Jack Pierson (b. 1960). Another Night

　杰克·皮尔森（Jack Pierson）1960年生于美国普利茅斯，现在纽约生活工作。

　　杰克·皮尔森说：“感伤、浪漫、诗意、美丽等词语也许并不是描绘艺术品的最佳语汇，但是，它们是我所偏爱的。”

　　杰克·皮尔森因表现青年男女间的感情生活和充满忧郁气氛的风景、静物而声名大噪。它采用独特的手法将这些摄影图片转化成布面丙烯，提出了一个从摄影到绘画的解决方案。这些没有焦点的图片，因曝光不足或过度的作品，似乎是偶然修剪的负片，表现出了某种抓拍的效果。

　　杰克·皮尔森曾就读于马萨诸塞州艺术学院，与“波士顿学派”——由几位波士顿摄影师组成的艺术团体——有着密切的联系，当代著名摄影艺术家南·高登就是其中一员。在他的一系列摄影、绘画和装置作品中，艺术家似乎并不在意于记录日常的真实生活，他更关注的是情节与气氛的营造，使观众产生置身其中的感觉。以表现一个裸体男青年的手淫行为的录像作品“Ad O’Tool, 1997.3.25, N.Y.C”是他艺术思想与手法的集中体现。与他的录像作品相似的是，他的“文字系列”作品——由塑料字母松散地排列在墙上，组成单词或句子，表现的核心也是人类对生存的希望、恐惧和梦想等精神状态。
JACK PIERSON
Galleri Roger Björkholmen



"Beauty"1995
Metal,plastic,neon tubing,wood,paint
20 x 133 x 5-1/4" installed
Clinton and Della Walker Acquisition Fund
and Justin Smith Purchase Fund,1995


Johnnie Ray (for Jack Smith), 2000

by Jack Pierson
C Print
20 x 24 inches
Edition of 75 with 12 artist's proofs
Printed by George Perkins



rtist Jack Pierson
Title The one and only
Medium found plastic, metal and wood letter forms
Size 56 x 44.5 in. / 142.3 x 113 cm.
Year 1993 -
Sale Of Christie's London: Thursday, February 7, 2008
[Lot 477]
Post-War and Contemporary Art Day Sale (Afternoon Session)
Estimate *



Artist Jack Pierson
Title Lust
Medium metal and plastic
Size 0 x 0 in. / 0 x 0 cm.
Year 1996 -
Sale Of Phillips de Pury & Company New York: Thursday, November 16, 2006
[Lot 29]
Contemporary Art Part I



Artist Jack Pierson
Title Listen, darling
Medium wall installation with metal, plastic, neon, glass and found objects
Size 55 x 100 x 5.5 in. / 139.7 x 254 x 14 cm.
Year 2007 -
Sale Of Phillips de Pury & Company New York: Thursday, November 15, 2007
[Lot 8]
New Museum Benefit Auction

The Sum of Its Parts
January 8 - February 2, 2008




Jack Pierson
Melancholia Passing into Madness
March 30 - May 6, 2006








Jack Pierson
November 2, 2000 - January 6, 2001

Jack Pierson's "Heaven" (1992), made of found plastic and wooden letters


Jack Pierson
FAME, 2005
Plastic, metal, wood and neon
160 x 45 x 4 inches
406.4 x 114.3 x 10.2 centimeters
CR# PI.11809
Jack Pierson
FAME, 2005
Plastic, metal, wood and neon
160 x 45 x 4 inches
406.4 x 114.3 x 10.2 centimeters
CR# PI.11809


TITLE: The crippled beggar knew a priceless secret

ARTIST: Jack Pierson

WORK DATE: 2007

CATEGORY: Sculptures

MATERIALS: Metal, wood and plastic

SIZE: h: 112 x w: 100 in / h: 284.5 x w: 254 cm

REGION: American

STYLE: Contemporary (ca. 1945-present)

GALLERY: Regen Projects (310) 276-5424 Send Email

ONLINE CATALOGUE(S): Regen Projects Inventory



TITLE: Providence
ARTIST: Jack Pierson
WORK DATE: 2007
CATEGORY: Sculptures
MATERIALS: steel, wood, mirror and brass
SIZE: h: 24 x w: 129 x d: 6 in / h: 61 x w: 327.7 x d: 15.2 cm
REGION: American
STYLE: Contemporary (ca. 1945-present)
PRICE*: Contact Gallery for Price
GALLERY: Regen Projects (310) 276-5424 Send Email
ONLINE CATALOGUE(S): Jack Pierson Apr 14 - May 12, 2007



TITLE: Blood
ARTIST: Jack Pierson
WORK DATE: 2000
CATEGORY: Photographs
MATERIALS: "C" Print
SIZE: h: 30 x w: 40 in / h: 76.2 x w: 101.6 cm
STYLE: Contemporary (ca. 1945-present)
PRICE*: Contact Gallery for Price
GALLERY: Cheim & Read (212) 242-7727 Send Email
DESCRIPTION: JP# 133.1, 1/10, CR# PI.4984
ONLINE CATALOGUE(S): Inventory Catalogue



