《艺术与投资》＆《当代艺术与投资》《巴塞尔特刊》6月
展览发布 | 供及时发布
展 览：我的大学（1990-2010）：刘大鸿与双百工作室
艺 术 家：刘大鸿
策 展 人：左靖
展览开幕：2010年6月20日，星期日下午三点半
展览日期：2010年6月20日—7月25日
展览地点：伊比利亚当代艺术中心
展览地址：北京市朝阳区酒仙桥路4号798艺术区E06
出 品 人：高平、邱晨枫
馆 长：夏季风
项目负责：郭城
主 办：伊比利亚当代艺术中心 西班牙国际文化艺术基金会
展览主题：
“我的大学（1990-2010）：刘大鸿与双百工作室”将于2010年6月20日在北京798伊比利亚当代艺术中心开幕，为期一个月。
作为艺术家、教授、双百工作室主持的刘大鸿自1985年浙江美院油画系毕业后一直就职于上海师范大学，迄今已有20余年。他不仅个人创作面貌独特，还在计划经济的最后堡垒——高校，按照自己的主张制定了独特的双百教学大纲和“以社会为模特”的教育方针，持续进行了包括酸（《新天地百多图》）、甜（《青浦红日子百多图》）、苦（《新文革百多图》）、辣（《新点石斋画报》）、咸（《新上海百多图》）、淡（《新良友画报》）等一系列颇具挑战性的命题创作。其中“新上海百多图”一个课题持续时间便是跨世纪20年，扫描了这个世博城20年来的方方面面，与百年前的“旧上海百多歌”气脉相通。
在不平凡的20年中，刘大鸿和他的双百工作室坚持理想，特立独行，经历了中国知识分子和青年学生在大学里可能遇到的种种冲突与磨难：下岗门、画室门、辞职门、分班门、教室门、论文门……这一系列事件，折射出20年来中国的教育体制与大学教育的根本——“心灵的自由”严重悖离的现实。
“我的大学：刘大鸿和他的双百工作室”将用文献的形式展示20年来刘大鸿和他的同事们、学生们的各种学术探险和教学实验，展示一个追求自由表达的精神共同体，在面临旧体制、旧观念的挑战时，是如何抗争和维护尊严的，以及他们在一个有限的空间里，是如何努力创造“百花齐放，百家争鸣”的多重叙述的文化价值的。
* 展览论坛“大学这个单位”将于2010年7月12日下午两点在伊比利亚当代艺术中心举行，敬请关注！
问询及导览预订:
T + 86 10 5978 9530 / 5978 9531 F +86 10 5978 9537 info@iberiart.org www.iberiart.org
开馆时间：周二至周日10:00—18:00，周一闭馆
媒体咨询请联系:
+86 (0) 59789030 media@iberiart.org
Exhibition Information | for Immediate Release
Exhibition: My Campus Life (1990-2010) Liu Dahong Shuangbai Studio
Artist: Liu Dahong
Curator: Zuo Jing
Opening: 20 Jun 2010, Sunday, 15:30p.m.
Dates: 2010.06.20 — 07.25
Venue: Iberia Center for Contemporary Art
(E06, 798 Art Zone, 4 Jiuxianqiao Road, Chaoyang District, Beijing)
Producers: Gao Ping, Qiu Chenfeng
Director: Xia Jifeng
Project Supervisor: Guo Cheng
Organizers: Iberia Center for Contemporary Art, International Art & Culture Foundation of Spain
Exhibition Introduction:
Iberia Center for Contemporary Art at Beijing 798 Art Zone will launch “My University (1990-2010) Liu Dahong Workshop”, a new exhibition by the artist Liu Dahong, on 20th June 2010 at 4 pm. The exhibition duration will last for one month.
