Pipilotti Rist
皮皮劳蒂·里斯特
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皮皮劳蒂·里斯特(Pipilotti Rist) 1962年生于瑞士Grabs，现在苏黎世和诺恩堡生活工作。
皮皮劳蒂·里斯特说：“通过情绪和感官刺激所传递的信息会改变人们的偏见和原有的行为方式，它的力量将远远地超过了无数的图书和文章。”
视像艺术家皮皮劳蒂·里斯特的作品是闪烁的、色彩斑斓的，自信的和无所顾忌的。凭着这种自信和藐视一切世俗规范的精神，她迅速地征服了国际艺坛。她的成功充分证明，在大众音乐视像产品盛行的时代，艺术性的视像作品依然具有强大的竞争力。由于多年的乐手经历，她深知大众文化的审美趣味，并发现这种审美趣味在90年代初期的美术作品中没有得到充分的揭示和表现。起初，她那刺耳的录像作品似乎显得很平庸，过分强调戏剧性效果，满是异想天开的情节与图像。她常常现身于作品中，但并不成其为核心。里斯特曾说她要“在文学和它的美术衍生物之间挑起一场战争”。在1994年创作的“房间”中，里斯特用视象语言明确了表达了她对前辈的看法。几个巨大的红色扶手椅围绕在一个小型电视机的身边，成年人转动的眼睛和孩子们好奇的圆圆的眼睛充满了整个画面。随着创作的日益深入，深刻的现实问题越来越多地出现在她的作品中。1997年里斯特带来了具有深刻含义的作品“一切都成往事”。其中一个投影表现了一个青年女子欢快地在大街上奔跑的情景。同时展出的另一个投影展现的是，在一片鲜花盛开的草地上，一个警察正在满怀激情地迎接一个回头的浪子的到来。里斯特的视象语言传达出了比文字更强烈的信息力量。
皮皮劳蒂·里斯特
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[attachment=31546]
皮皮劳蒂·里斯特(Pipilotti Rist) 1962年生于瑞士Grabs，现在苏黎世和诺恩堡生活工作。
皮皮劳蒂·里斯特说：“通过情绪和感官刺激所传递的信息会改变人们的偏见和原有的行为方式，它的力量将远远地超过了无数的图书和文章。”
视像艺术家皮皮劳蒂·里斯特的作品是闪烁的、色彩斑斓的，自信的和无所顾忌的。凭着这种自信和藐视一切世俗规范的精神，她迅速地征服了国际艺坛。她的成功充分证明，在大众音乐视像产品盛行的时代，艺术性的视像作品依然具有强大的竞争力。由于多年的乐手经历，她深知大众文化的审美趣味，并发现这种审美趣味在90年代初期的美术作品中没有得到充分的揭示和表现。起初，她那刺耳的录像作品似乎显得很平庸，过分强调戏剧性效果，满是异想天开的情节与图像。她常常现身于作品中，但并不成其为核心。里斯特曾说她要“在文学和它的美术衍生物之间挑起一场战争”。在1994年创作的“房间”中，里斯特用视象语言明确了表达了她对前辈的看法。几个巨大的红色扶手椅围绕在一个小型电视机的身边，成年人转动的眼睛和孩子们好奇的圆圆的眼睛充满了整个画面。随着创作的日益深入，深刻的现实问题越来越多地出现在她的作品中。1997年里斯特带来了具有深刻含义的作品“一切都成往事”。其中一个投影表现了一个青年女子欢快地在大街上奔跑的情景。同时展出的另一个投影展现的是，在一片鲜花盛开的草地上，一个警察正在满怀激情地迎接一个回头的浪子的到来。里斯特的视象语言传达出了比文字更强烈的信息力量。
[quote]引用第36楼guest于2006-10-25 00:18发表的“”:
报靠老大，除了5楼的，录像全看不鸟。[/quote]
缓冲较慢!大约等5分钟就好!
[s:74]
报靠老大，除了5楼的，录像全看不鸟。[/quote]
缓冲较慢!大约等5分钟就好!
