【展讯】邹彧个展“城祭”9日在北京上苑艺术馆 Cortés.Zou

功能: [返回] [上一主题] [下一主题] [刷新]

发起人：上苑艺术馆　　回复数：0 　　浏览数：1302 　　最后更新：2017/09/07 09:18:06 by 上苑艺术馆

发帖: 333
威望: 0点
注册时间:2011-06-23
最后登录:2020-01-02

[楼主] 上苑艺术馆 2017-09-07 09:18:06

【展讯】邹彧个展“城祭”9日在北京上苑艺术馆

Cortés.Zou City of sacrifice solo exhibition inShangyuan Art Museum

艺术家| Artist：邹彧| Cortés.Zou

开幕时间 | Opening：2017.9.9 15：30 pm

展览时间 | Exhibition Dates：9.9- 9.14.2017

地点|Venue：

北京上苑艺术馆BEIJINGShangyuan Art Museum

地址|Add.

北京市怀柔区桥梓镇沙峪口村上苑艺术馆 |

Shangyuan Art Museum , Qiaozi County, Huairou District, Beijing

自述:

当下这个时代迅速的发展，人们心里的承受能力和现实的发展速度产生了距离，近而，自我的意识被物质意识逐渐所取缔,在这个过程中开始了自我消融和吞噬；作品的形式我采取的是建筑的某一局部去掉对透视的解释，无序中并发着有序的可能性，进而在二维平面的基础上用直线对空间深度的探索，错落复杂的线条也是我探索人与人之间心理复杂的诠释和对物质社会的矛盾。“忧伤”始终是我的一种情怀，人生就在痛苦和无聊之间摇摆。

The current era of rapid development, the people of the heart to bear ability and speed of the development of the real produced distance, close to the, the consciousness of self is banned by the physical consciousness gradually, in the process has started to give itself a melting and devoured; Work I take building, in the form of a local get rid of the interpretation of the perspective, randomness, concurrent with the possibility of orderly, and then on the basis of two-dimensional plane with a straight line on the depth of space exploration, strewn at random complex line is also my interpersonal complicated interpretation of psychological and social contradictions to the material. "Sadness" is always my feeling, life is between pain and boredom.

《Break a promise》系列，布面材料 65x70（上苑艺术馆收藏）

张一琤评语：

邹彧所寻不止于一个讯息的传递或一个价值的实现，更是一种由当下而溯往昔，由一隅而度天地襟怀。他如探险者日复一日在他生活的天地里悄无声息地作出各种发现，开始用他个人不寻常的语言连接当下与源初，给予技术与消费时代的失忆者们以悠远的追忆——绘画犹如眼睛，一次只能居于一处，来呈现洋溢的生机与力度。

Cortés.Zou’s search for not only the transmission of a message or the realization of a value, but also a kind of the current and the past, from a corner of the world. He like explorers, day after day in his life quietly in the heaven and earth to make all kinds of found, began to use his unusual language connects the present and at the beginning of the source, technology and consumption in the era of the amnesia is to recall - paintings are like eyes and long, can only be in one place at a time, to present with vigor and strength.