Lines of people wait to see THE EXPERIENCE OF GREEN by Wade Kavanaugh and Stephen B. Nguyen at DAC. All photographs by Juozas Cernius, Caslon Photography The bad news about New York art blogging is that you can’t blog it all. There’s simply too much and short of cloning ourselves we can’t be everywhere.
But the good news in recognizing such limitations is that we can enlisted the help of others to help fill these gaps. As such, Juozas Cernius provides another edition of BLNK, a series supplemental slide show posts covering art events around the city. This addition of BLNK documents the Dumbo Arts Center, Art Under The Bridge Festival, which ran Friday through Sunday of last week. Seeing as how neither Karen Archey or myself made it to the event, we’ll be offering up little by way of commentary on these images. That said, it’s safe to assume we don’t fully support, say, the matching body crochet suits.
google翻译的，尽请谅解：
人行等待看到韦德瓦纳夫和斯蒂芬B阮在DAC的绿色体验。由约扎斯奥Cernius，卡斯隆摄影关于纽约的艺术博客的所有照片坏消息是，你不能博客一切。还有的过于简单的克隆自己，我们不能到处短。
但在承认这些限制的好消息是，我们可以招募他人的帮助，以帮助填补了这些空白。因此，约扎斯奥Cernius提供了另一个BLNK，一系列补充幻灯片放映的职位包括城市周围艺术活动版。这BLNK文件的小飞象艺术中心，艺术，桥下节，贯穿上周周五至周日增加。如何既没有看到卡伦Archey还是我去到时，我们将提供由小的评注的方式对这些图像。这就是说，它是安全的假设，我们不完全的支持，也就是说，符合人体钩针衣。
Lines continue into the evening at DAC.
Illuminated plastic bags make up The Tree of Life, by Reina Kubota.
Illuminated plastic bags make up The Tree of Life, by Reina Kubota
Kal.eye.desc.optic, a projection by Sara Wentworth.
Phone-tastic View, a sign invites people to send and receive a text message, by An Xao.
A performance on Friday evening not directly connected to the DAC event. With or without permission or affiliation with any local establishment, many artists take advantage of the given audience on the busiest weekend of the year in DUMBO.
Hye Yon Nam invites people to kiss and make electronic music via sensors in the participants’ mouths.
Likely the most technically advanced piece this year, Camera Rosetum, an animated projection by Sean Capone.
Rivers Edge, a carpet of oyster shells spanning Plymouth street by John Monteith. That’s one week’s worth of shells from the Grand Central Oyster Bar, according to the artist.
Stir Crazy, Ryan Roth’s business werewolf performance/installation.
Assimilation Fish, by Jess Proia, features a small army of stoic, glitter-spattered, whistle blowing people carrying cardboard goldfish.
Visitors get up close to the artwork.
Gav Barbey invites participants to lay pigmented blocks on a thousand pieces of paper.
Angela Silver uses a traffic sign with alternating messages in Tercet.
A number of men and women garbed similarly in full body knitted outfits made their way around the neighborhood silently over the afternoon. Attributed to Olek, the piece was titled 100% Acrylic Art Guards.
Children inspect the line of Olek’s 100% Acrylic Art Guards.
Utilizing random detritus, Chin Chih Yang spent the day as Human Sculpture, inviting people to pile on the rubbish, many did.
Chin Chih Yang’s Human Sculpture. In some ways also an endurance piece, he didn’t move from the spot the entire day.
A young band rocks the neighborhood by the local pizza joint.
But the good news in recognizing such limitations is that we can enlisted the help of others to help fill these gaps. As such, Juozas Cernius provides another edition of BLNK, a series supplemental slide show posts covering art events around the city. This addition of BLNK documents the Dumbo Arts Center, Art Under The Bridge Festival, which ran Friday through Sunday of last week. Seeing as how neither Karen Archey or myself made it to the event, we’ll be offering up little by way of commentary on these images. That said, it’s safe to assume we don’t fully support, say, the matching body crochet suits.
google翻译的，尽请谅解：
人行等待看到韦德瓦纳夫和斯蒂芬B阮在DAC的绿色体验。由约扎斯奥Cernius，卡斯隆摄影关于纽约的艺术博客的所有照片坏消息是，你不能博客一切。还有的过于简单的克隆自己，我们不能到处短。
但在承认这些限制的好消息是，我们可以招募他人的帮助，以帮助填补了这些空白。因此，约扎斯奥Cernius提供了另一个BLNK，一系列补充幻灯片放映的职位包括城市周围艺术活动版。这BLNK文件的小飞象艺术中心，艺术，桥下节，贯穿上周周五至周日增加。如何既没有看到卡伦Archey还是我去到时，我们将提供由小的评注的方式对这些图像。这就是说，它是安全的假设，我们不完全的支持，也就是说，符合人体钩针衣。
Lines continue into the evening at DAC.
Illuminated plastic bags make up The Tree of Life, by Reina Kubota.
Illuminated plastic bags make up The Tree of Life, by Reina Kubota
Kal.eye.desc.optic, a projection by Sara Wentworth.
Phone-tastic View, a sign invites people to send and receive a text message, by An Xao.
A performance on Friday evening not directly connected to the DAC event. With or without permission or affiliation with any local establishment, many artists take advantage of the given audience on the busiest weekend of the year in DUMBO.
Hye Yon Nam invites people to kiss and make electronic music via sensors in the participants’ mouths.
Likely the most technically advanced piece this year, Camera Rosetum, an animated projection by Sean Capone.
Rivers Edge, a carpet of oyster shells spanning Plymouth street by John Monteith. That’s one week’s worth of shells from the Grand Central Oyster Bar, according to the artist.
Stir Crazy, Ryan Roth’s business werewolf performance/installation.
Assimilation Fish, by Jess Proia, features a small army of stoic, glitter-spattered, whistle blowing people carrying cardboard goldfish.
Visitors get up close to the artwork.
Gav Barbey invites participants to lay pigmented blocks on a thousand pieces of paper.
Angela Silver uses a traffic sign with alternating messages in Tercet.
A number of men and women garbed similarly in full body knitted outfits made their way around the neighborhood silently over the afternoon. Attributed to Olek, the piece was titled 100% Acrylic Art Guards.
Children inspect the line of Olek’s 100% Acrylic Art Guards.
Utilizing random detritus, Chin Chih Yang spent the day as Human Sculpture, inviting people to pile on the rubbish, many did.
Chin Chih Yang’s Human Sculpture. In some ways also an endurance piece, he didn’t move from the spot the entire day.
A young band rocks the neighborhood by the local pizza joint.
看图片感觉很棒，有没有更多文字
