刊首语：艺术为何是无用的 /董冰峰
Why art is useless?
注目：艺术教育：反思与实践 /本刊编辑部 策划
Art education: reflection and practice
现场：不知如何降下/李佳
Never learned how to land
纸上美术馆：尹朝阳：转暗的强光/ 朱朱策划
Yin zhaoyang: diming glare /organized by zhuzhu
工作坊：焦兴涛：“异常”的回归： /焦兴涛
JIAO XINGTAO: Back to ABNORMITY/ jiaoxingtao
新媒体 ：关于新媒体的全球进程调查（5）：PIXELACHE 像素痛感艺术节/李振华策划
A research on new media development of the world(5): PIXELACHE
空间：重庆独立艺术空间： /戴伟平 策划 organized by deyna dai
器HAUS空间
喜马拉雅艺术空间
Independent art space in CHONGQING:
Organhaus art space
Himalayas art space
策展：玩范纳贝 /蔡影茜 策划
Play van abbe/ organized by nikita yingqian cai
影像：与葛文谈话：鹿特丹电影节与当代独立电影制作 /张亚璇
Talking with Gerwin：International Film Festival Rotterdam & today’s independent film production
新思想：后现代主义的绝境/汪民安 主持
The impasse of postmodernism/ presided by wang min’an
视角：灰色的狂欢节（下）/朱朱
书评：《突变的媒介：关于电影、视频艺术以及新媒体》/推荐 于帆
Mutant media: essays on cinema, video art and new media/recommended by
资讯：北京 /上海 /名古屋/伦敦 /维也纳 /马德里/悉尼/本刊编辑部编撰
Beijingshanghai/Nagoya/london/vienna/Madrid/sidney
艺术与投资2010年第6期目录
Contents
004 版权页 Colophon
006 目录 Contents
012 榜单 List
016 数字 Number
018 档期 Auction Calendar
020 刊首语 Editorial
032 城市速递 City Express
118 导览 Guide
专栏
西尔万 Sylvain Levy
作为战略营销的艺术营销
For a Strategic Marketing Art：The concept of “ArtKeting”
王维薇 Wei-Wei Wang
艺术狂欢节背后的汗水
Efforts behind glorious surface
海科志镐艺术品教育咨询机构 Hai Ke Zhi Hao Art Training
收集那些逝去的时光
Collecting bygone time
拍场 Auction
凌维冰、Penny Ling Weibing、Penny
21.28亿人民币：中国嘉德引领国内春拍大战
2.128 Billion RMB: China Guardian Auction house leads mainland china 2010 spring sale
蔡若丹 Cai Ruodan
经典油画 低调的潜力股:西泠拍卖2010春拍传统油画专场概述
Blue chip of Classic Oil Painting: Summary of 2010 Xi Ling Spring auction traditional Oil painting sale
山子 Shan Zi
1.065亿美金的毕卡索：稀缺性注定天价
Picasso sold 106.5million: rareness decides price
杨轩翊 Yang Xuanyi
中国艺术品再演伦敦之战
Chinese works of art battles in London
专题 Features
本刊编辑部 A&I
艺术投资基金：鱼和熊掌能否兼得？(下)
Art Investment Funds: Can It achieve both goals of art and investment?
黄文叡 Terry Huang
艺术品是一项好的投资标的吗？
Is Art works a good investment target?
华雨舟 Hua Yuzhou
艺术投资基金需务实和安全
Art investment funds must be steady and safe
周莉 Jennifer
和君西岸经典油画基金
Classical oil painting art fund
沈其斌 Shen Qibin
文化的话语者要创造资本
Cultural promoter has to create capital
冀鹏程 Ji Pengcheng
扩大艺术的影响力
Expand the influence of art
李诗、顾振清 Li Shi Gu Zhenqing
APT艺术投资基金的另类模式
The alternative mode of APT
品味 Appreciation
杜卡 Duka
宫廷御制：拍场上的王者风范
Imperial Chinese Works: Charisma in Auctions
艺事聚焦 Focus
唐昕 Tang Xin
20100317 走近他的疑虑
Interpreting Han Lei’s doubts and confusions
本刊编辑部 A&I
亚洲艺术市场泡沫破灭还是走向复苏——2010艺术北京艺术经济论坛节选
Lather collapse of resurrection-extract of Art Beijing forum 2010
陈琳琳Chen Linlin
汇聚•艺术芝加哥
Converge •Art Chicago
本刊编辑部 A&I
“天水无居·五洲同源”诗迪个展在鲁迅美术学院开幕
Shi Di’s solo exhibition
基金会 Foundation
傅远正 Fu Yuanzheng
徜徉·人间：朱铭美术馆的经营策略
Roaming in the world: Juming Culture & Education Foundation
投资点将台 Recommended artist
杨韬：盛装暴力
Yan Tao ：Full-dressed Violence
钟飚 Zhong Biao
钟飚：2010致未来
Zhong Biao: 2010, To Future
董冰峰 Dong Bingfeng
“所有的绘画皆是一场意外”：田宝明油画杂议
All paintings is just an accident: Summary of Tian Baoming’s Oil Paintings
巴塞尔特刊2010年第6期目录
Contents
Colophon
Editorial
Not so good, not too bad! /Dong Bingfeng
Features
Chinese Art Market Report/AMRC(Art Market Research Centre)
Gallery
Galerie Urs Meile
ShangArt Gallery
2010 Cinema
Liste 15: Platform China
51m[sup]2[/sup] Conference: Emerging Chinese young artists’ project of TaiKang Space
Perspectives
Zhu Zhu: Gray Carnival (selection)-Chinese Art from 2000 to 2009/ Zhu Zhu
THE CORRESPONDENCES WITH GAO SHIMING/Gao Shiming、Johnson、Jeebesh、Shuddha、Monica、Mark Nash
Artists
Yang Tao：Full-dressed Violence
Uneasy Embrace from Bathtub to Embrace the Landscape
Looking back into vastness: Zhao Hongchen’s collection of Poetry Paintings
Exhibitions
Beijing/Shanghai/Shenzhen/Hong Kong/London/Los Angeles
Appendix
International Art and Culture Foundation of Spain
Iberia Center for Contemporary Art
Magee Art Gallery
Chinese Independent Film Archive
THE CATALOGUE OF ART & INVESTMENT (2009.01-2010.06)
THE CATALOGUE OF CONTEMPORORY ART & INVESTMENT (2009.01-2010.06)
Art Map
