【上苑现场】​​引力:莫籽个展
发起人:上苑艺术馆  回复数:0   浏览数:1362   最后更新:2019/09/06 16:14:46 by 上苑艺术馆
[楼主] 广州画廊 2019-09-06 16:14:46


前置未来:大湾区青年当代艺术家汇展系列一

Prepositive Future-Greater Bay Area Young Contemporary Artist Series 1


陈丹笛子  陈拍岸  孙文浩

Chen Dandizi  Chen Pai'an  Sun Wenhao


策展  李景湖

统筹  石金花

Curate: Li jinghu

Coordination: Echo Shi


2019.09.06-11.06


主办  东莞市文化馆会合点当代艺术空间

Host: Nodal Contemporary Art Space


地址  东莞市鸿福西路6号东莞市文化馆东南门

Address: Dongguan Culture Center southeast gate, Hongfu west Rd No.6, Dongguan, Guangdong







关于艺术家  About Artists


陈丹笛子,1990年生,现工作生活于广州,曾经打算成为一位诗人。2015年毕业于广州美术学院油画系获学士学位。创作涉及录像、装置、摄影及文学。她的近期作品探讨的是在与自然或人工的日常现象偶然遭遇时的感知和体验,其中不乏疏离的人类情感,以及希望通过对自然的观察和想象来获取疏离之外的宽慰。在她那里,文本阅读、自我认知以及对于这个区域环境与氛围的观测之间产生了难以捕捉的隐秘联系,如其所言:“一切皆有意义”。

陈丹笛子近年的个展/双个展有:“深深的宿醉”, 广州画廊,中国广州(2018),“浮生手记”,上海胶囊,中国上海(2016),“最大胆冒险者”,广东当代艺术中心实验空间,中国广州(2016),“讨词语的诗人”,腾挪空间,中国广州(2014); 部分群展:“塑性记忆:来自中国的当代录像艺术”,匹斯堡大学美术馆,美国(2019),北京当代艺术展,全国农业展览馆,中国北京(2019),“之江国际青年艺术周”,象山艺术公社,中国杭州(2019),“‘我’的风景”,常青画廊,中国北京(2018),“如果日光也是布景”——集美 . 阿尔勒国际摄影季“在地行动”单元,集美新城市民中心,中国厦门(2018),西岸艺术与设计博览会,西岸艺术中心,中国上海(2018),“黯恋”,Para Site艺术空间,中国香港(2018),“低复线叙事——行进中的区域跟踪”,21空间美术馆,中国东莞(2018),“逆光:双城采样”,杨锋艺术与教育基金会,中国深圳(2017),“当代缪斯”,Modern Art Base,中国上海(2017),中国女性艺术家录像艺术节,墨西哥国家文化数字中心和克雷塔罗市博物馆,墨西哥和克雷塔罗市(2017)。


Chen Dandizi, born in 1990, currently based in Guangzhou, and once intended to be a poet. Graduated from the oil painting department of Guangzhou Academy of Fine Arts in 2015 with a bachelor's degree. Creation involves video, installation, photography and literature. Her recent works explore the perception and experience of encounters with the daily phenomenon of natural or artificial, including alienation of human emotion, and hope to get the consolation out of alienated by the  observation and imagination of nature. In her case, text reading, self-knowledge, and observation of the environment and atmosphere in the region create a hidden connection that is difficult to capture, as it says: "everything makes sense."

Chen Dandizi's recently solo exhibition includes: “A Severe Hangover”, Canton Gallery, Guangzhou, China (2018); “Fleeting Memories & Written Notes”, Capsule Gallery, Shanghai, China (2016);"The Most Daring Venture", Guangdong Contemporary Art Centre, Guangzhou, China (2016); "A poet who begs for words", Sabaki Space, Guangzhou, China (2014). Selected Group Exhibitions: “Materializing Memory: Contemporary Video Art From China”, University Art Gallery Frick Fine Arts Building University of Pittsburgh, America (2019), Beijing Contemporary Art Expo, National Agricultural Exhibition Center, Beijing, China (2019), Zhejiang International Youth Art Festival, Xiangshan Art Commune, Hangzhou, China (2019), “Inner Scapes”, Galleria continua, Beijing, China (2018),“If Only The Sunlight Were A Stage Set…” ——Jimei x Arles International Photo Festival “Local Action”, Jimei Citizen Square Main Exhibition Hall, Xiamen (2018), Shanghai West Bund Art & Design, West Bund Art Center, Shanghai (2018),“Crush”, Para Site, Hong Kong (2018), “The Low Bifurcated Narrative——A Marching Regional Investigation”, 21 Space Art Museum, Dongguan, China (2018), “Against the Light: Sampling in Two Cities”, FY Foundation: You Space,  Shenzhen, China (2017); “The Modern Look (Part 1)”, Shanghai Modern Art Base, Shanghai, China (2017); “Chinese Video Artists Festival”, Mexico national culture Digital Center, Mexico (2017).


