关于李小龙的些许回忆.图文并貌.了解武林中的大师,了解更多伟大(转)
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以题目为“破坏雅典” 的第一届国际当代艺术展--雅典双年展将在2006年九月开幕。展览的目的将以批评模式化（stereotype）为主， 并将邀请艺术家们发表异议。
The 1st International Contemporary Art Exhibition of the Athens Biennial, titled “Destroy Athens”, will open in September 2006. The exhibition aims to attack stereotyping, so it is inviting artists to a celebration of dissent, which will employ the heretical treatment of the universal and timeless symbol of Athens as a pretext or as a metaphor for an assertion of self-determination.
The exhibition will address stereotyping on multiple levels:
Athens as a lived city is perceived almost exclusively through negative stereotyping (the pollution, the apartment building, the demonstrations, the rude taxi-drivers) by its inhabitants.
Athens as a site-to-visit is advertised, through positive stereotyping (ancient monuments, Olympic Games, Greek hospitality), by the Greek nationalistic construct in absolute accord with the world-wide cultural and tourist industries.
Athens as an emblem of western certainty is conscripted, again through positive stereotyping (the birthplace of democracy), to alleviate the guilt of a hegemonic civilization.
The new institution of the Athens Biennial aims to constitute a space where the desire to produce discourse will co-exist alongside the pragmatic observation of the general difficulty to resist the system of distribution. Therefore, it will function as an observatory, which will include the elements of contemplation and elaboration on collective issues. Athens is an ideal location for the institution of such an observatory, as it does not seem to ever coincide with the ceaselessly shifting borders between center and periphery, and thus it constitutes a sort of “non-place”, which provides an oversight of both the centre and the periphery.
The Athens Biennial also aims to be a constant mechanism for the designation and the critical engagement of artistic production, as well as a forum of discussion and exchange with the international scene. In this context, besides a biennial exhibition, the Athens Biennial will organize events and conferences, it will publish a monthly, bilingual, online art criticism magazine, it will collaborate with an online radio station, and it will remain open to proposals, interventions and collaborations.
The Athens Biennial
1st International Contemporary Art Exhibition
“Destroy Athens”
Curated by Xenia Kalpaktsoglou, Poka-Yio, Augustine Zenakos
The 1st International Contemporary Art Exhibition of the Athens Biennial, titled “Destroy Athens”, will open in September 2006. The exhibition aims to attack stereotyping, so it is inviting artists to a celebration of dissent, which will employ the heretical treatment of the universal and timeless symbol of Athens as a pretext or as a metaphor for an assertion of self-determination.
The exhibition will address stereotyping on multiple levels:
Athens as a lived city is perceived almost exclusively through negative stereotyping (the pollution, the apartment building, the demonstrations, the rude taxi-drivers) by its inhabitants.
Athens as a site-to-visit is advertised, through positive stereotyping (ancient monuments, Olympic Games, Greek hospitality), by the Greek nationalistic construct in absolute accord with the world-wide cultural and tourist industries.
Athens as an emblem of western certainty is conscripted, again through positive stereotyping (the birthplace of democracy), to alleviate the guilt of a hegemonic civilization.
The new institution of the Athens Biennial aims to constitute a space where the desire to produce discourse will co-exist alongside the pragmatic observation of the general difficulty to resist the system of distribution. Therefore, it will function as an observatory, which will include the elements of contemplation and elaboration on collective issues. Athens is an ideal location for the institution of such an observatory, as it does not seem to ever coincide with the ceaselessly shifting borders between center and periphery, and thus it constitutes a sort of “non-place”, which provides an oversight of both the centre and the periphery.
The Athens Biennial also aims to be a constant mechanism for the designation and the critical engagement of artistic production, as well as a forum of discussion and exchange with the international scene. In this context, besides a biennial exhibition, the Athens Biennial will organize events and conferences, it will publish a monthly, bilingual, online art criticism magazine, it will collaborate with an online radio station, and it will remain open to proposals, interventions and collaborations.
