人可展讯 |境象主义:桑火尧杭州个展即将开幕!
发起人:renke gallery  回复数:0   浏览数:232   最后更新:2018/09/07 10:18:34 by renke gallery
[楼主] renke gallery 2018-09-07 10:18:34




境象主义

The Cosmic Spirit

桑火尧杭州个展

Sang Huoyao Hangzhou Solo Exhibition


艺术家 | Artist桑火尧Sang Huoyao


开幕 | Opening   2018.9.15日 周六 15:30 PM

展期 | Duration   2018.9.15日-2018.10.30日

地点 | Address  人可艺术中心 杭州市中山北路1号




  • 展览简介

  • 人可艺术中心非常荣幸地宣布:境象主义-桑火尧杭州个展于2018年9月15日在杭州人可艺术中心开幕。本次展览继桑火尧在新加坡当代美术馆作品展之后的又一次个展。这次展览精选了桑火尧的24幅当代水墨绘画和一件最新装置作品。

  • “了然境象,故得形似。”桑火尧的“境象”是为我们描述他的世界观,他对于宇宙自然、人生之道的体验和精神感悟。桑火尧说他崇尚宋元文人士夫用水墨意象艺术来表达自身的精神价值的高品味,也欣赏西方抽象艺术对世间物事的精神性概括的高能力。同时,他也关注当代科技与社会影响下的艺术审美表达。因此,桑火尧的作品,既与东方的意象艺术拉开距离,也与西方的抽象艺术不相类,他极具开创性地提出:境象主义艺术。

  • 在当代的艺术中,没有什么是不可为的。桑式方块是桑火尧作品的基因密码,也是他的创作方法论。这对于延续中国画的千年文脉具有探索意义,使其能够进入国际艺术视野的一个重要艺术家个案。




艺术家桑火尧



桑火尧艺术简介


桑火尧,当代艺术家。中国艺术研究院艺术创作指导委员会委员,中国画院副院长,国家一级美术师。境象主义艺术的创导者。清华大学吴冠中艺术研究中心研究员。作品被中国美术馆、上海美术馆、浙江美术馆、广东美术馆、今日美术馆等重要机构收藏,并被中国杭州G20峰会主会场永久收藏陈列。现工作生活于北京。


桑火尧先生从1998年以来探索方块叠加艺术创作方法以及境象主义艺术观。中国当下多位著名批评家都曾著文评述过。纵观桑火尧的艺术创作,基本可以归结为以下几点:一是“方块叠加”方法论,成为其明确的作品身份识别符号。其多年以来探索中国画笔墨叙事方式,颠覆了传统笔墨程式,方块笔墨叠加已经成为他的艺术符号和自我身份符号,并由此构成衍生不同图式、不同系列的作品。方块符号是基于周易卦象和中国古代文字造型的形式意义,而笔墨叠加则是汲取北宋米家山水的积叠方法。二是当代科技与传统哲学激荡下的境象主义艺术观,让传统在当下激活。当下科技、互联网的虚拟世界的想象的无限性,成就了其作品空灵虚淡的主调性,而这又与老庄哲学观,亦与以元代倪云林为代表的文人艺术静逸空旷气质相契合。可以说,科技与互联网技术,让一切显得无限可能性,也深刻影响着中国当代人的审美意识,由此也拉近了与西方抽象艺术的审美解读距离,让中国水墨续接未来、进入国际成为可能。三是作品中的灵光视感充满了当代人对重塑信仰的期待。社会现代化进程,在人与人、人在与科技的博弈中,往往会显得十分孤独寂寞,人们更需要精神关怀,心灵抚慰。而其作品中的光感具有神圣感和崇高感,仿佛进入了宗教的境域,让人充满希望、倍感宁静和愉悦。


