History in Making: Shanghai 1979-2009
发起人:上海滩1979-2009  回复数:1   浏览数:2908   最后更新:2011/12/17 23:10:49 by uggonsale
[楼主] 上海滩1979-2009 2010-05-18 19:39:24


History in Making: Shanghai 1979-2009
Artists Interviews and Work archive

Author: Biljana Ciric
Publishing by Shanghai People’s Fine Arts Publishing House.
Language: Chinese
Publishing project supported byKe Center for the Contemporary Arts
www.kecenter.org.cn

Special thanks to
Himalayas Art Museum and Shanghart gallery
SIMBA LEE, Shen Qibin, Lorenz Helbling, Bridge 8, Mian Mian.

We are proud to present the first in series of three books mapping the contemporary art practices of Shanghai from 1979-2009.
The first publication is titled: History in Making: Shanghai 1979-2009, and includes artist interviews and an archive of works that was compiled over the course of preparation for the exhibition, and through discussion with the participating artists. The book contains interviews conducted with artists during 2008 and 2009, and presents the different stages of contemporary art production in Shanghai, and China at large, through the individual stories and recollections of artists.
All interviews were conducted by Biljana Ciric, and these include: “BeiHeMeng” Photography Group, Birdhead, Chen Yanyin, Ding Yi, Gong Jianqing, Gu Lei, He Yang, Hu Jianping, Hu Jieming, Huang Kui, Jin Feng (the younger), Jin Feng + Su Chang, Jin Shan, Li Mu, Li Pinghu, Li Shan, Liang Yue, Liu Jianhua, Lu Chunsheng, M Group, Mian Mian, Ni Jun,Ni Weihua, Qian Weikang, Qiu Anxiong, Qiu Deshu, Shen Fan, Shi Yong, Song Haidong, Song Tao, Sun Liang, Tang Guangming, Tang Maohong, Xiang Liqing, Xu Zhen, Yang Fudong, Yang Hui, Yang Xu, Yang Zhenzhong, Yu Youhan, Zhangding, Zhang Enli, Zhang Jianjun, Zhang Pingjie, Zhang Xin, Zhou Xiaohu, Zhou Zixi, and Cenaculo. The book also includes texts contributed by Gu Zhen, Wu Liang, and Zhao Chuan.
The idea to do the interviews came about with regard to the need for a kind of key for the understanding of the various artistic practices present through these years, and their ongoing contributions to the local art scene. At the same time, these interviews became very important tools for the understanding not only of individual artistic practices, but also in the way that they, together, point towards the larger social background of this time period as well, bringing to light an intimacy that has not necessarily entered the public discourse as of yet.
For the first time, several generations of artists from Shanghai (including those from different age groups and different artistic approaches), bringing them together in the form of a book. In this way, the book is also an accumulation of the city’s cultural growth and alludes to its current status as viewed through the perspectives and attitudes of nearly 50 artists and cultural practitioners who have contributed to the cultural development of Shanghai over the last 30 years.
“History in the Making provided invaluable insights into contemporary art as it evolved in Shanghai. The in-depth look of how multiple generations developed (and in some cases unfortunately abandoned) their art practices meant new discoveries for everyone. The straightforward chronological presentation (a brilliant culling of complex information) offered a much needed framework for new scholarly interpretations. The exhibition sets a high standard for future research”, Barbara London, Associate Curator, Department of Media and Performance Art, MoMA.
“...The urgency of the world should be matched by an urgency to remember. Like the information we consume, our memory should be equally dynamic. Nothing is ever identical, nothing ever repeats itself, everything is constantly changing. With the world in constant flux, it would seem Israel Rosenfield was right; “we must be prepared for unpredictable circumstances”. Such dynamism is embodied in Biljana Ciric’s exhibition History in the Making: Shanghai 1979-2009 exhibition is a wonderful contribution to the protest against forgetting. More than simply a survey of contemporary art, this exhibition brought together different generations of artists from Shanghai, illustrating Erwin Panofsky’s idea that future is built on fragments of the past.” By Hans Ulrich Obrist.
The aim of publishing this project is to archive and present in the most comprehensive way the contemporary art history of the Shanghai-based artist community from 1979 to the present, and it’s related material.
The modernization of China and the pace of the country’s transformation has added to its development of a very short term memory, so that many things become a part of the past very quickly and get lost in the minds of individuals. This is what is happening in many fields, including contemporary art.
These three books will realize an archive that consists of very objective facts, thereby revealing the path that the artistic community of Shanghai has gone through, while also pointing towards the future.
Most of the material used in the book was collected through the interviews with the different artists and through the archival material that they provided for the project.

Publications still to come: History in Making: Shanghai 1979-2009
-History of Exhibition-Making
-Artists’ Collections: Poetry and Writings


返回页首

[快速回复] (HTML代码不可用)[高级回复]
请输入验证码: +jdlfjdlfljl12l12jl+*ljld- + +zdfn,n,/,/,;k1234-353;kdf;kdf;+*ljld- 7 (请输入计算结果)
表情
发言前,请仔细阅读并同意以下注意事项,未注册用户请返回社区首页注册。
1.请自觉遵守:Art-Ba-Ba论坛免责声明
2.请尊重网上道德;
3.自觉遵守:爱国、守法、自律、真实、文明的原则;
4.遵守互联网电子公告服务管理规定 及中华人民共和国其他各项有关法律法规;
5.严禁发表危害国家安全、破坏民族团结、破坏国家宗教政策、破坏社会稳定、侮辱、诽谤、教唆、淫秽等内容的作品;
6.承担一切因您的行为而直接或间接导致的民事或刑事法律责任。
7.Art-Ba-Ba所有帖子仅代表作者本人意见,不代表本社区立场。
8.转载文章请注明出自“Art-ba-ba中国当代艺术社区(www.art-ba-ba.com)”。如是商业用途还请联系原作者。