39届巴塞尔艺术博览会 - 现场！
画廊：
Andréhn-Schiptjenko | Stockholm
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Annemarie Verna Galerie | Zürich
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David Zwirner | New York | Zwirner & Wirth | New York
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Esther Schipper | Berlin
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Fraenkel Gallery | San Francisco
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Gagosian Gallery | New York
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Galeria Fortes Vilaça | São Paulo
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画廊：
Andréhn-Schiptjenko | Stockholm
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Annemarie Verna Galerie | Zürich
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David Zwirner | New York | Zwirner & Wirth | New York
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Esther Schipper | Berlin
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Fraenkel Gallery | San Francisco
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Gagosian Gallery | New York
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Galeria Fortes Vilaça | São Paulo
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画廊：
Galerie Eva Presenhuber | Zürich
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Galerie Gmurzynska | Zürich
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Galerie Hans Mayer | Düsseldorf
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Galerie Max Hetzler | Berlin
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Helly Nahmad Gallery | London
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L & M Arts | New York
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Matthew Marks Gallery | New York
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Michael Werner Gallery | New York
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Galerie Eva Presenhuber | Zürich
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Galerie Gmurzynska | Zürich
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Galerie Hans Mayer | Düsseldorf
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Galerie Max Hetzler | Berlin
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Helly Nahmad Gallery | London
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L & M Arts | New York
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Matthew Marks Gallery | New York
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Michael Werner Gallery | New York
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画廊：
neugerriemschneider | Berlin
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Sikkema Jenkins & Co. | New York
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Victoria Miro Gallery | London
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Waddington Galleries | London
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White Cube/Jay Jopling | London
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Yvon Lambert | Paris
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Thomas Struth, The Felsenfeld/Gold Family, Philadelphia, 2007, 140x179cm (Courtesy Galerie Paul Andriesse, Amsterdam)
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Olafur Eliasson, One-way colour tunnel, 2007, 256x180x1050cm (Courtesy Tanya Bonakdar Gallery, New York)
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neugerriemschneider | Berlin
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Sikkema Jenkins & Co. | New York
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Victoria Miro Gallery | London
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Waddington Galleries | London
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White Cube/Jay Jopling | London
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Yvon Lambert | Paris
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Thomas Struth, The Felsenfeld/Gold Family, Philadelphia, 2007, 140x179cm (Courtesy Galerie Paul Andriesse, Amsterdam)
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Olafur Eliasson, One-way colour tunnel, 2007, 256x180x1050cm (Courtesy Tanya Bonakdar Gallery, New York)
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Art Premiere:
Song Kun, It’s My Life, 2006, 27x35cm each (Courtesy Boers-Li Gallery, Beijing)
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Qiu Xiaofei, Bathroom, 2007, dimensions variable (Courtesy Boers-Li Gallery, Beijing)
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Pedro Barateiro, Aerial View (Psycogeography Maps) 3, 2006, 127x155.5cm (Courtesy Galeria Pedro Cera, Lisboa)
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Ricardo Valentim, Contents for the conference ‘Models of Democracy’ (Model V), 2007, 100x90x8cm (Courtesy Galeria Pedro Cera, Lisboa)
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Naoyuki Tsuji, Still from Trilogy About Clouds, 2006 (Courtesy Corvi-Mora, London)
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Tomoaki Suzuki, Charmine, 2007, 53.5x15x14cm (Courtesy Corvi-Mora, London)