TITLE: Betrayal
ARTIST: Jack Pierson
WORK DATE: 2000
CATEGORY: Photographs
MATERIALS: "C" print
SIZE: h: 30 x w: 40 in / h: 76.2 x w: 101.6 cm
STYLE: Contemporary (ca. 1945-present)
PRICE*: Contact Gallery for Price
GALLERY: Cheim & Read (212) 242-7727 Send Email
DESCRIPTION: JP# 121.1, 1/10, CR# PI.4982
ONLINE CATALOGUE(S): Inventory Catalogue

Jack Pierson, untitled (Adult Video), 1997, $22000 at Galerie Aurel





Jack Pierson's Fuck You at American Fine Arts



Jack Pierson, Romance, 2009. La galleria Christian Stein, in corso Monforte



Jack Pierson a Milano
pubblicato: martedì 09 giugno 2009 da Sara in: Gallerie Artisti Mostre

La galleria Christian Stein, in corso Monforte 23 a Milano, tende a non farsi mai troppa pubblicità. Il motivo è che non ne ha bisogno, perché, tra gli addetti ai lavori è più che conosciuta per la qualità delle sue proposte.

Per l’estate, fino al 31 luglio, consiglio a tutti di andare a visitare la personale dell’artista americano Jack Pierson, una mostra piacevole e fresca come un cono gelato alla frutta. In mostra solo opere di grandi dimensioni, sculture di lettere recuperate da cartelloni e insegne pubblicitarie. Chissà…

JACK PIERSON BIOGRAPHY
1960 Born in Plymouth, Massachusetts
1984 Finished studies at the Massachusetts College of Art in Boston
Lives and works in New York and Southern California

SOLO EXHIBITIONS:

2009 Centro de Arte Contemporaneo de Malaga, Spain (6/19 – 9/27/09)
Galleria Christian Stein, Milan (5/25 – 7/31/09)
2008 Xavier Hufkens, Brussels (6/19 – 7/26/08)
Irish Museum of Art, Dublin, Ireland (3/12/08 – 5/18/08)
2007 Centre d'Art Santa Monica, Barcelona, Spain (12/15/06 - 3/4/07)
Self Portraits, Sabine Knust, Munich, Germany (11/29/06 – 1/27/07)
Jack Pierson, Regen Projects, Los Angeles, CA (4/14/07 – 5/12/07)
2006 The Golden Hour, Galerie Aurel Scheibler, Berlin (12/2/06 – 3/3/07)
Melancholia Passing into Madness, Cheim & Read, New York (3/30 – 5/6/06)
Galerie Thaddaeus Ropac, Paris, France (6/28 – 7/22/06)
2005 Early Works and Beyond – Goodbye Yellow Brick Road, Daniel Reich Gallery,
New York (12/15 – 1/28/06)
Self Portraits, Alison Jacques Gallery, London (10/20 – 11/19/05)
Albert Merola Gallery, Provincetown, MA (8/19 – 9/1)
Self Portraits, Galeria Javier Lopez, Madrid (6/8 – 7/31/05)
Danziger Projects, New York (2/4 – 3/19/05)
2004 Galerie Sabine Knust, Munich (11/10/04 – 1/22/05)
Self Portraits, Regen Projects, LA (6/4 – 7/3/04)
Albert Merola Gallery, Provincetown
2003 Cheim & Read, New York (11/20/03 – 1/3/04)
Galerie Aurel Scheibler, Cologne, Germany (10/30 – 12/20/03)
Why Jack Pierson, University of the Arts, Rosenwald – Wolf and Hamilton
Galleries, London, England (9/9 – 10/15/03)
2
Gallerie Roger Björkholmen, Stockholm (8/28 – 10/04/03)
New Work, Hamiltons, London (1/29 – 3/14/03)
2002 Jack Pierson: Recent Work, Angstrom Gallery, Dallas, TX (11/7/02 – 12/7/02)
Truth, Galerie Aurel Scheibler, Cologne, Germany (9/13 – 10/19/02)
Andre Simoens, Knokke, Belgium (8/10 – 9/9/02)
Regrets, Museum of Contemporary Art, Miami, FL (3/15 – 6/30/02)
Galerie Thaddaeus Ropac, Salzburg, Germany (1/26 – 3/17/02)
2001 Glenn Horowitz Bookstore, East Hampton, NY, curated by Edsel Williams,
(8/18 – 9/25/01)
Under the Top, Regen Projects, Los Angeles, CA (4/14 – 5/19/01)
Taka Ishii Gallery, Tokyo, Japan (3/24/01 – 4/01)
Taché – Lévy Gallery, Brussels, Belgium (2/2 – 3/17/01)
Galleria Photology, Milan, Italy (2/2 – 3/31/01)
2000 Cheim & Read, New York, NY (11/1 – 1/6/01)
Provincetown Art Association and Museum, Provincetown, MA (9/1/00 –
10/31/00)
La Vie, Galerie Thaddaeus Ropac, Paris, France (1/15 – 2/19/00)
Robert Pearre Fine Art, Tuscon, AZ (1/12 – 2/5/00)
1999 Texas Gallery, Houston, TX (11/19 – 12/31/99)
Kunstverein Heilbronn, Heilbronn, Germany (10/1 – 11/14/99)
Albert Merola Gallery, Provincetown, MA
The Art Association, Provincetown, MA
Sprengel Museum Hannover (5/18 – 7/4/99)
Cheim & Read, New York (3/31 – 5/1/99)
Espacio Aglutinador, Havana, Cuba
Roger Bjorkholmen Gallery, Stockholm, Sweden
1998 Aurel Scheibler, Cologne, Germany (11/6/98 – 1/23/99)
Regen Projects, Los Angeles, CA (10/17/98 – 11/28/98)
American Fine Arts, Co., New York, NY (4/18 – 5/2/98)
1997 Frankfurter Kunstverein, Frankfurt, Germany
Aurel Scheibler, Cologne, Germany
Taka Ishii Gallery, Tokyo, Japan
Capc Musée d'art contemporain, Bordeaux, France
1996 NZET Project, Gent, Belgium
Luhring Augustine Gallery, New York
3
White Cube, London, England
Module Centro Difuso de Arte, Lisbon, Portugal
Galerija Dante Marino Cettina, Stella Maris, Croatia
Galerie Phillipe Rizzo, Paris, France
Regen Projects, Los Angeles, CA
Ursula Blickle Stiftung, Kraichtal, Germany
1995 Jack Hanley Gallery, San Francisco, CA
Baldwin Gallery, Aspen, CO
Parco Gallery, Tokyo, Japan
Theoretical Events, Naples, Italy
Museum of Contemporary Art, Chicago, IL
Galerie Aurel Scheibler, Cologne
Texas Gallery, Houston, TX
Galleri Index, Stockholm, Sweden
Galleri Roger Bjorkholmen, Stockholm, Sweden
1994 Fine Arts Work Center, Provincetown, MA
Luhring Augustine Gallery, New York
Edward Hopper & Jack Pierson, The Whitney Museum of American Art, New
York
Regen Projects, Los Angeles, CA
1993 Jack Hanley Gallery, San Francisco, CA
1992 Tom Cugliani Gallery, New York
White Columns, New York
Galerie Aurel Scheibler, Cologne, Germany
Richard Kuhlenschmidt Gallery, Los Angeles, CA
1991 Richard Kuhlenschmidt Gallery, Los Angeles, CA
Pat Hearn Gallery, New York
1990 Simon Watson, New York

