“东北火锅”－－2009 ACEA首展

策展：林栋 林楠
助理：王垒　岳玺
展览时间：2009年1月10日-2009年3月15日
开幕酒会：2009年1月10日16：00-18：00
艺术家： 蔡志松 贾蔼力 刘 艳 马胤鑫 曲英佐 邱洪峰 王鉴湜
王家增 许 成 阎 实 张 峰 张旭东 张志坚 赵晓佳

主办：ACEA国际文化艺术经济交流基金会
协办：美中经贸文化交流协会
美中贸易投资促进会
北京瑞仓投资顾问公司
北欧金兰集团
承办：北京高地画廊
媒体支持：
电视：CCTV-10；BTV文艺；
网媒：艺术国际；东方视觉；雅昌艺术网；美术同盟；99艺术网；卓克艺术网；
今日艺术网；
纸媒：艺术财经；艺术当代；HI艺术；艺术与投资；画廊；艺术地图；
北京晚报；北京青年报；

前言：
隆冬时节,中国当代艺术市场受全球金融危机的影响温度骤降，与之前两三年的火热局面形成鲜明对比。2004-2005年以中国画为主的中国艺术品价格以倍数大幅攀升,有其必然的社会需求和内在原因。当然部分投机者的炒作行为和误导亦对艺术品市场造成了很深的伤害, 但却无损中国优秀艺术品质量在提升的轨道上继续前进。2006-2007年由西方投机资金掀起的“中国当代艺术”狂潮进一步对中国艺术品市场造成了一定的混乱和伤害,并把许多中国年轻画家引入歧途,但这种把中国艺术主次颠倒的误导行为同样只是一种权宜之计。从2008年起, “当代艺术”已进入大幅度调整周期,当人们进一步了解“中国当代艺术”应处的位置和热潮背后的误区后, 人们对于经验的总结将会更清晰什么才是真正有价值的艺术作品,什么才是中国艺术的主流。

这是一个特殊的时代,如今的艺术状态乱云飞渡,潮起潮落,作为中国特殊时代的思索者，今天的艺术家们，能否从原味的角度观看，让艺术回到个体经验和心灵感悟的本位。艺术家在这种潮起潮落的时代中应该秉持一种什么样的心态，艺术家如何能够找回原本的自己，不仅是艺术家自身要思索的问题，也是中国当代艺术市场新一轮整合的重心所在。如果没有投机行为，就不能称之为市场，但成熟市场的标志，还要看真正的收藏家的比例。如果一瓶啤酒都是泡沫，肯定不是好啤酒;但如果没有了泡沫，也不会是好啤酒。
2008已渐行渐远，对于中国当代艺术市场的错误我们不再追究，因为它已经把自己的意义留给了我们，指导我们在艺术市场新的历史阶段中不再重蹈覆辙。谁能够在这种市场经济中掌控自我，谁就能坚持到最后，就像一个成功的机构取决于管理者的品位和素质一样，在一个良性和理性的艺术市场中起主导作用的是艺术家追求艺术的纯粹性和收藏家的纯洁性。
投资者对艺术品要有一个长期持有的心理准备，国外艺术品的平均持有时间为三十年，很难说两、三年就可以有一个很高的回报。因此，艺术市场的重新洗牌，也是收藏家艺术鉴赏力逐渐提升的过程。收藏理念要成熟，不以投机为目的，金融市场的波动不会对收藏产生影响。对于广大的社会各界人士,只有大家热心参与、关心和支持,中国艺术市场才能兴旺发达起来,社会的艺术文化气氛才能得以形成。相信在大家共同的努力下,加上政府的大力支持和鼓励, 中国艺术市场的新局面将会形成,并进入一个良性循环的历史新阶段。
2008年已成为中国艺术品市场微妙的转捩点,一个更为健康和理性的中国艺术品市场即将开始。
本次展览取名为“东北火锅”，一方面主要是因为本次参加展览的都是生在东北的艺术家；另一方面是因为本次展览的艺术家的作品风格有很明显的“火锅文化”倾向。就像是东北人招待贵客时，火锅里的菜摆法颇有规矩，“前飞后走，左鱼右虾，四周轻撒菜花。”本次艺术家的联展正是体现了东北特色的多元化艺术特征，既有粗犷大气的雄浑，也有细腻缜密的感悟，相信观众会从中得到不一样的视觉体验。


----------------------------------------------------------------------------------------------------------------------
开放时间：星期二至星期日11:00- 18:30(星期一休息)
北京市朝阳区酒仙桥路2号(798艺术区东北角)
北京8502#信箱转高地画廊 PC：100015
E-mail: gallery@vip.sina.com
电话:010-64377177
传真:010-84599777
www.gaodigallery.com
----------------------------------------------------------------------------------------------------------------------




