由崔灿灿策划的艺术家张玥个展「不明真相」现正在杨画廊展出中，欢迎朋友们前来观展。

We warmly welcome you to our exhibition「You Miss the Truth」.  We look forward to seeing you in Gallery Yang.

展览现场＆参展作品

EXHIBITION SCENE＆WORKS

无题/2014/ 钢筋混凝土装置/190×122×105cm ×9

Untitled/ 2014/Reinforced Concrete Installation/190×122×105cm×9

这件作品是一个有倒计时锁的小空间，空间分别是120×52×105cm。它的大小跟身体的大小几乎相等，体验者设置倒计时之后进入空间，关上门倒计时开始，倒计时结束之前门将不会被打开，没有钥匙，倒计时结束之后锁会自动弹开，体验者可推开门出来。小屋内部空间没有任何光亮，并且声音会减弱。参与者进入小屋之前需要签署一份具有法律效力的《风险告知书》。告知书一式两份，观众可将自己签署那份和自己的体验带走作为作品的一部分收藏。

The work is a small booth with a countdown lock. The size of the booth is 120 × 52 × 105cm, and its volume is almost that of an ordinary human being. The player sets the countdown lock, and goes inside. At the moment of door being closed, the countdown starts. The door can't be opened, and there is no key. When the countdown finishes, the lock is unlocked automatically, and the player can go out. There is no light inside, and the sound is muted. The player need to sign a Risk Notification file beforehand, which has legal effect. The file has two signed copies, and the player may take one away, which is a part of the work, and adds it to his personal collection.

2003051420070427/ 2003-2007/ 纸本/ 32×24cm×108

2003051420070427/2003-2007/ Pencil, Oil Pastel on Paper/32×24cm×108

2003年5月14日到2007年4月27日我在监狱服刑，期间画了很多很多画，有狱友的头像，有生活里面的物品，有监狱里面的风景，在每个月与家人见面时就偷着带出来一些，最后大量的画还是留在了监狱里面。03年刚去的时候，坐在那儿画画的话会被认为不积极参加劳动改造，只能趁着管理员和狱警看不见的时候偷着画一点。因为在监狱里面刀片是违禁品，所有的铅笔都是在水泥地上倒上水磨出来的。后来，母亲送了一盒油画棒给我，我就又画了些彩色的画。

I served a sentence in jail from May 14, 2003 to April 27, 2007, and painted many paintings in the course of that time. They were portraits of my inmates, paintings of daily items, and scenes inside the jail. Upon the monthly meetings with my family,some of them were sneaked out. Most of them, however, were left in the jail at last. In the first months in 2003, to sit and paint was thought as an negative attitude of mine toward the labor rehabilitation, and I was able to paint only when out of the watch of wardens and guards. Blades was prohibited in jail of course, so all my pencils were sharpened by grinding them upon wet cement floor. Later, my mother sent me a box of oil pastels, with which I drew some colorful paintings.

狱内违禁品/2013/ 综合材料/ 多种尺寸

The Never Items in Jail /2013/ Mixed Media/ Different Sizes

这件作品中展出的所有物品都是每个时期监狱犯人被搜出来的狱内违禁品，和违规违纪行为的检查，有自制的切水果的刀片，有人收集夏天的藿香正气水当酒喝，有人因为传抄村上春树而受到处罚，有人因为在监规上乱写乱画而受到处罚，诸如此类，不一而足。

All the exhibited items in this work were either something prohibited and confiscated in jail, or self-criticisms wrote by prisoners breaking discipline. There were various wrong doings: some collected Huoxiang Zhengqi Syrup in summer, and drank it as liquor; some made and circulated hand-written copies of the novels by Murakami Haruki; some doodled upon the Stipulation of the Jail, etc.

