实验的趣味 王思顺&袁泽强在蜂巢
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[楼主] 上苑艺术馆 2013-06-27 06:08:44

上苑艺术馆76《视觉错位(Nishastaga )计划》六人作品展



(海报背景图片为上苑驻馆艺术家刘涛的观念摄影作品)


CuratorR. A. Suri(加拿大)

参展艺术家 Artist马玉江、宋兮、战兴隆、刘涛、杨健杨欣嘉

展览时间 Duration2013-07-6~2012-07-16
开幕时间 Opening2013076 15:30
开放时间 Working hours:周一至周日 10:00—17:00
城市 City::北京 Beijing
展览地点 Venue:上苑艺术馆一号展厅 Shangyuan Art Museum — Layer
地  址:北京市怀柔区桥梓艺术社区
主办单位:上苑艺术馆 Shangyuan Art Museum

前言(R. A. Suri):

再精确的回忆也比不上最苍白的墨迹

梵语Nishastaga指的是,在进入一个新的空间时,视觉体验上的错位。当代艺术实践的情境亦反映了这种脱节或迷失的感受。鉴于历史的扭曲和人性的集体弱点,我尝试在中国的背景脉络下说明颠覆的起源,以及历史命题的错误。地下文学的先驱人物不只为新形式的表达作出划分(不论是透过文字或是后来视觉语言的进化结果),更甚者,还启动了超越占支配地位的西方思维范畴的一种对经验直言不讳的检验。视觉错位(Nishastaga )处在一个不定的位置上:过程先于决心。借由这些说明我挑选了最能反映先驱的勇气及韧性的一些艺术家的作品,同时要求每一位艺术家反过来思考隐藏于时间之下的真理,并在策展声明的前提下-不论赞成或反对-找到灵感。这个策略是项经验性的运作,用意在于去进一步发掘影响力,并提出对抗我们这个嘲弄的时代的有力宣言。

Nishastaga Project


Preface:

The palest ink is better than the best memory.

 The Sanskrit term, Nishastaga, entails the experience of visual disclocation upon entering a new space or territory. This same sense of displacement or disorientation may reflect upon the situation of contemporaneity and artistic practice. In light of historical distortion & our own collective frailty, I have sought to elaborate on the origins of subversion in the context of the P.R.C., with an incrued interest to address the errors’ of historical imperative. The seminal figures of the literary underground demarcated not only new forms of expression (whether with the word or the later consequence of evolutions in visual language) yet furthermore, enacted an explicit examination of the experiential beyond the parameters of predominant Occidental thought. The position of Nishastaga is an amorphic one: process preceeds determination. In lieu of the didactic I have sought to select artists’ whose work reflects upon their predecessor’s courage and tenacity, asking that each in turn contemplate on the concealed truths of time’s passage and find their own inspiration (whether in agreement or in opposition) to the pretext of the curatorial statement. The strategy is an emperical excercise to further excavate influence and offer a pronounced statement against the travesty of our era.


[沙发:1楼] 上苑艺术馆 2013-06-27 20:02:33
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