作为中国重要的水墨艺术家,桑火尧的这种以方块为基质的抽象性笔墨语言建构,既有别于中国传统的意象艺术,又与西方的抽象艺术拉开距离,这就是他创导的境象主义艺术,拓展了水墨艺术的当代性表达。这种具有美术史价值的创造,显然是其艺术探索的价值所在。不仅得到学术界的重视,其作品也已多次上拍于香港苏富比等国际重要拍卖机构。


澄明之境3号 122x190cm 绢本水墨 2018


启示录之11 122x190cm 绢本水墨  2016


我们和我们 190x122cm 纸本水墨 2016


恒 0.9 122x122cm 纸本水墨 2013


岁月静好 122x122cm 纸本水墨 2015


主要个展

2018年

新加坡MOCA当代美术馆《桑火尧——境象主义作品展》(新加坡)

2017年

中国美术馆《混沌一桑火尧境象主义作品展》(中国  北京)

弘川现代艺术博物馆《诗意的相遇一一桑火尧作品展巡展》(中国  青州)

潍坊博物馆《诗意的相遇一一桑火尧作品展》(中国  潍坊)

寿光市美术馆《桑火尧水墨精品大展》(中国  寿光)

北京复言社画廊主办《心界一一桑火尧作品1/2展》(中国 北京)

2016年

温州年代美术馆主办《桑火尧与史蒂芬对话展》(中国   温州)

人可艺术中心主办《桑火尧与罗斯科:色度在呼吸》(中国    杭州)

北京复言社画廊主办《时间的棱一桑火尧个展》(中国  北京)

2015年

上海玉衡画廊主办《境象一一桑火尧个展》(中国 上海)

恒庐美术馆主办《云端一一桑火尧作品展》(中国  杭州)

2014年

上海华氏画廊主办《桃花江上—一桑火尧境象水墨作品展》(中国  上海)

人可艺术中心主办《在湖上一一桑火尧2014境象新作展》(中国   杭州)

2013年

广东美术馆主办《境象主义一桑火尧作品展》(中国  广州)

2012年

上海美术馆主办《境象一一桑火尧作品展》(中国  上海)

2011年

今日美术馆主办《境遇游一一桑火尧个展》(中国  北京)

2010年

台北索卡艺术中心主办《境象·桑火尧个展》(中国  台北)

2009年

義之堂/索卡艺术中心联办《半日闲情一一桑火尧境象个展》(中国  台北)

主要群展

2018年

异同&共生——“16+1”中国·中东欧当代艺术展(保加利亚  索菲亚)

贵点艺术空间《新现代水墨艺术宣言展》(中国  北京)

中国美术馆《第四届中国画院双年展》(中国  北京)

潍坊博物馆《开启与攀越——中国现代水墨研究展》(中国  潍坊)

2017年

人可艺术中心主办《开放的天空》(中国  杭州)

北京雅达文化艺术中心主办《江左风华-乌镇当代艺术展》(中国  乌镇)

深圳e当代艺术馆主办《天外天——国际当代艺术展》(中国  深圳)

海南三亚当代艺术馆主办《国际当代艺术展》(中国  海南)

2016年

3812画廊主办《心境3-当代艺术联展》(中国  香港)

东京画廊主办《第四届新朦昽主义群展》(中国  北京)

中国美术馆《2015-2016中国艺术研究院艺术创作大展》(中国     北京)

今日美术馆主办《2015-2016中国当代水墨年鉴展》(中国北京)

上海玉衡画廊主办《私信力:当代水墨群展》(中国 上海)

北京EGG画廊《四元色一中国当代艺术四人展》(中国  北京)

四川峨眉《第一届当代国际艺术展》(中国  峨眉山)

方块作品在中国杭州G20峰会主会场展出 并永久收藏(中国  杭州)

2015年

北京亚洲艺术中心《中国色》(中国  北京)

南京国际展览中心《第二届南京国际美术展》(中国  南京)

北京中间美术馆《水墨演义——中国当代水墨国际巡展》(北

京 布鲁塞尔芝加哥)