监狱服刑人员行为规范/2006/ 纸本/ 32×24cm×57

The Behavior Standard of Prisoner/2006/ Ink on Paper/ 32×24cm×57

监狱服刑人员行为规范，俗称监规三十八条，是由司法部2004年5月1日第八十八号令发布实施的，山东省济南监狱2005年7月1号印制。2005年我20岁，在监狱服刑时接到一个任务，让我把狱内服刑人员行为规范的内容配上图片，要求是“生动”、“严肃”、“结合狱内实际情况”，我用了一个多月画完了55张画。奖励了20分。折合假释刑期6个月。

The Behavior Standard of Prisoner, so called Rule 38, was enacted by the Department of Justice in its 88th ruling on May 1, 2004, and printed by the Jinan Jail, Shandong Province on July 1, 2005. In 2005 when I was 20, I got a task in jail: to draw illustrations for the Standard. The illustrations should be 'vivid', 'serious', and 'adaptingto the real circumstance in the jail'. It took me over one month to draw 55 pictures, and I was rewarded 20 points, which would amount to 6 months of parole.

绘画计划/2011/ 纸本，照片/多种

Painting Project/2011/ Mixed Media/ Different Sizes

这件作品是2011年的冬天开始做的，之前我们想去拍摄监狱狱墙，在拍摄过程中受到了监狱狱警和武警的阻拦，并指明狱墙、电网、武警岗之类带有监狱特征的东西不允许拍摄。因此，我将所有不允许拍摄的地方用笔画下来，画画的材料是临时攒的，有警察的烟盒、服刑人员家属招待所的信纸、监狱医院的药品袋等。

This work was initiated in the winter of 2011. We went to shot photos of the jail walls, but were stopped by guards and armed policemen, being told that anything characteristic of jail, like jail wall, electric fence, sentry of armed police,could not be photographed. So I drew all such the things instead. The materials used were picked up on site, such as cigarette case, writing paper printed by the official hostel to accommodate relatives of prisoners, pharmacy bag of the jail hospital, etc.

明天/2014/ 音频/ 15分钟

Tomorrow/ 2014/ Audio Files/ 15 Minutes

我想做一个关于战争的黑匣子，但这场战争还没有开始，我找了很多录音师，让大家用声音告诉我那个还未开始的战争是怎样的。

I wanted to make ablack box about a war. Since the war has not yet started, I found many recording engineers, and asked them to tell me what the still-to-come war is like with sounds.

张玥的白色全书/ 2014/ 纸本/ 32×24cm×520

Various Kinds of White/2014/ Ink on Paper/ 32×24cm×520

从2013年，我开始搜集身边的白颜色，将它们编辑成一套关于白颜色的系统，并按照潘通国际制色原理把它们的配比数值调制出来，做成色谱。目前已有8136种颜色。

Since 2013, I began to collect the white colors around me, and compiled a system of whiteness. I made these white colors in computer using the Pantone code, and listed them to form a color spectrum. So far it consists of 8136 colors.

The Empire Plan/ 2013/ 电子邮件/ 500封邮件

The Empire Plan/ 2013/ Email/ 500 Emails

帝国计划是在冷战史上一份争议最大的计划书，赫鲁晓夫政府一直不承认制定了这份计划，肯尼迪政府却搜寻了各种证据指出这是一份确实存在的为了消灭美国而制定出来的计划，50多年过去了，我参考着50年来发生在世界上的事情加上自己的想象，杜撰了这一份消灭美国的计划，之后将它以邮件的形式传播于世界各地的邮箱之间。为了躲开各种软件对于敏感词的审查，我将大小写统一成大写，去掉所有的间隔符，外表看上去它只是一些字母随机的排放。这增加了阅读的难度，但还是有人会辨认出古巴复国主义、中程导弹、关塔纳摩监狱这些散发着恐怖信息的词汇。

The Empire Plan was one of the most controversial projects in the age of the Cold War. The Khrushchev regime always denied that it ever drew up the project, while the Kennedy regime collected various evidences to prove it was a real project to destroy the US. Over 50 years later, making use of world events from then on, and also using my imagination, I fabricated a project to destroy the US, which I spread throughout the world via email. To pass the sensitive-word surveillance of various softwares, only capital letters were used, and all the punctuation marks were deleted. Thus it looks like a random combination of letters, and is hard to read. But it is still possible to recognize some terrifying phrases, such as restorationism of Cuba, medium-range missile, and Guantanamo Bay detention camp.

