北京前波画廊叶楠与苑瑗作品展现场
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最后更新：2010/09/27 16:37:25 by liangfeng1119
褪 色 时光
A World of Yesterday and Tomorrow
苑瑗近作展
Recent Works by Yuan Yuan
赤 ● 磷
Phosphorous Red
叶楠个展
Solo Exhibition: Ye Nan
Exhibition Dates: March 6 - April 11, 2010
Opening Reception: 4-7pm,Saturday March 6, 2010
展览时间：2010年3月6日—2010年4月11日
开幕酒会：2010年3月6日，星期六，下午4~7点
北京前波画廊将于2010年3月6日起举办苑瑗近作展《褪色时光》及叶楠个展《赤▪磷》。这两个迥然不同的个展将展示出今日中国年轻艺术家作品的多样性。
苑瑗（1984年出生于北京）的画作主题都非常个人化，常涉及友谊、怀旧及幻想等主题。2008至2009年间，纽约前波画廊曾展出过苑瑗的一系列微型油画，令人值得注意的是这些描绘了她朋友的油画充满了自发性和魅力。此次为《褪色时光》创作的新系列也是从日常照片中获得灵感，不过她似乎比以前更深入地钻研了记忆的模糊地带。这些受宝丽莱照片启发的油画特地装裱在景德镇的陶瓷画框内，捕捉住了朋友间更为模糊诗意的瞬间。她还创作了一些更大的作品，在这些大作品中，她精确的笔触也同时变得更加成熟。部分作品描绘了同样的事件，模糊地重复出现在一些类似电影的“框架”中。其他描绘记忆的作品则似乎把过去一些随机的瞬间定格在我们面前。
与比较关注个人经历的苑瑗不同，叶楠（1984年出生于杭州）则喜欢直接探讨一些宏观问题。《赤▪磷》是由一系列以磷为材料的丝网版画组成。在这组作品中，他如同制作火柴一般把磷液浇在纸上。这些大胆的图像涉及了很多话题，例如太空航行、殖民化、化学或物理原理、国家主义、政治及摇滚音乐等。而他成功地用这几乎不可能的材料创造出了一系列充满活力且高度清晰的宣言般的作品。
随着中国当代艺术运动的日趋成熟，本展览将清晰地展现正在出现的不同思想流派，同时也说明师生间授业的重要性。这两位艺术家都很幸运，分别拜于两位国际知名的艺术家门下：苑瑗师从北京中央美院教授兼画家喻红，叶楠则是杭州中国美术学院的重要人物邱志杰的门人。苑瑗和叶楠的作品也许迥然不同，但是他们都从某种程度上展现了他们这代人的特点，真实而个性化地评论他们的周边世界。
欲获得更多信息，请与画廊联系。
电 话： +86(10)5127-3298
电子邮箱: bj@chambersfineart.com
Chambers Fine Art Beijing is pleased to announce Yuan Yuan’s A World of Yesterday and Tomorrow and Ye Nan’s Phosphorous Red ¬- two very different solo shows that offer something of the range and promise of new work being produced by younger artist in China today.
Yuan Yuan (born 1984 in Beijing) is a painter who works with the very personal themes of friendship, nostalgia and fantasy. In 2008-2009, Chambers Fine Art New York showed a series of her diminutive oil paintings of friends that were notable for their spontaneity and charm. The new series for A World of Yesterday and Tomorrow also draws inspiration from informal photographs but she seems to delve ever more deeply into the imprecise realms of memory. These Polaroid inspired paintings, specially framed in Jingdezhen porcelain frames, capture moments among friends are more indistinct and poetic than before. She has also produced bigger works in which her precise brushstrokes have become larger and more diffuse. Some of these show the same incident repeated indistinctly in movie-like ‘frames’. Others, painted from memory, seem to suspend random past moments before us in the present.