上海明圆当代美术馆《虚薄之境一一对画:山水与风景》(中国   上海)

意大利佛罗伦萨国际当代艺术双年展《艺术与城市主题展》并获绘画类金奖 (意大利  佛罗伦萨)

2014年

南京先锋当代艺术中心《游心虚淡一新水墨邀请展》(中国  南京)

索卡艺术中心《空寒与默化一中国当代水墨联展》(中国  台北)

江苏美木馆(水墨新语一一新水墨联展》(中国  南京)

2013年

索卡艺术中心《新诗意一一中国当代水墨艺术展》(中国  台北)

三尚艺术馆《中国册页——当代水墨艺术国际巡展》(中国  美国 英国  澳大利亚 香港  澳门)

2012年

获第七届AAC艺木中国·年度影响力一水墨类10家(中国 北京)

今日美术馆主办亚州当代艺术群展(中国  北京)

上海新水墨艺术大展——墨测高深展 (中国  上海)

忆江南一一中国当代艺术展 (中国  上海)

台湾美术馆亚州当代艺术展 (中国  台湾)

2011年

竹林七贤获第六届AAC艺术中国·年度影响力一一装置多媒体类10家 (中国 北京)

荷兰当代艺术馆亚州当代艺术联展 (荷兰  阿母斯特丹)

墨・界一一当代艺术展 (中国  上海)

威尼斯双年展平行展 (意大利  威尼断)

上海海平线艺术展 (中国  上海)

2010年

中国美术家协会全国中国画作品展获唯一奖项优秀奖 (中国  北京)

中国美术家协会 中国美术学院主办第七届青年陶艺作品双年展(中国  杭州)

索卡艺术中心《这里有光杭州当代艺术展》(中国  台北)

2009年

中国美术家协会《全国第七届体育美术作品展》(中国  济南)

第十届全国美展浙江展区优秀奖(中国  杭州)

2008年

中国国家画院《融·聚全国中国画学术邀请展》(中国  北京)

中国国家画院《水墨本味·2008当代中国画名家学术邀请展》(中国  北京)

2007年

俄罗斯中国文化节《水墨中国艺术展》(俄罗斯  莫斯科)

2006年

第七届中国艺术家作品展 (中国   杭州)



The Art Works of Sang Huoyao – An Introduction


Sang Huoyao is an important contemporary ink artist from China. A member of the Artistic Committee of the China Academy of Art, he is also the Vice President of the Chinese Imperial Art Academy, and a National First-Level artist. Born in 1963, he graduated from the China Academy of Art in Chinese art with a master’s degree. He is also the creator of ‘Jing-Xiang’ conceptual art. Adding to this multi-varied background is also his experience as a researcher in the ‘Wu Guanzhong Research Center” in Tsinghua University. His works have been acquired by the National Art Museum of China, the Shanghai Art Museum, Zhejiang Art Museum, Guangdong Art Museum, as well as the Today Art Museum in Beijing. They can also be found at the venue of the G20 Hangzhou Summit under long term display. His paintings have been auctioned by various important auction houses, including Sotheby’s Hong Kong. He now lives and works in Beijing.


