飞鱼和它的水
发起人:理论车间  回复数:0   浏览数:1486   最后更新:2019/11/13 16:26:56 by 理论车间
[楼主] 展览预告 2019-11-13 16:26:56

来源:香格纳画廊


何伟 & 唐茂宏 - 双个展
Dual Solo Exhibition of HE Wei & TANG Maohong


开幕 | Opening
2019/11/16 (Sat.), 16:00
展期 | Duration
2019/11/16 – 12/22(周二 – 周日 Tue.-Sun. 11:00-18:00)
地点 | Location
香格纳北京,朝阳区机场辅路草场地261号 | ShanghART Beijing, No. 261 Cao Chang Di, Airport Side Rd., Chaoyang District, Beijing, China


2019年11月16日,香格纳北京将荣幸推出艺术家何伟与唐茂宏双个展,集中呈现两位艺术家近期创作的一系列绘画作品。展览将持续至12月22日。


From 16 Nov. to 22 Dec., 2019, ShanghART Beijing is delighted to present a dual solo exhibition of He Wei and Tang Maohong, featuring new paintings created by the two artists.

作为何伟在香格纳画廊的第一个个展,此次展览带来了艺术家近年来的创作以及新的实验方向。稀薄的颜料经反复叠加、渗透后化为一片混沌,而当中缓慢升起的几何线条,稍纵即逝的“强光”痕迹,又以一种奇异的方式重新梳理出整个画面的秩序。艺术家不懈试验,意在通过抽象的画面、色彩、线条,于相互交织的感性和理性之间找寻过渡的方法,以及如何直面两种情绪的矛盾和对立。


As the gallery’s first solo presentation of He Wei, this show indicates the artist's recent explorations on abstract painting. Through repeated superimposition and infiltration, the washes of pigment on He’s canvas merge into chaos, while the slowly rising geometric shapes and the fleeting traces of “strong light” modulate the whole picture in a singular way. Persistently experimenting with abstract planes, colours and lines, the artist is looking for transitions between the intertwined sense and sensibility, as well as ways to confront the contradictions and opposites of the two qualities.

在另一空间中,唐茂宏的最新系列作品《五个大人物》则由五张大尺幅绘画组成。区别于艺术家过往实践中对于现成图像的挪用,人体在本次展览中得到简化拉伸,以自足的姿态不断出现在辅助线所构建的“坐标”之上;巨大的锥体在加剧画面荒诞感的同时,更提示着艺术家为消解一切指向性意义,回归图像空间关系所做出的努力。


Another exhibition brings together five large-scale paintings by Tang Maohong under the title "Five Big Men", marking a significant departure from the artist’s use of found images in earlier practice. This new suite of works features the simplified, stretched human bodies, which appear constantly on the "coordinates" constructed by composition lines-with all kinds of self-satisfied postures; the huge cones, in particular, make the picture even more absurd, suggesting Tang’s ende**ours in dispelling all the specific meanings, and returning to the spatial relationship between objects.

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