小谷元彦Motohiko Odani小谷元彦Motohiko Odani小谷元彦Motohiko Odani
小谷元彦 Motohiko Odani
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1972 Born in Kyoto, Japan
1995 B.A., Tokyo National University of Art and Music, Tokyo
1997 M.A., Tokyo National University of Art and Music, Tokyo
Solo Exhibitions
1997 Phantom-Limb, P-House, Tokyo
1998 Transfiguration, Rötgen Kunstraum, Tokyo
2004 Modification, Kirin Plaza Osaka, Osaka
ERECTRO, YAMAMOTO gallery, Tokyo
RETROSPECTIVE, TAKAHASHI collection, Tokyo
Group Exhibitions
1995 Pool 2, Rötgen Kunst Institut, Tokyo
1996 Morphe'96, Spriral, Tokyo
1997 Martin, 146 Top of Floor Brick Rane, Atlantis, London
Potential of Sculpture, Tokyo National University of Art and Music, Tokyo
1998 Reality, Tama Vivant '98, Tama Art University, Tokyo
1999 VOCA, The Ueno Royal Museum, Tokyo
Fancy Dance, Art Sonje Museum, Kyongju / Sonje Art Center, Seoul, Korea
Guarene Arte 99, Fondazione Sandretto Re Rebaudengo PerL'arte, Torino, Italy
Net_Condition, NTT InterCommunication Center (ICC), Tokyo
Ground Zero Japan, Contemporary Art Gallery, Art Tower Mito, Ibaragi (~2000)
2000 5th Biennale de Lyon, Art Contemporain, Halle Tony Garnier, Lyon
2001 Translated Acts, Haus der Kulturen der Welt, Berlin
Sonsbeek 9, Eusebius Church, Arnhem, Netherlands
7th International Istanbul Biennale, Istanbul /Tokyo Opera City Gallery, Tokyo
2002 Gwangju Biennale, Gwangju
Private Luxury, Manno Art Museum, Osaka
2003 Heterotopias; Japanese Pavillion, Dream and Conflict; 50th Venice Biennale, Venice
Bloom, The Govett-Brewster Art Gallery, New Zealand
2004 Roppongi Crossing, Mori Art Museum, Tokyo
Mediarena, The Govett-Brewster Art Gallery, New Zealand
Happy-Go-Lucky, VHDG Stichting V/H de Gemeente, Netherlands
Strategies of Desire, Kunsthaus Baselland, Basel, Switzerland
Collapsed Bodies, YAMAMOTO gallery, Tokyo
Tokyo Style: Motohiko ODANI, Moderna Museet, Stockholm
2005 The World is a Stage : Stories Behind Pictures, Mori Art Museum, Tokyo
Next Project at Site, Site Gallery, Sheffield
Becoming Animal Massachusetts Museum of Contemporary Art, Massachusetts
Chikaku: Time and Memory in Japan, Kunsthaus Graz,
Museum of ContemporaryArtVigo,Spain
Visions of the Body 2005, SEOUL MUSEUM OF ART, Seoul
GUNDAM -Generating Futures-, Suntry Museum Tenpozan, Osaka
, The Ueno Royal Museum, Tokyo
The difference between you and me, The Ian Potter Museum of Art, Melbourne
2006 ARS 06, Museum of Contemporary Art KIASMA, Helsinki, Finland
Chikaku: Time and Memory in Japan, The Taro Okamoto Museum of Art, Kanagawa
Hybridity The Evolution of Species and Spaces in 21st-Century Art, 21c Museum, Kentucky
Art and Object : Affinity of the Jomon and the Contemporary, Aomori Museum of Art, Aomori
1972年出生于日本东京。业内对他的最初关注是源于他在作品中所使用特殊材料，诸如天鹅标本和鲨鱼的牙齿（扣环, 1997）。由于对尸体、肉体、过程、解剖等元素的痴迷，他实现了通过选择所使用的材料来建立其作品的不祥感觉。如此一来，相应引起了观众对原始感觉的好奇，例如恐惧、求生欲和性。他对肉体和尸体的痴迷也反映在了作品的名称上，《训诫（第一章）》（1996），《幻肢》（1997）。他的《骨骼》（2003）和《贝雷斯》（2003）展于2003威尼斯双年展的梦想与冲突展览。小谷元彦目前在东京生活和工作。
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Skeleton
2003
FRP, others
approx. diam.550×H3900mm
Photo: Keizo KIOKU
Collection of Ise Cultural Foundation
Courtesy of YAMAMOTO GENDAI
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Motohiko Odani
Romper, 2003
Dvd (single screen)
Ca. 3 min.
