). He is on the Editorial Board of Nka Journal of Contemporary African Art (Cornell University).
He was a curator in Okwui Enwezor’s team at Documenta 11 (Kassel, 2002), and he was also a curator at the 1st and 2nd Johannesburg Biennials (1995 and 1997). He conceived and was a curator of Versiones del Sur. Latinoamerica at Centro de Arte Reina Sofia (Madrid, 2000). He was one of the curators of Fresh Cream (Phaidon Press, London, 2000), has authored more than a dozen books on contemporary and emerging artists, and has contributed to numerous artists’ books and catalogues.
He recently curated important exhibitions on Cerith Wyn Evans (2008) and Paul Pfeiffer’s (2009) works, both at MUSAC. With Agustin Perez Rubio and Maria Inés Rodriguez, Zaya recently organized Model Kits/Modelos para Armar (2010), a large exhibition on Latin American artists from MUSAC’s Collection (July 2010), and another on the work of Georges Adéagbo (January 2011), both for MUSAC. He is also curating a large show by Yinka Shonibare for Comunidad de Madrid (February 2011), and a large exhibition devoted to what he calls Activist Architecture (2012).
更多信息请点击：www.space-station-art.com
Tel: +86 10 59789671 Web: www.space-station-art.com
Email: spacestationart@163.com info@space-station-art.com
Add: Space Station, No.4 Jiuxiaoqiao Rd, 798 Art District, Beijing 100015
地址：空间站 北京市朝阳区酒仙桥4号798艺术区中一街
Space Station cordially invite you to our new exhibition. 
预告片：
愉悦悲剧 — 黄然个展
策展人：Octavio Zaya
2010.8.21.－9.11
开幕：2010.8.21, 下午4:00
8月21日空间站即将推出艺术家黄然在中国的首次个展 “愉悦悲剧”( Blithe Tragedy).这次展览黄然将展出最新的video作品以及观念性的反转片计划. Video的制作从电影平台出发.在整个制作过程中,艺术家都在有目的地利用电影语言,把神秘故事和历史编撰在一起.模糊性和复杂性正是这部作品给人最为强烈的感觉.
通过引人入胜的“唯美”画面,电影探究了爱,色情,性别,暴力以及死亡间某种的不确定的共谋关系,表现了当代美学无解状态的混乱,极具诱惑力和欺骗力.电影中造型婉约的男性演员,模糊了性别差异,把主题推向另一个极端点,是对权力,秩序,系统以及价值的恶意解构.电影的复杂性搅拌在美丽的感官娱乐画面的肤浅性当中;电影的模糊性让观众在质问图象内容所引发的畸形感受的同时,也在怀疑图象在美学“质量”上的完美所带来的愉悦反应.某种程度上,观众需要自行编撰故事,引出自己的欲望.黄然在这里制造了一个沉醉状态 --- 对合法化的当代美学不合理性的渴望.
从观念性的策略出发,黄然把“挑战者号”宇宙飞船爆炸灾难的录像片段以及一系列19世纪医学类版画进行了后期加工,并转印到了反转片上.这一行为把图象放置在了录像和静止画面之间,干扰了彼此的时间概念以及感官上的延续性.反转片整体上描述了一个具有深远意义的历史灾难事件,但是单张图片本身却在传达一种残酷的现实美感.这让美学“质量”上的完美性同“畸形”概念彼此形成反差的同时也相互勾结在一起.
-------------------------------------------------------------
黄然1982年生于西昌,中国.目前在北京和伦敦工作.2004年他以年级第一的成绩毕业于Birmingham Institue of Art and Design (英国)获得纯艺术一等荣誉学士学位First Class BA(Hons) Fine Art. 2007年,毕业于Goldsmiths College(英国)纯艺术硕士专业 MFA Fine Art.2009年,黄然成为由欧洲媒体艺术家进驻计划(EMARE),欧盟文化部,以及英国艺术委员会共同支持的16位艺术家之一,在英国和德国完成了艺术家进驻项目.黄然参加的联展包括:第七届巴西Mercosur双年展(2009), .MOVE, Werkleitz, 德国(2009), Où va la vidéo 00.00.02, Fondazione March, 意大利(2009).个展包括:Ran Huang, Nika Oblak & Primoz Novak, VIVID, 英国 (2009), Fake Action Truth, GEORGE POLKE, London, 英国(2010).
Octavio Zaya:著名独立策展人,美术评论家
Octavio Zaya先生生于西班牙, 自1978年起就在纽约工作和生活.目前,他担任Atlántica艺术双语季刊杂志的总监(由西班牙CAAM出版发行),西班牙MUSAC美术馆的特约策展总监及顾问,纽约Harlem地区即将成立的综合性艺术机构ALL CITY的艺术总监,同时也是纽约Performa的顾问委员会的成员,以及Nka Journal of Contemporary African Art编辑委员会成员. Octavio Zaya曾是2002年第十一届卡塞尔文献展的策展人之一,第一,二届约翰内斯堡双年展的策展人之一.97年在纽约古根汉美术馆策划了展览In/Sight,2000年于 西班牙 Centro de Arte Reina Sofia美术馆策划了展览Versiones del Sur. Latinoamerica,同年受邀为伦敦PHAIDON出版社编著著名的Fresh Cream.
