卡拉卡拉大浴场 Baths of Caracalla
郭城 Guo Cheng
孙文浩 Sun Wenhao
杨洋 Yang Yang
展期 Duration
2019.03.16 - 2019.04.20
地址 Address
广州市海珠区泉塘路38号十号楼102 广州画廊
Rm102, building No.10, Quantang Rd. No.38, Haizhu Dist., Guangzhou, China
孙文浩 Sun Wenhao
罗马柱 Roman Column 8
雕塑,综合材料 Sculpture, mixed media
50×30×40cm 2018
孙文浩 Sun Wenhao
站在人生的巅峰 Standing on the Peak of Life
雕塑,综合材料 Sculpture, mixed media
21×15×16cm 2018
杨洋 Yang Yang
一块石头 The Stone
石头,大漆,金粉,纸本水墨,尺寸可变 Stone, lacker, gold powder, ink on paper, variable dimension 2015
杨洋 Yang Yang
磨去马鞍 Rub Off the Saddle
黄铜现成品 Ready-made brass product
16×7×16cm 2017
孙文浩 Sun Wenhao
罗马柱 Roman Column 1,2,3,4,5,6
装置,雕塑,综合材料,尺寸可变 Installation, sculpture, mixed media, variable dimension
2018
杨洋 Yang Yang
瓦当 Eaves Tile
瓦当,大漆,金粉 Eaves tile, lacker, gold powder
13×17cm 2015
郭城 Guo Cheng
琥珀 Amber No.001
装置,水泥,电子元件 Installation, cement, electric component
35×17×38cm 2019
孙文浩 Sun Wenhao
罗马柱 Roman Column 7
雕塑,综合材料 Sculpture, mixed media
46×12×16cm 2018
孙文浩 Sun Wenhao
中央银行体验店 Central Bank Experience Shop
LED 滚动屏,打印机,分贝测量仪,艺术微喷,丙烯,尺寸可变 LED, printer, decibel measuring instrument, giclee, acrylic, variable dimension 2018
关于艺术家 About Artists
郭城,1988年生于中国北京,先后获得上海同济大学工业设计工学学士 (BE)与英国皇家艺术学院Design Products文学硕士 (MA),目前生活工作于上海。他的作品大多关注主流或新兴科技对社会与文化方面的冲击与影响,以及置身其中的个体与社会生活之间的关系。
郭城曾参加过的展览有:机器不孤单:机器三部曲 (新时线媒体艺术中心,上海,2018)、时间的狂喜(何香凝美术馆,深圳,2017)、GAMERZ II 电子艺术节 (法国,2015)、Y时代之歌 (OCAT上海,2015)、想象身体边界 (数位艺术中心,台北,2015)、STRP双年展 (埃因霍温,2013)等。曾获得BadAward (荷兰,2017)、Gijs Bakker Awards (合作项目,荷兰,2016),台北艺术自由日评委奖。
孙文浩,1987年生于中国南阳,2008年曾就读于广州美术学院油画系,现生活工作于广州。孙文浩的作品内容多与产生于日常身边的生活场景、每日新闻、微信朋友圈等有关。他将这些从生活深处日日相处的题材加以独特的戏剧性绘画语言、乡土诗歌的叙述方式,以平面化的绘画视角、艳丽的色彩,展现他面对社会阶层问题和社会压力下的艺术家生存的呐喊。
孙文浩的个展包括:明星影片公司,要空间,上海,中国(2018);“出租屋让艺术有了未来”,你我空间,广州,中国(2018);“南亭-广州-深圳下一站巴塞尔”,广州画廊,广州,中国(2017);群展包括“尴尬:,香格纳M50,上海,中国(2018),“朋友圈+文化馆线上艺术计划展”,OCAT上海,上海,中国(2017);中美交流展,RULE画廊,丹佛,美国(2017)
杨洋,1993年生于中国内蒙古,2013年肄业于云南艺术学院。他这样描述自己的创作:“在我创作的过程中因个人成长环境的地域性影响产生了某些本能反应地敏感,多数的由来都是在生活中各种相遇得到的启发。来自本能对生活的反馈。社会与宗教身份的审视、图示的消解与转换、无用的劳作。不言而喻也缺少了一些给予理性的思考赋予作品某种定义,况且年轻的生命经验又能有多少经得住推敲沉淀,反而也是在于这种阶段的状况中它在生命里已是那么独一⽆二。”曾参与展览“广州美术学院美术馆游戏:关于艺术的研究之模拟人生”,广州美术学院,广州,中国(2016),并入围2016 IMFW 内蒙古青年电影周纪录片短片单元。
Guo Cheng was born in Beijing, China, in 1988. He was graduated from MA Design Products at Royal College of Art (London, UK) and obtained his BE in Industrial Design at Tongji University(Shanghai, China). Currently based in Shanghai. His practice mainly focuses on exploring the interrelation between mainstream/emerging technologies and individuals under the context of culture and social life.
His works were exhibited at Machines Are Not Alone: A Mechanic Trilogy (Chronus Art Center, Shanghai, 2018), The Ecstasy of Time (HE Xiangning Art Museum, Shenzhen,2017), GAMERZ 11(Aix-en-Provence, France, 2015), The Ballad of Generation Y (OCAT Shanghai, 2015), Imaginary Body Boundary (Digital Art Center, Taipei, 2015), STRP Biennial (Eindhoven, 2013), etc. He was the winner of BADaward(The Netherlands, 2017). His work "An Apophanous Overfitting”(a part of the collective project Tulip Pyramid - A Project of Copy and Identity) won Gijs Bakker Awards(The Netherlands, 2016).
Sun Wenhao was born in Nanyang, China, in 1987. Enrolled in the oil department of GAFA in 2008, currently based in Guangzhou. Sun’s artworks refer to his ordinary living experience, daily news, and a Chinese most popular social application platform - Wechat Moments, etc. His dramatic and humorous visual language attributes to his poetically agrestic representation, monster-like abstracted form, flatten perspectives, and brilliant color palettes. His artworks also illustrate the voice from artists facing the issues of social class isolation and incredible social pressures in China.
Sun Wenhao’s solo exhibition include: Star Film Company, Yell Space, Shanghai, China (2018), ‘Rentals Make Art A Future' - When Studio Become Gallery, Niwo Space, Guangzhou, China (2018), “Nanting-Guangzhou-Shenzhen-Next Basel”, Canton Gallery + Shenzhen 33 Space, Guangzhou, Shenzhen, China (2017), selection of group exhibition: “Awkward”, ShanghART M50, Shanghai, China (2018), “Moments and More”, OCAT Shanghai, Shanghai, China (2017), China America Exchange Exhibition,RULE Gallery, Denvor, United States (2017)
Yang Yang wasborn in Inner Mongolia, China, in 1993. Drop out from Yunnan Art College in 2013. He describes his creation as: "In the process of my creation, due to the regional influence of my personal growth environment, I had some instinctive sensitiveness. Most of the origins were inspired by various encounters in life and instinctive feedback about life, by examination of social and religious identities, deconstruction and transformation of images, and invalid labor. It is obvious that I also have a missing of some rational thinking and definition of works. Furthermore, few life experiences of young people can stand the scrutiny and precipitation, but it is in this state of phase it has become so unique in its life."
Participated in the exhibition "Art Museum Game of Guangzhou Academy of Fine Arts: Simulated Life of Art Research", Guangzhou Academy of Fine Arts, Guangzhou, China (2016), and shortlisted in IMFW Inner Mongolia Youth Film Week Documentary Short Film Unit in 2016.