缓冲较慢!大约等2分钟就好!

[wmv]http://www.newmedia-art.org/documents/oeuvres/extraits/rpm/Rist-ImNotthe-1986.rpm[/wmv]

[rm]http://www.newmedia-art.org/documents/oeuvres/extraits/rpm/Rist-ImNotthe-1986.rpm[/rm]

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[url]http://www.newmedia-art.org/documents/oeuvres/extraits/rpm/Rist-ImNotthe-1986.rpm
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I'm Not the Girl Who Misses Much 1986

The opening titles are displayed against an intense red background, the camera closes in on Pipilotti, who, dressed in a very low-cut black dress dances before the camera singing at the top of her voice “I’m not the Girl Who Misses Much”, words taken (and altered slightly) from a John Lennon song “Happiness is a Warm Gun”. The picture is hazy and the sound distorted. The zooms are Jerky, back and forth and the picture shudders every now and again and the images are absolutely swamped in colour. As she sings the same line over and over again the exaggerated movements of her stamping silhouette redouble and a bright red blotch just below her heavily made-up lips becomes the focus of attention. Some camera angles give the impression that the performer is floating in the red that drenches the rest of the screen. Many ingredients of this video clip are to be found in her later piece – these being the pre-eminence of pop music which is an easily identified universal reference, the childish simplicity which is easy to relate to our culture (here an interpretation), the burlesque humour, agility, repetition, and the emphatically feminine view of the universe, with acid colour, pretty dresses and make-up. In this clip Pipillotti celebrates the body, its energy, its vitality and the power of human senses, while embodying the character in Lennon’s song. Here she develops a form of clip which as a perfect example of porno-pop image culture also makes a statement about the sexism of MTV. It is a parodic work. The sound and the movements go beyond the bounds of the film capability (the protagonist leaves the picture and the sound pitch oscillates from extreme highs to extremes lows making the sound inaudible to the human ear). Parts which are speeded up and slowed down evoke the zapping culture. The feminine qualities of the films are exaggerated in grotesque form. She has bright red lips, naked breasts over the top of her low-cut dress. Pipilotti rist occupies the middle ground, between art culture and politics, and she really tries to confuse the two codes. By the shortness of the clip and the simplicity of the idea, Pipilotti Rist avoids common pitfalls of the demonstration and makes I’m Not the Girl Who Misses Much a pioneering work illustrating the mix of cultures which prevailed in the nineteen nineties.