超设计——Caro Niederer (Switzerland) 瑞士
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Living with Art
9 April - 30 May 2005
This was the first solo exhibition by Swiss artist Caro Niederer in the UK. It involved various types of work in an unforced interweaving of art and everyday life. Niederer’s paintings, rather than being self-contained art objects, are revealed as open gestures, existing between processes of their production and subsequent journeys into worlds beyond the studio. With their subject matter reflecting a range of interests, including still lifes and sporting events, portraits and alpine landscapes, they are destined for the schemes of others.
Niederer’s Interieur photographs depict her paintings in the places where their collectors put them – in children’s playrooms, for example, in the company of toy dinosaurs and Lego, or propped up in a kitchen alongside a variety of family souvenirs. The photographs thus testify to the care and fond deliberateness of the inhabitants of these rooms, where the artist’s paintings have come to play an integral part.
Niederer’s sculptural works replicate the kinds of objects that furnish familiar spaces. She makes rugs adorned by reproduced images of her paintings, for example, and exquisite shelving units full of different coloured pullovers. They suggest consumerism and provide an analogy for the fate of art in general.
This exhibition was organised in collaboration with Kunstmuseum St Gallen, Switzerland.
See also Illustrated Catalogue
9 April - 30 May 2005
This was the first solo exhibition by Swiss artist Caro Niederer in the UK. It involved various types of work in an unforced interweaving of art and everyday life. Niederer’s paintings, rather than being self-contained art objects, are revealed as open gestures, existing between processes of their production and subsequent journeys into worlds beyond the studio. With their subject matter reflecting a range of interests, including still lifes and sporting events, portraits and alpine landscapes, they are destined for the schemes of others.
Niederer’s Interieur photographs depict her paintings in the places where their collectors put them – in children’s playrooms, for example, in the company of toy dinosaurs and Lego, or propped up in a kitchen alongside a variety of family souvenirs. The photographs thus testify to the care and fond deliberateness of the inhabitants of these rooms, where the artist’s paintings have come to play an integral part.
Niederer’s sculptural works replicate the kinds of objects that furnish familiar spaces. She makes rugs adorned by reproduced images of her paintings, for example, and exquisite shelving units full of different coloured pullovers. They suggest consumerism and provide an analogy for the fate of art in general.
This exhibition was organised in collaboration with Kunstmuseum St Gallen, Switzerland.
See also Illustrated Catalogue
出生于1963年,是瑞士画家ManuelNiederer她最精彩的一代画家. 她第一次获得了她的注意,小色生动、形象,个人油画执行概况. 自1984年以来,她已制作了一系列内部文件中的照片,她的作品挂满了买主. 1997年,大转Niederer格式,基本上消除她的画色彩,创造工作的行家. 她的作品在最近的一系列特色软环境重点色照片田园诗般的节日--从山区和滨海风景,奇异宝塔.