Gao Di Gallery Exhibition Info
“Northeast Hotpot”－－2009 ACEA First Exhibition
Curator: Lin Dong Lin Nan
Assistant: Wang Lei Yue Xi
Exhibition Time: 10th January,2009 – 15th March,2009
Opening Party: 10th January,2009 16:00-18:00
Artists: Cai Zhisong Jia Aili Liu yan Ma Yinxin Qu Yingzuo Qiu Hongfeng
Wang Jianshi Wang Jiazeng Xucheng Yanshi Zhangfeng
ZhangXudong ZhangZhijian ZhaoXiaojia
Host：
ACEA International Arts and Economy Communion Foundation

Co-organizer：
America-China Business and Culture Communion Association
American Chinese Trade & Investment Association
Beijing Rui Cang Investment and Consulting CO.
NORDIC CJF OY
Organizer：Beijing Gaodi Gallery
Media Support：
TV：CCTV-10；BTV-Arts；
Network Media： http://www.artintern.net/；
http://www.ionly.com.cn/；
http://www.artron.net/；
http://arts.tom.com/；
http://www.99ys.com/；
http://www.zhuokearts.com/；
http://www.artnow.com.cn/；
Print Media： ART Value；Art China；HI Art；Art&Investment；Gallery；Art map；
Beijing Evening；Beijing Youth Daily；

Foreword:
At the time of bitter winter, Chinese contemporary art market accepts the whole world financial crisis effect temperature suddenly falling, with before two, three years fiery aspects form the sharp contrast. 2004-2005 years climb largely by the traditional Chinese painting ，China art price primarily by the multiple, have its inevitable social demand and the immanent cause. Of course, some speculators speculation and misleading conduct on the art market has also caused deep hurt, but non-destructive quality of China's outstanding works of art to enhance the track continue to move forward. 2006-2007 years raised "Chinese contemporary art" by the Western speculative capital the raging tide to further create certain confusion and the injury to the Chinese art market, and misled many Chinese young painters, but this kind the Chinese art primary and secondary inversion's misleading behavior similarly was only one expedient measure. From2008, “Contemporary art” entered the large scale adjustment cycle, when the people further understood "China Contemporary Art" should place behind after position and upsurge erroneous zone, the people's experience will be more clearly what is truly the value of works of art, what is the mainstream of Chinese art.
This is a special era, present's artistic condition chaotic cloud flies across, the tide has the ebb tide, takes the Chinese special time the meditator，do today's artists, whether from the primary taste angle onlooking，let art return to the standard which the individual experience and the heart inspiration become aware. Artists in this era of ebb and flow should uphold what kind of mentality, artists how to retrieve the original himself, is not only the artists themselves to thinking about the issue, but also China's contemporary art market in the new round of the focal point of integration .
If there is no speculation, it can not be called a market, but a sign of mature markets, but also the proportion of genuine collectors. If bottle of beer are the froths, definitely is not the good beer; But if did not have the froth, also will not be the good beer.
2008 gradually further and further away, for Chinese contemporary art market mistakes we no longer pursue the matter, because it had already left her significance we, instructs us no longer to make same mistakes over again in the artistic market new historical stage. Who can control in this kind of market economy, who can insist finally, as a successful institution depends on the grade and quality of managers, in a healthy and rational art market plays a leading role in the pursuit of an artist the purity of art and collectors purity.
Investors have a long-term holders of works of art prepared works of art abroad, the average hold time for three decades, it is difficult to say two or three years can have a very high returns. Therefore, artistic market to reshuffle, is also the process which the collector art percipient promotes gradually.
The collection idea must be mature, and not for the purpose of speculation, financial market volatility does not have an impact on collections. Regarding the general community public figures, only then everybody participates, the care and the support warm-heartedly, the Chinese art market can the prosperous development, society's artistic culture atmosphere can be able to form. I believe that our common efforts, coupled with strong government support and encouragement, the Chinese art market will be the formation of a new situation, and enter a virtuous circle of a new stage of history.
In 2008 the Chinese art market has become a delicate turning point, a more healthy and rational Chinese art market is about to begin.
This exhibition named "Northeast Hot pot", on the one hand, is mainly due to take part in this exhibition are artists born in the Northeast; On the other hand this is because the exhibition of the artist's works have a very clear style "hot pot culture" tendency.
Likely is when the northeasterner entertains the honored guest, in hot pot's vegetable arrangement has the custom, after “forward flight walks, the left fish right shrimp, all around lightly scatters the cauliflower.” This artist's joint exhibition has manifested the Northeast characteristic multiplex art characteristic, also had the rough atmospheric vigor, also had the exquisite meticulous feeling to become aware, believed that the audience will obtain the dissimilar visual experience.


-------------------------------------------------------------------------------------------------------------------
Opening Hours: 11:00-18:30 (Tuesday-Sunday, Monday by appointment only)
No.2 Jiuxianqiao Road,Chaoyang District, Beijing ,P.R.China PC：100015
Tel: 010-64377177
Fax: 010-84599777
E-mail: gallery@vip.sina.com
Website: www.gaodigallery.com
-------------------------------------------------------------------------------------------------------------------