GROUP EXHIBITIONS

2009 Flower Power, Villa Giulia - Centro di Ricerca Arte Attuale, Torino, Italy (5/23 -
11/11/09)
Location, Danziger Projects, New York (5/1 – 6/26/09)
4
sh(OUT) - Contemporary Art and Human Rights, Culture and Sport Glasgow,
Scotland (4/8/09- 11/1/09)
Chelsea Visits Havana, Museo Nacional de Bellas Artes, Havana, Cuba (3/28 -
5/17/09)
Kids Behaving Badly, Clampart, New York (3/19 – 4/25/09)
Just What Are They Saying, curated by Beth Rudin DeWoody, Jonathan Ferrara
Gallery, New Orleans (1/17 – 2/28/09)
From The Archives: 40 Years, 40 Projects, White Columns, New York, (1/13 -
2/28/09)
2008 Other People: Portraits from Grunwald and Hammer Collections, Hammer
Museum, UCLA, Los Angeles (11/26/08 – 3/15/09)
Ego Documents- The Autobiographical in Contemporary Art, Kunstmuseum Bern,
Switzerland (11/13/08 - 2/15/09)
How to Cook a Wolf: Part One, Dinter Fine Art, New York (11/6 – 12/19/08)
Listen darling…the world is yours, curated by Lisa Phillips, Ellipse Foundation
Contemporary Art Collection, Cascais, Portugal (10/11/08 –
8/30/09)
The Greenroom: Reconsidering the Documentary and Contemporary Art, Center
for Curatorial Studies and Art in Contemporary Culture, Hessel Museum,
Bard College, Annandale-on-Hudson, New York (9/27/08 – 2/1/09)
SIGN/AGE: Part 1, Armand Bartos Fine Art, New York (9/25/08-10/24/08)
The Art of the Real, Vanmoerkerke Collection, Oostende, Belgium
(September-December 08)
The Boys of Summer, The Fireplace Project, East Hampton, New York
(8/29/08-9/15/08)
I Want A Little Sugar In My Bowl, Asia Song Society, New York (8/9/08 -
8/24/08)
Implant, The UBS Art Gallery & The Horticultural Society of New York, New
York (8/7/08-10/31/08)
Pretty Ugly, Maccarone, New York (7/10/08 - 9/1/08)
Jack Pierson, Dan McCarthy, David Dupuis,The Journal Gallery, Brooklyn
(6/12/08 - 7/13/08)
The Sum of Its Parts, Cheim & Read, New York (1/8/08-2/2/08).
2007 Portraits, Luhring Augustine, New York (10/20 – 11/17/07)
Sympathy for the Devil: Art and Rock and Roll Since 1967, MCA, Chicago
(9/29/07 - 1/6/2008); traveling to: Museum of Contemporary Art, North
Miami Florida, 5/3/08 - 9/8/08; Musee d'art contemporain de Montreal
Quebec 10/08 - Jan/09
Stripped Bare, C/O Berlin, Berlin (9/28 – 12/9/07)
I Am As You Will Be - The Skeleton in Art , Cheim & Read, New York (9/20/07 -
11/3/07)
5
Words Fail Me, Detroit Museum of Art (9/16/07- 1/20/08)
People Taking Pictures of Each Other, Lamontagne Gallery, Boston (9/6/07 -
10/15/07)
Accrochage 03/07, Knokke, Belgium (8/3 – 9/13/07)
Brasil: des Focos, Centro Cultural do Banco do Brasil, Rio de Janeiro, Brazil
(7/30/07 - 9/16/07); travels to: Paco das Artes, Sao Paulo Brazil, (1/21/08 -
4/13/08)
NeoIntegrity, Derek Eller Gallery, New York (7/19 /07 - 8/24/07
Art and Homosexuality, Palazzo della Ragione, Milan (7/4 – 9/16/07)
International Photo Triennial Esslingen 2007, Villa Merkel / Bahnwärterhaus,
Esslingen, Germany (7/1 – 9/23/07)
The Recognitions, The Fireplace Project, New York (6/30/07 - 7/18/07)
Wallflowers, Danziger Projects, New York (4/18 – 5/24/07)
Martin Maloney, Robert Mapplethorpe, Jack Pierson, Xavier Hufkens, Brussel,
Belguim (3/15/07 – 4/14/07)
Robert Mapplethorpe, Jack Pierson, Xavier Hufkens, Brussels (3/15 – 4/14/07)
Uncontained, The Whitney Museum of American Art (2/8 – 4/29/07)
"Deceits and Fantasies: Contemporary Photography and the Garden", American
Federation of Arts traveling exhibition, The Middlerbury College Museum of
Art, Middlebury, VT 1/20/05 - 4/17/05; Parrish Art Museum, South Hampton,
NY 5/22/05 - 7/17/05; Columbia Museum of Art, Columbia, SC 10/21/05 -
1/2/06; Tacoma Art Museum, Tacoma, WA 1/14/06 - 4/30/06; Cheekwood
Museum of Art, Nashville, TN 5/13/06 - 8/20/06; Hudson River Muesum,
Yonkers, NY 1/5/07 - 5/13/07; Delaware Art Museum, Newark, DE 6/21/07
- 9/16/07
Photography as the: EYE GYM, AR / Contemporary Gallery, Milan (1/23 –
2/28/07)
2006 Tom Burr and Jack Pierson, Galerie Neu, Berlin, Germany (12/1/06 – 1/1/07)
Seeing…Blue, The Gallery at Buck House, New York (9/20/06-10/30/06)
The Eighth Square – Gender, Life and Desire in Art Since 1960, Museum Ludwig,
Cologne, Germany (8/19 – 11/12/06)
Into Me / Out of Me, PS 1 MOMA, Long Island City, NY (6/25/06 – 9/25/06)
traveling to Museo d’Arte Contemporanea Roma, Rome (4/21/07 – 9/30/07)
Survivor, Bortolami Dayan, New York (3/11/06 – 4/8/06)