Sang Huoyao has been experimenting with the superimposition of translucent colour blocks since the start of 1998. Many famous art critics in China have written past reviews about his art works. The scope of his experimentation has also won the admiration and appreciation of internationally renowned scholar Michael Sullivan and the well-respected artist Wu Guanzhong. The oeuvre of Sang Huoyao at its core is comprised of a few elemental aspects: the first is the superimposition of colour blocks, which has progressively become the identifying symbols of his art. Over the many years of research and investigation into the narrative element of Chinese ink, through the process of subverting the paradigm of traditional ink, the superimposition of colour block has already become a trademark of his oeuvre and a self-identifying symbol. This gives rise to a novel schema, and a different series. First, the symbol of the square is intrinsically linked to the shape of ancient Chinese characters, while the superimposition of squares has its roots in the ‘stacking’ style of the Mi Family landscape painting from the Song Dynasty. Second, contemporary technology and traditional philosophy has precipitated a new artistic perspective of ‘jing xiang’, which allows for the vitality of tradition in this present time. The limitless potential for imagination that contemporary technology and the virtual world has made possible is represented by the ethereal emptiness of his work. This in turn reflects the philosophical tenet of Zhuang Zi, as well as the tranquil and quiet temperament of Yuan Dynasty literati art, represented by artists like Ni Yunling. It can be said that the coming together of technology and the virtual world has made everything seem potentially limitless, and this has also impacted the sense of aesthetics for contemporary Chinese. At the same time, it has bridged the gap of aesthetic understanding for Western abstract art, allowing Chinese ink an olive branch into the future, raising the possibility of entry into the international arena. Thirdly, the visual brilliancy of the art works reflects the hope and anticipation of the contemporary age in the remodelling of beliefs. With the modernization of society, people and their interaction with technology often appears to be marked with solitude and loneliness. As such, they are in greater need than ever of spiritual and emotional support. The luminosity of the paintings exudes a sense of divinity and sublimity, like a locale of holiness, filling people with hope, tranquillity, and joy.


With the color blocks as the matrix of the art work, an abstract brushwork language as its structure, and a ‘jing xiang’ art work that is rooted in Chinese tradition, Sang Huoyao’s oeuvre is, at the same time, distant from Western abstract art. ‘Jing Xiang’ is a unique and contemporary expression of Sang Huoyao, an artistic creation imbued with art historical value which lies within its spirit of exploration.


Important Solo Exhibitions


2018  

Museum of Contemporary Art MoCa Singapore < Sang Huoyao – Jing Xiang Exihibition>

2017

National Art Museum of China, Beijing Chaos – <Exhibition of Sang Huoyao’s works>

Hong Chuan Museum of Modern Art, Qingzhou, China <Poetic Encounters – Travelling

Exhibition of Sang Huoyao’s works>

Wei Fang Museum, Wei Fang, China <Poetic Encounters – Travelling Exhibition of Sang Huoyao’s works>

Shouguang Museum, Shouguang, China <Exposition of Sang Huoyao’s Exquisite Ink Works>

Fuyan Commune Gallery, Beijing <Universe Within – Works of Sang Huoyao 1/2 Show>

2016

Wenchou Epoch Art Museum, Wenchou, China <Sang Huoyao’s dialogue with Stephen – Exhibition>

Renke Art Gallery, Hangzhou, China  <Sang Huoyao and Rothko: Breathing Tone>

Fuyan Commune Gallery, Beijing <Edge of Time – Solo Exhibition of Sang Huoyao>

2015

Alioth Art Gallery, Shanghai <Jing Xiang – Sang Huoyao Solo Exhibition>

Henglu Art Museum, Hangzhou <Cloud – Exhibition of Sang Huoyao Art Work>

2014

Hwa’s Gallery, Shanghai <Peach Blossoms on the River – Sang Huoyao Jing Xiang ink           exhibition>

Renke Art Gallery, Hangzhou <On the River – Sang Huoyao Jing Xiang ink exhibition>

2013

Guangdong Museum, Guangzhou, China <Jing Xiang – Sang Huoyao Exhibition>

2012

Shanghai Art Museum  <Jing Xiang – Sang Huoyao Exhibition>

2011

Today Art Museum, Beijing <Universe Tour - Solo Exhibition of Sang Huoyao>

2010  

Beijing Soka Art Centre <Jing Xiang – Sang Huoyao Exhibition>

2009

Yizhi Hall / Soka Art Centre<A Half Day’s Rest - Jing Xiang | Sang Huoyao           Exhibition>


