关于Katarzyna Kozyra卡塔兹娜·库茨哈Katarzyna Kozyra卡塔兹娜·库茨哈Katarzyna Kozyra卡塔兹娜·库茨哈
发起人:嘿鬼妹  回复数:19   浏览数:13287   最后更新:2010/12/13 15:34:14 by ba-ba-ba
[楼主] 嘿鬼妹 2006-10-04 14:58:07
Katarzyna Kozyra

(以下资料都从艺术家的网站来的 - all the pictures and texts were extracted from the artist's website

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"如果我这么决定一个目标, 我就更进步.我很有可能属于这种必须追求一个不可能的目标的人.我就这样给我自己一个机会,因为我真的相信它, 而看重它;我给我自己一个机会来探索一些完全新的东西。”“If I set such goals for myself, then I got a lot further. I'm probably one of those people who has to set their sights on an impossible goal. That's how I give myself chance, because I really believe in it, and take it seriously; I really give myself a chance to explore things that are completely new for me."

Katarzyna Kozyra 1963年生于波兰华沙,住在波兰华沙, 意大利Trento 和德国柏林

简历:[url]http://www.katarzynakozyra.com.pl/biografia.html

展览:[url]http://www.katarzynakozyra.com.pl/exhibitions.html

艺术家网站:[url]http://www.katarzynakozyra.com.pl/glowna.html
[沙发:1楼] kaiser 2006-10-05 12:21:40
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[板凳:2楼] 嘿鬼妹 2006-10-05 11:57:33

punishment and crime, video installation, 2002

The work is presented on one big screen and seven video monitors. It explores the other side of men's/boys' behaviour and fascinations and shows a group of men engaged in paramilitary activities. For them, the weapons and explosives are not simply a hobby but a deep passion. Free of any ideals or ideological goals, their obsession appears primal and atavistic. The artist documents the actions and activities of this group. On one level, these resemble innocent childhood war games, while on another, due to the genuine danger and violent force of real weapons, bullets and explosives, they are closer to actual military operations. The faces of the participants are camouflaged with masks representing faces of pin-up girls or Playboy models. This softens the effect of danger and fear without depleting the authenticity and documentary character of the footage.

[地板:3楼] 嘿鬼妹 2006-10-05 11:58:40
[4楼] 嘿鬼妹 2006-10-04 15:00:59
动物金字塔,1993,装置,录像
(艺术家毕业作品)

pyramid of animals, life-size sculpture, video, 1993

The artist's degree piece, presented at the Department of Sculpture of the Academy of Fine Arts in Warsaw. The work consists of four stuffed animals: a horse, a dog, a cat and a rooster, and of a video documenting the process of the horse being put down and skinned. A written commentary by the artist forms an integral part of the work.
[5楼] 嘿鬼妹 2006-10-04 15:01:37
[6楼] 嘿鬼妹 2006-10-04 15:07:55
the rite of spring, video installation, 1999—2002
神圣的春天, 录像装置,1992-2002


The work was inspired by Vaslav Nijinsky's choreography for Igor Stravinsky's ballet The Rite of Spring, and produced as an animation. Version I is shown on six small monitors arranged in the form of an inner and an outer circle (three monitors each), and shows a fragment of the Dance of the Chosen Victim, lasting thirty seconds. Version II is on nine large screens, arranged as above, and shows the animation of the whole, 4.5 minute long, Dance of the Chosen Victim.

这个作品与Vaslav Nijinsky和Igor Stravinsky的“神圣的春天”(Sacre du printemps)有关。
第一级:展览的时候用6个小电视机。内容为受害者的舞蹈,30秒钟。
第二级:9个大头应,内容为受害者的舞蹈,4,5分钟。
[7楼] 嘿鬼妹 2006-10-04 15:08:26
[8楼] 嘿鬼妹 2006-10-04 15:41:20

the olympia, 1996, installation

the olympia, 1996,装置

作品内容为三张大摄影和一个12分钟的录像。

第一张摄影内容为马奈的Olympia.

第二张内容为Olympia在一个医院床上

第三张内容为一个老年人。

录像记录艺术家在被治疗的时候(艺术家生了癌症)。

The work is composed of three large scale photographs and a 12 min. video. The first photograph depicts the artist as Manet's Olympia, the second shows her on a mobile hospital bed, the third depicts an old woman. The video documents the artist being fed on a drip while undergoing her treatment for cancer.

[9楼] 嘿鬼妹 2006-10-04 15:42:00
[10楼] 嘿鬼妹 2006-10-04 16:07:11

men's bathhouse, video installation, 1999

男人洗澡堂,录像装置,1999

为威尼斯双年展制作而展出。

4个录像同时投影(每个8分钟),在一个8角形的结构里。投影能从这个结构里面和外面看。内容为布达佩斯的一个洗澡堂。被隐藏的摄像头拍男人的态度。艺术家伪装像男的一样而在录像里。一个伪装过程的纪录也在八角形的结构里。

Produced for and first shown at the Venice Biennale, where the work received an Honorable Mention. Men's Bathhouse consists of four simultaneous projections (each lasting 8 min.) onto four 105 x 140 cm screens mounted within an octagonal architectural structure, suggesting the interior of a bathhouse. The projections are visible both within and outside of the construction. The screens show scenes from the footage shot at the Budapest bathhouse, and show men's behavior at the bath while being filmed with a hidden camera. The artist is disguised as a man and appears among the other men being filmed in the bathhouse. A three minute film of the artist disguising herself is screened on the small monitor situated at the entrance of the installation.

[11楼] 嘿鬼妹 2006-10-04 16:07:54
[12楼] guest 2006-10-04 21:17:50
楼主继续啊!不错的艺术家以前见过,资料看得不多!可以超级资料一把啊!
[13楼] 嘿鬼妹 2006-10-05 04:59:20

lords of the dance, video installation, 2002

舞蹈王,录像装置,2002

The installation consists of seven screens showing looped fragments of film of various lengths. From a crowd of motorcyclists a couple emerge; they perform a series of acrobatic exercises. The sequences of images draw upon a multitude of imagined versions of masculine idols, heroes, freedom fighters and personifications of solidarity. The artist harnesses a range of cultural clichés and invokes the comics, gadgets, films, kitsch and icons embedded in our everyday consciousness.

7个投影关于奇摩托车的人。其中两个人做不同的杂技动作。

通过这些动作他们模仿一些男偶像,英雄,等等。艺术家玩这些电影,漫画和我们日常生活的图符。

[14楼] 小mo 2008-08-02 06:38:46
《男孩儿们 Boys》

录像 摄影
video and photographs,
2001—2002

这部作品有三段录像组成,分别长3到4分钟。艺术家让一群男孩裸体带上阴道模型,不给他们任何要求和指示,在摄像机面前自由活动。

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