展览题目：对流—三影堂摄影艺术中心收藏作品展
艺术家：曼•雷，伯纳•弗孔，罗伯特•弗兰克，森山大道，荒木经惟，植田正治，细江英公，柴田敏雄，森村泰昌，小野寺由纪等人以及韩磊、洪磊、高波、王宁德、陈羚羊、赵亮、李永斌、荣荣和映里。
展览地点：三影堂摄影艺术中心
北京朝阳区草场地155号
开幕式： 2007年11月2日星期五，下午5点
展期：2007年11月2日至2008年2月24日
开放时间：每日10:00 – 18:00 （每周一休息）
展览简介
摄影是一种在不同地域和人群之间相互通行的语言，在时间和空间的纵深和跨度中，它对每个人的生活的影响是巨大的。自诞生以来，摄影已经在各种历史表述中留下了它深刻的印记，也已经成为现代以来全球文明进程的讲述者和承载者。在当今全球化视野下的文化景观中，作为艺术作品的摄影在各地域的文化演变中扮演了越来越重要的角色。作为摄影艺术的发源地的欧洲和摄影艺术发展比较成熟的日本，摄影艺术达到了很高的水准，产生了很多令人激动的大师和杰作。三影堂摄影艺术中心所收藏的一部分欧美和日本摄影艺术的原作的展示能够体现出摄影艺术的最重要的本质，即影像的审美感染力和艺术家真实的个人感受。这些摄影作品在国内的展出还不多见，同这些摄影原作的接触能够带给观众一个欣赏摄影艺术应该具有的基本的历史坐标和关于水准的衡量标准。在这种参照之下，人们对中国当代摄影的发生和成长的历程就可以有一个更客观和整体的认识。近三十年来经历了深刻变化的中国，摄影艺术在各个时期显示了它们的特殊性以及对历史文化建构的作用。中国的当代摄影很大程度产生于欧美摄影艺术的影响之下，或者身处国际摄影艺术的深刻的发展变化之中的。差异性产生了试图理解和交流的互动，中国当代摄影正是在这种对流的环境和气氛中产生发展和走向国际的。中国当代摄影与欧美和日本的前辈摄影大师的同场展出，提供了一个连接中国当代摄影和国际摄影文化的场域，在不同影像传统的相互对话当中将显示各自的立足点和特殊性，在快速变化的历史进程中发现影像在这个时代的独特价值，展望摄影在未来的人文景观中的作用和意义。
Exhibition Title: Convection: Works from the Permanent Collection of Three Shadows Photography Art Centre
Artist: Man Ray, Bernard Fauçon, Robert Frank，Daido Moriyama, Araki Nobuyoshi, Shoji Ueda, Hosoe Eikoh, Yuki Onodera, Yasumasa Morimura；Han Lei, Hong Lei, Gao Bo, Wang Ningde, Chen Lingyang, Zhao Liang, Li Yongbin, RongRong & inri.
Exhibition Location: Three Shadows Photography Art Centre
No.155, Caochangdi, Chaoyang District, Beijing
Opening: 5pm Friday, November 2, 2007
Exhibition Duration: November 2, 2007 to February 24, 2008
10am to 6pm (closed on Mondays)
Photography is a common language amongst different places and groups of people. In the span of time and space, it has greatly influenced the life of every individual. From the moment it was born, photography has left a deep mark on historical representation, becoming a narrator and carrier of modern, global civilization. In today’s globalized vision of the cultural landscape, photography-as-art is playing a greater role in the evolution of every culture.
In Europe, the birthplace of photography art, and Japan, where it has developed to a relatively mature stage, the photographic arts have reached a high standard, producing masters and masterpieces that excite people. The exhibition of the Three Shadows Photography Art Centre’s permanent collection of original works from Europe, America, and Japan embodies the most important values of photography art, namely the image’s aesthetic appeal and the true, individual impressions of the artists. These photographic works are rarely seen in the country, and contact with them can give audiences the historical coordinates and standards for evaluation for appreciating photography art. Through these works, viewers can also gain a more objective and complete understanding of Chinese contemporary arts’ development and course of growth.
In a China that has experienced a vast amount of changes in the last thirty years, photographic art of all periods are making apparent their uniqueness and effect on cultural history. To a great extent, Chinese contemporary photography was produced under the influence of American and European photography, or amidst the flux of international photography. The differences produced an attempt to mutually understand and exchange. Chinese contemporary photography is now in this environment of convection, developing, and moving towards internationalism. Showing Chinese contemporary photography with the work of older European, American, and Japanese photographic masters provides a field for connecting Chinese contemporary photography and international photographic culture. The exhibition makes apparent each different image tradition’s uniqueness, exploring the value of the image in this era of rapidly changing history and envisioning the use and significance of photography in the society of the future.