The Athens Biennial
1st International Contemporary Art Exhibition
“Destroy Athens”
Curated by Xenia Kalpaktsoglou, Poka-Yio, Augustine Zenakos
以题目为 "破坏雅典" 的第一届国际当代艺术展--雅典双年展将在 2006 年九月开幕展览的目的将以批评模式化（使用铅版）为主，并将邀请艺术家们发表异议。。
雅典二年生植物的第一国际的同时代的艺术展览,命名了 "破坏雅典", 在九月 2006 日内将会打开. 展览对正在使用铅版的攻击对准目标,因此它正在邀请艺术家到异议的厌祝, 将会雇用雅典的全世界的和无时间的符号异教的治疗如一个藉口或同样地为自我决心的断言一个隐喻。
展览将会向多样的水平上的成见演说:
雅典如一座被居住的城市经过否定它的居民成见 (污染，公寓建筑物，示范,粗鲁无礼的出租汽车-驾驶者) 被几乎独家的感觉。
雅典如一次位置-到- 拜访被广告,经过正在使用铅版 (古迹，奥运会的游戏,希腊的款待) 的实在,被那希腊的国家主义的在 absolute 中构造与～一致那遍及全球的文化和观光业。
雅典如西方的确定一个象征被征召, 再一次经过正在使用铅版 (民主政治的诞生地) 的实在, 减轻支配的文明罪行。
雅典二年生植物的新机构打算 构成空间哪里欲望生产谈话共将会在哪里靠存在一般的困难忙碌的观察抵抗分配的系统。 因此,它将会动作如一座天文台, 将会包括注视和苦心经营对集体的争议元素。 雅典是如此的一座天文台的机构一个理想的位置, 当做它不 像是曾经与～一致那不停地在中心和缘周之间改变边缘，而且如此它组成一种 "非地方", 提供两者的中心一个勘漏和缘周。
雅典二年生植物也打算 是有国际的现场指示和艺术的制造紧要关头的诺言一种不变的机制 , 和讨论和交换的一个论坛。在上下文中，此外二年生的展览，雅典二年生植物将会组织事件和会议,它将会出版一本每月的，双语的，和在线艺术批评杂志,它将会由于一个在线广播电台合作，而且它将会保持打开到提议，干涉和合作。
雅典二年生植物
第一个国际的同时代的艺术展览
"破坏雅典"
藉着 Xenia Kalpaktsoglou ， Poka-Yio 副牧师,奥古斯汀 Zenakos
雅典二年生植物的第一国际的同时代的艺术展览,命名了 "破坏雅典", 在九月 2006 日内将会打开. 展览对正在使用铅版的攻击对准目标,因此它正在邀请艺术家到异议的厌祝, 将会雇用雅典的全世界的和无时间的符号异教的治疗如一个藉口或同样地为自我决心的断言一个隐喻。
展览将会向多样的水平上的成见演说:
雅典如一座被居住的城市经过否定它的居民成见 (污染，公寓建筑物，示范,粗鲁无礼的出租汽车-驾驶者) 被几乎独家的感觉。
雅典如一次位置-到- 拜访被广告,经过正在使用铅版 (古迹，奥运会的游戏,希腊的款待) 的实在,被那希腊的国家主义的在 absolute 中构造与～一致那遍及全球的文化和观光业。
雅典如西方的确定一个象征被征召, 再一次经过正在使用铅版 (民主政治的诞生地) 的实在, 减轻支配的文明罪行。
雅典二年生植物的新机构打算 构成空间哪里欲望生产谈话共将会在哪里靠存在一般的困难忙碌的观察抵抗分配的系统。 因此,它将会动作如一座天文台, 将会包括注视和苦心经营对集体的争议元素。 雅典是如此的一座天文台的机构一个理想的位置, 当做它不 像是曾经与～一致那不停地在中心和缘周之间改变边缘，而且如此它组成一种 "非地方", 提供两者的中心一个勘漏和缘周。
雅典二年生植物也打算 是有国际的现场指示和艺术的制造紧要关头的诺言一种不变的机制 , 和讨论和交换的一个论坛。在上下文中，此外二年生的展览，雅典二年生植物将会组织事件和会议,它将会出版一本每月的，双语的，和在线艺术批评杂志,它将会由于一个在线广播电台合作，而且它将会保持打开到提议，干涉和合作。
雅典二年生植物
第一个国际的同时代的艺术展览
"破坏雅典"
藉着 Xenia Kalpaktsoglou ， Poka-Yio 副牧师,奥古斯汀 Zenakos
嘿咻
