4月5日，“齐物论”周金华个展在草场地北京空间画廊开幕。在开幕式现场，著名评论家黄笃，著名艺术家祁志龙、何森、钟飚、杨劲松也应邀参加了本次开幕式，主办方北京空间画廊特邀了一支北京的著名乐队现场演奏，整个开幕式笼罩在轻松愉悦的气氛中。在媒体发布会上，北京空间画廊负责人李苏桥先生和艺术家周金华为本次的展览发表感言，并回答媒体们的提问。
这次展览展出了川籍年轻艺术家周金华的4幅名为《黄金时代》的油画作品以及一组名为“齐物论”的绘画装置，由29幅大小不一的作品组成。在“齐物论”这组作品中，周金华重组了画面上每个物体之间的关系，巨大的螃蟹，迷你的汽车，大小不一的建筑，混淆了与人物之间的正常比例，画面中心的几个人物竟然抬起头仰望观众，在心理上产生了强烈的距离感。事实上，“齐物论”这组作品在创作的过程中考虑到了展示空间，展厅里聚集的灯光，表现了舞台的戏剧性效果。
周金华的作品以特殊的视觉领域一直吸引着大家的目光，了解周金华的人都知道，从原先《结果都一样》、《人间》等作品到今天的《黄金时代》，从画面的群体感到人物的个性鲜明，从“存在是一种荒诞”到“齐物论”，从川美毕业6年多以来，周金华的创作风格样式越来越纯熟了，他的作品也越来越清晰地表达了当今这种新型的人文与自然的关系，同时，生活本身也在重新建构着这种关系。

The style of "overlooking" provokes subjective feelings according to the viewer. Whilst upon first glance, it may appear that the people illustrated in the scene are all interacting around a certain event,over time it may emerge that these people are actually acting independent of one another and the event itself. Zhou Jinhua's paintings depict social landscapes that occur during specific eras of society and history. He aims to capture various aspects of reality, including how macro-social trends impact "public space" and how the people of the villages and the cities survive in this "public space".His work also illustrates how socio-political effects on the communities, as well as 'reform and opening up' infiltrate the daily lives of the communities within this "public space". The viewer can discover these themes within the conflicts of social contradictions depicited on the streets and natural landscape of Zhou Jinhua's portrayals. Slowly he deconstructs the illustrated events in his scenes - the world of these disorientated characters have been upheaved and a new certainty has yet to be discovered.

转自艺术国际,作品很好,一直很喜欢他的画

的确好画