[s:74]
报靠老大，除了5楼的，录像全看不鸟。
[quote]引用第38楼guest于2006-10-25 01:52发表的“”:
有提示框出现!说力道不够!冲不过去! [s:57][/quote]
现在改成2种播放器了试试,我再把楼主的视频地址贴出来,不行就下载下来试试看！ [s:74]
有提示框出现!说力道不够!冲不过去! [s:57][/quote]
现在改成2种播放器了试试,我再把楼主的视频地址贴出来,不行就下载下来试试看！ [s:74]
[quote]引用第37楼guest于2006-10-25 01:40发表的“”:
缓冲较慢!大约等5分钟就好!
[s:74][/quote]
有提示框出现!说力道不够!冲不过去! [s:57]
缓冲较慢!大约等5分钟就好!
[s:74][/quote]
有提示框出现!说力道不够!冲不过去! [s:57]
ding!
Open My Glade，April 6 - May 20, 2000
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One-minute video segments every hour at 15 past the hour from 9:15 am to 12:15 am
on the NBC Astrovision by Panasonic
video screen in Times Square
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One-minute video segments every hour at 15 past the hour from 9:15 am to 12:15 am
on the NBC Astrovision by Panasonic
video screen in Times Square
Related Legs, 2001
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(Yokohama Dandelion)
Videoprojektion auf durchsichtige Gardinen
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(Yokohama Dandelion)
Videoprojektion auf durchsichtige Gardinen
Huge videoprojection of Pipilotti Rist on the ceiling of the San Stae Church, Venice Biennale, 2005
2005 年 威尼斯双年展，San Stae 教堂天花板上的巨型投影。
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2005 年 威尼斯双年展，San Stae 教堂天花板上的巨型投影。
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Apricots along the streets. 10/2001.
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Pipilotti 的新著，一本流荡于录像美学和忧郁症患者在白日梦中的话语的书。
Internationally acclaimed artist Pipilotti Rist's new book oscillates between video-clip aesthetics and the melancholic desire to daydream (im)possible words. It was published on the occasion of Pipilotti Rist's exhibition at the Museo Nacional Centro de Arte Reina Sofia in October 2001.
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I never thought I'd fall in love with someone like you
我从没有想过会爱上你这样的人。
I never thought I'd lose someone like you
我从没有想过会失去你这样的人。
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The boys are responsible to produce, collect, bring the music into the life of their girls. So they have enough time to paint aquarells and nails, to look out of the window, to read, to vomit, to kiss, to cook and to die
男孩负责生产，收集音乐，并把它带入女孩的生命中。那么她们就有时间去涂指甲油，有时间看窗外的风景，去阅读，去吐，去吻，去烹饪和去死。
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I'm chopping off anything that's not nice and scrap my fingertips on the road surface
我把所有不好的都砍掉并在路面上摸擦我的指甲尖。
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Pipilotti 的新著，一本流荡于录像美学和忧郁症患者在白日梦中的话语的书。
Internationally acclaimed artist Pipilotti Rist's new book oscillates between video-clip aesthetics and the melancholic desire to daydream (im)possible words. It was published on the occasion of Pipilotti Rist's exhibition at the Museo Nacional Centro de Arte Reina Sofia in October 2001.
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I never thought I'd fall in love with someone like you
我从没有想过会爱上你这样的人。
I never thought I'd lose someone like you
我从没有想过会失去你这样的人。
[attachment=31633]
The boys are responsible to produce, collect, bring the music into the life of their girls. So they have enough time to paint aquarells and nails, to look out of the window, to read, to vomit, to kiss, to cook and to die
男孩负责生产，收集音乐，并把它带入女孩的生命中。那么她们就有时间去涂指甲油，有时间看窗外的风景，去阅读，去吐，去吻，去烹饪和去死。
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I'm chopping off anything that's not nice and scrap my fingertips on the road surface
我把所有不好的都砍掉并在路面上摸擦我的指甲尖。
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Hallo, Guten Tag (Kussmund), 1995
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Hilf mir ehrlich zu sein (help me to be honest), 2001
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Mother, Son & The Holy Garden, 2003
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Exhibition
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Unfrisiert mit Schneeblumen, 2001
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2006年 在西班牙MUSAC 的展览
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Apple Tree Innocent On Diamond Hill, 2003
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Video installation
MUSAC Collection
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Video installation
MUSAC Collection
Apple Tree Innocent On Diamond Hill, 2003
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Video installation
MUSAC Collection
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Video installation
MUSAC Collection
Show A Leg, 2001/05
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Audio/video installation
Sound by Guggisberg and Roland Widmer
Artist’s Copy
Courtesy of Hauser & Wirth, Zürich/London
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Audio/video installation
Sound by Guggisberg and Roland Widmer
Artist’s Copy
Courtesy of Hauser & Wirth, Zürich/London
I Couldn't Agree with You More, 1999
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Video installation, 2 Projectors, 2 Players, 1 Box of household items, audio system
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Video installation, 2 Projectors, 2 Players, 1 Box of household items, audio system
Supersubjektiv , 2000-2001
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Audio/video installation
Sound by Anders Guggisberg & P. Rist
MUSAC Collection
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Audio/video installation
Sound by Anders Guggisberg & P. Rist
MUSAC Collection
Fall Time Less, 2004 现场图
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Fall Time Less), 2004
Video/audio installation
4 projectors, 4 DVD players, 2 sound systems, part of a wooden house, branch from a Maple tree, backlit panorama (photo print on Plexiglas), table and 3 chairs.
