2008惠特尼双年展3月6日预展盛大开幕

[attachment=84694]
惠特尼美术馆照片


帕克大道军械库延伸展场



纽约 2008惠特尼双年展将于3月6日至6月1日在纽约盛大举行。其中3月6日为预展开幕。惠特尼美术馆至1932年首次举办双年展以来，至今已成功举办过73届大展，本次展览是第74届。与往届展览不同的是，本届大展除了在惠特尼美术馆本埠展场进行展出之外，自3月6日到23日，位于纽约帕克大道的军械库将作为其延伸展场，用来展示装置和行为艺术作品。美国20世纪著名的现代主义画家查尔斯·德穆斯（Charles Demuth , 1883–1935）的晚期作品也将作为附加展在此期间展出。

以下是双年展期间的部分活动日程：

弗利兹·海格：《动物庄园1.0》
3月6日，星期四，中午12：00 & 12：30
惠特尼美术馆
Fritz Haeg’s Animal Estates 1.0 Museum Movements and Sundown Schoolhouse
Thu, Mar 6 at 12 pm & 12:30 pm
Whitney Museum

M.K.古特：《防护与保险之关联》
3月7日-9日，星期五-星期天，下午2：00-7：00
3月10日星期一及3月11日星期二，下午1：00-6：00
帕克大道军械库
MK Guth’s Ties of Protection and Safekeeping
Fri, Mar 7–Sun, Mar 9 from 2–7 pm
Mon, Mar 10 & Tue, Mar 11 from 1–6 pm
Park Avenue Armory

茱莉亚·梅尔策、大卫·索恩：《我们要见证这些事，或者，五张将会消逝的照片》
3月7日，星期五，下午7：00
帕克大道军械库
Julia Meltzer and David Thorne’s We will live to see these things, or, five pictures of what may come to pass
Fri, Mar 7 at 7 pm
Park Avenue Armory

艾伦·哈维：《100位双年展观众之永恒纪念》
3月8日-9日，星期六-星期天，中午12：00-下午7：40
帕克大道军械库
Ellen Harvey’s 100 Biennial Visitors Immortalized
Sat, Mar 8 & Sun, Mar 9 from 12–7:40 pm
Park Avenue Armory

迈克尔·史密斯：《跟迈克在一起的一天》
3月8日，星期六，下午3：00
帕克大道军械库
Michael Smith’s A Day with Mike
Sat, Mar 8 at 3 pm
Park Avenue Armory

玛丽娜·罗森菲尔德：《少年朗台诺》
3月8日，星期六，下午8：00
帕克大道军械库
Marina Rosenfeld’s Teenage Lontano
Sat, Mar 8 at 8 pm
Park Avenue Armory

阿加特·斯诺：《后劲：祖国的荣耀》舞会马拉松
3月9日-11日，星期天-星期二，上午11：00-下午11：00
帕克大道军械库
Agathe Snow’s Stamina: Gloria at Patria
Sun, Mar 9 –Tue, Mar 11 from 11 am–11 pm
Park Avenue Armory

Gang Gang 热舞
3月9日，星期天，下午9：00
帕克大道军械库
Gang Gang Dance
Sun, Mar 9 at 9 pm
Park Avenue Armory
……[url]http://whitney.org/www/2008biennial/www/?section=events

WHITNEY BIENNIAL 2008
艺术家名单

[attachment=84705]
Bozidar Brazda, Radio Pressburg: The I Don’t Need Society, 2004.


[attachment=84706]
Carol Bove, The Night Sky over New York, October 21, 2007, 9 p.m., 2007.


[attachment=84707]
Coco Fusco, A Room of One's Own: Women and Power in the New America, 2006.


[attachment=84708]
Dexter Sinister, (Party) per bend sinister, 2005


[attachment=84709]
Edgar Arceneaux, The Alchemy of Comedy...Stupid, 2006


[attachment=84710]
Fia Backstöm, A New Order for a New Economy--to Form and Content (A proposal to re-arrange the ads of Artforum), 2006-07


[attachment=84711]
Gardar Eide Einarsson, Judge, 2007


[attachment=84712]
Harry Dodge and Stanya Kahn


[attachment=84713]
Jedediah Caesar, Dry Stock, 2007 (in progress).


[attachment=84714]
Joe Bradley, Animal, 2007 




[attachment=84715]


[attachment=84716]


[attachment=84717]


[attachment=84718]


[attachment=84719]


[attachment=84720]


[attachment=84721]


[attachment=84722]


[attachment=84723]


[attachment=84724]


[attachment=84725]


[attachment=84726]


[attachment=84727]


[attachment=84728]


[attachment=84729]


[attachment=84730]


[attachment=84731]


[attachment=84732]


[attachment=84733]


[attachment=84734] 
               

[attachment=84736]


[attachment=84737]


[attachment=84738]


[attachment=84739]


[attachment=84740]


[attachment=84741]


[attachment=84742]


[attachment=84743]


[attachment=84744]


  [attachment=84745]


[attachment=84746]


[attachment=84747]


[attachment=84748]


[attachment=84749]


[attachment=84750]


[attachment=84751]


[attachment=84752]


[attachment=84753]


[attachment=84754]


[attachment=84755]   


         
   

[attachment=84756]

《动物庄园1.0》

弗利兹•海格把自己的角色定位为跨学科艺术建筑师、教师，研究住房设计与实验园艺、创办流动讲学中心，甚至进行政治运动。他倾向于创作呼吁社会机会、慈善行为的跨领域艺术作品。

WHITNEY BIENNIAL 2008
艺术家名单

[attachment=84757]

[attachment=84758]

[attachment=84759]

[attachment=84760]

[attachment=84761]

[attachment=84762]

[attachment=84763]

[attachment=84764]

[attachment=84765]

[attachment=84766]

[attachment=84767]

[attachment=84768]

[attachment=84769]

[attachment=84770]

[attachment=84771]

[attachment=84772]

[attachment=84773]

[attachment=84774]

[attachment=84775]

[attachment=84776]

[attachment=84777]

[attachment=84778]

[attachment=84779]

[attachment=84780]

[attachment=84781]

[attachment=84782]

[attachment=84783]

[attachment=84784]

[attachment=84785]

[attachment=84786]

[attachment=84787]                           

[attachment=84788]

《防护与保险之关联》

ＭＫ古特通过视频、摄影、雕塑等艺术形式，对传统寓言、童话进行了全新的诠释。这些新式神话是她表达对现代公众空间理解的载体。