Liu Dahong, known as an artist, professor and the director of “Liu Dahong Workshop”, has been teaching art at Shanghai Normal University in the last over twenty years since his graduation from Zhejiang Academy of Fine Arts in 1985. Liu has authored unique works of art that bear his own trademark; also while at the university, the last fortress of planned economy in China, he has constructed a unique syllabus based on his teaching theory that uses “society as a model” to educate students. The persistent endeavor gave birth to the ambitious series on set subjects, including：Sour (New World Bai Duo Mosaic, Sweet(Qingpu Red Days), Bitter(New Cultural Revolution Bai Duo Mosaic), Spicy (New Dianshi Studio Illustrated), Salty (A Mosaic of Mores in New Shanghai), Pure (The New ‘Young Companion’ Pictorial). Among them, the trans-century “A Mosaic of Mores in New Shanghai” project has continued for a span of twenty years, providing a historical record of this World Expo host city Shanghai that resonates with “Old Shanghai Bai Duo Songs” from a century ago.
During the eventful twenty years, Liu Dahong and his Workshop had held onto their beliefs down the less trodden paths while experiencing all kinds of conflicts and frustrations that could possibly happen to every scholar and young student at colleges of China: layoff gate scandal, studio gate scandal, resignation gate scandal, class-dividing gate scandal, classroom gate scandal, dissertation gate scandal and more. These controversial incidents expose a stern reality that Chinese educational system has seriously deviated from the ultimate goal of college education — “freedom of soul”.
“My University (1990-2010) Liu Dahong Workshop” will use archival documents to recreate the scenes of various academic adventures and teaching experiments that Liu Dahong, his colleagues and his students had gone through over the past twenty years, revealing how a spiritual community aspiring for free expression fight for and defend their dignity in the face of challenges from old systems and out-dated conventional ideas, and how multi-layered cultural values advocated in the Maoist slogan “Give free reign to all styles of art and all schools of thought” are created in a limited space.
* Iberia Center for Contemporary Art (ICCA)will hold the exhibition forum “Work Unit of a University” on 12 July 2010, starting from 2:00pm, Please pay attention about it.
ICCA Enquiries & Guided Tour Reservation
T + 86 10 5978 9530 / 5978 9531 F+86 10 5978 9537 info@iberiart.org www.iberiart.org
Opening Hours: Tuesday—Sunday 10:00–18:00, closed on Mondays
For general media enquiries:
+86 (0) 59789030 media@iberiart.org
展 览：我的大学（1990-2010）：刘大鸿与双百工作室
艺 术 家：刘大鸿
策 展 人：左靖
展览开幕：2010年6月20日，星期日下午三点半
展览日期：2010年6月20日—7月25日
展览地点：伊比利亚当代艺术中心
展览地址：北京市朝阳区酒仙桥路4号798艺术区E06
出 品 人：高平、邱晨枫
馆 长：夏季风
项目负责：郭城
主 办：伊比利亚当代艺术中心 西班牙国际文化艺术基金会
展览主题：
“我的大学（1990-2010）：刘大鸿与双百工作室”将于2010年6月20日在北京798伊比利亚当代艺术中心开幕，为期一个月。
作为艺术家、教授、双百工作室主持的刘大鸿自1985年浙江美院油画系毕业后一直就职于上海师范大学，迄今已有20余年。他不仅个人创作面貌独特，还在计划经济的最后堡垒——高校，按照自己的主张制定了独特的双百教学大纲和“以社会为模特”的教育方针，持续进行了包括酸（《新天地百多图》）、甜（《青浦红日子百多图》）、苦（《新文革百多图》）、辣（《新点石斋画报》）、咸（《新上海百多图》）、淡（《新良友画报》）等一系列颇具挑战性的命题创作。其中“新上海百多图”一个课题持续时间便是跨世纪20年，扫描了这个世博城20年来的方方面面，与百年前的“旧上海百多歌”气脉相通。
在不平凡的20年中，刘大鸿和他的双百工作室坚持理想，特立独行，经历了中国知识分子和青年学生在大学里可能遇到的种种冲突与磨难：下岗门、画室门、辞职门、分班门、教室门、论文门……这一系列事件，折射出20年来中国的教育体制与大学教育的根本——“心灵的自由”严重悖离的现实。
“我的大学：刘大鸿和他的双百工作室”将用文献的形式展示20年来刘大鸿和他的同事们、学生们的各种学术探险和教学实验，展示一个追求自由表达的精神共同体，在面临旧体制、旧观念的挑战时，是如何抗争和维护尊严的，以及他们在一个有限的空间里，是如何努力创造“百花齐放，百家争鸣”的多重叙述的文化价值的。
* 展览论坛“大学这个单位”将于2010年7月12日下午两点在伊比利亚当代艺术中心举行，敬请关注！
问询及导览预订:
T + 86 10 5978 9530 / 5978 9531 F +86 10 5978 9537 info@iberiart.org www.iberiart.org
开馆时间：周二至周日10:00—18:00，周一闭馆
媒体咨询请联系:
+86 (0) 59789030 media@iberiart.org
Exhibition Information | for Immediate Release
Exhibition: My Campus Life (1990-2010) Liu Dahong Shuangbai Studio
Artist: Liu Dahong
Curator: Zuo Jing
Opening: 20 Jun 2010, Sunday, 15:30p.m.
