《景•悟》—— 周围艺术影像展
《景•悟》
—— 周围艺术影像展
Landscapes/ Insights
Photography Show at Aroundspace
艺术家：曾力，陆元敏，罗永进，
马良，董文胜，王豫明，常河，严怿波，卜云军
开幕：2010年3月20日 下午四点半
展览时间：2010年3月21日至5月9日 （周一周二休息， 10：00-18：00）
地址：上海 威海路696号11号楼108室 （近陕西北路）
风景的标准有很多，最终的标准是人文的标准。
观看的方式也很多，中国的古人登高而望，望，即中国传统观“景”的方式。望祭山川，是一种方式，也是一种态度。“望”出天下，“望”见心胸。此次参展的九位艺术家以“望”的姿态体验着当下的“中国景物”：山川，自然，城市，物欲。
曾力的《十三陵》沉着静远，转四时之不同；强大而坚硬的《工厂》系列，呈现出冰冷的意志。
陆元敏的作品如同随意采撷的人世趣味，神似佛祖拈花。
罗永进在旅途中捕捉的镜花水月，兴之所致。
马良的“造”景，“造”出的悲欢离合和沧桑变化，虚幻中的真实之痛。
董文胜的 “精神花园”里，传统意识在新的解读中得以延续。
王豫明的作品是他静谧的梦境，平静之下的波澜汹涌，给观者带来欲罢不能的迷失和沉醉。
常河的作品是在动物园中的一场生命的演出，彼此依偎，等待落幕，残酷而又惊艳。
严译波的镜头是一把锋利的手术刀，解剖着这个城市的情绪和肉身。
卜云军的表达非常“犹豫”，人们常常忽略“直接”之外的被遗落的犹豫之美，模糊却又坚定。人生往往因为执着，所以犹豫的等待着。
艺术家们将自己的意识和现实的经纬，编织出疏密不同的生命之网。每个人都有自己不同的“景物之悟”，因此而演绎出不同的人世风景和变幻的人文世界。
最终大悟无言。一幅幅静止的画面。
Landscapes/ Insights
Photography Show at Aroundspace
Zeng Li, Lu Yuanmin, Luo Yongjin, Maleonn, Dong Wensheng, Wang Yuming,
Chang He, Yan Yibo, and Bo Yunjun
There are different ways to interpret landscapes in art, as well as different criteria to judge artworks with landscapes; and the ultimate standard is in a cultural way. There are also different ways to view landscapes. In ancient China, people used to climb to the high to view landscapes, which is a traditional way to appreciate landscapes. To gaze the mountains and the rivers, is a way ancient Chinese to look outside the world and to engage in introspection.
The nine artists, who exhibit their works in Landscapes/Insights, are viewing and showing a current panorama in China, including landscapes, nature, city life and so on.
In his Ming Dynasty Tombs, Zeng Li presents landscapes of four different seasons, objectively; while his Factories series, reveals the artist’s sharp perspective and crystal clear taste. Lu Yuanmin’s works are full of joyful enlightenments, as if they are Zenic anecdotes. Luo Yongjin captured the ephemeralness during his trip, when he improvised shooting floating light and images. Maleonn is building his own “landscapes” with vigorous images, which evokes a true feeling of hurt via a virtual environment. Dong Wensheng reinterprets tradition in his spiritual garden. Wang Yuming’s depicts his dreams, which have a peaceful surface, while brings lost and obsession to viewers. Chang He’s works are about caged animals in the zoo. They are supporting each others on a cruel yet extremely beautiful stage, waiting for their ends, pathetically. Yan Yibo uses his lenses to anatomize this city’s moods and body. Bo Yunjun brings a sense of hesitation in his art, which is usually overlooked by many people, blurred yet solid. Because of his persistence, Bo is waiting, hesitantly.
These artists created a panorama of life in different capacity, by imposing their own ideas into the real landscapes. Everyone gets his own insights from the landscapes in this world, and therefore, everyone is experiencing a ceaselessly changing world.
In the end, there are only pieces of images, for the insights of landscapes are silent.
Landscapes/Insights are on view at Aroundspace, No.696, Weihai Road, from March 12 through April 12, 2010.