Octavio Zaya近期的重要展览包括在MUSAC策划的艺术家 Cerith Wyn Evans(2008年)以及Paul Pfeiffer(2009年)的个展.2010年,同策展人Agustin Perez Rubio以及Maria Inés Rodriguez合作,Octavio Zaya策划了Model Kits/Modelos para Armar (2010年) --- 一个关于拉美艺术家的大型展览.2011年Zaya将会在MUSAC策划艺术家Georges Adéagbo的个展. 同期也在策划艺术家 Yinka Shonibare的个展,以及2012年的一个大型展览Activist Architecture.
Blithe Tragedy——Huang Ran
Corater:Octavio Zaya
2010.8.21.－9.11
Opening：2010.8.21, 4:00PM
Space Station is pleased to present a new body of work by artist Ran Huang. Entitled ‘Blithe Tragedy’, the exhibition brings together a new video project and a conceptual slides project. The video takes off from film genre conventions, and moves into a mixture of self-generated mythology and history with extravagant use of cinematic languages. Ambiguity and complexity are the strongest sensations when experiencing this piece.
Through beautifully arresting images, the film explores the uncertainty and complicity between love, sex, violence and death, provoking a temptation of the inextricable aesthetical dislocation of contemporaneity. Further, Huang pushes this subject to a limit by using all male actors in the film rather than conventional syntax of such, which is a malicious deconstruction of power, order, regimentation and value. The outcome of film is complicated in its own beautiful superficiality; the ambiguity makes us quickly question our own feeling towards the queerness of image but also the instinctive blithe reaction to the beautiful fact of image. The viewer has to complete the story for themselves somehow, and so elicits their own desire. Huang produces an intoxication of the rationalised aesthetical irrationality of contemporaneity.
Departing from a conceptual strategy, Huang transfers the footage of Challenger space shuttle disaster and 19 century scientific engravings into stylised slides, placing the imagery between moving images and stills. More importantly, by interrupting the timing, perception is fragmented. The whole sequence illustrates a profound tragedy, but each individual is brutally beautiful as a ‘Fact’, addressing a transition between ‘quality’ aesthetics of perfection and the monstrosity.
---------------------------------------
Ran Huang was born in 1982 in Xichang, China. He lives and works in London and Beijing. 2004, he graduated from Birmingham Institue of Art and Design with a First Class BA(Hons) Fine Art degree. 2007, he gained his MFA Fine Art degree at Goldsmiths College, University of London. Huang was one of the 16 artists presented by European Media Artists in Residency Exchange (EMARE) 2009 programme, supported by European Culture Programme and Art Council England. Huang has participated in numerous group exhibitions including 7th Mercosur Biennial, Brazil (2009), .MOVE, Werkleitz, Germany (2009), Où va la vidéo 00.00.02, Fondazione March, Italy(2009).Solo exhibitions include Ran Huang, Nika Oblak & Primoz Novak, VIVID, UK (2009), Fake Action Truth, GEORGE POLKE, London, UK (2010).
For further information please contact the gallery on +86 10 59789671
Octavio Zaya is an independent curator and art writer living in New York since 1978. He is Director of Atlántica, a bilingual quarterly magazine published by CAAM (Las Palmas, Spain); he is Curator at Large and Advisor of MUSAC (León, Spain), Artistic Director of ALL CITY, an upcoming multidisciplinary space in Harlem (New York), and member of the Advisory Board of Performa (New York). He is on the Editorial Board of Nka Journal of Contemporary African Art (Cornell University).
He was a curator in Okwui Enwezor’s team at Documenta 11 (Kassel, 2002), and he was also a curator at the 1st and 2nd Johannesburg Biennials (1995 and 1997). He conceived and was a curator of Versiones del Sur. Latinoamerica at Centro de Arte Reina Sofia (Madrid, 2000). He was one of the curators of Fresh Cream (Phaidon Press, London, 2000), has authored more than a dozen books on contemporary and emerging artists, and has contributed to numerous artists’ books and catalogues.
He recently curated important exhibitions on Cerith Wyn Evans (2008) and Paul Pfeiffer’s (2009) works, both at MUSAC. With Agustin Perez Rubio and Maria Inés Rodriguez, Zaya recently organized Model Kits/Modelos para Armar (2010), a large exhibition on Latin American artists from MUSAC’s Collection (July 2010), and another on the work of Georges Adéagbo (January 2011), both for MUSAC. He is also curating a large show by Yinka Shonibare for Comunidad de Madrid (February 2011), and a large exhibition devoted to what he calls Activist Architecture (2012).
