“催眠”李松松展览在北京麦勒画廊
发起人:嘿鬼妹  回复数:16   浏览数:3220   最后更新:2006/11/12 07:59:56 by
[楼主] 嘿鬼妹 2006-10-14 08:16:57
李松松——催眠 1973年,李松松出生于北京;今天,他毫无疑问是同辈画家中的佼佼者。1996年,他毕业于北京中央美院。他以中国现代历史的图片为蓝本,在画布上采用厚重的颜料作画。他的作品多次在世界各地重要的展览中被隆重推介。此次个展“李松松——催眠”将给北京的观众提供一个难得的机会欣赏艺术家最新的一组大型绘画。 “催眠”记载着艺术家新近的创作历程,在形式和内容上都出现了令人激动的突破。李松松拒绝让他的创作陈式化。有时候,他在画面上用丙稀(而不是他常用的油彩)来塑造厚重的表面,也在画布和铝板上作画。除了继续以文献性的图片为基础进行创作以外,李松松也开始从其他的领域吸取灵感,流行电影、家庭相册到从监控录像中的图片等都可能成为他的图像来源。他的新作令人惊讶,新颖,水平与他在此之前的绘画一样高超。 此次展览的题目“催眠”指的是诱导或进入一种催眠或受催眠的状态中——对自身关键的感官失去控制。李松松最新的作品从多个角度来探讨这个现象,揭示那些误导我们进入完全的服从和文化失忆的机制。“旧中国”(2006年)颇带讽刺意味地摹仿了影视大片《卧虎藏龙》里的一幕,嘲笑流行电影麻痹思考的功能。“庆龄与少先队员”(2005)描绘了国母宋庆龄和围绕在她两侧的身着“年轻少先队员”校服的学生们,同样针对意识形态对中国年轻一代催眠式的教化。“古巴蔗糖”(2006)是根据一张1962年古巴导弹危机期间在联合国紧急召集会议的照片而创作的,对冷战政治中这臭名昭著的一章所导致的全民恐慌进行反思。 一方面,这些精彩的新作对文化麻痹背后的真实情况进行讨论,另一方面,李松松以其绘画的方式有意识地使自己远离主题,造成一种自动进入催眠的状态和有意的遗忘。他将一张照片任意地划分为一系列长方形的区域,单独在每个区域上作画,在色彩和色调上制造微妙的变化。作画时,李松松完全专注于从形式上绘制各个局部,而不是整个完整的图面。结果是艺术家和观众都对即使是最熟悉的图像也产生了陌生的感觉,让我们完全重新观看这些图像。正如艺术家所言,“不管你怎么画,都无法掩盖历史的现实… 但也许我的绘画能对我们看待事物的方法提出一些质疑。” 届时,麦勒画廊出版的画册将和展览同时推出。 展览名称: 李松松 - 催眠展场: 麦勒画廊, 北京地址: 麦勒画廊, 北京市朝阳区草场地村104号,邮编100015 艺术家: 李松松开幕式: 周六 11月4日, 2006 (从4:00 p.m. 到 7:00 p.m.) 展览时间: 11月4日, 2006 – 11月25日, 2006 麦勒画廊,北京市朝阳区草场地村104号,邮编;100015 开业时间: 从 周二-周日,早11:00-下午6:30 画廊网址: [url]www.galerieursmeile.com 电话: +86 10 64333393 传真:+86 10 64330203 Li Songsong – Hypnogenesis Title: Li Songsong – Hypnogenesis Venue: Galerie Urs Meile, Beijing Address: Galerie Urs Meile, Caochangdi N. 104 Chaoyang District, 100015 Beijing Artist: Li Songsong Opening: Saturday November 4, 2006 (from 4:00 to 7:00 p.m.) Exhibition: November 4, 2006 – December 25, 2006 Galerie Urs Meile, Caochangdi N. 104, Chaoyang District, 100015 Beijing. Opening Hours: From Tuesday to Sunday, 11.00 am – 6.30 pm. Website of the gallery: [url]www.galerieursmeile.com Phone: +86 10 64333393 Fax: +86 10 64330203 Li Songsong (b. 1973, Beijing) is widely considered one the most important painters of his generation. Since graduating from Beijing’s Central Academy of Fine Arts in 1996, Li’s paintings - rendered with a lush impasto and often based on photographs of China’s modern history - have been featured prominently in important group exhibitions throughout the world. Li Songsong - Hypnogenesis offers Beijing audiences a rare opportunity to see a powerful selection of Li’s new, large-scale works. Hypnogenesis charts the artist’s recent evolution as he develops exciting new ways of working with both form and content. Resisting the formulaic, Li has sometimes sculpted the dense surfaces of these paintings from acrylic paint (rather than his customary oil), and has worked on both canvas and polished aluminum. While continuing to draw from archival photographs, Li has also begun mining other sources, ranging from popular films and family photos to aerial