Seeing the Light, Carl Solway Gallery, Cincinnati, OH (1/20 – 4/15/06)
Hollywood Boulevard, Galeria Fortes Vilaça, Sao Paulo (1/19 – 3/11/06)
2005 Looking at Words: The Formal Presence of Text in Modern and Contemporary
Passionate Image: The Body in Art and Advertising, Steven Kasher Gallery, New
York (11/11 – 11/19/05)
Works on Paper, Andrea Rosen Gallery, New York (10/28/05 – 1/14/06)
Project MTL, Centre d’Amherst, Montreal, Canada (10/19 – 11/20)
6
Closing Down, Bortolami Dayan, New York (9/21 – 10/29)
Romance, Cristina Guerra Contemporary Art, Lisbon, Portugal (9/14 –
9/15/05)
All in the Family (NY Edition), Mailena Braun, curator, Texas Gallery, Houston,
TX (7/26 – 8/27)
The Culture of Queer, Contemporary Arts Center, New Orleans, LA (7/23 –
9/18/05)
A Thousand Words, Inman Gallery, Houston, TX (7/9 – 8/27/05)
Nine Portraits, Stephen Wirtz Gallery, San Francisco (6/02 – 7/16/05)
Word Play, Julie Saul Gallery, New York (6/17 – 8/19/05)
What I Did On My Summer Vacation, ClampArt, New York (6/23 – 8/19/05)
Male Desire Two, Mary Ryan Gallery, New York (6/23 – 9/10/05)
Atelier David Adamson, Maison Européene de la Photographie, Paris (5/18 –
9/18/05)
Getting Emotional, ICA, Boston, MA (5/18 – 9/05/05)
Collection 2, Fondation Pour L’art Contemporain Claudine et Jean – Marc
Salomon, Chateau k’Arenthon, Alex, France (3/17 – 6/3/05)
Drawings A to Z: Colecao Madeira Corporate Services, Porta 33, Ilha da Madeira,
Portugal (2/16 – 4/30/05)
"Deceits and Fantasies: Contemporary Photography and the Garden", American
Federation of Arts traveling exhibition, The Middlerbury College Museum of
Art, Middlebury, VT 1/20/05 - 4/17/05; Parrish Art Museum, South Hampton,
NY 5/22/05 - 7/17/05; Columbia Museum of Art, Columbia, SC 10/21/05 -
1/2/06; Tacoma Art Museum, Tacoma, WA 1/14/06 - 4/30/06; Cheekwood
Museum of Art, Nashville, TN 5/13/06 - 8/20/06; Hudson River Muesum,
Yonkers, NY 1/5/07 - 5/13/07; Delaware Art Museum, Newark, DE 6/21/07
- 9/16/07
2004 Word of Mouth, A Selection: Part I, Dinter Fine Art, New York
(10/8 – 11/24/04)
Never Never Landscape, c/o Atle Gerhardsen, Berlin (9/10 – 10/16/04)
Double Check Re-Framing Space in Photography: The Other Space, Parallel
Histories, The Gallery of Contemporary Art, Celje, Slovenia (9/10 – 10/16/04)
traveling to the Camera Austria at the Kunsthaus Graz (2005)
I am the Walrus, Cheim & Read, New York (6/10 – 7/31/05)
Whitney Biennial, Whitney Museum of American Art, New York (3/11 –
5/30/04)
2003 High Desert Test Sites Four, organized by Andrea Zittel, Shaun Caley – Regen,
Lisa Anne Auerbach, John Connelly, and Andy Stillpass, Joshua Tree, CA
(10/23/03 – 1/24/04)
Social Startegies, University Galleries, Illinois State University, Normal, IL
(9/9 – 10/19/03)
7
Imaging the Abstract, Feigen Contemporary, New York (4/10 – 5/24/03)
Abstraction in Photography, Von Lintel Gallery, New York (2/6 –
3/22/03)
Inaugural Exhibition, Regen Projects, Los Angeles, CA (1/25 – 2/22/03)
Kunst – Station, Cologne, Germany (TK)
2002 Mensaje de Texto, Galeria Helga de Alvear, Madrid, Spain (11/8/02 – 1/4/03)
Chapter V, Art Resources Transfer, New York (8/1 – 8/23/02)
Electric Dreams, The Barbican, London, England (7/11 – 8/26)
Visions of America: Photographs from the Whitney Museum of American Art 1940
– 2001, Whitney Museum of American Art, New York (6/27 – 9/22/02)
Ahead of the 21st Century, The Pisces Collection, Furstenberg Sammlungen,
Donaueschingen, Denmark (6/02 – 10/04)
5 Sculptures: Tony Feher, Robert Gober, Felix Gonzalez – Torres, Mike Kelley, Jack
Pierson, D’Amelio Terras Gallery, New York (1/5 – 2/9/02)
2001 Masculinities, Nikolaj, Copenhagen Contemporary Art Center, Denmark (11/3
– 12/30/01)
The Magic Hour Los Vegas: The Future of Art?, curated by Alex Farquharson,
Neue Galerie Graz, Austria (9/22 – /01)
A Way With Words: Selection s from the Whitney Museum of American Art,
Whitney Museum of American Art, New York (1/19 –
3/30/01)
Thaddaeus Ropac, Salzburg, Austria (7/22 – 8/31/01)
Signs of the Times, H&R Art Space, Kansas City, MO (6/18 – 7/18/01)
Spiritual America, Audiello Fine Arts, Inc, New York, NY (5/11 – 6/16/01)
After Image, IKON Ltd./Kay Richards Contemporary Art, Santa Monica, CA
(4/21 – 6/02/01)
Rocks & Trees, Photographic Resource Center, Boston (4/20 – 06/01/01)