陈拍岸,1988年生于广东广州,2013年毕业于广州美术学院雕塑系,目前工作生活于广州。其创作通过数位板绘画、合成图像、文本及影像等媒介,探讨人的精神状态在消费行为及大众文化影响下,人与商品的共生关系中所呈现的变化。

陈拍岸的个展有:“开什么玩笑”,广州画廊,广州,中国(2019),“滋生在尾房的”,1a Space,香港,中国(2018),部分群展:“From Its Course Into Channels”,Hessel Museum of Art,纽约,美国(2019);“大健身”——AMNUA国际计划叁,南京艺术学院美术馆,南京(2018);“陈拍岸,黃永生,伍思波”,TABULA RASA,北京,中国(2018);2017深港城市/建筑双年展,深圳,中国(2017);“陈拍岸、黄山、赖志杰、黎卓华、文俊杰”,广州画廊,广州,中国(2017);“所见非所见”,Fort Mason Festival Pavilion,旧金山,美国(2017);“画内音”,OCAT图书馆,深圳,中国(2017);第三届CAFAM双年展,中央美术学院美术馆,北京,中国(2016);2016西岸艺术与设计博览会,广州画廊,上海,中国(2016);“出了广东的鸡不是鸡”,Reformer Space,上海,中国(2016);“场域的毛细管”,广州美术学院美术馆,广州,中国(2016);“机构生产”广州青年当代艺术生态考察,广东美术馆,广州,中国(2015)


Chen Pai’anwas born in Guangzhou, China, 1988. Graduated from sculpture department of Guangzhou Academy Of Fine Arts in 2013, currently based in Guangzhou. Through his tablet painting, composite images, texts and images, his creation explores how people change in the symbiotic relationship between human and products, under the influence of consumer behavior and popular culture.

Chen Pai’ans solo exhibition include: “What Kinda Joke Is This”, Canton Gallery, Guangzhou, China (2019), “Breeding in the Last Room”, 1a Space, Hong Kong, China (2018), “From Its Course Into Channels”, Hessel Museum of Art, New York, America (2019), “Big Workout-AMNUA International Project III”, AMNUA, Nanjing, China (2018), “Chen Pai’an, Wong Wing Sang, Wu Sibo”, TABULA RASA, Beijing, China (2018), 2017 Bi-city Biennale Of Urbanism / Architecture, Shenzhen, China (2017), “Chen Pai'an, Huang Shan, Lai Zhijie, Lai Cheuk Wah, Wen Junjie", Canton Gallery, Guangzhou, China (2017), “What You See Is Not What You See”, Fort Mason Festival Pavilion, San Francisco, America (2017), “Rhythm-analysis”, OCAT Library, Shenzhen, China (2017), 3rd CAFAM Biennale, Museum of CAFA, Beijing, China (2016), 2016 Westbund Art & Design, Canton Gallery, Shanghai, China (2016), “Aint No Chicken Outside The Canton”, Reformer Space, Shanghai, China (2016), “Capillaries Of The Field”, Museum of GAFA, Guangzhou, China (2016), “Institution Production--Ecology Investigation of Contemporary Art of Young Guangzhou Artists”, Guangdong Museum of Art, Guangzhou, China (2015)

孙文浩,1987年生于中国南阳,2008年曾就读于广州美术学院油画系,现生活工作于广州。孙文浩的作品内容多与产生于日常身边的生活场景、每日新闻、微信朋友圈等有关。他将这些从生活深处日日相处的题材加以独特的戏剧性绘画语言、乡土诗歌的叙述方式,以平面化的绘画视角、艳丽的色彩,展现他面对社会阶层问题和社会压力下的艺术家生存的呐喊。

孙文浩的个展包括:“资本主义新农村与母亲的调查报告”,广州画廊,广州,中国(2019),“明星影片公司”,要空间,上海,中国(2018);“出租屋让艺术有了未来”,你我空间,广州,中国(2018);“南亭-广州-深圳下一站巴塞尔”,广州画廊,广州,中国(2017);群展包括:“塑性记忆:来自中国的当代录像艺术”,匹斯堡大学美术馆,美国(2019),“卡拉卡拉大浴场”,广州画廊,广州(2019),“尴尬:,香格纳M50,上海,中国(2018),“朋友圈+文化馆线上艺术计划展”,OCAT上海,上海,中国(2017);中美交流展,RULE画廊,丹佛,美国(2017)


Sun Wenhao, was born in Nanyang, China, in 1987. Enrolled in the oil department of GAFA in 2008, currently based in Guangzhou. Sun’s artworks refer to his ordinary living experience, daily news, and a Chinese most popular social application platform - Wechat Moments, etc. His dramatic and humorous visual language attributes to his poetically agrestic representation, monster-like abstracted form, flatten perspectives, and brilliant color palettes. His artworks also illustrate the voice from artists facing the issues of social class isolation and incredible social pressures in China.

Sun Wenhao’s solo exhibition include: “New Capitalism Countryside and Mother’s Survey Report”, Canton Gallery, Guangzhou, China (2019), “Star Film Company”, Yell Space, Shanghai, China (2018), ‘Rentals Make Art A Future' - When Studio Become Gallery, Niwo Space, Guangzhou, China (2018), “Nanting-Guangzhou-Shenzhen-Next Basel”, Canton Gallery + Shenzhen 33 Space, Guangzhou, Shenzhen, China (2017), selection of group exhibition: Materializing Memory: Contemporary Video Art From China”, University Art Gallery Frick Fine Arts Building University of Pittsburgh, America (2019), “Bath of Caracalla”, Canton Gallery, Guangzhou, China (2019), “Awkward”, ShanghART M50,  Shanghai, China (2018), “Moments and More”, OCAT Shanghai, Shanghai, China (2017), China America Exchange Exhibition,RULE Gallery, Denvor, United States (2017)


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