—— 周围艺术影像展
Landscapes/ Insights
Photography Show at Aroundspace
艺术家：曾力，陆元敏，罗永进，
马良，董文胜，王豫明，常河，严怿波，卜云军
开幕：2010年3月20日 下午四点半
展览时间：2010年3月21日至5月9日 （周一周二休息， 10：00-18：00）
地址：上海 威海路696号11号楼108室 （近陕西北路）
风景的标准有很多，最终的标准是人文的标准。
观看的方式也很多，中国的古人登高而望，望，即中国传统观“景”的方式。望祭山川，是一种方式，也是一种态度。“望”出天下，“望”见心胸。此次参展的九位艺术家以“望”的姿态体验着当下的“中国景物”：山川，自然，城市，物欲。
曾力的《十三陵》沉着静远，转四时之不同；强大而坚硬的《工厂》系列，呈现出冰冷的意志。
陆元敏的作品如同随意采撷的人世趣味，神似佛祖拈花。
罗永进在旅途中捕捉的镜花水月，兴之所致。
马良的“造”景，“造”出的悲欢离合和沧桑变化，虚幻中的真实之痛。
董文胜的 “精神花园”里，传统意识在新的解读中得以延续。
王豫明的作品是他静谧的梦境，平静之下的波澜汹涌，给观者带来欲罢不能的迷失和沉醉。
常河的作品是在动物园中的一场生命的演出，彼此依偎，等待落幕，残酷而又惊艳。
严译波的镜头是一把锋利的手术刀，解剖着这个城市的情绪和肉身。
卜云军的表达非常“犹豫”，人们常常忽略“直接”之外的被遗落的犹豫之美，模糊却又坚定。人生往往因为执着，所以犹豫的等待着。
艺术家们将自己的意识和现实的经纬，编织出疏密不同的生命之网。每个人都有自己不同的“景物之悟”，因此而演绎出不同的人世风景和变幻的人文世界。
最终大悟无言。一幅幅静止的画面。
Landscapes/ Insights
Photography Show at Aroundspace
Zeng Li, Lu Yuanmin, Luo Yongjin, Maleonn, Dong Wensheng, Wang Yuming,
Chang He, Yan Yibo, and Bo Yunjun
There are different ways to interpret landscapes in art, as well as different criteria to judge artworks with landscapes; and the ultimate standard is in a cultural way. There are also different ways to view landscapes. In ancient China, people used to climb to the high to view landscapes, which is a traditional way to appreciate landscapes. To gaze the mountains and the rivers, is a way ancient Chinese to look outside the world and to engage in introspection.
The nine artists, who exhibit their works in Landscapes/Insights, are viewing and showing a current panorama in China, including landscapes, nature, city life and so on.
In his Ming Dynasty Tombs, Zeng Li presents landscapes of four different seasons, objectively; while his Factories series, reveals the artist’s sharp perspective and crystal clear taste. Lu Yuanmin’s works are full of joyful enlightenments, as if they are Zenic anecdotes. Luo Yongjin captured the ephemeralness during his trip, when he improvised shooting floating light and images. Maleonn is building his own “landscapes” with vigorous images, which evokes a true feeling of hurt via a virtual environment. Dong Wensheng reinterprets tradition in his spiritual garden. Wang Yuming’s depicts his dreams, which have a peaceful surface, while brings lost and obsession to viewers. Chang He’s works are about caged animals in the zoo. They are supporting each others on a cruel yet extremely beautiful stage, waiting for their ends, pathetically. Yan Yibo uses his lenses to anatomize this city’s moods and body. Bo Yunjun brings a sense of hesitation in his art, which is usually overlooked by many people, blurred yet solid. Because of his persistence, Bo is waiting, hesitantly.
These artists created a panorama of life in different capacity, by imposing their own ideas into the real landscapes. Everyone gets his own insights from the landscapes in this world, and therefore, everyone is experiencing a ceaselessly changing world.
In the end, there are only pieces of images, for the insights of landscapes are silent.
Landscapes/Insights are on view at Aroundspace, No.696, Weihai Road, from March 12 through April 12, 2010.