更多信息请点击：www.space-station-art.com
Tel: +86 10 59789671 Web: www.space-station-art.com
Email: spacestationart@163.com info@space-station-art.com
Add: Space Station, No.4 Jiuxiaoqiao Rd, 798 Art District, Beijing 100015
地址：空间站 北京市朝阳区酒仙桥4号798艺术区中一街
BLITHE TRAGEDY预告片及视频截图:
预告片片长: 1分55秒
原片长: 14分56秒
媒材: RED ONE Digital 转蓝光DVD
预告片地址:
http://www.artspy.cn/html/video/0/544.shtml
视频截图按照时间顺序排列
转发几张现场照片
预告片片长: 1分55秒
原片长: 14分56秒
媒材: RED ONE Digital 转蓝光DVD
预告片地址:
http://www.artspy.cn/html/video/0/544.shtml
视频截图按照时间顺序排列
转发几张现场照片
顶!
大怎么不死 她死了我一定请很多人吃饭
开幕那天下雨了
青年视觉主编:张丹 正在翻阅艺术家的资料
著名时尚摄影师许闯在给Marie Claire嘉人杂志编辑韩火火拍照, 旁边金发美女是
英国回来的著名Stylist Lucia Liu
拿手包的是著名独立设计师Xander Zhou
很空旷的黑空间,和一个巨大的投影,是主体的作品,背面是两个不停在闪耀的幻灯机,里面的内容是阿波罗13号的爆炸图,和一些非常美丽的植物和解剖图
居然惊现某明星的经纪人
新华社记者Ujin同学
中间蓝鞋的是艺术家黄然
演员时诗同学出现了, 还有这么扎眼的Hermès
冰岛摄影师Saga在给艺术家拍照
喜欢...
现场有个同行艺术编辑说: 在经历这么多年的视觉疲劳之后, 这次的展览终于看到不一样的东西了!
空间站自己顶吧
明天去看看
哇 众星云集啊!!
顶一下, 值得看看
@SuaS：今天去送完東西去看了佛西哥哥的藝術展...被音樂響起的時候泥土綠色 肌膚上的汗水 和凝結的無望而感動了.........以及那個畫面....那個人...靜止的坐在椅子上...畫面的中間所感動...雖然天公不作美但是這一天的雨和這部電影 真是絕配.... 原文转发(5)|原文评论(3)
@ujin：大家有空去798的Space Station感受下Foxi的愉悦悲剧吧~在大段大段的长镜头中静谧的力量无处不在...@时诗 不同寻常的一面同样惊艳！ 原文转发(8)|原文评论(7)
@韩火火：正在798空间站看现代艺术家黄然的个展。 这次的主题是BLITHE TRAGEDY，下雨天，愉悦的悲剧，感觉很平和，又被打动。 原文转发(32)|原文评论(46)
居然错过了
请问空间站具体在哪儿啊?
去看了,作品还可以了，但此人混的圈子实在太不靠谱了
混什么圈靠谱啊
竟然是西昌的，那顶一下哦
四川老乡也来顶一下
[quote]引用第20楼guest于2010-8-24 14:16:51发表的:
居然错过了...[/quote]
空间站在798中一街，“零工厂”同条胡同，原"中国当代"画廊空间，东磊影象画廊对面，长征空间旁边，外有黑色楼梯和黑色铁门的二层。
昨天去了
应该顶
......
可以从作品里看到这个艺术家不仅仅只是有感觉和有灵气而已.
怎么以前没有听说过这个艺术家?
都是gay么？？
空间站顶
看过了.
厉害
空间站展期延长通知:
黄然个展 "愉悦悲剧" Blithe Tragedy 展期延长至9月19号,诚邀大家莅临参观
黄然个展 "愉悦悲剧" Blithe Tragedy 展期延长至9月19号,诚邀大家莅临参观
灵气在哪里？这种东西也只有时尚圈和娱乐圈的人会觉得好。
没灵气也能顶出来！
[quote]引用第39楼guest于2010-8-26 18:03:15发表的:
灵气在哪里？这种东西也只有时尚圈和娱乐圈的人会觉得好。...[/quote]
连时尚圈和娱乐圈也喜欢的当代艺术作品,也没什么不好.
其实作品本来走的就是高精度的娱乐感官刺激下的变态的色情内核.这种内在的思想强度是娱乐文化无法接受的.
其实很多人看,也就是只停留在表面上而已.
[quote]引用第39楼guest于2010-8-26 18:03:15发表的:
灵气在哪里？这种东西也只有时尚圈和娱乐圈的人会觉得好。...[/quote]
估计这位被鄙视了, 哈哈
我是成都的
可惜,不在北京
好作品
周末去看看到底是什么
年轻人做成这样,,挺好的..
昨天去看了黄然的个展，作品不错，挺干净纯粹的，从头到尾看了下，有可琢磨的东西。
顶一下新人
周末去看了
算得上好展览了
小东那不错嘛~~~
妖人级别
空间站加油......
~~~~
顶！张丹！！！！！
[quote]引用第60楼guest于2010-9-6 22:59:37发表的:
顶！张丹！！！！！...[/quote]
他是视觉新的主编?????
少有
!!!!!!
被英国大使馆的朋友带着去三里屯看了黄然的作品. 厉害....
勾结在一起