Pat Hearn Gallery: Part Two (1988 – 1994), Pat Hearn Gallery, New York (2/3
– 3/3/01)
Postmodern Americans, The Menil Collection, Houston, TX (1/26 – 5/13/01)
Geometrie & Gestus, curated by Nikolaus Ruzicska, Galerie Thaddeus Ropac,
Salzburg, Austria (7/22/01 – 8/31/01)
2000 Issue: group show, Curated by Jack Pierson, Galerie Thaddaeus Ropac, Paris,
France (10/17 – 11/10/00)
00, Barbara Gladstone, New York (6/14 – 8/15/01)
H, Clifford – Smith Gallery, Boston, MA (5/30 – 6/24/00)
On Language, Sean Kelly Gallery, New York (4/29 – 6/10/00)
Jack Pierson, Mark Flood, and Dan McCarthy, curated by Jack Pierson, Anton
Kern Gallery, New York (4/28 –6/3 )
8
Quotidiana: The Continuity of the Everyday in 20th Century Art, Castello di Rivoli,
Torina, Italy (2/4 – 5/21/00)
PICT, curated by Yvonne Force Walter Phillips Gallery for Contemporary Arts,
Banff, Canada
1999 The American Century, The Final Victory, Part III, James Danziger Gallery,
New York
A Place Called Lonely, Greene Naftali, New York (9/9 – 10/2/99)
The Ecstatic, curated by Simon Watson, A project sponsored by The
Lindesmith Center, Trans Hudson Gallery, New York (9/2 – 9/18/99)
Provincetown Art Association and Museum, Provincetown, MA
Transmute, curated by Joshua Decter, Museum of Contemporary Art, Chicago,
IL (8/21 – 11/7/99)
Changing Faces: Contemporary Portraiture, Jim Kempner Fine Art, New York
(6/12 – 7/17/99)
Former Fellows of New York, Walker Gallery, Fine Arts Work Center in
Provincetown, MA (5/24 – 6/7/99), traveled to Lamia Ink. Gallery, New York
(8/23 – 9/18/99)
Re: Rauschenberg, Marcel Sitcoske Gallery, San Francisco (5/6/99 – 7/3/99)
Collectors Collect Contemporary, curated by Jessica Morgan, The Institute of
Contemporary Art, Boston, MA (3/31 – 5/28/99)
Two by Two for AIDS, Dallas, TX (3/28/99)
Conceptual Art as Neurobiological Praxis, curated by Warren Neidich, Thread
Waxing Space, New York (3/25 – 5/1/99)
Views from the Edge of the World, Marlborough Chelsea, New York (3/6/99 –
4/3/99)
Insight – Out, Kunstraum Innsbruck, Kunsthaus Hamburg, Kunsthaus Baselland
(2/20 – 5/8/99)
Hindsight: Works from the Permanent Collection, Whitney Museum of
American Art, New York
Free Coke, Greene Naftali, New York
H2O, curated by Tim Callis, Albert Merola Gallery, Provincetown, MA
Photography, Ascan Crone Gallery, Hamburg, Germany
Times Squared, Keith De Lellis Gallery, New York
The American Century Part II, 1950 – 2000, The Whitney Museum of
American Art, New York
International Festival of Fashion Photography, Kobe Fashion Museum, Tokyo,
Japan
Ego Alter Ego. The self – portrait in Contemporary Photography, Nassauischer
Kunstverein, Wiesbaden, Germany
1998 Collection, un autre regard, CAPC Musee d’art contemporain,
Bordeaux, France
9
Erotic Sublime, Galerie Thaddaeus Ropac, Salzburg, Germany (7/25 – 8/29/98)
Small Paintings, Cheim & Read, New York, (7/1 – 7/31/98)
Bathroom, curated by Wayne Koestenbaum, Thomas Healy Gallery, New
York (6/18 – 8/7/98)
Painting: Now and Forever, Part I, Pat Hearn Gallery & Matthew Marks Gallery,
New York (6/25 – 7/31/98)
View IV, Mary Boone Gallery, New York (5/15 – 6/27/98)
The Sound of One Hand, curated by Collier Schorr, Apex Art, New York
(3/19/98 – 4/18/98)
I Love New York, Museum Ludwig, Cologne, Germany
Portraits, Paul Morris Gallery, New York
Male, Wessel & O’Connor Gallery, New York
Early Works, Regen Projects, Los Angeles, CA
Landschaft, Trinkhaus Galerie, Trinkhaus & Burkhardt,
Düsseldorf, Germany
Emotions & Relations, Hamburg Kunsthalle, Germany
Edition Schellmann, New York (neons exhibited).
1997 Art at the End of the 20th Century: Selections from the Whitney Museum of
American Art, Museo d’arte Contemporani de Barcelona, Spain; Kunstmuseum
Bonn, Germany
1996 Urgence, capc Musée d’Art Contemporain de Bordeaux, Bordeaux, France
More than Real, Palazzo Reale, Caserta, Italy
Black and Blue, Groninger Museum, Groningen, Netherlands
Defining the Nineties: Consensus Making in New York, Miami and Los Angeles,
Museum of Contemporary Art, Miami, FL
Colorealism: Photography Enter the Third Millenium, Photology, Milan, Italy
Art at Home: Ideal Standard Life, Tokyo, Japan
Der soziale Blick, Art Frankfurt, Frankfurt, Germany
Exposure, Luhring Augustine Gallery, New York
All of a Sudden, Galerie Aurel Scheibler, Cologne, Germany
Boralis 7 Desire, Louisiana Museum of Modern Art, Humlebaek, Denmark,