surveillance imagery. The results are surprising, fresh and consistent with the high level of quality indicated by Li’s previous paintings. The exhibition’s title, Hypnogenesis, refers to the process of inducing or entering a hypnotic state – relinquishing control of one’s critical faculties. Li’s latest body of work explores this phenomenon from a variety of perspectives, addressing the mechanisms that lull us into unquestioning submission and cultural amnesia. China’s Past (2006) satirically depicts a still from the blockbuster epic Crouching Tiger, Hidden Dragon, mocking the narcotic effects of popular cinema. Similarly, Qingling’s Children (2005), a portrait of Madame Sun Yat-sen flanked by school children dressed in their “young pioneer” uniforms, points to the Communist Party’s mesmeric indoctrination of China’s youth; Cuban Sugar (2006), based on a photograph taken at an emergency United Nations meeting during the Cuban Missile Crisis in 1962, reflects on the mass panic induced by this notorious chapter in Cold War politics. Just as the content of these remarkable new works probes at the circumstances underlying cultural somnolence, Li’s approach to painting deliberately distances him from his subject matter, enacting a form of auto-hypnosis and willful forgetting. Randomly dividing a single photograph into a series of rectangular areas, the artist paints each part separately, offsetting each segment with subtle contrasts in hue and tone. Li focuses exclusively on the formal elements that comprise each particular fragment, rather than the image as a whole. The results estrange both the artist and viewers from even the most familiar images, inviting us to see them as if for the first time. As the artist has remarked, “No matter how you paint, it's impossible to obscure the historical reality…But maybe my paintings can raise questions about our ways of looking at things.” A full-color catalogue, published Galerie Urs Meile accompanies the exhibition.
[沙发:1楼] guest 2006-11-05 10:48:05
他的粉丝,李青,申亮,仇小飞,萧博,这些后者也是
[板凳:2楼] guest 2006-11-05 10:48:10
他的粉丝,李青,申亮,仇小飞,萧博,这些后者也是 [s:64]
[地板:3楼] guest 2006-11-05 10:48:12
他的粉丝,李青,申亮,仇小飞,萧博,这些后者也是 [s:64] [s:64]
[4楼] guest 2006-11-05 08:51:29
还可以嘛,,, [s:57] [s:58] [s:58] [s:58]
[5楼] guest 2006-11-04 13:11:16
这个展览会今天看啦,虎人的厚度加与他毫不相干的图案,在设计还是摆弄图例,做工,麦
勒也就王兴伟,王晋好些,省下的都有西方大师的影子,或者说是中国最好的模仿高手,
艾未未的仿西学术,或者说克隆复印机 [s:62]
[6楼] guest 2006-10-27 14:58:45
肉麻,这样的作者现在很多,还在利用这样的资源,画的什么?这样的庸才好可怜,建议黑社会发点好一点的展览嘛,什么人都可在这吹,好浪费网民的时间.
[7楼] guest 2006-10-26 05:02:54
李是文革加他,正如张小刚是三分里西特加里为拉老婆卡洛的红线在加契里柯,伪成功,怀疑这群人是否真实过
[8楼] guest 2006-10-14 15:10:59
[quote]引用第2楼guest2006-10-14 21:57发表的“”:
米哈.酸痛如可怜见,请大家关注这个人,他的画风比李松松多画出五年[/quote]
?????
[9楼] guest 2006-10-14 13:57:05
米哈.酸痛如可怜见,请大家关注这个人,他的画风比李松松多画出五年
[10楼] 嘿鬼妹 2006-10-14 08:18:40
李松松简历  