Important Group Exhibition


2018  

Similarities and Diversities in Symbiosis – 16 + 1 China, Central and Eastern Europe       Contemporary Art Exhibition, Sofia, Bulgaria,G-dot Art Space, Beijing <Manifesto of Neo-Modern Ink Art>

National Art Museum of China, Beijing <The Fourth Biennale of China Art Academy>

Wei Fang Museum, Wei Fang, China <Developing and Surmounting – Exhibition for the research of Chinese Modern Ink>

2017  

Renke Art Gallery, Hangzhou <Open Sky Exhibition>

Beijing-Jakarta Art and Cultural Center, Wuzhen, China <Jiang Zuo Fenghua - Wuzhen Contemporary Art Exhibition>

Shenzhen Museum Of Contemporary Art, Shenzhen, China <Heaven beyond the Sea – International Contemporary Exhibition>

Sanya Museum of Contemporary Art, Hainan, China <International Contemporary Exhibition>

2016    

3812 Gallery, Hong Kong <Xin Jing 3 – Contemporary Exhibition>

Tokyo Art Gallery, Beijing <Fourth Neo Moroism Concept Group Exhibition>

National Art Museum of China, Beijing <2015 – 2016 Chinese National Academy of Arts     | The Arts Creation Exhibition>

Today Art Museum, Beijing <2015 – 2016 Chinese Contemporary Ink Art Annual Exhibition>

Shanghai Alioth Art Center, Shanghai <Power of Self Belief: Contemporary Ink Group Exhibition>

Beijing EGG Art Gallery, Beijing <The Four Primary Colors – Chinese Contemporary Art | A 4 Artist Exhibition>

Sichuan Emei, Emei, China <First International Contemporary Art Exhibition>

Color Block Art Works in Hangzhou G20 Summit Main Conference Hall under long term      collection, Hangzhou, China

2015  

Beijing Asia Arts Center, Beijing, China <Colors of China>

Nanjing International Exhibition Center, Nanjing, China <Second Nanjing International Art Exhibition>

Beijing Inside Out Art Museum | Beijing, China; Brussels, Belgium; Chicago, America <Contemporary Ink Art Evolution – International Tour>

Shanghai Ming Yuan Art Center, Shanghai, China <Translucent Universe – A Dialogue of    paintings: Landscape and Scenery>

Italy Florence International Contemporary Biennale, Florence, Italy <Art and the City exhibition> Recipient of Gold Award in Painting

2014

Avant-Garde Contemporary Art Center, Beijing <Ethereal Dimness: New Water Ink Research Series>

Soka Art Center, Taipei <Empty Cold and Silent Transformation – Contemporary Ink Art Group Exhibition>

Jiangsu Art Museum, Nanjing, China <New Ink Language – New Ink Group Exhibition>

2013  

Soka Art Center, Taipei <New Poetics – Chinese Contemporary Ink Exhibition>

Sanshang Art Center | China, America, United Kingdom, Australia, Hong Kong, Macao <A Chinese Album – Contemporary Ink Art International Tour>

2012

<Seventh Award of Art China | Awarded Ten Most Influential Ink Artist> Beijing, China

Today Art Museum, Beijing <Asia Contemporary Art Group Exhibition>

Shanghai New Ink Art Exhibition, Shanghai, China < A New Spirit in Ink>

<Reminiscing Jiangnan – Chinese Contemporary Art Exhibition>, Shanghai, China

National Taiwan Museum of Fine Arts, Taiwan <Asia Contemporary Art Exhibition>

2011

Seven Sages in Bamboo Forest, Beijing <Sixth Award of Art China | Awarded Ten Most Influential Multi-Media Artist>

Holland Contemporary Art Museum, Holland, Amsterdam <Asia Contemporary Art Group Exhibition>

<Ink | Universe – Contemporary Art Exhibition> Shanghai, China

<Venice Biennale Parallel Exhibition> Venice, Italy

Sealine Art Exhibition, Shanghai, China

2010

China Artist Association | Recipient of Top Excellence Prize at China National Wide Art     Exhibition, Beijing