Disneyland After Dark, Kunstamt Kreuzberg, Berlin, Germany
Radikale Bilder: 2, Österreichische Triennale für Fotographie, Neue Galerie am
Landesmuseum Joanneum & Künstlerhaus, Graz, Austria,
Art at the End of the 20th Century: Selections from the Whitney Museum of
American Art, Alexandros Soutzos Museum, Athens, Greece
10
1995 1995 Whitney Biennial, Whitney Museum of American Art, New York
Nan Goldin, Mark Morrisoe, Jack Pierson, Taka Ishii Gallery, Tokyo, Japan
Boston School, Institute of Contemporary Art, Boston, MA
In a Different Light, University Art Museum, Berkeley, CA
The Nordic Art Center, Helsinki, Finland
Disneyland After Dark, Uppsala Konstmuseum, Uppsala, Sweden
Close to Life, 3 Internationale Foto – Triennale Esslingen, Esslingen
1994 Passing Through, Galerie Walcheturm, Zurich, Switzerland
Psycho – Pathology of Everyday Life, Ruth Bloom Gallery, Santa Monica, CA
A Garden, Barbara Krakow Gallery, Boston, MA
GIFT, The Inter Art Center, New York
Making Waves, Provincetown Art Association and Museum, Provincetown,
MA
Abstract Works on Paper, Robert Miller Gallery, New York
Geoffrey Young Gallery, Great Barrington, MA
Sculpture, Luhring Augustine Gallery, New York
In the Field: Landscape in Recent Photography, Margo Leavin Gallery,
Los Angeles, CA
Small Paintings, Paul Morris Gallery, New York
1993 Simply Made in America, Aldrich Museum of Contemporary Art,
Ridgefield, CT
The 1993 Whitney Biennial, The Whitney Museum of American Art,
New York
Nobuyoshi Araki, Sophie Calle, Larry Clark, Jack Pierson, Luhring Augustine
Gallery, New York
Urban Analysis, Barbara Braathen Gallery, New York
Stoned (HighLow), Ruth Bloom Gallery, Santa Monica, CA
Tema AIDS, Henie Onstad Foundation, Hövikodden, Norway
Irony & Ecstasy, Salena – Caro Gallery, London, England
Snap!, Tomoko Ligouri Gallery, New York
The Whitney Biennial in Seoul, National Museum of Contemporary Art, Seoul,
Korea
Works on Paper, Jack Hanley Gallery, San Francisco, CA
Summer Reading, Texas Gallery, Houston, TX
Tabboo, Tom Cugliani, New York
Drawing the Line Against AIDS, Guggenheim Museum SOHO, New York
Picturing Ritual, The Center for Photography, Woodstock & the Neuberger
Museum, SUNY, Purchase, NY
1992 How It Is, Tony Shafrazi Gallery, New York
11
Jack Hanley Gallery, San Francisco, CA
Healing, Wooster Gardens, New York
Dessanges, Regen Projects, Los Angeles, CA
Pat Hearn Gallery, New York
Hollywood, Hollywood: Identity Under the Guise of Celebrity, Pasadena Art
Alliance, Pasadena, CA
Identities…, Forum Stadtpark, Graz, Austria
True Stories, Institute of Contemporary Art, London, England
White Columns Update 1992, White Columns, New York
The Anti – Masculine, Run Light Gallery, Los Angeles, CA
Developing Language, Hirschl & Adler Modern, New York
The Language of Flowers, Paul Kasmin Gallery, New York
1991 Galerie Aurel Scheibler, Cologne, Germany
Selections 51, The Drawing Center, New York
Philip – Lorca diCorcia, Nan Goldin, Jack Pierson, York University, Toronto
From Desire…, Richard Brush Gallery, New York
Something Pithier and More Psychological, Simon Watson, New York
Someone or Somebody, Meyers/Bloom Gallery, Santa Monica, CA
Drawings, Lorence – Monk, New York
Situation, New Langton Arts, San Francisco, CA
Presenting Rearwards, Rosamund Felsen Gallery, Los Angeles, CA
1990 Tom Cugliani Gallery, New York
Blood Remembering, Snug Harbor Center for the Arts, New York
SELECTED PUBLIC COLLECTIONS
Baltimore Museum of Contemporary Art, Baltimore, MD
CAPC, Bordeaux, France
Museum of Contemporary Art, Chicago, IL
FRAC, Korsika
Graphische Sammlung der ETH, Zurich, Switzerland
Guggenheim Museum, New York
Los Angeles County Museum of Art, CA
Metropolitan Museum of Art, New York
Museum of Contemporary Art, Los Angeles, CA
Museum of Fine Arts, Boston, MA
Norsk Museum of Fotografi, Preus Fotomuseum, Horten
San Francisco Museum of Modern Art, San Francisco, CA
Seattle Art Museum, Seattle, WA
The Walker Art Center, Minneapolic, MN
12
The Whitney Museum of American Art, New York
Visiting Artist and Lectures:
Fine Arts Work Center, Provincetown, MA
Yale University, New Haven, CT
Museum of Fine Arts, Boston, MA
Art Center, Pasadena, CA
University of Texas, Austin, TX
MoCA Miami, CA
CAPC, Bordeaux, France
University of Miami, CA
University of the Arts, Philadelphia, PA
Cal Arts, Los Angeles, CA