1973    生于北京

1992    毕业于中央美术学院附中,北京,中国

1996    毕业于中央美术学院油画系,获文学学士学位,北京,中国

现生活和工作于北京,中国


主要个人展览

2004    “李松松 2001-2004”,中国艺术文件仓库,北京,中国

2004    “李松松个展”,99画廊,阿沙芬堡,德国

2001    “公共艺术¬——作品马”,清华大学美术学院,北京,中国


主要参加联展

2006    “今日中国”,埃索当代艺术收藏,维也纳,奥地利
   “自我造局¬——中国当代绘画展”,上海证大现代艺术馆,上海,中国

2005    “中国当代年轻艺术联展”,第七机库,萨尔斯堡,奥地利
   “东经116°与北纬40°的聚落”,北京798大窑炉,北京,中国
   “绘画DNA”,麦勒画廊,卢塞恩,瑞士
   “麻将¬——希客中国当代艺术收藏展”,伯尔尼美术馆,伯尔尼,瑞士
   “中国当代艺术”,奥波登艺术中心,米兰,意大利
   “进与出,或之间¬——空间位移的N种方式”,索卡当代空间,北京,中国
   “中国——当代绘画联展”,博洛尼亚银行基金会,博洛尼亚,意大利

2004    “永远民主¬——中国当代艺术展”,万玉堂,纽约,美国
   “多重界定——想象中的社区联展”,天津水晶城,天津,中国
   “盛夏五人展”,汉雅轩画廊,香港
   “中国影像绘画”,季节画廊,北京,中国

2003    “左手与右手¬——中德当代艺术联展”,大山子艺术区,北京,中国
   “第三届全国油画展”,中国美术馆,北京,中国

2001    中国独立映像节,北京,中国


获奖

2004    获得2004年(第四届)中国当代艺术奖(CCAA)提名奖


Li Songsong’s Biography

1973    Born in Beijing, China

1992    Graduated from the Subsidiary School of the Central Academy of Fine Arts, Beijing, China

1996    B.F.A. Conferred by the Department of Oil Painting, Central Academy of fine Arts, Beijing, China

Currently lives and works in Beijing, China

Solo Exhibitions

2004    “Li Songsong 2001-2004,” CAAW, Beijing, China
   “Li Songsong Solo Exhibition,” 99 Gallery, Aschaffenburg, Germany

2001    “Public Action -Work Horse,” Qinghua University Institute of Fine Arts, Beijing, China

Group Exhibitions

2006    “China Now,” Sammlung Essl Kunst Gegenwart, Wien, Austria
   “The Self-made Generation,” Shanghai Zendai Museum of Modern Art, Shanghai, China

2005    “YCCA-Young Chinese Contemporary Art,” Hangar-7,The World of the Flying Bulls, Salzburg, Austria
   “Convergence at E116° and N40°,” 798 Dayaolu Workshop, Beijing, China
   “Pictorial DNA Made in China,” Galerie Urs Meile, Lucerne, Switzerland
   “Mahjong - Chinesische Gegenwartskunst aus der Sammlung Sigg,” Kunstmuseum Bern, Switzerland
   “CHINA ART NOW,” Spazio Oberdan, Milano, Italy
   “In and out or inbetween - N Kinds of Space Displacement,” Soka Contemporary Space, Beijing, China
   “CHINA/Picture of Contemporary,” Fondazione Cassa di Risparmio, Bologna, Italy

2004    “Democracy Forever,” Plum Blossoms Gallery, New York, USA
   “Multiple Definitions - Imaginary Community,” Tianjin Crystal City, Tianjin, China
   “Summer Show 2004,” Hanart TZ Gallery, Hong Kong
   “China’s Photographic Painting,” China Art Seasons Gallery, Beijing, China

2003    “Left Hand, Right Hand,” China-German Exhibition of Contemporary Art, 798 Art District, Beijing, China
   “The Third National Exhibition of Oil Painting,” China National Museum of Fine Arts, Beijing, China

2001    1st China Independent Movie Festival, Beijing, China


Awards

2004    Honorable Mention at the 4th China Contemporary Art Awards
[11楼] guest 2006-11-09 15:10:12
[quote]引用第6楼guest2006-11-04 21:11发表的“”:
这个展览会今天看啦,虎人的厚度加与他毫不相干的图案,在设计还是摆弄图例,做工,麦
勒也就王兴伟,王晋好些,省下的都有西方大师的影子,或者说是中国最好的模仿高手,
艾未未的仿西学术,或者说克隆复印机 [s:62][/quote]


你说的不对,王兴伟是最差的,那真是抄袭的高手,其次的是猛惶,而彦磊,李大方,谢南星,还是不错的.
[12楼] guest 2006-11-09 15:28:06
[quote]引用第11楼guest2006-11-09 23:10发表的“不准呀”:



你说的不对,王兴伟是最差的,那真是抄袭的高手,其次的是猛惶,而彦磊,李大方,谢南星,还是不错的.[/quote]

你在这胡说什么玩意呢?
[13楼] guest 2006-11-09 15:35:33
[quote]引用第12楼guest2006-11-09 23:28发表的“Re:不准呀”:


你在这胡说什么玩意呢?[/quote]


我没湖说,是你湖说
[14楼] guest 2006-11-10 04:22:23
好差,这样的混混儿也出来混,我看见这样的题材我就想吐,太多了,他的老师是石心宁,不过他比石还次多了.
[15楼] guest 2006-11-10 06:45:15
这一路全是东北的如李威,秦骑,何杰,秦与李就分不开,
[16楼] 我爹 2006-11-12 07:59:56
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