China Artist Association <China Art Academy | Seventh Youth Porcelain Sculpture Biennale, Hangzhou China>

Soka Art Center, Taipei <There is Light Here – Hangzhou Contemporary Art Exhibition>

2009

China Artist Association <National Seventh Physical Education Art Exhibition, Jinan, China>

Recipient of Tenth National Zhejiang Excellence Award, Jinan, China

2008      

China Academy of Art, Beijing  <Dissolving | Gathering, National Chinese Art Exhibition by Invitation>

China Academy of Art, Beijing

2007    

Russian-China Cultural Festival, Moscow, Russia <Chinese Ink Art Exhibition>

2006    

Seventh Chinese Artist’s Works Exhibition, Hangzhou, China






人可艺术中心 | RENKE ART GALLERY


◤人可艺术中心( Renke Art Gallery )是一家独立的当代艺术机构。位于杭州核心地段,距西湖5分钟的步行路程。于2009年3月,自成立伊始就致力于画廊品牌的构造,建立了一支专业的画廊团队:策展、装裱、布展、档案管理,旨在为一流的当代艺术家和策展人提供专业化的硬件和软件的支撑平台。

RENKE is an independent, contemporary art gallery, located at the heart of Hangzhou, five minutes’ walk to the west lake. Since its establishment in March 2009, RENKE has been working on its gallery brand construction, established a professional gallery team: curator, mounting, exhibition, file management... in order to provide the utmost support to contemporary artists and curators, also to generate open and lively programs of art exhibitions and culture events.


◤人可艺术选择的艺术家有其自身的价值观,对艺术有着独立的判断力,不从众,不投机。经营长线艺术市场和具有学术定位的艺术家,是人可艺术一贯的准则。 秉承包容性、开放性、探索性的原则,人可艺术以高品质的当代艺术展览和专业化的运营模式,展示已然出现并挖掘未来即将出现的具有艺术史价值的艺术家,旨在为推动中国当代艺术的发展尽一份绵薄之力。

RENKE has its own independent esthetic judgment and standards. Paying attention to professionalism and quality content, RENKE strives to showcase established as well as emerging artists with independent ideas and academic values. The gallery has dedicated itself to maintaining a modern vision, providing high-value art exhibitions, upholding professional operation tactics, and actively engaging in the promotion of Chinese contemporary art.


◤从艺术本身出发,从本土生发出来的,又具有国际视野的中国当代艺术,并能赢得国际学术同行的认可与尊重,是人可艺术之梦。

From the perspective of art itself, from the local art of the China, contemporary art and international view, and can win the international academic peer recognition and respect。It is a dream of RENKE.


艺术总监 Art Director  | 何勇淼 He Yongmiao




返回页首

[快速回复] (HTML代码不可用)[高级回复]
请输入验证码: +jdlfjdlfljl12l12jl+*ljld- + +zdfn,n,/,/,;k1234-353;kdf;kdf;+*ljld- 2 (请输入计算结果)
表情
发言前,请仔细阅读并同意以下注意事项,未注册用户请返回社区首页注册。
1.请自觉遵守:Art-Ba-Ba论坛免责声明
2.请尊重网上道德;
3.自觉遵守:爱国、守法、自律、真实、文明的原则;
4.遵守互联网电子公告服务管理规定 及中华人民共和国其他各项有关法律法规;
5.严禁发表危害国家安全、破坏民族团结、破坏国家宗教政策、破坏社会稳定、侮辱、诽谤、教唆、淫秽等内容的作品;
6.承担一切因您的行为而直接或间接导致的民事或刑事法律责任。
7.Art-Ba-Ba所有帖子仅代表作者本人意见,不代表本社区立场。
8.转载文章请注明出自“Art-ba-ba中国当代艺术社区(www.art-ba-ba.com)”。如是商业用途还请联系原作者。