超设计——Tomma Abts (Germany) 德国
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最后更新：2006/08/17 03:34:04 by
Tomma Abts
Born 1967, Kiel, Germany
Lives and works in London, England
In an era when artists regularly borrow from the scale and the intent of cinema and outdoor advertising, Tomma Abts' decision to make small paintings seems against the grain and entirely personal. These tightly painted systems of interlocking parts that are not quite biomorphic nor geometric can suggest the surfaces of distant planets as quickly as they assert their complete non-objectivity. Abts approaches each canvas without preconception, building up layers of paint until a form crystallizes. She describes her finely calibrated compositions as "having to do with holding and unfolding the space in the way that every part of the picture plane is active." Abts is equally concerned with the mystery and elegance of the abstract imagery that takes shape on the canvas and the variegated nature of the painted surface. She achieves a range of painterly effects from transparent veils of color to thickly painted passages through meticulous masking, painting, and over-painting. The enigmatic names she gives her work seem the result of an invented language—suggesting constellations, mythology, geography, or something else entirely.
Born 1967, Kiel, Germany
Lives and works in London, England
In an era when artists regularly borrow from the scale and the intent of cinema and outdoor advertising, Tomma Abts' decision to make small paintings seems against the grain and entirely personal. These tightly painted systems of interlocking parts that are not quite biomorphic nor geometric can suggest the surfaces of distant planets as quickly as they assert their complete non-objectivity. Abts approaches each canvas without preconception, building up layers of paint until a form crystallizes. She describes her finely calibrated compositions as "having to do with holding and unfolding the space in the way that every part of the picture plane is active." Abts is equally concerned with the mystery and elegance of the abstract imagery that takes shape on the canvas and the variegated nature of the painted surface. She achieves a range of painterly effects from transparent veils of color to thickly painted passages through meticulous masking, painting, and over-painting. The enigmatic names she gives her work seem the result of an invented language—suggesting constellations, mythology, geography, or something else entirely.