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"Phantom Limb", 1999
Serie von C-Prints
[attachment=63315]
Motohiko Odani:
"Fingerspanner", 2000
Fotografie
30 x 70 x 2 cm
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Motohiko Odani:
"Melody", 2001
C-Print
90 x 90 x 5 cm
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Motohiko Odani:
"Nocturnal Enuresis", 2001
C-Print
120 x 120 x 5 cm
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Berenice(2003)
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[attachment=63306]
1972 Born in Kyoto, Japan
1995 B.A., Tokyo National University of Art and Music, Tokyo
1997 M.A., Tokyo National University of Art and Music, Tokyo
Solo Exhibitions
1997 Phantom-Limb, P-House, Tokyo
1998 Transfiguration, Rötgen Kunstraum, Tokyo
2004 Modification, Kirin Plaza Osaka, Osaka
ERECTRO, YAMAMOTO gallery, Tokyo
RETROSPECTIVE, TAKAHASHI collection, Tokyo
Group Exhibitions
1995 Pool 2, Rötgen Kunst Institut, Tokyo
1996 Morphe'96, Spriral, Tokyo
1997 Martin, 146 Top of Floor Brick Rane, Atlantis, London
Potential of Sculpture, Tokyo National University of Art and Music, Tokyo
1998 Reality, Tama Vivant '98, Tama Art University, Tokyo
1999 VOCA, The Ueno Royal Museum, Tokyo
Fancy Dance, Art Sonje Museum, Kyongju / Sonje Art Center, Seoul, Korea
Guarene Arte 99, Fondazione Sandretto Re Rebaudengo PerL'arte, Torino, Italy
Net_Condition, NTT InterCommunication Center (ICC), Tokyo
Ground Zero Japan, Contemporary Art Gallery, Art Tower Mito, Ibaragi (~2000)
2000 5th Biennale de Lyon, Art Contemporain, Halle Tony Garnier, Lyon
2001 Translated Acts, Haus der Kulturen der Welt, Berlin
Sonsbeek 9, Eusebius Church, Arnhem, Netherlands
7th International Istanbul Biennale, Istanbul /Tokyo Opera City Gallery, Tokyo
2002 Gwangju Biennale, Gwangju
Private Luxury, Manno Art Museum, Osaka
2003 Heterotopias; Japanese Pavillion, Dream and Conflict; 50th Venice Biennale, Venice
Bloom, The Govett-Brewster Art Gallery, New Zealand
2004 Roppongi Crossing, Mori Art Museum, Tokyo
Mediarena, The Govett-Brewster Art Gallery, New Zealand
Happy-Go-Lucky, VHDG Stichting V/H de Gemeente, Netherlands
Strategies of Desire, Kunsthaus Baselland, Basel, Switzerland
Collapsed Bodies, YAMAMOTO gallery, Tokyo
Tokyo Style: Motohiko ODANI, Moderna Museet, Stockholm
2005 The World is a Stage : Stories Behind Pictures, Mori Art Museum, Tokyo
Next Project at Site, Site Gallery, Sheffield
Becoming Animal Massachusetts Museum of Contemporary Art, Massachusetts
Chikaku: Time and Memory in Japan, Kunsthaus Graz,
Museum of ContemporaryArtVigo,Spain
Visions of the Body 2005, SEOUL MUSEUM OF ART, Seoul
GUNDAM -Generating Futures-, Suntry Museum Tenpozan, Osaka
, The Ueno Royal Museum, Tokyo
The difference between you and me, The Ian Potter Museum of Art, Melbourne
2006 ARS 06, Museum of Contemporary Art KIASMA, Helsinki, Finland
Chikaku: Time and Memory in Japan, The Taro Okamoto Museum of Art, Kanagawa
Hybridity The Evolution of Species and Spaces in 21st-Century Art, 21c Museum, Kentucky
Art and Object : Affinity of the Jomon and the Contemporary, Aomori Museum of Art, Aomori
1972年出生于日本东京。业内对他的最初关注是源于他在作品中所使用特殊材料，诸如天鹅标本和鲨鱼的牙齿（扣环, 1997）。由于对尸体、肉体、过程、解剖等元素的痴迷，他实现了通过选择所使用的材料来建立其作品的不祥感觉。如此一来，相应引起了观众对原始感觉的好奇，例如恐惧、求生欲和性。他对肉体和尸体的痴迷也反映在了作品的名称上，《训诫（第一章）》（1996），《幻肢》（1997）。他的《骨骼》（2003）和《贝雷斯》（2003）展于2003威尼斯双年展的梦想与冲突展览。小谷元彦目前在东京生活和工作。
[attachment=63307]
[attachment=63308]
Skeleton
2003
FRP, others
approx. diam.550×H3900mm
Photo: Keizo KIOKU
Collection of Ise Cultural Foundation
Courtesy of YAMAMOTO GENDAI
[attachment=63313]
[attachment=63309]
[attachment=63310]
[attachment=63311]
[attachment=63312]
Motohiko Odani
Romper, 2003
Dvd (single screen)
Ca. 3 min.