Unique installation.
Videotape duration for projection under tree 9min., with human beings 9min.30sec., on the big wall 10 min.30sec., onto the house 14min.20sec.
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Fall Time Less), 2004
Video/audio installation
4 projectors, 4 DVD players, 2 sound systems, part of a wooden house, branch from a Maple tree, backlit panorama (photo print on Plexiglas), table and 3 chairs.
Unique installation.
Videotape duration for projection under tree 9min., with human beings 9min.30sec., on the big wall 10 min.30sec., onto the house 14min.20sec.
Es geht weiter, 2001
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Videostill on duraflex glass
31 1/2 X 41 3/4 inches
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Videostill on duraflex glass
31 1/2 X 41 3/4 inches
Regenfrau ( I am called a plant), 1999
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installation video
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installation video
Remake of the Weekend, 1998
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Ever is Over All, 1997
video
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video
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Sip My Ocean,1996
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Lulling the viewer with song and visual, Pipilotti Rist creates a sensual lure of pleasure with her video installation Sip My Ocean. Beautiful underwater ocean shots, peaceful submerging figures, and objects slowing floating down the projected image seduce the viewer's eyes as Rist's version of Chris Isaak's pop song "Wicked Game" soothes the ears. But sometimes paradise, love and desire may not be all that they promise.
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[attachment=31569]
Lulling the viewer with song and visual, Pipilotti Rist creates a sensual lure of pleasure with her video installation Sip My Ocean. Beautiful underwater ocean shots, peaceful submerging figures, and objects slowing floating down the projected image seduce the viewer's eyes as Rist's version of Chris Isaak's pop song "Wicked Game" soothes the ears. But sometimes paradise, love and desire may not be all that they promise.
I'm a Victim of This Song, 1995
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Pipilotti Rist
, 5:06 min, color, sound
点击观看录像
With I'm a Victim of this Song, Rist takes up the concept of the "cover" version, in which one performer does a version of another's song, and gives it her own twist. Starting with music from Chris Isaak's hit single Wicked Game, she adds her own sung and screamed versions of the lyrics, accompanied by effects-manipulated, diaristic video p_w_picpaths. The result is an art-world "cover" of a popular artifact, with a woman's voice reinterpreting the male original, and a vivid illustration of the consumer's claim to own and interpret media p_w_picpaths.
Music: "Wicked Game," written by Chris Isaak, interpreted and performed by Anders Guggisberg & Pipilotti Rist.
[p_w_upload=31558] [p_w_upload=31559] [p_w_upload=31560]
Pipilotti Rist
, 5:06 min, color, sound
点击观看录像
With I'm a Victim of this Song, Rist takes up the concept of the "cover" version, in which one performer does a version of another's song, and gives it her own twist. Starting with music from Chris Isaak's hit single Wicked Game, she adds her own sung and screamed versions of the lyrics, accompanied by effects-manipulated, diaristic video p_w_picpaths. The result is an art-world "cover" of a popular artifact, with a woman's voice reinterpreting the male original, and a vivid illustration of the consumer's claim to own and interpret media p_w_picpaths.
Music: "Wicked Game," written by Chris Isaak, interpreted and performed by Anders Guggisberg & Pipilotti Rist.
Blutclip (Bloodclip),1993
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Pipilotti Rist
1993, 2:40 min, color, sound
点击观看录像
Rist's body is the canvas in this surreal montage. Unflinching displays of the artist's own menstrual blood are juxtaposed with p_w_picpaths of gemstones, while swooping, close-up shots of Rist's arms and legs are followed by archival footage of lunar fly-bys, suggesting the ease with which visual culture has abstracted the female body into a beautiful but alien natural phenomenon.
