展览时间：2016年11月23日-2017年3月22日

主办：外交公寓12号空间

出品人：彭晓阳

策展人：戢大卫

艺术总监：冯兮

策展助理：葛燕华

艺术顾问：王友身

英文翻译：郑菁

特别鸣谢：禾精酿、李春山、查宋刚、莫兴亮

【展览说明】

《1994.2.4》是顾德新曾公开但从未实施的一件旧作，是发表于1994年2月4日《北京青年报》第4版“（博缘华）1994艺术室内设计邀请展”的作品方案。本空间通过对顾德新的艺术资料收集、整理、研究后，挖掘出了这个方案并根据其“家居”语境实施完成。

《1994.2.4》无论对顾德新作品的全面研究，还是对中国当代艺术史的个案研究来说，它都是件“被遗忘”的作品。

需要说明的是，顾德新本人均未参与展览和作品的项目实施。本空间也不拥有该作品知识产权相关权益。

Orgnizator: DRC No.12

Producer: Peng Xiaoyang

Curator: Ji Dawei

Art Director: Feng Xi

Assistant Curator : Ge Yanhua

Art Advisor: Wang Youshen

Translator: Zheng Jing

We gratefully acknowledge the contribution of:  Brew Republic, Li chunshan, Zha Songgang, Mo Xingliang

“1994.2.4” is an old project by Gu Dexin, which was announced in 1994 but was never actualized. The proposal of  the project was published on page four of Beijing Youth Daily on February 4,1994 as an exhibit of the “Bo Yuan Hua 1994 Artistic Interior Design Invitational Exhibition”. We discovered the proposal while putting together documents for the study of Gu Dexin’s artistic activities and implemented the project within its “home furnishing” context.

“1994.2.4” is a “forgotten” piece for both the study of Gu Dexin’s work and the study of individual cases in the history of contemporary Chinese art.

Please note that Gu Dexin is not involved in the implementation and exhibition of this project. At the mean time DRC No.12 does not have the intellectual property rights concerning this project.

【外交公寓12号空间】

位于北京朝阳区建国门外的外交公寓始建于1971年，是新中国第一片独享外交待遇，为各国驻华使馆、国际组织代表机构、各新闻机构及其人员提供办公、住宅用房的国际化社区。在二十世纪七八十年代,基于这里独有的国际资讯传播，外交公寓成为了中国早期当代文化艺术交流活动的发祥地。

作为非盈利性艺术机构，本空间尊重时代背景，专注对代表性艺术家个案研究。以艺术家自我判断为条件、基础，从以往不同时期的重要作品、重要展览、思想形成以及生活经验等多条线索进行梳理。通过艺术家非公开性作品及档案资料的呈现，发现艺术家个体审美系统的建立过程。

【DRC No.12 】

The Diplomatic Residence Compound, located on Jianguomenwai Avenue in Beijing’s Chaoyang District, was constructed in 1971 as China’s first international office and residence compound for the overseas staff of embassies, international organizations and news agencies. In the 1970s and 80s,the compound’s uniquely international status made it a cradle for early Chinese contemporary art exchange activities.

This non-profit space focuses on individual case studies of representative artists with an eye for the times of which they are a product. On the foundation of the artist’s own judgment, these case studies sift through important works and exhibitions from different periods to find threads of life experience and the formation of ideas, presenting previously unpublished artworks and documentary materials to uncover the establishment of an artist’s individual aesthetic system.