While Yuan Yuan draws her enquiry through highly personalized experience, Ye Nan (born 1984 in Hangzhou) prefers to engage directly with great, sometimes imponderable questions. Phosphorous Red is made up of a series of graphic prints in which he has perfected a technique of applying phosphorous liquid, like that used in the manufacture of matches, onto the paper. These bold images draw source a wide range of references such as space travel and colonization, the principles of chemistry or physics, nationalism, politics and rock music. Yet he succeeds in drawing together this potentially improbable material into an invigorating and highly-legible series of manifesto like declarations.
As the Chinese contemporary art movement comes of age this exhibition shows clearly not only how different schools of thought are emerging but also the importance of transmission from teacher to pupil. Both artists were fortunate to have studied under internationally acclaimed artists: Yuan Yuan under painter Yu Hong, professor at Beijing’s Central Academy of Fine Arts and Ye Nan under Qiu Zhijie, a prominent figure at the China Academy of Art in Hangzhou. While Yuan Yuan and Ye Nan’s works may be dissimilar they both ultimately offer, in a way that may emerge as characteristic of their generation, honest and personal statements on the world around them.
For more information, please contact the gallery at +86(10)5127-3298 or bj@chambersfineart.com
A World of Yesterday and Tomorrow
苑瑗近作展
Recent Works by Yuan Yuan
赤 ● 磷
Phosphorous Red
叶楠个展
Solo Exhibition: Ye Nan
Exhibition Dates: March 6 - April 11, 2010
Opening Reception: 4-7pm,Saturday March 6, 2010
展览时间：2010年3月6日—2010年4月11日
开幕酒会：2010年3月6日，星期六，下午4~7点
北京前波画廊将于2010年3月6日起举办苑瑗近作展《褪色时光》及叶楠个展《赤▪磷》。这两个迥然不同的个展将展示出今日中国年轻艺术家作品的多样性。
苑瑗（1984年出生于北京）的画作主题都非常个人化，常涉及友谊、怀旧及幻想等主题。2008至2009年间，纽约前波画廊曾展出过苑瑗的一系列微型油画，令人值得注意的是这些描绘了她朋友的油画充满了自发性和魅力。此次为《褪色时光》创作的新系列也是从日常照片中获得灵感，不过她似乎比以前更深入地钻研了记忆的模糊地带。这些受宝丽莱照片启发的油画特地装裱在景德镇的陶瓷画框内，捕捉住了朋友间更为模糊诗意的瞬间。她还创作了一些更大的作品，在这些大作品中，她精确的笔触也同时变得更加成熟。部分作品描绘了同样的事件，模糊地重复出现在一些类似电影的“框架”中。其他描绘记忆的作品则似乎把过去一些随机的瞬间定格在我们面前。
与比较关注个人经历的苑瑗不同，叶楠（1984年出生于杭州）则喜欢直接探讨一些宏观问题。《赤▪磷》是由一系列以磷为材料的丝网版画组成。在这组作品中，他如同制作火柴一般把磷液浇在纸上。这些大胆的图像涉及了很多话题，例如太空航行、殖民化、化学或物理原理、国家主义、政治及摇滚音乐等。而他成功地用这几乎不可能的材料创造出了一系列充满活力且高度清晰的宣言般的作品。
随着中国当代艺术运动的日趋成熟，本展览将清晰地展现正在出现的不同思想流派，同时也说明师生间授业的重要性。这两位艺术家都很幸运，分别拜于两位国际知名的艺术家门下：苑瑗师从北京中央美院教授兼画家喻红，叶楠则是杭州中国美术学院的重要人物邱志杰的门人。苑瑗和叶楠的作品也许迥然不同，但是他们都从某种程度上展现了他们这代人的特点，真实而个性化地评论他们的周边世界。
欲获得更多信息，请与画廊联系。
电 话： +86(10)5127-3298
电子邮箱: bj@chambersfineart.com
Chambers Fine Art Beijing is pleased to announce Yuan Yuan’s A World of Yesterday and Tomorrow and Ye Nan’s Phosphorous Red ¬- two very different solo shows that offer something of the range and promise of new work being produced by younger artist in China today.