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Joëlle Tuerlinckx, Figure cuisine – série ‘no image’, 2006, 67x63cm (Courtesy Stella Lohaus Gallery, Antwerpen)
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Angel Vergara, Belle femme au miroir, 2007, 60x61cm (Courtesy Stella Lohaus Gallery, Antwerpen)
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Felix Gmelin, Farbtest, Die Rote Fahne II, 2002, still from 2-channel video installation,12min (Courtesy Milliken, Stockholm)
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KP Brehmer, Farbmuster Airblue-Bloodred, 1967-1970, 180x115cm (Courtesy Milliken, Stockholm)
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Yuki Kimura, Untitled, 2008 (Courtesy Taka Ishii Gallery, Tokyo)
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Kiyoji Otsuji, Two mineral specimens – always on the desk, 1974, 35.6x43.2cm (Courtesy Taka Ishii Gallery, Tokyo)
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Haegue Yang, Mountains of Encounter, Installation, 2008 (Courtesy Galerie Barbara Wien)
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Jimmie Durham, Luck Sucker, 2007, 200x60x60cm (Courtesy Galerie Barbara Wien)
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Song Kun, It’s My Life, 2006, 27x35cm each (Courtesy Boers-Li Gallery, Beijing)
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Qiu Xiaofei, Bathroom, 2007, dimensions variable (Courtesy Boers-Li Gallery, Beijing)
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Pedro Barateiro, Aerial View (Psycogeography Maps) 3, 2006, 127x155.5cm (Courtesy Galeria Pedro Cera, Lisboa)
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Ricardo Valentim, Contents for the conference ‘Models of Democracy’ (Model V), 2007, 100x90x8cm (Courtesy Galeria Pedro Cera, Lisboa)
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Naoyuki Tsuji, Still from Trilogy About Clouds, 2006 (Courtesy Corvi-Mora, London)
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Tomoaki Suzuki, Charmine, 2007, 53.5x15x14cm (Courtesy Corvi-Mora, London)
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Joëlle Tuerlinckx, Figure cuisine – série ‘no image’, 2006, 67x63cm (Courtesy Stella Lohaus Gallery, Antwerpen)
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Angel Vergara, Belle femme au miroir, 2007, 60x61cm (Courtesy Stella Lohaus Gallery, Antwerpen)
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Felix Gmelin, Farbtest, Die Rote Fahne II, 2002, still from 2-channel video installation,12min (Courtesy Milliken, Stockholm)
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KP Brehmer, Farbmuster Airblue-Bloodred, 1967-1970, 180x115cm (Courtesy Milliken, Stockholm)
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Yuki Kimura, Untitled, 2008 (Courtesy Taka Ishii Gallery, Tokyo)
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Kiyoji Otsuji, Two mineral specimens – always on the desk, 1974, 35.6x43.2cm (Courtesy Taka Ishii Gallery, Tokyo)
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Haegue Yang, Mountains of Encounter, Installation, 2008 (Courtesy Galerie Barbara Wien)
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Jimmie Durham, Luck Sucker, 2007, 200x60x60cm (Courtesy Galerie Barbara Wien)
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Art Statements:
Germaine Kruip, Counter Composition, 2007, 80x80xØ80cm (Courtesy The Approach, London)
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Yorgos Sapountzis, After Electricity, The Remains of a Start, 2007 (Courtesy Loraini Alimantiri Gazonrouge, Athens)
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Matt Saunders, Hertha (Filmcard) #2, 2007, 116.5x80cm (Courtesy Harris Liebermann, New York)
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Annette Ruenzler, Untitled, 2007, 30x21cm (Courtesy Galerie Kamm, Berlin)
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Garrett Phelan, Life again. Light again. Leaf again. Love again., 2006 (Courtesy Mothers Tankstation, Dublin)
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Håvard Homstvedt, Bechamel, 2007, 67.5x31x28cm (Courtesy Galleri Riis, Oslo)
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Yangjiang Group, Rat Cow Tiger Rabbit Dragon Snake, 2007 (Courtesy Vitamin Creative Space, Guangzhou)
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Pietro Roccasalva, Senza titolo, 2005, 14.5x9.5cm (Courtesy ZERO…, Milano)
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Germaine Kruip, Counter Composition, 2007, 80x80xØ80cm (Courtesy The Approach, London)
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Yorgos Sapountzis, After Electricity, The Remains of a Start, 2007 (Courtesy Loraini Alimantiri Gazonrouge, Athens)
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Matt Saunders, Hertha (Filmcard) #2, 2007, 116.5x80cm (Courtesy Harris Liebermann, New York)
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Annette Ruenzler, Untitled, 2007, 30x21cm (Courtesy Galerie Kamm, Berlin)
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Garrett Phelan, Life again. Light again. Leaf again. Love again., 2006 (Courtesy Mothers Tankstation, Dublin)
