三潴画廊2009年首展——"天欲｜INSTINCT"，展出了日本当代艺术家KYOTARO、櫻井理恵子、谷口奈津子、三宅玄朗和宮崎勇次郎的新作。这五位艺术家活跃于日本的同时，也积极地开拓了通向世界当代艺术舞台的道路。

Mizuma & One Gallery holds its 2009 debut show, "INSTINCT," displaying the latest works by contemporary Japanese artists KYOTARO, SAKURAI Rieko, TANIGUCHI Natsuko, MIYAKE Genro, and MIYAZAKI Yujiro. The five artists have not only become actively engaged in Japanese art circle, but also paved their way to the international arena of contemporary art.


展 题： 天欲︱INSTINCT——日本当代艺术五人展
展 期： 2009年2月14日（周六）～ 3月22日（周日）
参展艺术家： 青木京太郎、樱井理惠子、谷口奈津子、三宅玄朗、宫崎勇次郎
开幕酒会： 2009年2月14日（周六）14：00～18：00
开放时间： 周三～周日 10：00～18：00（节假日除外，周一、周二仅限预约）
展览地点： 北京市朝阳区草场地241－15号，三潴画廊

Title: 天欲︱INSTINCT——Japanese Contemporary Art Group Show
Duration： Feb.14 (Sat.) － Mar. 22 (Sun.), 2009
Artists: KYOTARO, SAKURAI Rieko, TANIGUCHI Natsuko,
MIYAKE Genro, MIYAZAKI Yujiro
Reception： Feb. 14, 2009 (Sat.) 14:00－18:00
Hours： Wed.－ Sun. 10:00-18:00
(Closed on National Holidays, Mon. & Tues. for Appointment Only)
Address： No.241-15 Cao Chang Di Art-Zone, Chaoyang Dist, Beijing 100015, CHINA


Information:
Tel：+86-10-5127-3267
Fax：+86-10-5127-3268
Press：Jiaojiao（MOU Weijiao）
Email：info@mizuma-one.com
Web：http://www.mizuma-one.com


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附艺术家简介：


KYOTARO刚出道时是位漫画家，后来以铅笔插图画而备受注目。她的作品多为时尚界和音乐界而作。用铅笔描绘出的线条，极富跳跃感。观看时，甚至有不知何时它们会跃出画面，静止于空中之感。在此展出的新作是近年来持续创作的"神族系列"的续编，描绘了优雅而色彩缤纷的"鹿神"。那是能将观者吸引入其中的神，真理也在那里宿眠。

櫻井理惠子很注重对画面细部的颜色渐变的处理。初看上去，她的作品风格很可爱，细细品来，其中还有这个时代的物质过剩感以及人类内心潜藏的恶毒感。正所谓，可爱的东西里面含有隐隐的毒素，消极的感情当中也有理想和希望存在。樱井的作品正是描绘了那样一种不完整却难以割舍的残缺感。其实也只有樱井，才能如此完美地平衡可爱和恶毒之间的差异，并在同时表达她自己的感情。在这里展出的新作，其创作意图源于去年大受欢迎的一部动画电影。

谷口奈津子一直在重复着繁复至极的创作。她将从特制的绘画工具中挤出的色点，一滴一滴地拼到画面中，通过那些无数的点和艳丽的色彩来进行创作。 "呕吐物"是在此展出的新作所描绘的主题。一般来说，那是很脏的东西，然而经过谷口的手创作出来，就让人不禁觉得那是无欲无求的、美丽的本真世界。那漫溢的用色和纤密的画面，连同仿若具有繁殖能力一般无限延展的点滴，值得您亲眼一见。