[p_w_upload=31555] [p_w_upload=31556] [p_w_upload=31557]
Pipilotti Rist
1993, 2:40 min, color, sound
点击观看录像
Rist's body is the canvas in this surreal montage. Unflinching displays of the artist's own menstrual blood are juxtaposed with p_w_picpaths of gemstones, while swooping, close-up shots of Rist's arms and legs are followed by archival footage of lunar fly-bys, suggesting the ease with which visual culture has abstracted the female body into a beautiful but alien natural phenomenon.
Entslastlungen Pipilolottti Fehler 1988
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点击观看录像
8' , PAL, sound, colour
Collection: Centre pour l'p_w_picpath contemporaine, St Gervais Geneva (Switzerland)
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点击观看录像
8' , PAL, sound, colour
Collection: Centre pour l'p_w_picpath contemporaine, St Gervais Geneva (Switzerland)
You called me Jacky, 1990
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点击观看录像
At once playful and disconcerting, You Called Me Jacky features Rist lip-synching to the title song, her p_w_picpath superimposed with fleeting p_w_picpaths seen from the window of a moving train. Miming with exaggerated gestures or vamping in convincing imitation of Madonna, even as she flubs her lines, Rist negotiates the music-video format's claims to slickness and production values as well as its desire for raw authenticity.
Video 4 min.
Foto: Rist
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[p_w_upload=31552]
点击观看录像
At once playful and disconcerting, You Called Me Jacky features Rist lip-synching to the title song, her p_w_picpath superimposed with fleeting p_w_picpaths seen from the window of a moving train. Miming with exaggerated gestures or vamping in convincing imitation of Madonna, even as she flubs her lines, Rist negotiates the music-video format's claims to slickness and production values as well as its desire for raw authenticity.
Video 4 min.
Foto: Rist
(Absolutions) Pipilotti's Mistakes,1988
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Pipilotti Rist
11:10 min, color, sound
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Pipilotti Rist
11:10 min, color, sound
Sexy Sad I,1987
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4:36 minutes
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4:36 minutes
Pickelporno, 1992
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点击观看录像
Rist became famous worldwide with Pickelporno (1992), a work about the female body and the sexual exitation. The fish eye camera moves close to the bodies of a couple. The p_w_picpaths are covered by intensive colors, to be perceived strangely, sensually, and ambigously by the spectator.
Schweiz
12 Min., Farbe, Ton, PAL, U-Matic
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点击观看录像
Rist became famous worldwide with Pickelporno (1992), a work about the female body and the sexual exitation. The fish eye camera moves close to the bodies of a couple. The p_w_picpaths are covered by intensive colors, to be perceived strangely, sensually, and ambigously by the spectator.
Schweiz
12 Min., Farbe, Ton, PAL, U-Matic
I'M Not The Girl Who Misses Much, 1986
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点击观看录像
In I'm Not The Girl Who Misses Much (1986) Rist shows how she dances before a camera in a black dress with uncovered breast and red lips. The p_w_picpaths are monochromatic and fuzzy. Rists sings "I'm not the girl who misses much." Her version of the first line of the song Happiness Is a Warm Gun by John Lennon - "She's not a girl who misses much". In the end, the p_w_picpath becomes blue and more and more fuzzy; the sound stops.
Pipilotti Rist,© Cnac/Mnam
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点击观看录像
In I'm Not The Girl Who Misses Much (1986) Rist shows how she dances before a camera in a black dress with uncovered breast and red lips. The p_w_picpaths are monochromatic and fuzzy. Rists sings "I'm not the girl who misses much." Her version of the first line of the song Happiness Is a Warm Gun by John Lennon - "She's not a girl who misses much". In the end, the p_w_picpath becomes blue and more and more fuzzy; the sound stops.
Pipilotti Rist,© Cnac/Mnam
"Ever is Overall"
I'm not the girl who misses much
fragment...
