世界上最强的手机(转载)
发起人:abcdefghijk  回复数:1   浏览数:3054   最后更新:2006/10/12 17:31:36 by 职业顶贴帅哥
[楼主] 嘿鬼妹 2006-10-05 07:48:53
Katarzyna Kozyra FACES/脸

法国舞蹈中心,巴黎
2006年10月3日-11月15日

[url]http://web.cnd.fr/CND/saison/expositions/saison06_07/faces_kk06

艺术家 Katarzyna Kozyra的作品斗争禁忌。在波兰她的作品的名声又威信又刻毒的。

她2005年在法国舞蹈中心表演了“神圣的春天”。她这次展出她在法国舞蹈中心的居留项目制作的新作品:一个新录像装置,“脸”。
观众被巨大脸的投影围着。
身体不显示。通过这个作品,艺术家抓住了舞蹈家(古典,现代,传统,hip-hop)在跳舞时的表情。由于看不到身体,所有的感情更加强烈:极端压力,痛苦,狂喜……按照舞蹈的风格表情的符号不一样。

Kararzyna Kozyra尽量避免这些符号和抓住那些舞蹈家不控制的时间以便揭露舞蹈家的神秘。

参加舞蹈家: Carla Fracci, Marie-Claude Pietragalla, Vladimir Malakhov, Nazareth Panadero, Piotr Czubowicz, Eri Nakamura, Magda Ciechowicz, Storm, Nelisiwe Xaba, Andrzej Stasiewicz, Charles Jude, Karunakaran, Richard Move Katarzyna Kozyra (1963 生于波兰Warsaw, 住在波兰Warsaw, 意大利Trento 和德国柏林)
制作电影,录像装置和行为表演。
她作品里重点为身份和死忙。
她作品领域为与社会符号和身体有关的禁忌。

Katarzyna Kozyra FACES
Centre national de la danse, Paris
October 3 -November 15, 2006
opening 3 October at 7 p.m.

Centre national de la danse
1 rue Victor Hugo
93 507 Pantin cedex
33 1 41 83 98 98

collaboration Zacheta National Gallery of Art, Warsaw
Polish Institute in Paris

[url]http://www.zacheta.art.pl
[url]http://www.katarzynakozyra.com.pl

Katarzyna Kozyra's work Faces (following on from The Rite of Spring which was shown at the CND two years ago) is another work which shows her fascination with ballet. This work is also shown in a similar manner formally - the viewer is surrounded by huge screens. Here, however, it is only faces that are to be seen, demonstrating extreme emotions: above all, intense concentration, tension, and equally intense effort. Clenched mouths, rapidly moving eyeballs, frowning foreheads with trickles of sweat. The distorted faces turn into masks. Those are the faces of dancers: classical ones, modern ones, hip-hop dancers, captured doing their showpiece performances. They are filmed in such a way that one does not see their bodies, with which they express themselves, which are their instruments. One only sees the faces, which during the performance are virtually invisible to the viewers. Just as in The Rite of Spring it is dance itself that is being deconstructed, separated into individual movements and frames in a process of tedious animation and then assembled together again, so in Faces the actor's body is deconstructed. Until now a single whole, it becomes visible only fragmentarily. Thrown into a circle of faces, the viewer can watch them, while being watched himself.

with the participation of: Carla Fracci, Marie-Claude Pietragalla, Vladimir Malakhov, Nazareth Panadero, Piotr Czubowicz, Eri Nakamura, Magda Ciechowicz, Storm, Nelisiwe Xaba, Andrzej Stasiewicz, Charles Jude, Karunakaran, Richard Move

Coproduction: Centre national de la danse - Pantin, Hebbel am Ufer - Berlin, Theorem - programme Culture 2000 de l'union Europeenne, Zacheta National Gallery of Art - Warsaw.

Katarzyna Kozyra (1963 Warsaw, lives in Warsaw, Trento and Berlin)
Creator of films, video installations and performances. She studied sculpture at the Academy of the Fine Arts in Warsaw. Her degree work was the controversial sculpture installation, Pyramid of Animals (1993). Later she moved into photography (Olympia, Blood Ties) and video (Women Bathhouse, Rite of Spring, Punishment and Crime, In Art Dreams Come True). In her works she takes on the fundamental problems of human existence: identity and death. She moves in the realm of the cultural taboos linked to the body and the stereotypes and modes of behaviour coded into social life. Her video installation Men抯 Bathouse received an Honorable Prize at the 48th Venice Biennale (1999).
[沙发:1楼] kaiser 2006-10-05 12:20:45
[s:52]
[板凳:2楼] guest 2006-10-05 17:16:20
支持一下
[地板:3楼] guest 2006-10-04 21:19:05
顶!
[4楼] louis493 2006-10-07 16:02:55
[s:76]
返回页首