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Håvard Homstvedt, Bechamel, 2007, 67.5x31x28cm (Courtesy Galleri Riis, Oslo)
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Yangjiang Group, Rat Cow Tiger Rabbit Dragon Snake, 2007 (Courtesy Vitamin Creative Space, Guangzhou)
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Pietro Roccasalva, Senza titolo, 2005, 14.5x9.5cm (Courtesy ZERO…, Milano)
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Art Unlimited：
Banks Violette | Ropac
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on top: Kerim Seiler | Kulli | below: Carl Andre | Cooper
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Carsten Höller | Schipper, Air de Paris
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Christian Philipp Müller | Nagel
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Fabrice Gygi | Crousel
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Ján Mancuska | Meyer Riegger, Kreps
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Jan Vercruysse | Hufkens
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Jesús Rafael Soto | Denise René
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Banks Violette | Ropac
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on top: Kerim Seiler | Kulli | below: Carl Andre | Cooper
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Carsten Höller | Schipper, Air de Paris
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Christian Philipp Müller | Nagel
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Fabrice Gygi | Crousel
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Ján Mancuska | Meyer Riegger, Kreps
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Jan Vercruysse | Hufkens
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Jesús Rafael Soto | Denise René
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Art Unlimited:
João Onofre | Guerra, Noero
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Jon Kessler | Arndt & Partner
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Michelangelo Pistoletto | Continua
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Qui Anxiong | Boers-Li
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Qui Anxiong | Boers-Li
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RothStauffenberg; Tobias Nolte, Nathan Carter | Schipper
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Takashi Murakami | Blum & Poe
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Thomas Hirschhorn | Friedman
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João Onofre | Guerra, Noero
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Jon Kessler | Arndt & Partner
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Michelangelo Pistoletto | Continua
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Qui Anxiong | Boers-Li
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Qui Anxiong | Boers-Li
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RothStauffenberg; Tobias Nolte, Nathan Carter | Schipper
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Takashi Murakami | Blum & Poe
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Thomas Hirschhorn | Friedman
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Art Unlimited:
Tom Wesselmann | Lambert
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Yangjiang Group | Vitamin
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Preview Art Unlimited and Art Statements
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Carl Andre, Lament for the children, 1976/1996 (Courtesy Paula Copper Gallery, New York)
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Anthony Caro, Long Passage, 2007, (Courtesy Annely Juda Fine Art, London)
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Rodney Graham, Torqued Candelier Release, 2004, 35 mm film, purpose-built projector, screen (Courtesy Lisson Gallery, London)
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Fabrice Gygi, La Vigie, 2002 (Courtesy Galerie Chantal Crousel, Paris)
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Thomas Hirschhorn Hotel Democracy, 2003 (Courtesy Stephen Friedman Gallery, London)
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Thomas Hirschhorn Hotel Democracy, 2003 (Courtesy Stephen Friedman Gallery, London)
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João Onofre, Box sized Die featuring (band to be announced), 2007 (Courtesy Cristina Guerra Contemporary Art, Lisboa; Galleria Franco Noero, Torino)
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Qiu Anxiong, Staring into Amnesia, 2007 (Courtesy Boers-Li Gallery, Beijing)
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Takashi Murakami, Oval Buddha, 2007 (Courtesy Blum & Poe, Los Angeles)
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Tom Wesselmann, Still Live #61, 1976 (Courtesy Yvon Lambert Paris, Paris)
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Tom Wesselmann | Lambert
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Yangjiang Group | Vitamin
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Preview Art Unlimited and Art Statements