Dates: 2010.06.20 — 07.25
Venue: Iberia Center for Contemporary Art
(E06, 798 Art Zone, 4 Jiuxianqiao Road, Chaoyang District, Beijing)
Producers: Gao Ping, Qiu Chenfeng
Director: Xia Jifeng
Project Supervisor: Guo Cheng
Organizers: Iberia Center for Contemporary Art, International Art & Culture Foundation of Spain
Exhibition Introduction:
Iberia Center for Contemporary Art at Beijing 798 Art Zone will launch “My University (1990-2010) Liu Dahong Workshop”, a new exhibition by the artist Liu Dahong, on 20th June 2010 at 4 pm. The exhibition duration will last for one month.
Liu Dahong, known as an artist, professor and the director of “Liu Dahong Workshop”, has been teaching art at Shanghai Normal University in the last over twenty years since his graduation from Zhejiang Academy of Fine Arts in 1985. Liu has authored unique works of art that bear his own trademark; also while at the university, the last fortress of planned economy in China, he has constructed a unique syllabus based on his teaching theory that uses “society as a model” to educate students. The persistent endeavor gave birth to the ambitious series on set subjects, including：Sour (New World Bai Duo Mosaic, Sweet(Qingpu Red Days), Bitter(New Cultural Revolution Bai Duo Mosaic), Spicy (New Dianshi Studio Illustrated), Salty (A Mosaic of Mores in New Shanghai), Pure (The New ‘Young Companion’ Pictorial). Among them, the trans-century “A Mosaic of Mores in New Shanghai” project has continued for a span of twenty years, providing a historical record of this World Expo host city Shanghai that resonates with “Old Shanghai Bai Duo Songs” from a century ago.
During the eventful twenty years, Liu Dahong and his Workshop had held onto their beliefs down the less trodden paths while experiencing all kinds of conflicts and frustrations that could possibly happen to every scholar and young student at colleges of China: layoff gate scandal, studio gate scandal, resignation gate scandal, class-dividing gate scandal, classroom gate scandal, dissertation gate scandal and more. These controversial incidents expose a stern reality that Chinese educational system has seriously deviated from the ultimate goal of college education — “freedom of soul”.
“My University (1990-2010) Liu Dahong Workshop” will use archival documents to recreate the scenes of various academic adventures and teaching experiments that Liu Dahong, his colleagues and his students had gone through over the past twenty years, revealing how a spiritual community aspiring for free expression fight for and defend their dignity in the face of challenges from old systems and out-dated conventional ideas, and how multi-layered cultural values advocated in the Maoist slogan “Give free reign to all styles of art and all schools of thought” are created in a limited space.
* Iberia Center for Contemporary Art (ICCA)will hold the exhibition forum “Work Unit of a University” on 12 July 2010, starting from 2:00pm, Please pay attention about it.
ICCA Enquiries & Guided Tour Reservation
T + 86 10 5978 9530 / 5978 9531 F+86 10 5978 9537 info@iberiart.org www.iberiart.org
Opening Hours: Tuesday—Sunday 10:00–18:00, closed on Mondays
For general media enquiries:
+86 (0) 59789030 media@iberiart.org