[attachment=63314]
"Phantom Limb", 1999
Serie von C-Prints
[attachment=63315]
Motohiko Odani:
"Fingerspanner", 2000
Fotografie
30 x 70 x 2 cm
[attachment=63316]
[attachment=63318]
[attachment=63319]
[attachment=63320]
[attachment=63321]
Motohiko Odani:
"Melody", 2001
C-Print
90 x 90 x 5 cm
[attachment=63317]
Motohiko Odani:
"Nocturnal Enuresis", 2001
C-Print
120 x 120 x 5 cm
[attachment=63322]
Berenice(2003)
[attachment=63323]
是世界上第一颗原子弹
张鼎
求教：我一直没搞懂，他做的那个球是怎么一回事教
小谷元彦于1972年出生在日本京都，目前居住东京。自从2000年参加长谷川佑子所策画的里昂双年展后。他的作品一直备受关注，尔后也连续参加了伊斯坦堡双年展，光州双年展，更在2003年代表日本馆参加参加2003威尼斯双年展的《梦想与冲突》展，展出 《骨骼》（2003）和《贝雷斯》（2003）.
小谷元彦毕业于东京艺术大学雕塑系硕士，是当今日本最受瞩目的年轻艺术家之一。他的作品包括有混合媒材装置以及摄影作品。小谷元彦在作品风格与材质的选择上一反传统的雕塑方式，转而使用各种不同的特殊材料作为创作表现的手法。他所使用的材料种类繁多，诸如狼的标本、天鹅标本和鲨鱼的牙齿（扣环, 1997）等，大胆的交织不同媒材后所构成的细腻表现手法与现代感的语汇这让小谷的作品呈现出一种独特的尖锐的视觉效果、原始的触感。
由于小谷元彦在学校主修木雕，因此对于身体与皮肤表层有着敏锐的观察，不论是在材质或者主题的选定上都有直接诉诸于感官的细腻表现。除了材质的选定特殊以外，小谷元彦在主题选择上也相当讲究，其中尤其对于尸体、肉体、解剖等题材痴迷，他擅长于透过这种对于人类原始欲望的血淋淋的解剖表现，让观众感到忐忑不安。而他对肉体和尸体的迷恋(fetish)也反映在作品的名称上，《训诫（第一章）》（1996），《幻肢》（1997）都是例子。作品有许多象征性的符码表现，让人彷佛进入超现实主义一般充满神秘而不可言喻的世界。观众透过他的作品可以看到人性对于迷恋、恐惧、求生欲和或者性等原始欲望的流露，世纪末的虚无感透过小谷元彦的作品传达给观众一种强烈的”痛”感反应，以及迷恋”痛感”的自虐心理投射。
Human Lesson (Dress 01), 1996
Drape, 1998
《エレクトロ（バンビ）》 2003年 鹿の剥製、アルミニウム鋳造、ほか 61 x 60 x 29 cm 所蔵：フェリエ肇子氏 Photo: Kioku Keizo Courtesy: YAMAMOTO GENDAI, Tokyo
《ダブルエッジド・オブ・ソウト（ドレス02）》 1997年 髪の毛 166 x 70 x 3 cm 所蔵：金沢21世紀美術館 Photo: Kunimori Masakazu Courtesy: YAMAMOTO GENDAI, Tokyo
《SP extra畸形脳面集 半骸幽女 双生児》 2007年 木、岩絵の具、漆 100 x 17 x 7 cm／各 個人蔵 Photo: Kioku Keizo Courtesy: YAMAMOTO GENDAI, Tokyo
《SP2 ‘New Born’ (Python AB)》 2007年 ミクストメディア 22 x 43 x 48 cm 所蔵：国立国際美術館 Photo: Kioku Keizo Courtesy: YAMAMOTO GENDAI, Tokyo
Art News: Motohiko Odani
Motohiko Odani Studied sculpture on Tokyo but his work integrate also video and photography. Odani’s work fusion with technology and art in situ creating an alternative universe.
Kyoto……是 京都