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Carl Andre, Lament for the children, 1976/1996 (Courtesy Paula Copper Gallery, New York)
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Anthony Caro, Long Passage, 2007, (Courtesy Annely Juda Fine Art, London)
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Rodney Graham, Torqued Candelier Release, 2004, 35 mm film, purpose-built projector, screen (Courtesy Lisson Gallery, London)
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Fabrice Gygi, La Vigie, 2002 (Courtesy Galerie Chantal Crousel, Paris)
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Thomas Hirschhorn Hotel Democracy, 2003 (Courtesy Stephen Friedman Gallery, London)
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Thomas Hirschhorn Hotel Democracy, 2003 (Courtesy Stephen Friedman Gallery, London)
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João Onofre, Box sized Die featuring (band to be announced), 2007 (Courtesy Cristina Guerra Contemporary Art, Lisboa; Galleria Franco Noero, Torino)
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Qiu Anxiong, Staring into Amnesia, 2007 (Courtesy Boers-Li Gallery, Beijing)
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Takashi Murakami, Oval Buddha, 2007 (Courtesy Blum & Poe, Los Angeles)
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Tom Wesselmann, Still Live #61, 1976 (Courtesy Yvon Lambert Paris, Paris)
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Public Art Projects:
Conrad Shawcross | Miro, Klüser, Perrotin
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Dan Graham | Hauser & Wirth
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Isa Genzken | Zwirner, Buchholz
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L uca Vitone | Fontana, Magazzino
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Roxy Paine | Jablonka
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Sol LeWitt | PaceWildenstein, Verna
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Subodh Gupta | Nature Morte/Bose Pacia
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Tobias Rehberger | Petzel
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Thomas Baumann | Krupp
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Ugo Rondinone | Presenhuber, Marks
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Isa Genzken, Rose I, 1993-1997, Stainless steel, aluminum, lacquer, height 800 cm (Courtesy David Zwirner, New York; Galerie Daniel Buchholz Köln)
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Subodh Gupta, Gandhi’s Three Monkeys, 2008 (Courtesy Nature Morte/Bose Pacia, New Delhi)
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Ugo Rondinone, Moonrise, east, 2005 (Courtesy Galerie Eva Presenhuber, Zürich, Matthew Marks Gallery, New York)
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Ugo Rondinone, Moonrise, east, 2005 (Courtesy Galerie Eva Presenhuber, Zürich, Matthew Marks Gallery, New York)
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Luca Vitone, Gli occhi di Segantini, 2007 (Courtesy Galleria Emi Fontana, Milano; Magazzino d’Arte Moderna, Roma)
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Conrad Shawcross | Miro, Klüser, Perrotin
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Dan Graham | Hauser & Wirth
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Isa Genzken | Zwirner, Buchholz
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L uca Vitone | Fontana, Magazzino
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Roxy Paine | Jablonka
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Sol LeWitt | PaceWildenstein, Verna
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Subodh Gupta | Nature Morte/Bose Pacia
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Tobias Rehberger | Petzel
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Thomas Baumann | Krupp
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Ugo Rondinone | Presenhuber, Marks
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Isa Genzken, Rose I, 1993-1997, Stainless steel, aluminum, lacquer, height 800 cm (Courtesy David Zwirner, New York; Galerie Daniel Buchholz Köln)
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Subodh Gupta, Gandhi’s Three Monkeys, 2008 (Courtesy Nature Morte/Bose Pacia, New Delhi)
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Ugo Rondinone, Moonrise, east, 2005 (Courtesy Galerie Eva Presenhuber, Zürich, Matthew Marks Gallery, New York)
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Ugo Rondinone, Moonrise, east, 2005 (Courtesy Galerie Eva Presenhuber, Zürich, Matthew Marks Gallery, New York)
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Luca Vitone, Gli occhi di Segantini, 2007 (Courtesy Galleria Emi Fontana, Milano; Magazzino d’Arte Moderna, Roma)
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感觉邱黯雄的火车应该比较吸引眼球
好长，楼主辛苦了
太难看了，几乎没什么好一点的作品，有钱人的趣味越来越不朝四六！
苍白得让人恐惧！艺术可能死期将至
现在怎么搞得参加巴塞尔又像十几年前参加威尼斯双年展那样光荣，九十年代崇拜威尼斯双年展，近几年崇拜巴塞尔博览会，其实巴塞尔就是一个商业活动，
都是少见多怪，就像去年很多人参观过威尼斯、卡塞尔以后，觉得也就是那么回事。巴塞尔也没有什么真正的顶尖画廊，大部分是二流画廊
都是少见多怪，就像去年很多人参观过威尼斯、卡塞尔以后，觉得也就是那么回事。巴塞尔也没有什么真正的顶尖画廊，大部分是二流画廊
顶邱黯雄！
很商业，让人看了很绝望
邱黯雄那假大空也有人顶，皮力把刘伟害成包工头，把仇小飞害得不会画画了，罪人。
世事并无新奇.一切新奇只是忘却.
