超级资料COREY McCORKLE~COREY McCORKLE~
发起人:放嘿炮  回复数:5   浏览数:6719   最后更新:2010/01/10 22:45:59 by watchbags
[楼主] 放嘿炮 2008-10-22 19:33:04
COREY McCORKLE超级资料



[b]简介

1989 帕拉特建筑研究中心(Pratt Institute of Architecture), 布鲁克林
1993 美术学士(BFA),芝加哥学院文学院( School of the Art Institute of Chicago)
1995 美术硕士(MFA),芝加哥大学(University of Chicago),在纽约生活和工作

个展

2007
“随机的仪式”(Random Ceremony), Stella Lohaus Gallery, 安特卫普(比利时省份)
“当狗吠时,天空之耳的回应是一颗星星”(When a Dog Barks, The Response in the Ear of the Sky is a Star), maccaroneNY
2006
“Corey McCorkle”, MC Gallery, 洛杉矶
2005
“耶稣说她就是太阳”(Jesus Christ Says She is the Sun), Kunsthalle Bern, 瑞士
“卡车怪物”(Monster Trucks), Marres, Maastricht, 荷兰
2004
Kunstverein Bonn,德国
2003
Objectif, 安特卫普
“Findhorn Pastoral”, maccarone inc.,纽约
2002
Stephen Friedman Gallery, 伦敦

群展
2007
把它踢到破碎,(Just Kick It Till It Breaks) , The Kitchen NY
2006
第四届柏林当代双年展:关于老鼠和人的一切(4th Berlin Biennial of Contemporary Art: “Of Mice and Men,” )柏林
“谎言草案“(Draft Deceit) Kunstnernes Hus, 奥斯陆, 挪威
做幽灵之王的兔子(A Rabbit as King of Ghosts), Mitchell Innes + Nash, 纽约
2005
大城市纽约(Greater New York), PS1, 纽约
下一扇门(Next Door), Stephen Friedman Gallery, 伦敦
现在完成(Make It Now), 纽约雕塑中心Sculpture Center, 纽约
“一边向上”(This Side Up), MurrayGuy Gallery, 纽约
牧歌(Idyll), Middelheim Museum, 安特卫普
蒲公英酒(Dandelion Wine), The Suburban, 芝加哥
2003
Triple Candie, ‘Living Units’, New York (with Omar Lopez-Chahoud) Mary Goldman Gallery
‘Corey McCorkle, Brendan Lattu and Scott Lyall’, Los Angeles
2002
Objectif, ‘Pressing’, Antwerp/Belgium (curated by Carla Arocha & Pilippe Pirotte)
MurrayGuy Gallery, ‘Periphera’, New York
2001
复兴的社会(Renaissance Society), “绕行社会”‘Detourism’,芝加哥(Hamza Walker策划)
Arnolfini Museum, “优雅的完美”‘Perfectness as Grace’, 布里斯托尔/UK (Catsou Roberts策划)
MurrayGuy Gallery, ‘3 x 3 x 3’, 纽约
Drawing Center, 2001精选(Selections 2001),纽约
The Fifth International, ‘The Fifth International’, New York (curated by Chivas Clem)
2000
Texas Fine Art Association, ‘NTV’, Austin
Yerba Buena CFA, ‘Above & Beyond’, San Francsico (curated by Arnold Kemp & Rene Guzman)
1999
Patrick Gallery, ‘Arrangements for Another Oshi-ita’, Berlin
KdB, ‘Selections for Another Oshi-ita’, Berlin
1998
Apex Art, ‘444’, New York (curated by Casey Kaplan)
South London Gallery, ‘Lovecraft’, London (curated by Toby Webster)
Steffany Martz, ‘Elevator’, New York (curated by Mungo Thompson)
1997
Transmission, ‘The Unconditional State of Search’, Glasgow/UK
International Chicago Art Expo, ‘Installation View’, Chicago (curated by Carla Arocha and Karen McGarry)
1996
Rotunda, ‘Informed Choices’, Brooklyn Basilico Fine Arts, ‘Group Exhibition’, New York (curated by Paul Bloodgood)
Walkers Point Art center, ‘SPF 10’, Milwaukee
TBA, ‘Superconcentrated’, Chicago (curated by Hamza Walker)
Allgirls, ‘Group Exhibition’, Berlin
MWMWM Gallery, ‘Mc Corkle/Sonnenberg & Hanson’, Chicago
1995
Randolph Street Gallery, ‘Social Function’, Chicago
N.A.M.E., ‘Heaven’s in the Back Seat of My Cadillac’, Chicago (curated by Yvette Brackman & Amy Theobald)
1994
Ten in One, ‘Not So (Negative)’, Chicago
N.A.M.E., ‘Again’, Chicago (curated by Tatsuya McCoy)
1993
Anonymous Museum, ‘Installation’, Chicago



[沙发:1楼] 放嘿炮 2008-10-22 19:42:32
展览图片:

COREY McCORKLE
When a Dog Barks The Response in the Ear of the Sky is a Star
当狗吠时,天空之耳的回应是一颗星星























[板凳:2楼] 放嘿炮 2008-10-22 19:43:25
COREY McCORKLE
When a Dog Barks The Response in the Ear of the Sky is a Star
当狗吠时,天空之耳的回应是一颗星星

在首都伊斯坦布尔的外围地区,有一个荒废的动物园,位于一个田园风格的公园中。这个计划始于80年代,和很多城市边缘的社会工作相似,保存不完善,最后被遗弃了。很多伊斯坦布尔偏僻区域的建筑也相似,只剩下空的水泥柱外壳。在公路上开车,你会看到这些建筑,很多从没有被它们已预订的承租人占用过。它们现在的作用就只是作为一种悲哀的乐观主义纪念碑了,是一种扩展目标的丧失,也是郊区逐渐发展的一种象征。

空动物园的躯壳有时存在很短暂,但极大程度上,公园中帐篷和草原,并不适合野狗们。而是为了驯养和展示野生动物和国外动物而设计,这来自19世纪自然主义的浪漫观念,如果不是为了观光,这些小型的展示环境已经被曾经驯养,但现在充满野性和地盘性防卫的动物们冲破了:Corey McCorkle在maccarone的计划展现了从前的理想在何处和我们当前的城市恶化相遇,

McCorkle的摄影和雕塑,装置证明了这些新的城市计划的废墟连同文化和自然环境的破裂,并未和作者过去对反常的被遗忘的空间以及其混乱状态的调查相异。他的录像作品也同样相似,捕捉了为娱乐和消费而造的动物园是如何从假想的建筑计划中崩塌的——而这些建筑计划原本是为了实现野性,实现解放而设,甚至有时候导致了敌意。

如果笼子不再是一种圆滑的礼貌的面纱,McCorkle对基里姆地毯的使用转化了装饰的纪录意义,作为一名伟大的仲裁者,这种材料是伊斯坦布尔历史的象征。

基里姆地毯,花毯(产于土尔其,高加索及其附近地区,无毛绒的双面毯)

COREY McCORKLE
When a Dog Barks The Response in the Ear of the Sky is a Star

April 14th - May 12th, 2007

For Immediate Release
COREY McCORKLE: When a Dog Barks The Response in the Ear of the Sky is a Star

Opening Reception: April 14th from 6-8 pm.
Gallery hours: Tuesday through Saturday, 10-6 pm.

On the periphery of metropolitan Istanbul is a dilapidated zoo located within in otherwise pastoral municipal park. Started in the 1980's this project, similar to many other public commissions on the edge of the city, remains incomplete, abandoned. Much of the architecture in the outlying areas of Istanbul is similar, empty cast-concrete shells thrown up in the anticipation of an urban sprawl yet to come. Driving along the highways, one sees these structures, many of which will never be occupied by their intended tenants. They currently function only as monuments to a sort of tragic optimism, a lost cause of expansion, an emblem of coaxed development into suburbia.

Empty zoo shells sometimes house transients, but the string of pavilions and plains of the park are, for the most part, under the exclusive rule of feral dogs. Designed for the domestication and exhibition of the wild and exotic, a holdover from a romantic 19th century idea of naturalism, if not tourism, these abbreviated showcase environments have been overtaken by animals once domesticated, now wild and subsequently territorial: Corey McCorkle's project at maccarone lies where this former ideal meets our current century's urban entropy, which operates on a course from construction to neglect to metamorphosis. It begins at the point the zoo meets its political end - the decommission.

McCorkle's photographic and sculptural installations document these new ruins of urban planning beside the implosion of both nature and culture's milieu, not swaying far from the artist's past investigations of anomalous forgotten space and the dysfunctions therein. A video work similarly captures how the zoo pavilions, intended for entertainment and consumption, have collapsed from supposed civil program to architectural folly for the wild, liberated, and sometimes hostile.

If the cage is no longer a veil of tactful decorum, McCorkle's use of the kilim shifts the documentary to the decorative. As a great mediator between domestic comfort and civic assembly, the material is an emblem of Istanbul's history, garlanded with emporium and its longstanding reputation as an "East/West" depot. A mirrored hallway echoes the absurdity of attempting to contain an infinite nature, collapsing transitional and terminal space.

McCorkle's recently solo exhibitions include Kunsthalle Bern, Switzerland; MC, Los Angeles; Objectif, Antwerp. The artist's work is concurrently on view The Kitchen, NY and Stella Louhaus, Antwerp. A film commission regarding Le Corbusier's Tower of Shadows will be screened in May at The Office of Contemporary Art, Oslo, Norway and New York.
[地板:3楼] 放嘿炮 2008-10-22 19:48:49




口红,2007
木,聚酯,铝板彩色照片
445 x 255 x 510 cm




鸟笼



Crystal Chain Letter Complex (Dark Episode), 2005




影之塔,2006


[4楼] 放嘿炮 2008-10-22 19:56:34













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