高潮档案/ 2014/ 音频，图片/音频14分钟+照片10×10cm×50-70

The Archives of Orgasm/2014/ Audio Files, Photos/Audio 14 Minutes+Photo 10×10cm×50-70Pieces

今年由于创作的关系我去了7次济南监狱，认识了很多不同系统的警察，其中有一类叫鉴黄师，专门鉴别哪一些是“黄色制品”。通过聊天我知道成为一名鉴黄师是需要考试的，试题里面包含图像的鉴别，文字的鉴别，视频的鉴别。我发现没有关于声音的“黄色制品”的鉴别，我就一厢情愿地想为鉴黄师的试题制作一个声音的部分，也就是说为高潮的叫床声建立一个系统。之后会申报公安局有关部门作为鉴黄师的考试试题来使用。

This year I went tothe Jinan Jail 7 times for the sake of work, and got to knew many policemen of different kinds. One kind of them is porn identifier, whose job is to determine whether a product should be considered as pornography or not. After talking to them I learned that one needs to pass an exam to become a porn identifier. The examination included identification of image, text, and video. Since there was no part about identification of voice, I thought by myself that I would like to make one for the exam: to constitute a system of orgasm cries. I will submitthis system to the Public Security Bureau to be used as a part of the qualification exam of porn identifier.

银鲑00001/2013/ 纸本/ 32×24cm×32

Silver Salmon No.00001/2013/ Ink on Paper/ 32×24cm×32

我在工作室的时候特别想在太平洋里收藏一条鱼，之后我尽最大能力描述了这条鱼，然后为它做了一份收藏证书，还制定了一份与抓捕相关的计划。

One day when I was in my studio, I badly wanted to collect a fish from the Pacific Ocean. Then I did my best to describe the fish, and made for it a certificate of collection. I also made a plan to catch it.

Vogue/ 2014/ 纸本水彩/ 32×24cm×547

Vogue/ 2014/Water Coloron Paper/ 32×24cm×547

2013年冬天，我每天用水彩复制一张《Vogue》杂志里的一页，有的时候一天画很多张，有的时候一天画一张，一直画到2014年7月28号，一共画了551张，复制完整本书。这本《Vogue》是2012年3月份，去参加朋友婚礼的路上在机场买的。

In the winter of 2013, I began to make watercolor copies of the pages of a Vogue issue. Sometimes I drew many pieces a day, sometimes a piece a day. On June 23, 2014, I completed the entire copy of the issue, with a total of 551 pieces. It was a Vogue issueI bought on an airport in March, 2013 when I was on my way to a friend's wedding.

It Is What He Likes/2014/纸本，照片/ 15.2×10.2cm×63

It Is What He Likes/2014/ Paper，Photo/ 15.2×10.2 cm×63

2014年7月31号我参加了纽约切尔西艺术区凯尚画廊的驻留计划，为期一个月。画廊提供了一间工作室，一个月后将展示自己制作的作品，我不喜欢工作室，也不需要工作室，这一个月我也不想做作品，所以我将工作室出租给了与我同行的另一个艺术家，然后将租金给了画廊里的最漂亮的一个姑娘Amy Purssey作为工资，Amy带我去我想去的地方，我们去看电影，去克尼岛坐云霄飞车，吃华尔街最贵的馆子，去曼哈顿最好的夜场，寻找当地最好的鸡尾酒酒吧，等等等等。一路上我们请纽约的市民给我们拍合影。题目是Amy Purssey取的。

On July 31, 2014 my residence project in Klein Sun Gallery in Chelsea Art Galleries, New York began. It would last one month. The gallery provided a studio, and the finished work would be exhibited. I didn't liked studios, and needed one neither. I didn't want to make a work in that month. So I rent my studio out to another artist who travelled with me, and hired the prettiest girl in the gallery Amy Purssey with the rent. Amy took me to places I liked to visit. We went to cinema, to the roller coaster of Coney Island, to the most expensive restaurant, to the best night club of Manhatan, and looked for the best cocktail bar, etc. Throughout the journey we asked local people take group photos for us. This work was titled by Amy Purssey.