三宅玄朗从日常事物中进行各种各样的妄想，并将之扩大为日常和非日常的混合体。根据刹那、陶醉、嫌恶、预感、暗示和迷等存在于三宅头脑中的带毒的幽默来进行描绘，也许就算持有否定态度，观者都能随着作品的描绘而奔向自我的那个妄想世界之中吧。在此展出的新作名为"白伞盖白雪公主佛母"，她是"白伞盖佛母"和 "白雪公主"的混合体女神，她手持手机、禁果和激光鼠标等物品，能变换各种音色，并拥有令人神魂颠倒的肉体。

宮崎勇次郎的画面中描绘了很多的要素和主题。初见时甚至有描绘过多、所描绘事物之间的关系似有似无之感。不过，如果观者能够用自己的视线逐个追寻这些描绘物而去，便能讲出只属于观者自己的那个故事来。而且每次观看，都能开始一个新的故事，原来这正是描绘如此之多要素的乐趣之所在呢。但愿观者能有如泡在澡盆中一般，放宽衣襟放松心情，随着宫崎所描绘的季节和时间一起流动、漂游。这，就是他的"澡堂子的极乐画"。

Artists' Introduction:


KYOTARO debuted as a cartoonist and has attracted much attention for her pencil illustrations. The majority of her works are done for the fashion and music industries. Her pencil lines appear extremely vibrant and rhythmic. The viewers may have the illusion that, at any unknown moment, the lines may flee from the images and freeze in the open space. The new work on this show is a sequel of the "Divine Family Series" that she has continuously worked on. It depicts the graceful and colorful "Divine Deer," a deity that allures the viewers into the place where Truth resides in sleep.

SAKURAI Rieko puts much emphasis on the touching of color progression at details of the images. Her works look rather cute at the first glance, but upon being digested carefully, they betray the extravagance of this age's materialism and the viciousness lurking at the innermost heart of humankind. As secret toxin exists in the cute, vision and hope survive in pessimistic feelings. What Sakurai's works depict is exactly such kind of disintegration, incomplete but rather hard for one to give up. In fact, it is only Sakurai who can bring such graceful balance to the contrast between cuteness and viciousness, and at the same time express her ambivalent affections. Her new works on this show have been inspired and motivated by a popular animated movie released last year.

TANIGUCHI Natsuko has been long committed to artistic creation, meticulously and laboriously. With dots of color squeezed from specially made painting tools, drop by drop, piecing them together into the images, she paints with countless dots like that and exquisite colors. "Vomit" is the motif depicted in the new work on this show. Normally regarded as dirty and disgusting, the subject matter through her artful hands presents to the viewers an emerging world of purity and innocence, all the more beautiful, free from want and desire. You are bound to see her work with your own naked eyes, to play on the overflowing colors and infinitesimally-knit images filled with colorful dots as if multiplying themselves and extending limitlessly.

MIYAKE Genro plays on eerie phantoms of quotidian subject matters and magnifies them into the mixture of the quotidian and the non-quotidian. Her depiction speaks to the ksana (fleeting moment), euphoria, disgust, prophecy, allusion, riddles, and the like that exist in the vicious humor of her mind. Antagonistic as they can be, viewers may follow the depiction of her work to escape into the phantomlike world of the self. Her work on show is titled "The Trap of Goddess" which is the combination of the fairy Snow White and Buddha Mother under White Canopy. With cellular phones, forbidden fruit and laser mouse in hand, Miyake's goddess possesses a voluptuous and seductive body, and displays her metamorphosis in sound and color.

MIYAZAKI Yujiro in his work displays a variety of elements and themes. The subject matters, as depicted, may appear to be excessive and tend to lack clear interrelationship. The viewer can nevertheless tell his or her unique story by allowing his or her view to follow the subject matters one by one. Moreover, the viewer may start over to tell a new story at each time of viewing the work, and over again. That is just the pleasure of containing so many elements in one work. May the viewer feel like immersing himself or herself in the bath tub, with clothes removed and soul refreshed, floating and flowing with the seasons and timelines Miyazaki portrays. So much is true of his work titled "Four Seasons" – a so-called euphoric painting in the bath