Transposicion Pipilotti Rist- Diseño 1
Alle rechte bei
Cinquante fifty
Pipilotti Rist at AROS
Aujourd´Hui
[quote]引用第16楼嘿乐乐于2006-10-20 7:29:47发表的:
Supersubjektiv , 2000-2001
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Audio/video installation
Sound by Anders G...[/quote]
瑞士艺术家Pipilotti Rist录像装置新作展
All or Nothing or something in between: Pipilotti Rist at Luhring Augustine
September 11-October 16, 2010
展览时间：2010年9月11日－10月6日
Pipilotti Rist, All or Nothing (alles oder nichts), 2010. Video installation; metal triptych with 3 LCD screens, 3 integrated players, 9 1/2 X 16 7/8 X 3 7/8 inches. Courtesy of Luhring Augustine
纽约Luhring Augustine画廊正在举办瑞士艺术家Pipilotti Rist新作展“Heroes Of Birth”。这是艺术家与画廊合作的第三场个展，包含两个录像装置和一些录像雕塑。
All or Nothing (2010)是安装在墙面上的液晶屏三联画，周围摆放这鲜花和饮用水等物品供游客驻足休息，作品同步展示着人体和精神两个层面的运动。
Layers Mama Layers (2010)将艺术家标志性体验风格延伸放大。从天花板垂下的布料成为了录像装置的放映荧幕，游客穿梭其中即成为作品的一部分，整个房间内还回响着与之配合的旋律。
Massachusetts Chandelier (2010)是艺术家收集了家人和朋友的内裤制成的多层吊灯，除了吊灯内部的光线，还有两个录像装置从外部向其投射光线。
Pipilotti Rist, Heroes of Birth. Installation view, Luhring Augustine, 2010
Pipilotti Rist, Massachusetts Chandelier. Installation view, Luhring Augustine, 2010
Pipilotti Rist, Massachusetts Chandelier. Installation view, Luhring Augustine, 2010
All or Nothing (alles oder nichts)
Layers Mama Layers
Pipilotti Rist1962年出生于瑞士Grabs，在重要国际性机构广泛展出作品并获得过许多备具分量的艺术奖项，包括近期在西班牙获得的Joan Miró Prize。她的作品已被许多重要博物馆和机构收藏，包括MoMA，古根海姆，芝加哥当代艺术中心，苏黎世美术馆，比利时Stedelijk Museum voor Actuele Kunst，Montreal Museum of Fine Art等。艺术家目前在瑞士苏黎世生活及工作。
All or Nothing or something in between: Pipilotti Rist at Luhring Augustine
September 11-October 16, 2010
展览时间：2010年9月11日－10月6日
Pipilotti Rist, All or Nothing (alles oder nichts), 2010. Video installation; metal triptych with 3 LCD screens, 3 integrated players, 9 1/2 X 16 7/8 X 3 7/8 inches. Courtesy of Luhring Augustine
纽约Luhring Augustine画廊正在举办瑞士艺术家Pipilotti Rist新作展“Heroes Of Birth”。这是艺术家与画廊合作的第三场个展，包含两个录像装置和一些录像雕塑。
All or Nothing (2010)是安装在墙面上的液晶屏三联画，周围摆放这鲜花和饮用水等物品供游客驻足休息，作品同步展示着人体和精神两个层面的运动。
Layers Mama Layers (2010)将艺术家标志性体验风格延伸放大。从天花板垂下的布料成为了录像装置的放映荧幕，游客穿梭其中即成为作品的一部分，整个房间内还回响着与之配合的旋律。
Massachusetts Chandelier (2010)是艺术家收集了家人和朋友的内裤制成的多层吊灯，除了吊灯内部的光线，还有两个录像装置从外部向其投射光线。
Pipilotti Rist, Heroes of Birth. Installation view, Luhring Augustine, 2010
Pipilotti Rist, Massachusetts Chandelier. Installation view, Luhring Augustine, 2010
Pipilotti Rist, Massachusetts Chandelier. Installation view, Luhring Augustine, 2010
All or Nothing (alles oder nichts)
Layers Mama Layers
Pipilotti Rist1962年出生于瑞士Grabs，在重要国际性机构广泛展出作品并获得过许多备具分量的艺术奖项，包括近期在西班牙获得的Joan Miró Prize。她的作品已被许多重要博物馆和机构收藏，包括MoMA，古根海姆，芝加哥当代艺术中心，苏黎世美术馆，比利时Stedelijk Museum voor Actuele Kunst，Montreal Museum of Fine Art等。艺术家目前在瑞士苏黎世生活及工作。
女性艺术家不同的视角