Jack Pierson at Daniel Reich

Jack Pierson Psycho Killer 2000 plastic [sic] 10" x 40" x 36" [view of work as installed lying on floor, with ambient lights eliminated]


Jack Pierson Black Jackie 1991 acrylic paint, plywood, silver and black rain curtain, cigarette and ash, christmas lights, color gel (dimensions variable) [large detail of installation, with ambient lights eliminated]


Jack Pierson Breakfast, Hope Dinner, Fear 1982 plastic panels and lettering 20" x 15.75" each [installation view]

While we were still in the midst of this wonderful installation Barry had said that the Jack Pierson show at Daniel Reich felt like a small museum retrospective. I totally agree, but I would add that it's a interestingly selective survey, since there are almost no photographs. in "Jack Pierson: Early Works and Beyond - Goodbye Yellow Brick Road".

Hmmm. Would I be reading too much into the curious omission of examples from a medium through which most people came to know Pierson's art if I were to dwell very long on it? I mean, is photography supposed to be over?

I certainly hope not, and not just because it's the only form I've ever worked in myself. For at least thirty years I haven't been able to think of photography as distinct from the aggregate of the other visual arts, and so I've always thought it strange to see "photography" indicated as a separate category in so many gallery listings. Also, ever since I began regularly visiting galleries I've been uncomfortable with the fact that some only show photography, while others show everything but photography. While it survives in some quarters, the distinction has gradually dissolved over the years as even smaller and less nimble imaginations within the wider world of monied art [shopkeepers and hoarders] have had to come to terms with the fact the artists themselves have increasingly refused to have their work pigeonholed.

Pierson of course should not be described as a "photographer", and he never could be. Actually, in 1992, when I first saw his work it was in Tom Cuglioni's SOHO gallery and there wasn't a photograph in sight. Instead I saw just a breathtaking, but incredibly casual installation of a lot of hand-written notes (mostly to self) on white paper.* They expressed, individually or collectively, what appeared to be the lovesick (sexsick?) longings of an artist who seemed to know some of my own private obsessions very well.

He still does.

Anyway, it's a great show and you still have until the end of this month to see it.