艺术家：曼•雷，伯纳•弗孔，罗伯特•弗兰克，森山大道，荒木经惟，植田正治，细江英公，柴田敏雄，森村泰昌，小野寺由纪等人以及韩磊、洪磊、高波、王宁德、陈羚羊、赵亮、李永斌、荣荣和映里。
展览地点：三影堂摄影艺术中心
北京朝阳区草场地155号
开幕式： 2007年11月2日星期五，下午5点
展期：2007年11月2日至2008年2月24日
开放时间：每日10:00 – 18:00 （每周一休息）
展览简介
摄影是一种在不同地域和人群之间相互通行的语言，在时间和空间的纵深和跨度中，它对每个人的生活的影响是巨大的。自诞生以来，摄影已经在各种历史表述中留下了它深刻的印记，也已经成为现代以来全球文明进程的讲述者和承载者。在当今全球化视野下的文化景观中，作为艺术作品的摄影在各地域的文化演变中扮演了越来越重要的角色。作为摄影艺术的发源地的欧洲和摄影艺术发展比较成熟的日本，摄影艺术达到了很高的水准，产生了很多令人激动的大师和杰作。三影堂摄影艺术中心所收藏的一部分欧美和日本摄影艺术的原作的展示能够体现出摄影艺术的最重要的本质，即影像的审美感染力和艺术家真实的个人感受。这些摄影作品在国内的展出还不多见，同这些摄影原作的接触能够带给观众一个欣赏摄影艺术应该具有的基本的历史坐标和关于水准的衡量标准。在这种参照之下，人们对中国当代摄影的发生和成长的历程就可以有一个更客观和整体的认识。近三十年来经历了深刻变化的中国，摄影艺术在各个时期显示了它们的特殊性以及对历史文化建构的作用。中国的当代摄影很大程度产生于欧美摄影艺术的影响之下，或者身处国际摄影艺术的深刻的发展变化之中的。差异性产生了试图理解和交流的互动，中国当代摄影正是在这种对流的环境和气氛中产生发展和走向国际的。中国当代摄影与欧美和日本的前辈摄影大师的同场展出，提供了一个连接中国当代摄影和国际摄影文化的场域，在不同影像传统的相互对话当中将显示各自的立足点和特殊性，在快速变化的历史进程中发现影像在这个时代的独特价值，展望摄影在未来的人文景观中的作用和意义。
Exhibition Title: Convection: Works from the Permanent Collection of Three Shadows Photography Art Centre
Artist: Man Ray, Bernard Fauçon, Robert Frank，Daido Moriyama, Araki Nobuyoshi, Shoji Ueda, Hosoe Eikoh, Yuki Onodera, Yasumasa Morimura；Han Lei, Hong Lei, Gao Bo, Wang Ningde, Chen Lingyang, Zhao Liang, Li Yongbin, RongRong & inri.
Exhibition Location: Three Shadows Photography Art Centre
No.155, Caochangdi, Chaoyang District, Beijing
Opening: 5pm Friday, November 2, 2007
Exhibition Duration: November 2, 2007 to February 24, 2008
10am to 6pm (closed on Mondays)
Photography is a common language amongst different places and groups of people. In the span of time and space, it has greatly influenced the life of every individual. From the moment it was born, photography has left a deep mark on historical representation, becoming a narrator and carrier of modern, global civilization. In today’s globalized vision of the cultural landscape, photography-as-art is playing a greater role in the evolution of every culture.
In Europe, the birthplace of photography art, and Japan, where it has developed to a relatively mature stage, the photographic arts have reached a high standard, producing masters and masterpieces that excite people. The exhibition of the Three Shadows Photography Art Centre’s permanent collection of original works from Europe, America, and Japan embodies the most important values of photography art, namely the image’s aesthetic appeal and the true, individual impressions of the artists. These photographic works are rarely seen in the country, and contact with them can give audiences the historical coordinates and standards for evaluation for appreciating photography art. Through these works, viewers can also gain a more objective and complete understanding of Chinese contemporary arts’ development and course of growth.
In a China that has experienced a vast amount of changes in the last thirty years, photographic art of all periods are making apparent their uniqueness and effect on cultural history. To a great extent, Chinese contemporary photography was produced under the influence of American and European photography, or amidst the flux of international photography. The differences produced an attempt to mutually understand and exchange. Chinese contemporary photography is now in this environment of convection, developing, and moving towards internationalism. Showing Chinese contemporary photography with the work of older European, American, and Japanese photographic masters provides a field for connecting Chinese contemporary photography and international photographic culture. The exhibition makes apparent each different image tradition’s uniqueness, exploring the value of the image in this era of rapidly changing history and envisioning the use and significance of photography in the society of the future.