Yuan Yuan (born 1984 in Beijing) is a painter who works with the very personal themes of friendship, nostalgia and fantasy. In 2008-2009, Chambers Fine Art New York showed a series of her diminutive oil paintings of friends that were notable for their spontaneity and charm. The new series for A World of Yesterday and Tomorrow also draws inspiration from informal photographs but she seems to delve ever more deeply into the imprecise realms of memory. These Polaroid inspired paintings, specially framed in Jingdezhen porcelain frames, capture moments among friends are more indistinct and poetic than before. She has also produced bigger works in which her precise brushstrokes have become larger and more diffuse. Some of these show the same incident repeated indistinctly in movie-like ‘frames’. Others, painted from memory, seem to suspend random past moments before us in the present.
While Yuan Yuan draws her enquiry through highly personalized experience, Ye Nan (born 1984 in Hangzhou) prefers to engage directly with great, sometimes imponderable questions. Phosphorous Red is made up of a series of graphic prints in which he has perfected a technique of applying phosphorous liquid, like that used in the manufacture of matches, onto the paper. These bold images draw source a wide range of references such as space travel and colonization, the principles of chemistry or physics, nationalism, politics and rock music. Yet he succeeds in drawing together this potentially improbable material into an invigorating and highly-legible series of manifesto like declarations.
As the Chinese contemporary art movement comes of age this exhibition shows clearly not only how different schools of thought are emerging but also the importance of transmission from teacher to pupil. Both artists were fortunate to have studied under internationally acclaimed artists: Yuan Yuan under painter Yu Hong, professor at Beijing’s Central Academy of Fine Arts and Ye Nan under Qiu Zhijie, a prominent figure at the China Academy of Art in Hangzhou. While Yuan Yuan and Ye Nan’s works may be dissimilar they both ultimately offer, in a way that may emerge as characteristic of their generation, honest and personal statements on the world around them.
For more information, please contact the gallery at +86(10)5127-3298 or bj@chambersfineart.com
褪 色 时光
A World of Yesterday and Tomorrow
苑瑗近作展
A World of Yesterday and Tomorrow
苑瑗近作展
赤 ● 磷
Phosphorous Red
叶楠个展
Solo Exhibition: Ye Nan
以下是用磷粉做的版画。
“快完成的时候，我看过，非常美！那种红就像紫禁城城墙一样。我一看放心了，就出去喝酒了。”画完最后一笔，把火柴棍往地上一扔，可能忘记像往常一样用脚踩灭，就出去抽烟了。待他三分钟后回到小展厅，画面的一角已经烧起来了，而他的手边居然没有灭火器！——叶楠
今天下午，到我这儿，叶楠已经把失火经过复述过三十多遍了。“我多么想做一个干净的展览啊！就挂这么几张画。”他摇了摇头，有些懊恼：“造化弄人。这未必不是一件好事，让我知道火是一件可怕的东西。这样（作品烧毁）不是理想的状态。对我来说，这是一种比较庸俗的路线，但也许是比较自然的路线。”
——摘自小母牛世说72：失火时光
Phosphorous Red
叶楠个展
Solo Exhibition: Ye Nan
以下是用磷粉做的版画。
“快完成的时候，我看过，非常美！那种红就像紫禁城城墙一样。我一看放心了，就出去喝酒了。”画完最后一笔，把火柴棍往地上一扔，可能忘记像往常一样用脚踩灭，就出去抽烟了。待他三分钟后回到小展厅，画面的一角已经烧起来了，而他的手边居然没有灭火器！——叶楠
今天下午，到我这儿，叶楠已经把失火经过复述过三十多遍了。“我多么想做一个干净的展览啊！就挂这么几张画。”他摇了摇头，有些懊恼：“造化弄人。这未必不是一件好事，让我知道火是一件可怕的东西。这样（作品烧毁）不是理想的状态。对我来说，这是一种比较庸俗的路线，但也许是比较自然的路线。”
——摘自小母牛世说72：失火时光
恩。火灾现场还可以
顶叶楠！！！！牛逼！！！
烧了才是你作品的最好体现
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