I couldn't find texts or images from the 1992 show, but see Alison Jacques Gallery for examples of relatively recent word drawings by perhaps a more grownup [and more cynical?] Pierson

他抄了河岸老师的

[quote]引用第6楼guest于2009-6-26 12:01:01发表的:

他抄了河岸老师的...[/quote]

撒比何安在着出的啊，抄死拉到，切继续装比

不是吧

天! 不会吧！

没什麽那群小子全抄。装的是个艺术家。混混

油轮死他妈的也没长眼还展这种抄饭

顶河岸，何岸还是牛逼的艺术家，谁没有抄过呀？？？？？？？？？？？？！！！！！！！！！！！！！！！！！

天哪天哪 我到高潮了

也是偷的？

Jack Pierson打造Sophnet“文字雕刻” Tee

(2007-08-29 07:22:29)标签：时尚/名品 sophnet

日牌Sophnet.请来美国著名艺术家Jack Pierson设计并打造全新的合作TEE，而Jack Pierson的艺术作品中继承现代艺术中的观念艺术，一直在其作品中只有英文字母的设计，被称为“文字雕刻”艺术的典范。图中所示为此合作系列的全部款式，全部采用文字形态设计，带出强烈的表达气息，相信是Sophnet. 本季度最好的一款合作TEE。目前该系列已经于Honeyee网络店铺有售。

杰克·皮尔逊是一个最有影响力美国中间一代的艺术家，重要的早期作品从1984年至1994年之间。
杰克·皮尔逊出生于1960年在普利茅斯，马萨诸塞州。他工作生活在 波士顿，在20世纪80年代，他不断地来往于纽约，迈阿密，洛杉矶 ，巴黎，随后在90年代初纽约举行的摄影作品展从在早期阶段，表达大都市的大气和不安之间存在的图像，和他独特的“ 字符”作品 ，皮尔森很快成为众所周知的，并在1992年开始第一次欧洲的个展。

这项工作是有代表性的例子，怀旧的主题，孤独，名利，和“浪漫的存在广袤的美国“ ，皮尔森拥有相同的传统，艺术家和作家，如杰克凯鲁亚克，斯坦贝克，爱德华霍珀，罗伯特弗兰克和安迪沃霍尔。显然有自传成分贯穿皮尔森的工作，，其中包括装置，绘画，素描， 摄影，电影，和他著名的“ 字符 ” 。展览设计是关于皮尔森讲故事
这是充满情感和弱点。这两套皮尔森除了所谓的流行文化和
在肤浅的，他的许多同时代人。许多皮尔逊的作品似乎有些微不足道乍一看：这是骗人的，因为观察者正在迅速卷入了亲密与皮尔森的情景和人物的艺术家本人。他的早期作品就像是一本日记的公路电影，他的组合的发现物体看起来粗糙和随机的，特有的生命的流浪者在不断旅行，一个求职者之间举棋不定悲伤，孤独，和美丽的渴望。
出版将陪同展览。


Jack Pierson: Desire/ Despair
A Retrospective: Selected Works 1985-2005
作者 / Marshall, Richard
出版社 ／ RIZZOLI INTERNATIONAL PUBLICATIONS
出版日期 ／ 2006/11/07
商品語言 ／ 英文
裝訂 ／ 精裝
運送條件／ 允許國外
定價 ／ NT$1,750
售價 ／9折, NT$ 1,575
誠品26碼 ／2680206175009
ISBN 13 ／9780847828968
ISBN 10 ／0847828964
EAN ／9780847828968
頁數 / 288
裝訂 / 精裝
級別 / 無
語言 / 英文

[quote]引用第14楼guest于2009-6-30 22:13:44发表的:
顶河岸，何岸还是牛逼的艺术家，谁没有抄过呀？？？？？？？？？？？？！！！！！！！！！！！！！！！！！...[/quote]

谁没抄过，你门这些艺术混混，还装的跟牛一样，歇吧，大250

假的杰克·皮尔逊在Barneys

这是非常粗鲁。

我们至少要提请注意欺诈的情况，或者一个歪曲。

艺术家杰克·皮尔逊一直在他所谓的“字雕塑”超过15年。这些组成装置的标牌字来自不同的地点，从拉斯维加斯停业赌场到42街电影宫殿。一个作品的字母甚至收集自惠特尼博物馆，他们被称为“现成物表达感伤的美国梦，悲哀体现在一个不匹配的老电影、跑马灯或商业迹象字母，他的工作是创造性的...他发现这些字母，从某种意义上说，废弃的梦想，其最初的目的早已被人遗忘。 “

这些装置已记载在许多书籍记载和当代艺术收藏品中，尤其在惠特尼博物馆，法国当代艺术馆，明尼阿波利斯沃克艺术中心，巴尔的摩艺术馆，和洛杉矶当代艺术博物馆。他们还出版了框套明信片可在许多博物馆书店。

大约一年前，假冒或伪造的这些作品开始出现在BarneyÂ的服装店在全国各地说这种事情是“神话般的，勇敢和残暴。 ”他们是正式版本的薄弱剽窃杰克·皮尔逊的工作，我们希望你知道，他们不是用的皮尔逊本人的作品。很多人都以为他们是创造者，事实上，由西蒙Doonan ，德雷瑟在BarneyÂ伪造的。杰克·皮尔逊说，他已要求其删除，但他们一直拒绝。

我们对此感到遗憾，缺乏完整的一部分，西蒙Doonan和BarneyÂ的。他们显然不尊重艺术家或艺术世界。

此致，
John Cheim